The document outlines seven common plot lines used in storytelling: overcoming the monster, the quest, journey and return, comedy, tragedy, rebirth, and rags to riches. For each plot line, the document provides a brief description and examples of stories that follow that plot structure. It also discusses factors like how the context and power relationships influence audience suspension of disbelief in a story.
The document provides an overview of the history and evolution of horror films. It discusses some of the earliest horror films from the late 19th century, as well as the establishment of different horror subgenres like gothic horror and body horror throughout the 20th century. Key conventions of horror films are also outlined, such as common settings, camera techniques, sounds, and character tropes that help establish fear and suspense.
The document provides an overview of the history and evolution of horror films. It discusses some of the earliest horror films from the late 19th century, as well as the origins and rise of different horror subgenres throughout the 20th century. Key points covered include the transition of horror stories from oral tradition to literature and early films, the establishment of gothic and monster movies in the silent film era, and the continuing popularity and commercial success of horror as a film genre.
This document provides an overview of the history and conventions of horror films. It discusses the origins of horror dating back to oral stories, and highlights some of the earliest horror films from the late 19th/early 20th century. It then examines various horror subgenres and describes common narrative structures, settings, camera techniques, and other conventions used in horror films. Finally, it analyzes the target audience of horror, its popularity over time, and provides details on the iconic 1979 sci-fi horror film Alien.
The document provides an in-depth analysis of the film Guardians of the Galaxy. It discusses the plot, characters, genres, conventions, and ideology presented in the film. Specifically, it notes that the story follows a group of unique heroes who come together to save the galaxy from the villain Ronan. It analyzes the characters and their representations, finding both conformity to and deviations from typical stereotypes. The setting and visual elements are also described as highly futuristic to match the science fiction genre.
The document provides an analysis of the 2014 film Guardians of the Galaxy. It discusses the film's plot, which follows a group of unlikely heroes coming together to save the galaxy from the villain Ronan. The analysis examines the film's genre as science fiction and comedy, and explores the characters and their representations. It also discusses the target audience for the film and how it provides entertainment and escapism.
This document defines and provides examples of various film theory terminology. It discusses the denotation and connotation of words like "snake", "flag", and "gun". It also defines stereotypes for categories like gender, social class, and age. Additionally, it outlines the common iconography found in genres like Western, sci-fi, and fantasy films. Finally, it defines linear and non-linear narratives, providing film examples for each.
Suburban Gothic is a sub-genre of fiction that focuses on anxieties within suburban communities, using supernatural or science fiction elements. Common characteristics include danger coming from within families or neighborhoods, teenagers and children as protagonists, and conflicts around individuality and conformity. Horror movies in this genre often explore themes of loss of innocence, mystery, and fear through helpless victims facing immense power from a villain seeking revenge for past crimes or secrets. Surreal elements like dreams, monsters, and blurred realities are also used to externalize psychological fears.
GCSE Media Action Adventure Lesson 2 - action adventure films introElle Sullivan
油
This document discusses different genres and subgenres of action and adventure films. It defines action films as focusing on physical action over dialogue, while adventure films involve exciting stories in exotic locations with less emphasis on violence. Action adventure films combine elements of both genres, featuring travels, struggles, and situations confronting main characters. The document then identifies several subgenres of action adventure films like buddy, team, superhero, historical, and romantic comedy hybrids. It provides examples and defines the common narrative conventions and codes of fantasy, disaster, historical, quest, thriller, and swashbuckler subgenres.
This document contains definitions and examples of key film theory concepts like denotation versus connotation, iconography for different genres, linear versus nonlinear narratives, and stereotypes. It also includes analyses of specific film clips and elements like dialogue, camerawork, lighting, props, costumes, music, and color. The document serves to outline and illustrate important theoretical foundations for understanding film through definitions, examples, and brief analyses.
The document discusses conventions of science fiction and drama genres that were utilized or avoided in a student film project. It includes a list of 11 science fiction conventions and 8 drama conventions. For each convention, the student explains whether and how their film incorporated or avoided that convention. For example, they included isolated locations and quick cuts to build intensity, but avoided intense social interaction due to the protagonist being alone after a nuclear war. The summary analyzes the conventions used and opportunities to better engage the audience emotionally.
This document summarizes key concepts from the screenwriting book "Save the Cat" regarding genre and screenplay structure. It defines genre as story structure rather than plot type. Ten core genre structures are identified: Monster in the House, Golden Fleece, Out of the Bottle, Dude with a Problem, Rites of Passage, Buddy Love, Whydunit, Fool Triumphant, Institutionalized, and Superhero. Each genre is defined by 3 main components or elements that characterize the story structure. Examples are provided for each genre. The document encourages analyzing one's own logline to identify its genre based on these structural definitions.
This document discusses genre and screenplay structure. It defines genre as a category of artistic works characterized by style and content. It then outlines Blake Snyder's 10 genre structures, including elements of "Monster in the House" genre which involves a monster, house, and sin. Other genres discussed include "Golden Fleece" involving a road, team, and prize and "Out of the Bottle" involving a wish, rules of magic, and lesson to be careful what you wish for. The document provides examples for each genre structure.
The document discusses various theory-related concepts including the denotation and connotation of words like snake, flag, and gun. It also discusses denotation and connotation as it relates to film posters. Additionally, it covers stereotypes for things like gender, social class, age, and more. Film genres and their associated iconography for westerns, sci-fi, and fantasy are defined. The concepts of linear and non-linear narratives are explained with film examples. Finally, there is an analysis of a film clip that discusses aspects like costumes, dialogue, props, lighting, camera work, and editing.
This document summarizes key elements of four genres of film: action, comedy, horror, and war. Action films feature high-energy stunts, battles, fights, and crises that often involve destruction. Comedies aim to provoke laughter through jokes, exaggerated situations, and realistic settings. Horror movies are designed to frighten viewers with their dark settings and portrayal of fears, using quick scenes and supernatural elements. War films focus on the horror of war through historical facts or assumptions, sometimes blending with genres like action or drama, with military and fighting scenes.
The fantasy genre uses magic and imaginary elements rather than supernatural ones. It is believed to have evolved from science fiction and contains clear differences. Fantasy films target families, teenagers, and young adults. While animated films like Snow White contain fantasy elements, they are categorized as fairy tales, a subgenre of fantasy. Successful fantasy films are often in trilogy formats like Lord of the Rings. The two main fantasy subgenres are high fantasy and sword and sorcery.
Lesson 2 - Action adventure films introElle Sullivan
油
Here is a thriller sub-genre development of the blurb:
An elite team of CIA agents track a terrorist bomber in Antarctica in a race against time, because the sun is about to set for six months, leaving the killer in total darkness. With the bitter cold and harsh conditions working against them, the agents must use all their espionage skills to find the killer before he disappears without a trace. Iconography of the thriller sub-genre is evident with the focus on suspense as the agents work to outwit the terrorist in a remote icy location before the killer can vanish in the darkness, keeping vital information secret from the audience. It's a high stakes game of cat and mouse as the countdown to nightfall begins.
This document provides descriptions and examples of different webcomic genres including fantasy, horror, sci-fi, gag-a-day, slice of life, fan fiction, gaming, historical, and meta genres. It summarizes and evaluates specific webcomics as good or bad examples of their genres based on elements like art, narrative, humor, and ability to engage readers. Common favorites mentioned are action-adventure, detective/crime, one-panel gags, romance, and LGBT genres.
This document provides an overview of key elements of a story, including setting, characters, plot, and conflict. It defines each element and gives examples. Setting is described as the time and place where the story occurs, and how details of the setting can describe senses and set the tone. Characters are the people, animals, or creatures in the story. Plot refers to the series of events that make up the story. Conflict is defined as a problem or struggle between two people, things, or ideas.
The document defines key terms related to semiotics including denotation and connotation for the terms "snake", "flag", and "gun". It also discusses stereotypes for gender, class, age and more. Iconography for genres like western, sci-fi and fantasy are outlined. Finally, it touches on narrative definitions and provides examples of linear and non-linear narratives in film.
The document discusses the archetype of the hero and common traits they possess. Heroes often have unusual birth circumstances and feel isolated from peers. They go on a journey that leads to finding their purpose, during which they encounter evil and suffer. Heroes possess a special weapon only they can wield and have at least some of these common qualities.
The document discusses six sub-genres of action adventure films: fantasy, disaster, historical, quest, thriller, and swashbuckler. For each sub-genre, it provides examples of movies, common narrative conventions, and codes/iconography. Key information provided includes common elements of fantasy films like imaginary worlds and creatures, disaster films involving impending catastrophes, historical films set in real time periods, quest films involving searches, thriller films with suspense and deception, and swashbuckler films with sword fighting. The document encourages adding to a table summarizing each sub-genre.
How to Write a Screenplay or Tell a Better Story Victor Pineiro
油
For anyone who wants to tell a better story, or specifically write a screenplay, I thought I'd share advice I've learned on the road.
I wrote this for friends who've wanted me to give them a one hour crash course on storytelling and screenwriting.
I hope this helps!
This document provides an agenda and information for an English writing class. The agenda includes a discussion on labels, a lecture on eliminating passive voice and different writing genres, and a guided writing exercise using active voice across genres. The document then provides information on creating suspense, defines and discusses 7 different fiction genres, and gives students a guided writing exercise where they choose genres and words to include in a short story. It concludes with assigning reading and homework.
Star-Trek Fan Productions - The complete AnthologyDavid Zusiman
油
This document provides an overview of Star Trek fan productions. It discusses several full-length fan films and television series set in different eras of the Star Trek universe. These include Star Trek: New Voyages, Star Trek Continues, Star Trek: Hidden Frontier, and Star Trek: Renegades. It also mentions several animated and parody fan productions. The document suggests that fan productions are growing in quality and popularity, using improved technology, actors, and crowdfunding. It predicts that new fan-made content will continue to explore and expand the Star Trek universe.
This document summarizes Christopher Booker's theory of the seven basic plots in storytelling. It discusses each of the seven plots - overcoming the monster, rags to riches, the quest, voyage and return, comedy, tragedy, and rebirth. For each plot, it provides a synopsis and typical examples. It also discusses how all stories incorporate universal elements of a hero's journey from an initial state of lack to a final resolution or transformation. The document concludes with prompting students to identify which plot their own writing incorporates and to outline or write a scene for their story.
This document summarizes a lecture on Christopher Booker's theory of the seven basic plots. It discusses each of the seven plots - Overcoming the Monster, Rags to Riches, The Quest, Voyage and Return, Comedy, Tragedy, and Rebirth. For each plot, it provides examples from literature and film and outlines the typical plot points. It emphasizes that while these seven plots are distinct, there is also significant overlap between them and they reflect universal storytelling elements of a hero transforming from an initial state of lack to a final state of fulfillment. The document concludes with guiding writing prompts for students to analyze which plots are in their stories and ways to potentially improve their stories.
This document contains definitions and examples of key film theory concepts like denotation versus connotation, iconography for different genres, linear versus nonlinear narratives, and stereotypes. It also includes analyses of specific film clips and elements like dialogue, camerawork, lighting, props, costumes, music, and color. The document serves to outline and illustrate important theoretical foundations for understanding film through definitions, examples, and brief analyses.
The document discusses conventions of science fiction and drama genres that were utilized or avoided in a student film project. It includes a list of 11 science fiction conventions and 8 drama conventions. For each convention, the student explains whether and how their film incorporated or avoided that convention. For example, they included isolated locations and quick cuts to build intensity, but avoided intense social interaction due to the protagonist being alone after a nuclear war. The summary analyzes the conventions used and opportunities to better engage the audience emotionally.
This document summarizes key concepts from the screenwriting book "Save the Cat" regarding genre and screenplay structure. It defines genre as story structure rather than plot type. Ten core genre structures are identified: Monster in the House, Golden Fleece, Out of the Bottle, Dude with a Problem, Rites of Passage, Buddy Love, Whydunit, Fool Triumphant, Institutionalized, and Superhero. Each genre is defined by 3 main components or elements that characterize the story structure. Examples are provided for each genre. The document encourages analyzing one's own logline to identify its genre based on these structural definitions.
This document discusses genre and screenplay structure. It defines genre as a category of artistic works characterized by style and content. It then outlines Blake Snyder's 10 genre structures, including elements of "Monster in the House" genre which involves a monster, house, and sin. Other genres discussed include "Golden Fleece" involving a road, team, and prize and "Out of the Bottle" involving a wish, rules of magic, and lesson to be careful what you wish for. The document provides examples for each genre structure.
The document discusses various theory-related concepts including the denotation and connotation of words like snake, flag, and gun. It also discusses denotation and connotation as it relates to film posters. Additionally, it covers stereotypes for things like gender, social class, age, and more. Film genres and their associated iconography for westerns, sci-fi, and fantasy are defined. The concepts of linear and non-linear narratives are explained with film examples. Finally, there is an analysis of a film clip that discusses aspects like costumes, dialogue, props, lighting, camera work, and editing.
This document summarizes key elements of four genres of film: action, comedy, horror, and war. Action films feature high-energy stunts, battles, fights, and crises that often involve destruction. Comedies aim to provoke laughter through jokes, exaggerated situations, and realistic settings. Horror movies are designed to frighten viewers with their dark settings and portrayal of fears, using quick scenes and supernatural elements. War films focus on the horror of war through historical facts or assumptions, sometimes blending with genres like action or drama, with military and fighting scenes.
The fantasy genre uses magic and imaginary elements rather than supernatural ones. It is believed to have evolved from science fiction and contains clear differences. Fantasy films target families, teenagers, and young adults. While animated films like Snow White contain fantasy elements, they are categorized as fairy tales, a subgenre of fantasy. Successful fantasy films are often in trilogy formats like Lord of the Rings. The two main fantasy subgenres are high fantasy and sword and sorcery.
Lesson 2 - Action adventure films introElle Sullivan
油
Here is a thriller sub-genre development of the blurb:
An elite team of CIA agents track a terrorist bomber in Antarctica in a race against time, because the sun is about to set for six months, leaving the killer in total darkness. With the bitter cold and harsh conditions working against them, the agents must use all their espionage skills to find the killer before he disappears without a trace. Iconography of the thriller sub-genre is evident with the focus on suspense as the agents work to outwit the terrorist in a remote icy location before the killer can vanish in the darkness, keeping vital information secret from the audience. It's a high stakes game of cat and mouse as the countdown to nightfall begins.
This document provides descriptions and examples of different webcomic genres including fantasy, horror, sci-fi, gag-a-day, slice of life, fan fiction, gaming, historical, and meta genres. It summarizes and evaluates specific webcomics as good or bad examples of their genres based on elements like art, narrative, humor, and ability to engage readers. Common favorites mentioned are action-adventure, detective/crime, one-panel gags, romance, and LGBT genres.
This document provides an overview of key elements of a story, including setting, characters, plot, and conflict. It defines each element and gives examples. Setting is described as the time and place where the story occurs, and how details of the setting can describe senses and set the tone. Characters are the people, animals, or creatures in the story. Plot refers to the series of events that make up the story. Conflict is defined as a problem or struggle between two people, things, or ideas.
The document defines key terms related to semiotics including denotation and connotation for the terms "snake", "flag", and "gun". It also discusses stereotypes for gender, class, age and more. Iconography for genres like western, sci-fi and fantasy are outlined. Finally, it touches on narrative definitions and provides examples of linear and non-linear narratives in film.
The document discusses the archetype of the hero and common traits they possess. Heroes often have unusual birth circumstances and feel isolated from peers. They go on a journey that leads to finding their purpose, during which they encounter evil and suffer. Heroes possess a special weapon only they can wield and have at least some of these common qualities.
The document discusses six sub-genres of action adventure films: fantasy, disaster, historical, quest, thriller, and swashbuckler. For each sub-genre, it provides examples of movies, common narrative conventions, and codes/iconography. Key information provided includes common elements of fantasy films like imaginary worlds and creatures, disaster films involving impending catastrophes, historical films set in real time periods, quest films involving searches, thriller films with suspense and deception, and swashbuckler films with sword fighting. The document encourages adding to a table summarizing each sub-genre.
How to Write a Screenplay or Tell a Better Story Victor Pineiro
油
For anyone who wants to tell a better story, or specifically write a screenplay, I thought I'd share advice I've learned on the road.
I wrote this for friends who've wanted me to give them a one hour crash course on storytelling and screenwriting.
I hope this helps!
This document provides an agenda and information for an English writing class. The agenda includes a discussion on labels, a lecture on eliminating passive voice and different writing genres, and a guided writing exercise using active voice across genres. The document then provides information on creating suspense, defines and discusses 7 different fiction genres, and gives students a guided writing exercise where they choose genres and words to include in a short story. It concludes with assigning reading and homework.
Star-Trek Fan Productions - The complete AnthologyDavid Zusiman
油
This document provides an overview of Star Trek fan productions. It discusses several full-length fan films and television series set in different eras of the Star Trek universe. These include Star Trek: New Voyages, Star Trek Continues, Star Trek: Hidden Frontier, and Star Trek: Renegades. It also mentions several animated and parody fan productions. The document suggests that fan productions are growing in quality and popularity, using improved technology, actors, and crowdfunding. It predicts that new fan-made content will continue to explore and expand the Star Trek universe.
This document summarizes Christopher Booker's theory of the seven basic plots in storytelling. It discusses each of the seven plots - overcoming the monster, rags to riches, the quest, voyage and return, comedy, tragedy, and rebirth. For each plot, it provides a synopsis and typical examples. It also discusses how all stories incorporate universal elements of a hero's journey from an initial state of lack to a final resolution or transformation. The document concludes with prompting students to identify which plot their own writing incorporates and to outline or write a scene for their story.
This document summarizes a lecture on Christopher Booker's theory of the seven basic plots. It discusses each of the seven plots - Overcoming the Monster, Rags to Riches, The Quest, Voyage and Return, Comedy, Tragedy, and Rebirth. For each plot, it provides examples from literature and film and outlines the typical plot points. It emphasizes that while these seven plots are distinct, there is also significant overlap between them and they reflect universal storytelling elements of a hero transforming from an initial state of lack to a final state of fulfillment. The document concludes with guiding writing prompts for students to analyze which plots are in their stories and ways to potentially improve their stories.