The play tells the story of three maiden sisters - Masaraga, Malinao, and Mayon - born in the land of Ibalon. Each sister had a unique beauty. Tragedy strikes as the evil creatures Aswang and Oriol seek revenge against the sisters, killing them one by one. Mountains grow at each sister's burial site. In the end, the spirits of the three sisters help defeat Aswang and his followers, dancing with the people of Rawis to conclude the story of the three mountains.
Kabuki is a traditional Japanese form of theater known for stylized drama performed by male actors. Key elements include dramatic makeup, elaborate costumes, historical and domestic stories performed over a full day, and a revolving stage with trapdoors. Actors hold poses called "mie" and apply distinctive makeup including white base with stylized red, blue, or black lines. Costumes, props, and fast costume changes are also important artistic elements of Kabuki performances.
The document tells the story of a poor farmer in Japan who is ordered to kill his elderly mother according to a cruel new law, but instead hides her and cares for her in secret, relying on her wisdom to solve problems, and ultimately convincing the governor to abolish the law through his demonstration of her value.
This poem describes William Wordsworth's encounter with a solitary Scottish girl reaping grain in a field and singing a melancholy song. The poet watches from a distance in awe of her beautiful singing voice, which he compares favorably to that of nightingales and cuckoos. Wordsworth speculates on the content of the girl's incomprehensible song, wondering if it is about past battles or present-day struggles. Throughout the poem, the girl continues singing as if her song has no end, leaving the melody lingering in the poet's mind even after he can no longer hear it.
REGION XII (SOCCSKSARGEN) Philippine Literature
LITERARY WORKS
ULAHINGAN, INDARAPATRA AT SULAYMAN,
MONKI, MAKIL & THE MONKEYS, LAMGE
AUTHOR/S
JAIME AN LIM (1946-present)
This Egyptian fairy tale tells the story of two brothers, Anubis the god of death and Bata the bull god. It also mentions several other important Egyptian gods like Ra the sun god, Atum the creator god, and Khnum the god of creation and waters. The tale explores the relationship between the two brothers and their places in the Egyptian pantheon.
The document describes the history and geography of Region X in the Philippines. It discusses the five provinces that make up the region: Bukidnon, Camiguin, Misamis Occidental, Misamis Oriental, and Lanao del Norte. It then provides two versions of the story about how Cagayan de Oro city got its name, which involve encounters between warriors or chieftains and the beautiful daughter of a local Muslim leader.
This presentation, which was designed especially for secondary school students, features the characteristics of Japanese Noh Theater, and a brief overview of Seami's Noh play entitled Atsumori.
The poem describes a father's attempt to protect his young son from nettles after he fell in the nettle bed. The father soothes the boy's blistered skin, then aggressively slashes the nettles with a blade. He burns the fallen nettles, thinking the battle is won, but within two weeks new nettles have grown, implying the futility of trying to protect one's child from life's inevitable pains.
Daragang Magayon was a beautiful maiden who was courted by the powerful chieftain Pagtuga, but she loved Panganoron who had saved her from drowning. When Pagtuga learned of their planned wedding, he kidnapped Magayon's father to force her to marry him instead. Panganoron returned to fight Pagtuga, but during the ensuing battle both Magayon and Panganoron were fatally wounded. Their bodies were buried in a grave that later erupted as a volcano, now known as Mayon volcano, whose mists and rains are said to represent the eternal love between Magayon and Panganoron.
29780777 cantos-y-rezos-de-los-santos-moyugba-rezo-a-olorun-a-olordumare-a-ob...Pedro Jose Ascanio
油
Este documento contiene oraciones y cantos dirigidos a diferentes deidades de la religi坦n Yoruba. En menos de 3 oraciones, rinde homenaje a dioses como Eleggu叩, Ogg炭n, Obatal叩, Yemay叩 y Chang坦, pidiendo su protecci坦n y bendici坦n. Finaliza con cantos dedicados a Eleggu叩 y Ochosi.
English 7 Lesson 3 English Communication Arts and Skills Through Philippine Literature
Enriched with details on Ifugao culture and traditions
Includes possible performance task activities and criteria for evaluation or scoring system
May be used to summarize the story or discuss it in class as an introduction to Filipino Epics
Folk Arts and Crafts of the Caraga and ARMM RegionsJaneAira1
油
CARAGA is a region in the Philippines named after the word "Kalag" meaning "Spirit of the Soul". It is also known as the "Region de Gentle Animosa" or "Region of Spirited men". Traditional artifacts from the region include death masks, sacred threads, gold sashes, and dagger handles.
Philippine mythology is the collection of myths and epics derived from and incorporated into indigenous Philippine folk religions, which comprise numerous ethnic beliefs that are unique from one another.
Este documento presenta una introducci坦n al libro La Peste de Albert Camus. Describe la ciudad de Or叩n en Argelia, donde se desarrolla la historia, como una ciudad aburrida y moderna donde la gente se dedica principalmente al trabajo y los negocios. Tambi辿n describe c坦mo empiezan a aparecer ratas muertas de forma inusual en los pasillos de un edificio, lo que llama la atenci坦n del doctor Bernard Rieux.
Readers theater is a technique where readers read parts from a script aloud to an audience without memorization or blocking. It focuses on expressive reading to help audiences understand and enjoy the story. There must be at least two readers - one to read character lines and another to read narration. An engaging readers theater presentation varies the readers' voices and keeps the audience interested so they can imagine what is happening. Chamber theater is similar but allows some movement and memorization. It uses narrative works adapted for stage with a narrator and actors having dual roles of interacting characters and narrators.
Best slides ever on All the world's a stage
written by William Shakespeare
Department of education
UOS
All the world's a stage
All the world's a stage
All the world's a stage
All the world's a stage
The Panagbenga festival is held annually in February in Baguio City, Philippines. It celebrates the city's flowers and was created as a tribute after an earthquake. The festival features floats decorated with flowers and street dancing competitions. It draws thousands of spectators each year and has helped raise Baguio City's profile in tourism. This year marks the 16th Baguio Flower Festival and its theme is "The Environment and Community in Harmony."
This dance tells the story of Princess Gandingan from the Maranao epic Darangen. As she walks through the forest during an earthquake, she gracefully avoids falling trees represented by crisscrossed bamboo poles. Her slave accompanies her. The princess is finally saved by the prince. Variations include a version where the princess plays with butterflies in the garden, represented by fan dancers. When performed by the Bayanihan Dance Company, the Singkil was adapted for Western audiences but became very popular. It involves four movements and skilled manipulation of fans representing winds. Royal women in Sulu still learn this difficult dance today.
The document is titled "Patipembas de lucero" and consists of page numbers ranging from 1 to 24 without any other text or content on the pages. It appears to be a placeholder or template for a 24 page document.
Lam-ang is an epic poem from the Ilocos region of the Philippines about the son of Don Juan and Namongan named Lam-ang. When Lam-ang's father Don Juan disappears while fighting enemies, the young Lam-ang sets off on a journey to find him. He discovers his father's severed head and avenges his death by defeating the local chieftain. Lam-ang later courts and marries his love, Ines Kannoyan, facing challenges along the way. After being resurrected by his magical pets after dying, Lam-ang is reunited with his wife.
El documento presenta informaci坦n sobre los Ibeyi (gemelos divinos) en la religi坦n Yoruba y c坦mo su culto lleg坦 a Cuba. Existe discrepancia sobre su origen geneal坦gico, con algunas versiones que los describen como hijos de Chang坦 y Och炭n o Chang坦 y Oy叩. El documento explora estas contradicciones y busca aclarar la verdad sobre la identidad y el papel de los Ibeyi.
Drama is a specific mode of fiction represented in performance that involves communication between actors and spectators. It uses action and speech to tell a story through individuals or groups acting with their bodies and minds. Three major forms of traditional Asian drama are discussed: Chinese drama (Vun Pan Shi, Sin Pan Shi, Vun Min Shi), Japanese drama (Noh plays, Joruri puppet plays, and Kabuki drama), and early forms of Philippine drama like duplo and karagatan debates. Modern Philippine drama was rejuvenated by groups like Repertory Philippines, and the country's film industry began with movies like Dalagang Bukid in 1919.
This document provides a critical analysis of the Robert Burns poem "A Red, Red Rose" in five parts. It introduces Burns and gives biographical information about the poet. It then summarizes each of the poem's four stanzas, in which the speaker expresses eternal love for his beloved by comparing her to a rose and promising to love her until natural impossibilities occur. The analysis explores themes of love, time, duty and responsibility. It concludes by praising the poet's ability to vividly portray profound romantic love through literary devices.
Textile tradition Art Philippines | Pop Culturenyxthepotato
油
Textile tradition Art Philippines | Pop Culture.
Some pictures may appear black/blurred because they are actually videos and they can't play because this presentation has been converted to a pdf file :)
The document provides demographic and economic information about the Zamboanga Peninsula region of the Philippines. It includes tables showing population sizes and densities for the provinces and cities in the region. The key industries mentioned are fishing, farming, and processing of agricultural crops like coconut, banana, and rubber. The region has diverse ethnic groups including Subanon, Tausug, Bajau, Yakan, and others. Major festivals celebrated in the region showcase the various local cultures.
This document provides an overview of Japanese literary genres, including examples. It discusses short stories, novels, non-fiction works like personal narratives, autobiographies and essays. It also covers drama genres like comedy and tragedy, as well as poetry, folk literature including fairy tales and myths, graphic novels, and more. A wide variety of authors and their works are exemplified for each genre.
Database population in Odoo 18 - Odoo slidesCeline George
油
In this slide, well discuss the database population in Odoo 18. In Odoo, performance analysis of the source code is more important. Database population is one of the methods used to analyze the performance of our code.
How to Setup WhatsApp in Odoo 17 - Odoo 際際滷sCeline George
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Integrate WhatsApp into Odoo using the WhatsApp Business API or third-party modules to enhance communication. This integration enables automated messaging and customer interaction management within Odoo 17.
Daragang Magayon was a beautiful maiden who was courted by the powerful chieftain Pagtuga, but she loved Panganoron who had saved her from drowning. When Pagtuga learned of their planned wedding, he kidnapped Magayon's father to force her to marry him instead. Panganoron returned to fight Pagtuga, but during the ensuing battle both Magayon and Panganoron were fatally wounded. Their bodies were buried in a grave that later erupted as a volcano, now known as Mayon volcano, whose mists and rains are said to represent the eternal love between Magayon and Panganoron.
29780777 cantos-y-rezos-de-los-santos-moyugba-rezo-a-olorun-a-olordumare-a-ob...Pedro Jose Ascanio
油
Este documento contiene oraciones y cantos dirigidos a diferentes deidades de la religi坦n Yoruba. En menos de 3 oraciones, rinde homenaje a dioses como Eleggu叩, Ogg炭n, Obatal叩, Yemay叩 y Chang坦, pidiendo su protecci坦n y bendici坦n. Finaliza con cantos dedicados a Eleggu叩 y Ochosi.
English 7 Lesson 3 English Communication Arts and Skills Through Philippine Literature
Enriched with details on Ifugao culture and traditions
Includes possible performance task activities and criteria for evaluation or scoring system
May be used to summarize the story or discuss it in class as an introduction to Filipino Epics
Folk Arts and Crafts of the Caraga and ARMM RegionsJaneAira1
油
CARAGA is a region in the Philippines named after the word "Kalag" meaning "Spirit of the Soul". It is also known as the "Region de Gentle Animosa" or "Region of Spirited men". Traditional artifacts from the region include death masks, sacred threads, gold sashes, and dagger handles.
Philippine mythology is the collection of myths and epics derived from and incorporated into indigenous Philippine folk religions, which comprise numerous ethnic beliefs that are unique from one another.
Este documento presenta una introducci坦n al libro La Peste de Albert Camus. Describe la ciudad de Or叩n en Argelia, donde se desarrolla la historia, como una ciudad aburrida y moderna donde la gente se dedica principalmente al trabajo y los negocios. Tambi辿n describe c坦mo empiezan a aparecer ratas muertas de forma inusual en los pasillos de un edificio, lo que llama la atenci坦n del doctor Bernard Rieux.
Readers theater is a technique where readers read parts from a script aloud to an audience without memorization or blocking. It focuses on expressive reading to help audiences understand and enjoy the story. There must be at least two readers - one to read character lines and another to read narration. An engaging readers theater presentation varies the readers' voices and keeps the audience interested so they can imagine what is happening. Chamber theater is similar but allows some movement and memorization. It uses narrative works adapted for stage with a narrator and actors having dual roles of interacting characters and narrators.
Best slides ever on All the world's a stage
written by William Shakespeare
Department of education
UOS
All the world's a stage
All the world's a stage
All the world's a stage
All the world's a stage
The Panagbenga festival is held annually in February in Baguio City, Philippines. It celebrates the city's flowers and was created as a tribute after an earthquake. The festival features floats decorated with flowers and street dancing competitions. It draws thousands of spectators each year and has helped raise Baguio City's profile in tourism. This year marks the 16th Baguio Flower Festival and its theme is "The Environment and Community in Harmony."
This dance tells the story of Princess Gandingan from the Maranao epic Darangen. As she walks through the forest during an earthquake, she gracefully avoids falling trees represented by crisscrossed bamboo poles. Her slave accompanies her. The princess is finally saved by the prince. Variations include a version where the princess plays with butterflies in the garden, represented by fan dancers. When performed by the Bayanihan Dance Company, the Singkil was adapted for Western audiences but became very popular. It involves four movements and skilled manipulation of fans representing winds. Royal women in Sulu still learn this difficult dance today.
The document is titled "Patipembas de lucero" and consists of page numbers ranging from 1 to 24 without any other text or content on the pages. It appears to be a placeholder or template for a 24 page document.
Lam-ang is an epic poem from the Ilocos region of the Philippines about the son of Don Juan and Namongan named Lam-ang. When Lam-ang's father Don Juan disappears while fighting enemies, the young Lam-ang sets off on a journey to find him. He discovers his father's severed head and avenges his death by defeating the local chieftain. Lam-ang later courts and marries his love, Ines Kannoyan, facing challenges along the way. After being resurrected by his magical pets after dying, Lam-ang is reunited with his wife.
El documento presenta informaci坦n sobre los Ibeyi (gemelos divinos) en la religi坦n Yoruba y c坦mo su culto lleg坦 a Cuba. Existe discrepancia sobre su origen geneal坦gico, con algunas versiones que los describen como hijos de Chang坦 y Och炭n o Chang坦 y Oy叩. El documento explora estas contradicciones y busca aclarar la verdad sobre la identidad y el papel de los Ibeyi.
Drama is a specific mode of fiction represented in performance that involves communication between actors and spectators. It uses action and speech to tell a story through individuals or groups acting with their bodies and minds. Three major forms of traditional Asian drama are discussed: Chinese drama (Vun Pan Shi, Sin Pan Shi, Vun Min Shi), Japanese drama (Noh plays, Joruri puppet plays, and Kabuki drama), and early forms of Philippine drama like duplo and karagatan debates. Modern Philippine drama was rejuvenated by groups like Repertory Philippines, and the country's film industry began with movies like Dalagang Bukid in 1919.
This document provides a critical analysis of the Robert Burns poem "A Red, Red Rose" in five parts. It introduces Burns and gives biographical information about the poet. It then summarizes each of the poem's four stanzas, in which the speaker expresses eternal love for his beloved by comparing her to a rose and promising to love her until natural impossibilities occur. The analysis explores themes of love, time, duty and responsibility. It concludes by praising the poet's ability to vividly portray profound romantic love through literary devices.
Textile tradition Art Philippines | Pop Culturenyxthepotato
油
Textile tradition Art Philippines | Pop Culture.
Some pictures may appear black/blurred because they are actually videos and they can't play because this presentation has been converted to a pdf file :)
The document provides demographic and economic information about the Zamboanga Peninsula region of the Philippines. It includes tables showing population sizes and densities for the provinces and cities in the region. The key industries mentioned are fishing, farming, and processing of agricultural crops like coconut, banana, and rubber. The region has diverse ethnic groups including Subanon, Tausug, Bajau, Yakan, and others. Major festivals celebrated in the region showcase the various local cultures.
This document provides an overview of Japanese literary genres, including examples. It discusses short stories, novels, non-fiction works like personal narratives, autobiographies and essays. It also covers drama genres like comedy and tragedy, as well as poetry, folk literature including fairy tales and myths, graphic novels, and more. A wide variety of authors and their works are exemplified for each genre.
Database population in Odoo 18 - Odoo slidesCeline George
油
In this slide, well discuss the database population in Odoo 18. In Odoo, performance analysis of the source code is more important. Database population is one of the methods used to analyze the performance of our code.
How to Setup WhatsApp in Odoo 17 - Odoo 際際滷sCeline George
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Integrate WhatsApp into Odoo using the WhatsApp Business API or third-party modules to enhance communication. This integration enables automated messaging and customer interaction management within Odoo 17.
How to attach file using upload button Odoo 18Celine George
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In this slide, well discuss on how to attach file using upload button Odoo 18. Odoo features a dedicated model, 'ir.attachments,' designed for storing attachments submitted by end users. We can see the process of utilizing the 'ir.attachments' model to enable file uploads through web forms in this slide.
Finals of Rass MELAI : a Music, Entertainment, Literature, Arts and Internet Culture Quiz organized by Conquiztadors, the Quiz society of Sri Venkateswara College under their annual quizzing fest El Dorado 2025.
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This PowerPoint presentation provides an insightful overview of the Constitution, covering its key principles, features, and significance. It explains the fundamental rights, duties, structure of government, and the importance of constitutional law in governance. Ideal for students, educators, and anyone interested in understanding the foundation of a nations legal framework.
Finals of Kaun TALHA : a Travel, Architecture, Lifestyle, Heritage and Activism quiz, organized by Conquiztadors, the Quiz society of Sri Venkateswara College under their annual quizzing fest El Dorado 2025.
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APM People Interest Network Conference 2025
- Autonomy, Teams and Tension
- Oliver Randall & David Bovis
- Own Your Autonomy
Oliver Randall
Consultant, Tribe365
Oliver is a career project professional since 2011 and started volunteering with APM in 2016 and has since chaired the People Interest Network and the North East Regional Network. Oliver has been consulting in culture, leadership and behaviours since 2019 and co-developed HPTM速an off the shelf high performance framework for teams and organisations and is currently working with SAS (Stellenbosch Academy for Sport) developing the culture, leadership and behaviours framework for future elite sportspeople whilst also holding down work as a project manager in the NHS at North Tees and Hartlepool Foundation Trust.
David Bovis
Consultant, Duxinaroe
A Leadership and Culture Change expert, David is the originator of BTFA and The Dux Model.
With a Masters in Applied Neuroscience from the Institute of Organisational Neuroscience, he is widely regarded as the Go-To expert in the field, recognised as an inspiring keynote speaker and change strategist.
He has an industrial engineering background, majoring in TPS / Lean. David worked his way up from his apprenticeship to earn his seat at the C-suite table. His career spans several industries, including Automotive, Aerospace, Defence, Space, Heavy Industries and Elec-Mech / polymer contract manufacture.
Published in Londons Evening Standard quarterly business supplement, James Caans Your business Magazine, Quality World, the Lean Management Journal and Cambridge Universities PMA, he works as comfortably with leaders from FTSE and Fortune 100 companies as he does owner-managers in SMEs. He is passionate about helping leaders understand the neurological root cause of a high-performance culture and sustainable change, in business.
Session | Own Your Autonomy The Importance of Autonomy in Project Management
#OwnYourAutonomy is aiming to be a global APM initiative to position everyone to take a more conscious role in their decision making process leading to increased outcomes for everyone and contribute to a world in which all projects succeed.
We want everyone to join the journey.
#OwnYourAutonomy is the culmination of 3 years of collaborative exploration within the Leadership Focus Group which is part of the APM People Interest Network. The work has been pulled together using the 5 HPTM速 Systems and the BTFA neuroscience leadership programme.
https://www.linkedin.com/showcase/apm-people-network/about/
2. THE PLAY STARTED IN THE LAND OF IBALON OR IBALONG
(ALSO REFERRED TO AS THE BICOL PENINSULA), WITH THE
BALIANA (PRIESTESS) DOING A DANCE RITUAL WITH THE
BACKGROUND SONG TELLING THE STORY OF HOW THE
THREE MAIDENS WERE BORN. DATU MAKUSOG (HIS NAME
MEANING STRONG) OF RAWIS AND HIS WIFE DAWANI (OR
DIWANI) MET, MARRIED HAD THREE DAUGHTERS, EACH
HAVING THEIR OWN UNIQUE BEAUTY AND SPECIALITY.
3. THE ELDEST WAS NAMED MASARAGA, AND ACCORDING TO THE LEGEND,
WAS THE ONE FAVOURED BY GUGURANG. SHE WAS OF SHORT STATURE, A
BROWN BEAUTY, STRONG WILLED, INDUSTRIOUS, AND PRAYED TO THE
GODS OFTEN. SHE WANTED TO LEARN THE KNOWLEDGE AND SECRETS OF
THE GODS SO IBALON COULD PROSPER MORE. THE SECOND AND MIDDLE
CHILD WAS NAMED MALINAO, FAVOURED BY THE SEA GOD, MAGINDANG.
SHE WAS LITHE AND SOFT SPOKEN AND OF A DIFFERENT BEAUTY AND
CHARACTER. SHE HAD LIGHT SKIN AND WAS FORBIDDEN TO GO OUT OF
THEIR ABODE. THE YOUNGEST OF THE THREE WAS NAMED MAGAYON
MAYON FOR SHORT. SHE MAY HAVE BEEN THE YOUNGEST AND MOST
BEAUTIFUL, BUT SHE WAS PROUD AND MOODY. SOME EVEN SAID THAT SHE
WAS BLESSED WITH HAVING GOLDEN-COPPER SKIN AND COPPER COLORED
HAIR. IN THE PLAY, THE WOMB OF DAWANI WAS DEPICTED AS LARGE
FLOWER BUD WHEREIN THE THREE (ALREADY FULLY GROWN WOMEN)
STEPPED OUT OF. THEY DANCED TOGETHER WITH THE PEOPLE OF RAWIS,
THEIR PARENTS, AND THE BALIANA (STILL TELLING THE STORY THROUGH
4. AFTER THE DANCE, THE PEOPLE HAVE GATHERED TOGETHER VERY
HAPPILY, BUT WAS INTERRUPTED BY THE DEITY ASWANG, HIS DAUGHTER
ORIOL (OR ORYOL) WHO IS HALF HUMAN-HALF SERPENT, AND ANOTHER
CREATURE, YASAW, WHO IS SAID TO BE A MINI VERSION OF AN ASWANG.
THEY WANTED TO WRECK AND GIVE HAVOC TO RAWIS, THUS SUMMONED
THE DEITY BAKUNAWA, A SEA SERPENT, AND MAYBE EVEN LIKEWISE EAT
THE MOON (ACCORDING TO LEGEND; AND IS BELIEVED TO CAUSE THE
SOLAR ECLIPSE). THE PEOPLE WERE FURIOUS AND SCARED, RUSHING
EVERYWHERE JUST TO AVOID OR ESCAPE THE GIGANTIC BAKUNAWA.
SUDDENLY, DATU MAKUSOG SHOUTED FOR THEM TO KEEP CALM AND LET
THEM REMEMBER THAT GUGURANG (SUPREME DEITY) WAS ALWAYS THERE
TO HELP THEM. THE PEOPLE AGREED. BALIANA, TOGETHER WITH THE
IBALON PEOPLE, THEN PROCEEDED TO DO THE HALYA (OR HALEA), A
RITUAL DONE DURING THE FULL MOON IN HONOUR OF THE GUGURANG
TO CONTINUE TO WARD OFF THE BAKUNAWA.
6. AFTER THE DANCE RITUAL, LIGHT CAME BACK TO THE LAND AND THE MOON
WENT BACK INTO SIGHT, SIGNALLING THAT THEY HAVE SUCCEEDED IN BANISHING
BAKUNAWA. AN IMPORTANT ANNOUNCEMENT WAS THEN MADE BY DATU
MAKUSOG STATING THAT HIS ELDEST DAUGHTER, MASARAGA, HAS COME OF AGE
AND WAS READY TO BE WED. ORAGON, A RAWIS NATIVE, CAME RUSHING,
STATING THAT ANOTHER DATU WAS CONQUERING LANDS AND HAS ALREADY
COUNQUERED THE NEIGHBORING LAND DATU PAGTUGA (HIS NAME MEANS
ERUPTION) OF IRAGA. HOWEVER, DATU MAKUSOG WAS NEVER BOTHERED BY THE
NEWS. HE BELIEVED THAT THE LAND OF RAWIS WAS DOING WELL, WITH PLENTIFUL
HARVEST AND THE LIKE. WITH THIS, HE SUGGESTED THAT THERE BE DONE
ANOTHER RITUAL (AN OFFERING) IN HONOR OF GUGURANG, TO THANK HIM FOR
MAKING RAWIS A BOUNTIFUL LAND AND BESTOWING SUCH GIFTS AMONG THEM.
THEREAFTER, A DANCE WOULD BE HELD, THAT WOULD BE LED BY THE THREE
SISTERS (MAIDENS), TO WHICH HE NAMED AN SAYAW NIN BUHAY (THE DANCE OF
LIFE). EVERYONE REJOICED AND THE WORD WAS SENT TO EVERYONE.
7. WHILE EVERYONE WAS PREPARING, THE NEXT SCENE SHOWED THE CREATURE
YASAW LURKING IN THE WOODS, WHEN A DEER SUDDENLY CAME ACROSS. AFTER
THE RIGHT TIMING, YASAW JUMPED OUT FROM BEHIND THE DEER AND CAUGHT
IT, KILLED IT, AND SHIFTED INTO THE DEER THAT HE KILLED. ALTHOUGH, AT
SOME MOMENT, HE TOO, WAS ALSO KILLED BY ORAGON, WHO WAS ONLY THERE
TO HUNT FOR A WILD ANIMAL THAT WOULD BE OFFERED, COOKED AND EATEN
FOR THE FEAST. ASWANG AND ORIOL SAW WHAT HAPPENED AND WERE
COMPLETELY DEVASTATED. ASWANG SAID THAT A BLOOD PRICE WOULD BE PAID
FOR WHAT ORAGON DID. ORIOL SECONDED THIS, PROMISING DEATH TO MAYON,
MALINAO AND MASARAGA AS REVENGE FOR THE DEATH OF YASAW. BUT ORAGON
DID NOT KNOW AS HE HAD NOT HEARD WHAT THE TWO SAID AND CONTINUED
AND CARRIED HIS HUNT OVER TO WHERE DATU MAKUSOG AND DAWANI MET HIM.
AT FIRST THE DATU WAS PLEASED TO KNOW ORAGON HUNTED AN ANIMAL TO
OFFER BUT WAS FRETTED WHEN ORAGON LAID THE DEAD ANIMAL, ONLY TO
REVEAL THAT IT WAS ACTUALLY YASAW. THE COUPLE BECAME WORRIED
THINKING IT MIGHT BE A BAD OMEN OR A SIGN THAT SOMETHING BAD WOULD
HAPPEN. YET, EVERYTHING WAS SET ASIDE AND THE DANCE RITUAL PUSHED
8. RIGHT BEFORE THE DANCE ENDED, ORAGON BRIEFLY INTERRUPTED THEM TO SAY
THAT DATU PAGTUGA HAS COME TO VISIT, ALONG WITH HIS TRUSTY
COMPANION, LINOG (HIS NAME MEANING EARTHQUAKE). DATU MAKUSOG WAS
VERY HAPPY WITH THE DATUS VISIT. HE TOOK THIS AS AN OPPORTUNITY TO
INTRODUCE MASARAGA TO PAGTUGA, HOPING TO BETROTHED THE TWO. BUT,
PAGTUGA TOOK NOTICE OF MAYON AND WAS IMMEDIATELY CAPTIVATED BY HER
BEAUTY. HE WOULD ALWAYS LOOK AT THE BEAUTIFUL MAYON, NEVER TAKING
NOTICE OF MASARAGA. THIS LED HER CONFUSED, AND ALSO MADE MAYON FEEL
AKWARD AT THE SAME TIME (SHE WAS BEING COMFORTED BY MALINAO AS WELL).
THE DANCE CONTINUED AND MASARAGA TRIED TO MAKE PAGTUGA NOTICE HER,
BUT HIS EYES WERE ONLY FOCUSED ON MAYON. HE FOLLOWED HER THROUGHOUT
THE REST OF THE DANCE WHICH ANGERED MAYON, RESULTING HIM TO GET
PUSHED BY HER. LINOG STOOD IN BETWEEN THE TWO, BUT HE AND PAGTUGA
WERE RESTRAINED BY THE OTHERS TO PREVENT ANY FIGHT THAT WOULD
HAPPEN. THE TWO LEFT AS SOON AS POSSIBLE.
9. JUST AS THEY THOUGHT EVERYTHING WAS OVER, THE CREATURE BANOG, A
WINGED MONSTER, CAME FLYING IN TO SCOOP DOWN, CAPTURED MASARAGA,
AND THEN FLEW HIGH AWAY. WHEN IT WAS HIGH ENOUGH, BANOG DROPPED
MASARAGA, LEADING TO HER DEATH. ASWANG AND ORYOL APPREARED AND
WERE DELIGHTED TO SEE THAT BANOG HAD SUCCEEDED AND BROUGHT OVER
THE LIFELESS MASARAGA. THE TWO PROCEEDED ON CHANTING TIGBAK NA OR
ALREADY DEAD AND EVEN MOCKED THE WORDS OF DAWANI ON HER
STATEMENT MASARAGA WAS READY TO BE WED, AND CHANGED IT TO
MASARAGA WAS READY TO BE DEAD. THE COMEDIC PART OF THE PLAY WAS
ACTUALLY IN THIS PART WHEN ASWANG TOLD ORYOL TO CARRY AND BURY THE
BODY OF MASARAGA SO THAT IT WOULDNT ROT AND SMELL IN THE AIR. BUT
ORYOL DIDNT WANT TO, SO SHE MADE A BET THAT WHOEVER WAS THE
BEAUTIFUL ONE, WOULD BE CARRYING THE DEAD MASARAGA. ASWANG WAS
HESISTANT AT FIRST, BUT ORYOL HAD PERSUADED HIM, SAYING HE IS OF COURSE,
THE BEAUTIFUL ONE. ATHOUGH, THEY STILL CARRIED THE BODY TOGETHER,
INSISTING THAT SHE WAS ALSO BEAUTIFUL. AFTER BURYING MASARAGA, A
MOUNTAIN GREW RIGHT BEFORE THEY VERY EYES, IN THE PLACE WHERE SHE WAS
BURIED. THIS SHOCKED ASWANG AND ORYOL AND THEY CRIED OUT IN DISBELIEF.
10. BACK IN RAWIS, DATU PAGTUGA CAME BACK WITH LINOG AND WAS WELCOMED
BY DATU MAKUSOG. HE BROUGHT WITH HIM MANY BASKETS FILLED PEARLS DIVED
FROM THE DEEP SEA, AND MANY GOLD THAT LINOG CARRIED. HE THOUGHT THAT
HE COULD WIN OVER MAYON'S HEART WITH RICHES. MAYON CAME OVER ALONG
WITH HER MOTHER, DAWANI BUT WAS STILL UNAMUSED BY THE FACT THAT
PAGTUGA WANTS TO MARRY HER AND PROUDLY REJECTED HIM. THIS ANGERED
PAGTUGA AND AGAIN IMMEDIATELY LEFT WITH LINOG CAUSING DATU MAKUSOG
TO REBUKE MAYON OVER HER ACTIONS AND BEHAVIOUR. MAYON, WHO WAS
PISSED OFF AS WELL, WALKED OUT ANGRILY AT THE PRESENCE OF BOTH HER
PARENTS. SHE THEN WENT TO THE RIVER YAWA TO EASE OFF HER ANGER. ORYOL
WAS ACTUALLY WAITING FOR HER, AND HAD CAST A SPELL MAKING SURE THAT
THE STONES WERE SLIPPERY, SO THAT MAYON WOULD SLIP AND DROWN. AS
PLANNED, MAYON CAME AND AND SLIPPED INTO THE RIVER WHERE SHE ALMOST
DROWNED, IF NOT FOR GINO (PRINCE) PANGANORON WHO SAVED HER.
11. MAYON GOT SCARED AND UNEASY AT FIRST, BUT WAS ALSO CAPTURED BY THE
HANDSOMENESS AND GENTLENESS OF PANGANORON. THE TWO DANCED AND
FELL IN LOVE WITH EACH OTHER. ORYOL CRIED OUT IN DISMAY OF HER FAILURE.
BUT SHE KNEW SHE HAD TO KILL ONE OF THE SISTERS NEXT, SO BEFORE MAYON
AND PAGTUGA COULD LEAVE, SHE DISGUISED HERSELF AS THE LATE MASARAGA.
MAYON, UPON SEEING HER CAME TO BELIEVE THAT SHE WAS ACTUALLY
MASARAGA, AND WAS VERY HAPPY AND DELIGHTED THAT HER SISTER ALIVE AND
WELL, AND EVEN INTRODUCED PANGANORON TO HER. SHE ALSO CALLED
MALINAO TO TELL OF THE WONDERFUL NEWS. SHE TOO, WAS DECEIVED BY
ORYOL. AS THE LOVERS LEFT, ORYOL TOOK HER CHANCE AND PLEADED MALINAO
INTO GOING INTO THE SHALLOW RIVER, BUT AS SOON AS MALINAO NOTICED
THEY WERE GETTING INTO THE DEEPER PART OF IT, MALINAO STATED THAT SHE
IS NOT USED TO GOING TO THE DEEPER END BECAUSE SHE WAS AFRAID OF THE
WAVES. SHE PLEADED TO THE SHALLOW PARTS. ORYOL, PISSED BY MALINAOS
CONTINUOUS PLEADING, BLEW HER COVER AND CHOKED HER, FINALLY
DROWNING HER AND ENGULFED BY THE WAVES. FROM WHERE MALINAO
DROWNED, A MOUNTAIN AGAIN GREW IN ITS MIDST, JUST LIKE WHAT HAPPENED
12. GOING BACK TO RAWIS, THE PEOPLE WERE CONTINUOUSLY TALKING ABOUT THE
DEATH OF MALINAO, AND DAWANI WAS SADDENED AND FILLED WITH SORROW
UPON KNOWING THE DEATH OF HER SECOND CHILD. SHE WAS COMFORTED BY
MAYON, THE BALIANA, DATU MAKUSOG, AND ORAGON. FOR THE MEANTIME,
SOMEWHERE IN THE FOREST, ORYOL THOUGHT OF ANOTHER PLAN TO KILL
MAGAYON. SHE IMPLANTED EVIL THOUGHTS ON DATU PAGTUGA'S HEAD STATING
THAT MAYON ALREADY LOVES ANOTHER MAN AND THERE WAS ONLY ONE WAY
FOR MAYON TO AGREE IN MARRYING HIM. ORYOL STATED THAT DATU PAGTUGA
WOULD ABDUCT DATU MAKUSOG AND THREATEN MAYON BY TELLING HER THAT
HE WILL KILL HER FATHER AND WAGE WAR IF SHE REFUSED TO MARRY HIM. HE
PROCEEDED WITH THE PLAN AND SUCCEEDED, LEAVING A HEARTBROKEN DAWANI
IN DESPAIR. MAYON AND ULAP HAVE HEARD OF THIS, AND THOUGH IT WAS
AGAINST HER WILL AND HER HEART, SHE AGREED TO THE WEDDING. ULAP WAS
FURIOUS, AND PROMISED TO FIGHT PAGTUGA FOR THE HAND OF MAYON.
13. IT WAS THE DAY OF THE WEDDING, AND A CEREMONY TOOK
PLACE, REVEALING A STILL GRIEF-STRICKEN MAYON THAT WAS
ABOUT TO MARRY THE MAN SHE LOATHED. BEFORE THE WEDDING
COULD EVEN REACH THE MIDDLE PART, ULAP AND HIS MEN ARRIVED
AND RAINED ARROWS OVER PAGTUGA AND HIS MEN. A GREAT
BATTLE TOOK PLACE INSTEAD OF A WEDDING. ULAP WAS ABLE TO
DEFEAT PAGTUGA IN THE END, AND MAYON JUBILANTLY RAN OVER
TO HER BELOVED. AS SOON AS SHE WAS ABOUT TO HOLD HIM, AN
ARROW STRUCK THEM FROM BEHIND, KILLING THE TWO LOVERS.
14. THE PEOPLE CRIED OUT IN GRIEF. THE MEN WENT AHEAD AND BURIED THE
TWO YOUNG LOVERS TOGETHER. AFTER BEING BURIED, ANOTHER
MOUNTAIN (THE THIRD AND THE LAST), A MAJESTIC ONE, APPEARED AT
THE BURIAL PLACE. INTERRUPTING THE GRIEF AND SORROW, AS IF IT
COULD NOT GET ANY WORSE, ASWANG, TOGETHER WITH THE BAND OF
OTHER ASWANGS CAME IN BRINGING DESTRUCTING OVER THE MOURNING
PEOPLE. JUST THEN, BEFORE THE ASWANGS WERE ABLE TO DEVOUR THEM,
THE SPIRITS OF THE THREE SISTERS (DEPICTED AS TALL LADIES WEARING
GREEN, DEPICTING THE MOUNTAINS), HELPED THEM AND FINALLY
DEFEATING ASWANG AND HIS CONSTITUENTS. MAYON, MALINAO AND
MASARAGA, JOINED IN TO DANCE WITH THE PEOPLE OF RAWIS AFTER A
SUCCESSFUL BATTLE AGAINST THE EVIL DEITY. THIS MARKED THE END OF
THE STAGE PLAY AND THE END OF THE STORY OF THE THREE MOUNTAINS.