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Tungjentsai ²Ì¶ØÈÊ
Tungjentsai ²Ì¶ØÈÊ

The document provides background information on Tung Jen Tsai, a faculty member at Chiba University in Japan. It discusses Tsai's educational and professional experiences, including being born in Taiwan, working in marketing and design, and obtaining degrees from universities in Taiwan and Japan. It also mentions Tsai's involvement in design workshops and groups.

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Context of Design: vision in design research Tung Jen Tsai, Faculty of Engineering, Division of Design Science, Chiba University, Japan 2010 10 5
Self Portrait - was born in Taipei, Taiwan. - 3 years experience in Marketing and Design Communication in IT company - entered to Graduate School of Industrial Design, Cheng-Kung University, Tainan, Taiwan. - entered to Ph.D. Programme, Division of Design Science, Chiba University, Chiba, Japan 2010 10 5
Self Portrait - was born in Taipei, Taiwan. - 3 years experience in Marketing and Design Communication in IT company - entered to Graduate School of Industrial Design, Cheng-Kung University, Tainan, Taiwan. - entered to Ph.D. Programme, Division of Design Science, Chiba University, Chiba, Japan - member of IxDesignLab Taiwan, biggest interest group of interaction design with overseas chinese. - coordinator in workshops of Interaction Jam! Workshop, Renaissance with Nature workshop, and so on. - main arrangement of CHOTERIE, will present works in Tokyo Designers Week, 2010 2010 10 5
Chiba University: 40 mins 60 mins 2010 10 5
SPD: Service Product Design Lab 2010 10 5
Background of SPD 1980 1990 2000 GUI 2010 2010 10 5
Exploration 2010 10 5
What is interaction? 2010 10 5
Human-Machine Interaction Since 1950 Control panel NASA 2010 10 5
Computer-Human Interaction Since 1960 Arti?cial Intelligence Cybernetics Ubiquitous 2010 10 5
Human-Computer Interaction Since 1970 Cognition Perception Adaptive 2010 10 5
Social Interaction Since 1980 Distance workspace Computer-supported cooperative work(CSCW) Collaborative computing 2010 10 5
Physical Interaction Since 1990 Tangible and embedded interactions Affective Haptic Perceptual Interface 2010 10 5
History of exploration Perception Tangible computing Tangible Computing Collaborative Computing Collaborative computing Google Wave(¡¯ 09) Augment Reallity (¡¯ 04) iPhone(¡¯ 07) Wii (¡¯ 07) Google Document(¡¯ 05) Embodied Interaction (¡¯ 04) Human iPod(¡¯ 01) iTunes(¡¯ 01) Ubiquitous(¡¯ 99) Music bottle (¡¯ 98) i-Mode(¡¯ 97) metaDESK(¡¯ 96) Palm(¡¯ 95) Virtual Reality(¡¯ 91) Microsoft Office (¡¯ 90) Multi-touch(¡¯ 82) Lotus (¡¯ 83) E-mail (¡¯ 82) GUI(¡¯ 74) Mouse(¡¯ 63) Product or Service Project or Vision Cognition Visible Computer Invisible 2010 10 5
How to design interactions? 2010 10 5
Workshop 2010 10 5
Workshops Human lanscape design workshop, Tainan, Taiwan, 2005 Nightmarket design workshop, Taipei, Taiwan, 2006 International Workshop of Interactive Creativity & Design,Yulin, Taiwan, 2006 Mobile city, Rotterdam, Netherlands, 2008 Fun in ?nancial service, Milano, Italy, 2008 Contextmapping workshop, Tokyo, Japan, 2008 Interaction Jam! design workshop, Taipei, Taiwan, 2008 2010: imagine mobile lifestyle, Tokyo, Japan, 2009 Renaissance with nature, Taipei, Taiwan, 2009 Ideasketch workshop, Tokyo, Japan, 2010 Hardware sketch, Tokyo, Japan, 2010 Choterie: designing interaction for mid-age, Tokyo, Japan, 2010 Designing af?nity for interaction workshop, Chiba, Japan,2010 2010 10 5
Constraints Physical Novel tech Renaissance Age Hardware Co-experience Bodily Software Color synthesia Product Augment-ware Dominations Spatial Virtual-ware Stakeholder Situational Embedded system Location Touchpoint Physical computing Landscape Protocol Wireless Viewpoint Emotional Material Future for 2030 Form Mechanics Narrative Movement Structure Re?ective Semantic Phenomena Critical Affective Sustainable Pervasive Kansei Mobile-social activities Ubiquitous 2010 10 5
Output? Constraints Idea Concepts Solutions Sketch time 2010 10 5
Output? Constraints Idea Concepts Solutions Sketch Prototype time 2010 10 5
Prototyping! 2010 10 5
Reasons of Prototyping The prototyping is the embodied process from essential expressions from designing interactions, and proposing a plan to connect virtual ideas and real world. Project: Waiter Cup 2010 10 5
Jin-Hua [ ] A project by the Offenbach Academy of Art and Design and the botanical gardens Palmengarten of the city of Frankfurt/Main 2010 10 5
Fun 2010 10 5
Funology This book re?ects the move in Human Computer Interaction studies from standard usability concerns towards a wider set of problems to do with fun, enjoyment, aesthetics and the experience of use. Traditionally HCI has been concerned with work and task based applications but as digital technologies proliferate in the home fun becomes an important issue. There is an established body of knowledge and a range of techniques and methods for making products and interfaces usable, but far less is known about how to make them enjoyable. Perhaps in the future there will be a body of knowledge and a set of techniques for assessing the pleasure of interaction that will be as thorough as those that currently assess usability. - cite from <amazon.com> 2010 10 5
Piano Stairs 2010 10 5
How to design interactions? 2010 10 5
Why interactions? 2010 10 5
Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media 2010 10 5
Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media Activities 2010 10 5
Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media Activities Perception 2010 10 5
Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media Activities Perception Emotions 2010 10 5
Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media Activities Perception Emotions Kansei 2010 10 5
Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media Tangible Activities Perception Emotions Kansei 2010 10 5
Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media Tangible Activities Spatial Perception Emotions Kansei 2010 10 5
Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media Tangible Activities Spatial Perception Emotions Kansei Social-cultural 2010 10 5
Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media Tangible Activities Spatial Perception Emotions Kansei Ethics Social-cultural 2010 10 5
Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media Tangible Activities Spatial Perception Emotions Kansei Ethics Social-cultural Aesthetics 2010 10 5
Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media Tangible Activities Spatial Experience Perception Emotions Kansei Ethics Social-cultural Aesthetics 2010 10 5
Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media Augment Tangible Activities Spatial Experience Perception Emotions Kansei Ethics Social-cultural Aesthetics 2010 10 5
Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media Augment Tangible Stimuli Activities Spatial Experience Perception Emotions Kansei Ethics Social-cultural Aesthetics 2010 10 5
Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media Augment Tangible Stimuli Activities Spatial Experience Perception Emotions Movement Kansei Ethics Social-cultural Aesthetics 2010 10 5
Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media Augment Tangible Stimuli Activities Spatial Experience Semantic Perception Emotions Movement Kansei Ethics Social-cultural Aesthetics 2010 10 5
Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media Augment Tangible Stimuli Activities Spatial Experience Semantic Haptic Perception Emotions Movement Kansei Ethics Social-cultural Aesthetics 2010 10 5
Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media Augment Tangible Stimuli Activities Spatial Experience Semantic Haptic Perception Emotions Movement Cognitions Kansei Ethics Social-cultural Aesthetics 2010 10 5
Gravity NASA's SOHO Sees Sun Popping Out All Over, All copyrights are reserved by NASA/GSFC/SOHO 2010 10 5
2010 10 5
2010 10 5
2010 10 5
2010 10 5
2010 10 5
Synergy in designing interaction Sponsor Designer Media Watch Engineer (Tech Coach, Tech Led) ¡°Air Color¡± Researcher Impact 2010 10 5
Synergy on impact Sponsor Media Watch Designer Product or Service Engineer Tech Platform (Tech Coach, Tech Led) Researcher Kansei Actuator Impact 2010 10 5
Vision 2010 10 5
Vision in research Vision concept/principle >100 years User¡¯s need - 10 years Application Technology - 2 years reference: ishii hiroshi, , Axis Gallery, 2009.1.15 2010 10 5
The best way to predict the future is to invent it. - Alan Kay 2010 10 5

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ºÝºÝߣs original

  • 1. Context of Design: vision in design research Tung Jen Tsai, Faculty of Engineering, Division of Design Science, Chiba University, Japan 2010 10 5
  • 2. Self Portrait - was born in Taipei, Taiwan. - 3 years experience in Marketing and Design Communication in IT company - entered to Graduate School of Industrial Design, Cheng-Kung University, Tainan, Taiwan. - entered to Ph.D. Programme, Division of Design Science, Chiba University, Chiba, Japan 2010 10 5
  • 3. Self Portrait - was born in Taipei, Taiwan. - 3 years experience in Marketing and Design Communication in IT company - entered to Graduate School of Industrial Design, Cheng-Kung University, Tainan, Taiwan. - entered to Ph.D. Programme, Division of Design Science, Chiba University, Chiba, Japan - member of IxDesignLab Taiwan, biggest interest group of interaction design with overseas chinese. - coordinator in workshops of Interaction Jam! Workshop, Renaissance with Nature workshop, and so on. - main arrangement of CHOTERIE, will present works in Tokyo Designers Week, 2010 2010 10 5
  • 4. Chiba University: 40 mins 60 mins 2010 10 5
  • 5. SPD: Service Product Design Lab 2010 10 5
  • 6. Background of SPD 1980 1990 2000 GUI 2010 2010 10 5
  • 9. Human-Machine Interaction Since 1950 Control panel NASA 2010 10 5
  • 10. Computer-Human Interaction Since 1960 Arti?cial Intelligence Cybernetics Ubiquitous 2010 10 5
  • 11. Human-Computer Interaction Since 1970 Cognition Perception Adaptive 2010 10 5
  • 12. Social Interaction Since 1980 Distance workspace Computer-supported cooperative work(CSCW) Collaborative computing 2010 10 5
  • 13. Physical Interaction Since 1990 Tangible and embedded interactions Affective Haptic Perceptual Interface 2010 10 5
  • 14. History of exploration Perception Tangible computing Tangible Computing Collaborative Computing Collaborative computing Google Wave(¡¯ 09) Augment Reallity (¡¯ 04) iPhone(¡¯ 07) Wii (¡¯ 07) Google Document(¡¯ 05) Embodied Interaction (¡¯ 04) Human iPod(¡¯ 01) iTunes(¡¯ 01) Ubiquitous(¡¯ 99) Music bottle (¡¯ 98) i-Mode(¡¯ 97) metaDESK(¡¯ 96) Palm(¡¯ 95) Virtual Reality(¡¯ 91) Microsoft Office (¡¯ 90) Multi-touch(¡¯ 82) Lotus (¡¯ 83) E-mail (¡¯ 82) GUI(¡¯ 74) Mouse(¡¯ 63) Product or Service Project or Vision Cognition Visible Computer Invisible 2010 10 5
  • 15. How to design interactions? 2010 10 5
  • 17. Workshops Human lanscape design workshop, Tainan, Taiwan, 2005 Nightmarket design workshop, Taipei, Taiwan, 2006 International Workshop of Interactive Creativity & Design,Yulin, Taiwan, 2006 Mobile city, Rotterdam, Netherlands, 2008 Fun in ?nancial service, Milano, Italy, 2008 Contextmapping workshop, Tokyo, Japan, 2008 Interaction Jam! design workshop, Taipei, Taiwan, 2008 2010: imagine mobile lifestyle, Tokyo, Japan, 2009 Renaissance with nature, Taipei, Taiwan, 2009 Ideasketch workshop, Tokyo, Japan, 2010 Hardware sketch, Tokyo, Japan, 2010 Choterie: designing interaction for mid-age, Tokyo, Japan, 2010 Designing af?nity for interaction workshop, Chiba, Japan,2010 2010 10 5
  • 18. Constraints Physical Novel tech Renaissance Age Hardware Co-experience Bodily Software Color synthesia Product Augment-ware Dominations Spatial Virtual-ware Stakeholder Situational Embedded system Location Touchpoint Physical computing Landscape Protocol Wireless Viewpoint Emotional Material Future for 2030 Form Mechanics Narrative Movement Structure Re?ective Semantic Phenomena Critical Affective Sustainable Pervasive Kansei Mobile-social activities Ubiquitous 2010 10 5
  • 19. Output? Constraints Idea Concepts Solutions Sketch time 2010 10 5
  • 20. Output? Constraints Idea Concepts Solutions Sketch Prototype time 2010 10 5
  • 22. Reasons of Prototyping The prototyping is the embodied process from essential expressions from designing interactions, and proposing a plan to connect virtual ideas and real world. Project: Waiter Cup 2010 10 5
  • 23. Jin-Hua [ ] A project by the Offenbach Academy of Art and Design and the botanical gardens Palmengarten of the city of Frankfurt/Main 2010 10 5
  • 24. Fun 2010 10 5
  • 25. Funology This book re?ects the move in Human Computer Interaction studies from standard usability concerns towards a wider set of problems to do with fun, enjoyment, aesthetics and the experience of use. Traditionally HCI has been concerned with work and task based applications but as digital technologies proliferate in the home fun becomes an important issue. There is an established body of knowledge and a range of techniques and methods for making products and interfaces usable, but far less is known about how to make them enjoyable. Perhaps in the future there will be a body of knowledge and a set of techniques for assessing the pleasure of interaction that will be as thorough as those that currently assess usability. - cite from <amazon.com> 2010 10 5
  • 27. How to design interactions? 2010 10 5
  • 29. Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media 2010 10 5
  • 30. Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media Activities 2010 10 5
  • 31. Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media Activities Perception 2010 10 5
  • 32. Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media Activities Perception Emotions 2010 10 5
  • 33. Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media Activities Perception Emotions Kansei 2010 10 5
  • 34. Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media Tangible Activities Perception Emotions Kansei 2010 10 5
  • 35. Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media Tangible Activities Spatial Perception Emotions Kansei 2010 10 5
  • 36. Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media Tangible Activities Spatial Perception Emotions Kansei Social-cultural 2010 10 5
  • 37. Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media Tangible Activities Spatial Perception Emotions Kansei Ethics Social-cultural 2010 10 5
  • 38. Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media Tangible Activities Spatial Perception Emotions Kansei Ethics Social-cultural Aesthetics 2010 10 5
  • 39. Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media Tangible Activities Spatial Experience Perception Emotions Kansei Ethics Social-cultural Aesthetics 2010 10 5
  • 40. Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media Augment Tangible Activities Spatial Experience Perception Emotions Kansei Ethics Social-cultural Aesthetics 2010 10 5
  • 41. Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media Augment Tangible Stimuli Activities Spatial Experience Perception Emotions Kansei Ethics Social-cultural Aesthetics 2010 10 5
  • 42. Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media Augment Tangible Stimuli Activities Spatial Experience Perception Emotions Movement Kansei Ethics Social-cultural Aesthetics 2010 10 5
  • 43. Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media Augment Tangible Stimuli Activities Spatial Experience Semantic Perception Emotions Movement Kansei Ethics Social-cultural Aesthetics 2010 10 5
  • 44. Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media Augment Tangible Stimuli Activities Spatial Experience Semantic Haptic Perception Emotions Movement Kansei Ethics Social-cultural Aesthetics 2010 10 5
  • 45. Implicit and Explicit Interactions Multi-sensor device Usability Augment Reality Multi-touch Interface Context-awareness Tactile Social Network Media Augment Tangible Stimuli Activities Spatial Experience Semantic Haptic Perception Emotions Movement Cognitions Kansei Ethics Social-cultural Aesthetics 2010 10 5
  • 46. Gravity NASA's SOHO Sees Sun Popping Out All Over, All copyrights are reserved by NASA/GSFC/SOHO 2010 10 5
  • 47. 2010 10 5
  • 48. 2010 10 5
  • 49. 2010 10 5
  • 50. 2010 10 5
  • 51. 2010 10 5
  • 52. Synergy in designing interaction Sponsor Designer Media Watch Engineer (Tech Coach, Tech Led) ¡°Air Color¡± Researcher Impact 2010 10 5
  • 53. Synergy on impact Sponsor Media Watch Designer Product or Service Engineer Tech Platform (Tech Coach, Tech Led) Researcher Kansei Actuator Impact 2010 10 5
  • 54. Vision 2010 10 5
  • 55. Vision in research Vision concept/principle >100 years User¡¯s need - 10 years Application Technology - 2 years reference: ishii hiroshi, , Axis Gallery, 2009.1.15 2010 10 5
  • 56. The best way to predict the future is to invent it. - Alan Kay 2010 10 5