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Soundbranding `the new need¨


 Perception and Sensory Integration


Soundbranding in spaces and places

  Soundbranding - A paradigme shift




                                  Audio?Management?A/S???www.soundbranding.com???tlf.?+?45?39?40?64?60
                              Kirkegaardsgade?3,?9000?Aalborg,?Denmark?Birgitte?Rode?+45?40?36?64?62???br@soundbranding.com?
            Vesterbrogade?24?B,?2.?1620?K?benhavn?V,?Denmark???Ulrik?With?Andersen?+45?50?94?10?03???uwa@soundbranding.com
                                                                                      1
Perception and Sensory Integration

The unborn child is exposed to sound from the 28.th week of the
pregnancy.
Sound is part of the instincts, and it is percieved both through the body
and the ear.

Preferences of sound is based on age, gender, social, cultural,
national and religious connotations and identity

Sound is influencing emotions directly. Emotions are not controlled by
the rationel part of the brain.
Sound creates reflective physical reactions like: goose bumps, tears,
stresses the system.


                                                    Audio?Management?A/S???www.soundbranding.com???tlf.?+?45?39?40?64?60
                                                Kirkegaardsgade?3,?9000?Aalborg,?Denmark?Birgitte?Rode?+45?40?36?64?62???br@soundbranding.com?
                              Vesterbrogade?24?B,?2.?1620?K?benhavn?V,?Denmark???Ulrik?With?Andersen?+45?50?94?10?03???uwa@soundbranding.com
                                                                                                        2
Disneyland - Paris - Hong Kong - Florida - California




                                             Audio?Management?A/S???www.soundbranding.com???tlf.?+?45?39?40?64?60
                                         Kirkegaardsgade?3,?9000?Aalborg,?Denmark?Birgitte?Rode?+45?40?36?64?62???br@soundbranding.com?
                       Vesterbrogade?24?B,?2.?1620?K?benhavn?V,?Denmark???Ulrik?With?Andersen?+45?50?94?10?03???uwa@soundbranding.com
                                                                                                 3
Bayreuth Opera Festival - Richard Wagner - Hitler - The Allied - festival since 1876

Wagner's Festival ideal was closely bound up with the genesis of his principal work,

Der Ring des Nibelungen, each element in the equation fructifying the other. It was

on 14 September 1850 that Wagner first sketched out the idea of a festival. It was

under the Third Reich that the festival made its ?rst break from tradition, abandoning

the deteriorating 19th century sets created by Richard Wagner. Many protested the

changes. Hitler approved of the changes, During the war, the festival was turned over

to the Nazi party, which continued to sponsor operas for wounded soldiers. The

soldiers were forced to attend lectures on Wagner before the performances. Two-

thirds of the town of Bayreuth was destroyed by Allied bombing, though the theatre

itself was undamaged. During American occupation of the region after World War II,

the theatre was used for army recreation and religious services for American

soldiers. Only popular concerts and mixed entertainment were allowed: comedy,

dancing, acrobatics, and then only Die Fledermaus was staged. In 1946 the Festival

House was handed over to the city of Bayreuth,. Talks about reopening of the

Wagnerian Festival started. Finally it reopened with the performance of Beethoven's

9th Symphony on July 29, 1951, followed by the first post-war premiere of Wagner's

opera,



                                                                                       Audio?Management?A/S???www.soundbranding.com???tlf.?+?45?39?40?64?60
                                                                                   Kirkegaardsgade?3,?9000?Aalborg,?Denmark?Birgitte?Rode?+45?40?36?64?62???br@soundbranding.com?
                                                                 Vesterbrogade?24?B,?2.?1620?K?benhavn?V,?Denmark???Ulrik?With?Andersen?+45?50?94?10?03???uwa@soundbranding.com


                                                                                                                                          4
Liverpool The Beatles - The Mercey Beat - The British Invasion




                                             Audio?Management?A/S???www.soundbranding.com???tlf.?+?45?39?40?64?60
                                         Kirkegaardsgade?3,?9000?Aalborg,?Denmark?Birgitte?Rode?+45?40?36?64?62???br@soundbranding.com?
                       Vesterbrogade?24?B,?2.?1620?K?benhavn?V,?Denmark???Ulrik?With?Andersen?+45?50?94?10?03???uwa@soundbranding.com
                                                                                                 5
Songs about places




New York, New York                             Wonderful, wonderful Copenhagen




                                                   Audio?Management?A/S???www.soundbranding.com???tlf.?+?45?39?40?64?60
                                               Kirkegaardsgade?3,?9000?Aalborg,?Denmark?Birgitte?Rode?+45?40?36?64?62???br@soundbranding.com?
                             Vesterbrogade?24?B,?2.?1620?K?benhavn?V,?Denmark???Ulrik?With?Andersen?+45?50?94?10?03???uwa@soundbranding.com
                                                                                                       6
National Anthem




                          Audio?Management?A/S???www.soundbranding.com???tlf.?+?45?39?40?64?60
                      Kirkegaardsgade?3,?9000?Aalborg,?Denmark?Birgitte?Rode?+45?40?36?64?62???br@soundbranding.com?
    Vesterbrogade?24?B,?2.?1620?K?benhavn?V,?Denmark???Ulrik?With?Andersen?+45?50?94?10?03???uwa@soundbranding.com
                                                                              7
Perfect place - and productbranding




                                                                    Basilica di San Pietro in Vaticano


Mihrab, Moskea, Cairo




                                                Big Ben


                                                          Audio?Management?A/S???www.soundbranding.com???tlf.?+?45?39?40?64?60
                                                      Kirkegaardsgade?3,?9000?Aalborg,?Denmark?Birgitte?Rode?+45?40?36?64?62???br@soundbranding.com?
                                    Vesterbrogade?24?B,?2.?1620?K?benhavn?V,?Denmark???Ulrik?With?Andersen?+45?50?94?10?03???uwa@soundbranding.com
                                                                                                              8
A Paradigme Shift

Audio Management A/S was the ?rst company to adress sound branding as a strategic design tool on a corporate level. ?

Since the birth of radio and TV as mass media, we have seen the rise of many new mass media the latest being the
smart phone where the screen size alone begs for a clever use of sound, voice and music.?

In the past, businesses have used sound primarily as an entertainment added value without harvesting the huge
potential sound has for building and maintaining emotional brand relationships. Sound i?s rapidly being adressed and
used as a design element on equal basis with visual design, bacause the methology is both proven and practical.

The shift to electronic channels of marketing has made the need for a strategic approach to?sound branding absolutely
nescessary if the brand is to survive.?Today corporate BRANDs is facing 'a new need' - to express the brand persona-
lity on all?electronic medias.?The shift to electronic channels of marketing has made the need for a strategic approach
to?sound branding absolutely nescessary if the brand is to survive.? Today corporate BRANDs is facing 'a new need' ?-
to express the brand personality on all?electronic medias.?

New needs, new behavior?
A growing number of marketers are adressing the big bene?ts of using audio as a design tool.?They use music and
sound as an integrated, planned, strategic communication tool rather than a non planned afterthought when
implementing.
     ?
These marketers are creating the new discipline of sound brand identity and realizing a new area of competitive
     ??
advantage because sound design is the ultimate way to sets the stage for brands and engage the target group
emotionally in your brand.


                                                                           Audio?Management?A/S???www.soundbranding.com???tlf.?+?45?39?40?64?60
                                                                       Kirkegaardsgade?3,?9000?Aalborg,?Denmark?Birgitte?Rode?+45?40?36?64?62???br@soundbranding.com?
                                                     Vesterbrogade?24?B,?2.?1620?K?benhavn?V,?Denmark???Ulrik?With?Andersen?+45?50?94?10?03???uwa@soundbranding.com
                                                                                                                               9
Touchpoints


    Retail
    Offices                                                                                                       TV
 Conferences                             Audio                                                            Corporate Film
Spaces & Places
    Events
                                     Corporate                                                                 Cinema


                                     Identity?

      Merchandise
          DVD
                                                                                                           Radio
        CD-Rom
       Download




                                                                                        Web
                                                                                     Desktop
                    Telephone hold
                                                                                Mobile devices
                                           Product



                                                           Audio?Management?A/S???www.soundbranding.com???tlf.?+?45?39?40?64?60
                                                       Kirkegaardsgade?3,?9000?Aalborg,?Denmark?Birgitte?Rode?+45?40?36?64?62???br@soundbranding.com?
                                     Vesterbrogade?24?B,?2.?1620?K?benhavn?V,?Denmark???Ulrik?With?Andersen?+45?50?94?10?03???uwa@soundbranding.com
Step by step

 SoundIdentity????Step?by?Step                                 Think - Design - Do
                                                                 1)   Analyses
                                                                 2)   Qualification of designelements
SoundIdentity????Audit                                           3)   Design
full?audit?and?recommendations?   ?
                                                                 4)   Implimentation
                                                                 Identification of existing soundbranding
SoundIdentity????Platform
!"#$"!%&$!%!"'()*+"!%*$%(,-./"0"%+)&$!%                          performance.
guidelines
                                                                Identification of the brand value of
                                                                existing sound
SoundIdentity????Audio?Design?
Audio?elements?created.                                          Identification of maximizing brand
                                                                 performance by implementation of
Audio?Corporate?Identity??
                                                                 soundbranding.
Complete?Corporate?Identity?Manual
                                                                 Identification of Stakeholder value
                                                                 Identification of Organisation value
Optimization,?adjusting?and?development
                                                                 Cost efficiency improvement on
                                                                 copyrights; existing presentation
                                                                 movies, commercials, banneradds etc.

                                                                 Audio?Management?A/S???www.soundbranding.com???tlf.?+?45?39?40?64?60
                                                             Kirkegaardsgade?3,?9000?Aalborg,?Denmark?Birgitte?Rode?+45?40?36?64?62???br@soundbranding.com?
                                           Vesterbrogade?24?B,?2.?1620?K?benhavn?V,?Denmark???Ulrik?With?Andersen?+45?50?94?10?03???uwa@soundbranding.com
                                                                                                                    11
soundbranding.com



soundbranding.com
contact:
Birgitte Rode
Founder, Creative Director


br@soundbranding.com
+45 40 36 64 62




                                        Audio?Management?A/S???www.soundbranding.com???tlf.?+?45?39?40?64?60
                                    Kirkegaardsgade?3,?9000?Aalborg,?Denmark?Birgitte?Rode?+45?40?36?64?62???br@soundbranding.com?
                  Vesterbrogade?24?B,?2.?1620?K?benhavn?V,?Denmark???Ulrik?With?Andersen?+45?50?94?10?03???uwa@soundbranding.com
                                                                                           12

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  • 1. Soundbranding `the new need¨ Perception and Sensory Integration Soundbranding in spaces and places Soundbranding - A paradigme shift Audio?Management?A/S???www.soundbranding.com???tlf.?+?45?39?40?64?60 Kirkegaardsgade?3,?9000?Aalborg,?Denmark?Birgitte?Rode?+45?40?36?64?62???br@soundbranding.com? Vesterbrogade?24?B,?2.?1620?K?benhavn?V,?Denmark???Ulrik?With?Andersen?+45?50?94?10?03???uwa@soundbranding.com 1
  • 2. Perception and Sensory Integration The unborn child is exposed to sound from the 28.th week of the pregnancy. Sound is part of the instincts, and it is percieved both through the body and the ear. Preferences of sound is based on age, gender, social, cultural, national and religious connotations and identity Sound is influencing emotions directly. Emotions are not controlled by the rationel part of the brain. Sound creates reflective physical reactions like: goose bumps, tears, stresses the system. Audio?Management?A/S???www.soundbranding.com???tlf.?+?45?39?40?64?60 Kirkegaardsgade?3,?9000?Aalborg,?Denmark?Birgitte?Rode?+45?40?36?64?62???br@soundbranding.com? Vesterbrogade?24?B,?2.?1620?K?benhavn?V,?Denmark???Ulrik?With?Andersen?+45?50?94?10?03???uwa@soundbranding.com 2
  • 3. Disneyland - Paris - Hong Kong - Florida - California Audio?Management?A/S???www.soundbranding.com???tlf.?+?45?39?40?64?60 Kirkegaardsgade?3,?9000?Aalborg,?Denmark?Birgitte?Rode?+45?40?36?64?62???br@soundbranding.com? Vesterbrogade?24?B,?2.?1620?K?benhavn?V,?Denmark???Ulrik?With?Andersen?+45?50?94?10?03???uwa@soundbranding.com 3
  • 4. Bayreuth Opera Festival - Richard Wagner - Hitler - The Allied - festival since 1876 Wagner's Festival ideal was closely bound up with the genesis of his principal work, Der Ring des Nibelungen, each element in the equation fructifying the other. It was on 14 September 1850 that Wagner first sketched out the idea of a festival. It was under the Third Reich that the festival made its ?rst break from tradition, abandoning the deteriorating 19th century sets created by Richard Wagner. Many protested the changes. Hitler approved of the changes, During the war, the festival was turned over to the Nazi party, which continued to sponsor operas for wounded soldiers. The soldiers were forced to attend lectures on Wagner before the performances. Two- thirds of the town of Bayreuth was destroyed by Allied bombing, though the theatre itself was undamaged. During American occupation of the region after World War II, the theatre was used for army recreation and religious services for American soldiers. Only popular concerts and mixed entertainment were allowed: comedy, dancing, acrobatics, and then only Die Fledermaus was staged. In 1946 the Festival House was handed over to the city of Bayreuth,. Talks about reopening of the Wagnerian Festival started. Finally it reopened with the performance of Beethoven's 9th Symphony on July 29, 1951, followed by the first post-war premiere of Wagner's opera, Audio?Management?A/S???www.soundbranding.com???tlf.?+?45?39?40?64?60 Kirkegaardsgade?3,?9000?Aalborg,?Denmark?Birgitte?Rode?+45?40?36?64?62???br@soundbranding.com? Vesterbrogade?24?B,?2.?1620?K?benhavn?V,?Denmark???Ulrik?With?Andersen?+45?50?94?10?03???uwa@soundbranding.com 4
  • 5. Liverpool The Beatles - The Mercey Beat - The British Invasion Audio?Management?A/S???www.soundbranding.com???tlf.?+?45?39?40?64?60 Kirkegaardsgade?3,?9000?Aalborg,?Denmark?Birgitte?Rode?+45?40?36?64?62???br@soundbranding.com? Vesterbrogade?24?B,?2.?1620?K?benhavn?V,?Denmark???Ulrik?With?Andersen?+45?50?94?10?03???uwa@soundbranding.com 5
  • 6. Songs about places New York, New York Wonderful, wonderful Copenhagen Audio?Management?A/S???www.soundbranding.com???tlf.?+?45?39?40?64?60 Kirkegaardsgade?3,?9000?Aalborg,?Denmark?Birgitte?Rode?+45?40?36?64?62???br@soundbranding.com? Vesterbrogade?24?B,?2.?1620?K?benhavn?V,?Denmark???Ulrik?With?Andersen?+45?50?94?10?03???uwa@soundbranding.com 6
  • 7. National Anthem Audio?Management?A/S???www.soundbranding.com???tlf.?+?45?39?40?64?60 Kirkegaardsgade?3,?9000?Aalborg,?Denmark?Birgitte?Rode?+45?40?36?64?62???br@soundbranding.com? Vesterbrogade?24?B,?2.?1620?K?benhavn?V,?Denmark???Ulrik?With?Andersen?+45?50?94?10?03???uwa@soundbranding.com 7
  • 8. Perfect place - and productbranding Basilica di San Pietro in Vaticano Mihrab, Moskea, Cairo Big Ben Audio?Management?A/S???www.soundbranding.com???tlf.?+?45?39?40?64?60 Kirkegaardsgade?3,?9000?Aalborg,?Denmark?Birgitte?Rode?+45?40?36?64?62???br@soundbranding.com? Vesterbrogade?24?B,?2.?1620?K?benhavn?V,?Denmark???Ulrik?With?Andersen?+45?50?94?10?03???uwa@soundbranding.com 8
  • 9. A Paradigme Shift Audio Management A/S was the ?rst company to adress sound branding as a strategic design tool on a corporate level. ? Since the birth of radio and TV as mass media, we have seen the rise of many new mass media the latest being the smart phone where the screen size alone begs for a clever use of sound, voice and music.? In the past, businesses have used sound primarily as an entertainment added value without harvesting the huge potential sound has for building and maintaining emotional brand relationships. Sound i?s rapidly being adressed and used as a design element on equal basis with visual design, bacause the methology is both proven and practical. The shift to electronic channels of marketing has made the need for a strategic approach to?sound branding absolutely nescessary if the brand is to survive.?Today corporate BRANDs is facing 'a new need' - to express the brand persona- lity on all?electronic medias.?The shift to electronic channels of marketing has made the need for a strategic approach to?sound branding absolutely nescessary if the brand is to survive.? Today corporate BRANDs is facing 'a new need' ?- to express the brand personality on all?electronic medias.? New needs, new behavior? A growing number of marketers are adressing the big bene?ts of using audio as a design tool.?They use music and sound as an integrated, planned, strategic communication tool rather than a non planned afterthought when implementing. ? These marketers are creating the new discipline of sound brand identity and realizing a new area of competitive ?? advantage because sound design is the ultimate way to sets the stage for brands and engage the target group emotionally in your brand. Audio?Management?A/S???www.soundbranding.com???tlf.?+?45?39?40?64?60 Kirkegaardsgade?3,?9000?Aalborg,?Denmark?Birgitte?Rode?+45?40?36?64?62???br@soundbranding.com? Vesterbrogade?24?B,?2.?1620?K?benhavn?V,?Denmark???Ulrik?With?Andersen?+45?50?94?10?03???uwa@soundbranding.com 9
  • 10. Touchpoints Retail Offices TV Conferences Audio Corporate Film Spaces & Places Events Corporate Cinema Identity? Merchandise DVD Radio CD-Rom Download Web Desktop Telephone hold Mobile devices Product Audio?Management?A/S???www.soundbranding.com???tlf.?+?45?39?40?64?60 Kirkegaardsgade?3,?9000?Aalborg,?Denmark?Birgitte?Rode?+45?40?36?64?62???br@soundbranding.com? Vesterbrogade?24?B,?2.?1620?K?benhavn?V,?Denmark???Ulrik?With?Andersen?+45?50?94?10?03???uwa@soundbranding.com
  • 11. Step by step SoundIdentity????Step?by?Step Think - Design - Do 1) Analyses 2) Qualification of designelements SoundIdentity????Audit 3) Design full?audit?and?recommendations? ? 4) Implimentation Identification of existing soundbranding SoundIdentity????Platform !"#$"!%&$!%!"'()*+"!%*$%(,-./"0"%+)&$!% performance. guidelines Identification of the brand value of existing sound SoundIdentity????Audio?Design? Audio?elements?created. Identification of maximizing brand performance by implementation of Audio?Corporate?Identity?? soundbranding. Complete?Corporate?Identity?Manual Identification of Stakeholder value Identification of Organisation value Optimization,?adjusting?and?development Cost efficiency improvement on copyrights; existing presentation movies, commercials, banneradds etc. Audio?Management?A/S???www.soundbranding.com???tlf.?+?45?39?40?64?60 Kirkegaardsgade?3,?9000?Aalborg,?Denmark?Birgitte?Rode?+45?40?36?64?62???br@soundbranding.com? Vesterbrogade?24?B,?2.?1620?K?benhavn?V,?Denmark???Ulrik?With?Andersen?+45?50?94?10?03???uwa@soundbranding.com 11
  • 12. soundbranding.com soundbranding.com contact: Birgitte Rode Founder, Creative Director br@soundbranding.com +45 40 36 64 62 Audio?Management?A/S???www.soundbranding.com???tlf.?+?45?39?40?64?60 Kirkegaardsgade?3,?9000?Aalborg,?Denmark?Birgitte?Rode?+45?40?36?64?62???br@soundbranding.com? Vesterbrogade?24?B,?2.?1620?K?benhavn?V,?Denmark???Ulrik?With?Andersen?+45?50?94?10?03???uwa@soundbranding.com 12