This document provides instructions for an art exercise involving aggregating multiples of a simple, inexpensive object to create an unexpected form. Participants are asked to use as many multiples as possible, only adding glue, trying not to subtract anything, and exploring eccentric connections. It then lists examples of materials used by different artists, such as Styrofoam cups, pencils, toothpicks, spaghetti, cereal boxes, finger-nail clippings, Doritos, eggs, and socks.
This document lists various artists and their websites. It mentions David Altmejd and provides a link to a video segment about him on PBS. It also includes a link to a Vimeo video and lists several sculptors including Anthony Gormley, Thomas Houseago, Tau Lewis, and Simphiwe Ndzube. The document does not provide any additional context or information about the content of the links or artists.
This document contains links to various contemporary artists such as Brian Jungen, Urs Fischer, Tom Friedman, Dennis Oppenheim, and Tau Lewis. It also includes links to artworks like Jean Tinguely's "Le Cyclope" sculpture, Helmick's "Disorders of Magnitude" and "Ghost Writer" portraits, and Tim Hawkinson's video piece "In Time". The document provides references to contemporary artworks and artists from the late 20th century to the present.
This document lists various artists and their websites. It mentions David Altmejd, a segment on his work from PBS, a Vimeo video, and several sculptors including Anthony Gormley, Thomas Houseago, Tau Lewis, and Simphiwe Ndzube. The document provides references to learn more about several modern artists and their work.
The document discusses several artworks that engage the sense of touch beyond typical visual art experiences. It describes works by Valie Export, Lygia Clark, Rebecca Horn, and Erwin Wurm that incorporate elements meant to be worn, handled, or interacted with by the viewer. These artworks aim to bring the viewer into a more active, sensory participation with the work beyond just visual observation. They explore how perception and interaction can be altered through tactile extensions or constraints on the body.
The document summarizes and discusses several kinetic artworks and artists. It describes Signature by Tim Hawkinson, an artwork that endlessly produces facsimiles of the artist's signature on paper. It also mentions the 1985 performance piece by Chris Burden called "Samson" that could theoretically destroy a building if enough visitors cause the mechanical system to expand. It provides descriptions of kinetic sculptures by Charles Jencks, Rebecca Horn, Allan Wexler, Theo Jansen, Arthur Ganson, and C¨¦leste Boursier-Mougenot that incorporate mechanical elements and movement.
The document provides suggestions for modifying a 3D printed design, including changing the material of some slices from hard to soft or opaque to transparent. It also suggests skipping slices, using other objects as spacers, changing the scale or proportions of some parts, incorporating text or graphics, creating negative spaces to fill with other elements, making moving parts, and combining different modifications. The overall document is providing ideas for experimenting with variations on a 3D printed design.
This document contains links to various contemporary artists such as Brian Jungen, Urs Fischer, Tom Friedman, Dennis Oppenheim, and Tau Lewis. It also includes links to artworks like Jean Tinguely's "Le Cyclope" sculpture, Helmick's "Disorders of Magnitude" and "Ghost Writer" portraits, and Tim Hawkinson's video piece "In Time". The document provides references to contemporary artworks and artists from the late 20th century to the present.
This document lists various artists and their websites. It mentions David Altmejd, a segment on his work from PBS, a Vimeo video, and several sculptors including Anthony Gormley, Thomas Houseago, Tau Lewis, and Simphiwe Ndzube. The document provides references to learn more about several modern artists and their work.
The document discusses several artworks that engage the sense of touch beyond typical visual art experiences. It describes works by Valie Export, Lygia Clark, Rebecca Horn, and Erwin Wurm that incorporate elements meant to be worn, handled, or interacted with by the viewer. These artworks aim to bring the viewer into a more active, sensory participation with the work beyond just visual observation. They explore how perception and interaction can be altered through tactile extensions or constraints on the body.
The document summarizes and discusses several kinetic artworks and artists. It describes Signature by Tim Hawkinson, an artwork that endlessly produces facsimiles of the artist's signature on paper. It also mentions the 1985 performance piece by Chris Burden called "Samson" that could theoretically destroy a building if enough visitors cause the mechanical system to expand. It provides descriptions of kinetic sculptures by Charles Jencks, Rebecca Horn, Allan Wexler, Theo Jansen, Arthur Ganson, and C¨¦leste Boursier-Mougenot that incorporate mechanical elements and movement.
The document provides suggestions for modifying a 3D printed design, including changing the material of some slices from hard to soft or opaque to transparent. It also suggests skipping slices, using other objects as spacers, changing the scale or proportions of some parts, incorporating text or graphics, creating negative spaces to fill with other elements, making moving parts, and combining different modifications. The overall document is providing ideas for experimenting with variations on a 3D printed design.
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My new essay, ¡°·ÇÉ« Hijiki: Reclaiming Clay¡¯s Essence in Contemporary Ceramics,¡± dives into the philosophy behind my 'Hijiki' series, challenging the focus on the surface in today's ceramics. I explore how this work balances tradition and innovation, pushing the boundaries of clay. Though I can't share images yet, this essay gives you a glimpse into the thinking behind it.
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This PDF explains why using piping model making is better than traditional methods. It shows how 3D modeling and BIM improve accuracy, teamwork, and efficiency. The document highlights how this approach saves money, speeds up projects, and improves quality. It also points out that it's easier to make changes and reduces the risk of mistakes. Overall, piping model making is a more modern and effective way to design and build piping systems.
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