瀧協决仝アカデミックなメディアア`トについて5蛍で囂ることがなぜ音辛嬬なのか々
?Download as PPTX, PDF?
3 likes?1,473 views
メディアア`ト冩梢宀、R協决によるスライド。 2015定4埖25晩輿に_岸された仝鎗云直ダ`クナイト organized by 寔寄業Rhizomatiks々にてk燕したスライドに云繁が紗Pを佩ったY創です。 アカデミックなメディアア`トについて5蛍でZることは音辛嬬。しかし、なぜ音辛嬬なのかは5蛍でZることが辛嬬かもしれない´。
瀧協决仝アカデミックなメディアア`トについて5蛍で囂ることがなぜ音辛嬬なのか々
- 1. In another 5 馨庄稼顎岳艶壊´
- 2. 鎗云直ダ`クナイト organized by 寔寄業Rhizomatiks 1何テ`マ‐晩云のメディアア`トシ`ン／ 消隠弥士埼 斌Iベ`スのデジタルア`トとラッセン クワクボリョウタ 晩云のメディアア`トとア`ト ギャラリ`とミュ`ジアム R協决 アカデミックなメディアア`ト 嶄g 晩云のメディアア`トシ`ン 二鮫兜宛で戻工された}
- 27. Media and performance Video art Video installation Digital art: computer art, digital photography, web art, interactive digital art, virtual reality Michael Rush 〆New Media in Art〇、1999、2005
- 28. Digital Imaging Digital Sculpture Digital Installation and Virtual Reality Performance, Music and Sound Art Digital Animation and Video Software, Database, and Game Art Net Art The Future of Digital Art Bruce Wands〆Art of the Digital Age〇 、2006
- 29. Introduction: A short history of technology and art Digital Technologies as Tool: Digital imaging, Photography and print, sculpture Digital Technologies as a Medium: Forms of digital art, installation, film, video and animation internet art and nomadic networks, software art, virtual reality and augmented reality, sound and music Themes in Digital Art: Artificial life, Artificial intelligence and intelligent agents, telepresence, telematics and telerobotics, body and identity, databases, data visualization and mapping, beyond the book; text and narrative environments, gaming, tactical media, activism and hacktivism, technologies of the future Christiane Paul 〆Digital Art〇 、2003、2008、2015
- 30. Motion, duration, illumination Coded form and electronic production Charged Environments Networks, surveillance, culture jamming Bodies, surrogates, emergent systems Simulations and simulacra Exhibitions, institutions, communities, collaborations Edward A. Shanken〆Art and Electronic Media〇 2009、2014
- 32. Metaphorically speaking, art can be described as a tree, and the new media- computers and so forth- are a new branch that has suddenly sprouted on the tree. At first it seemed like a strange, even abnormal growth; it wasn¨t green, and it appeared artificial with its flashing neon lights and sounds. But in fact the new media is just a new branch of the classical tree of art. At the same time, the new branch as also changed the tree. It no longer looks like it once did, which is why we can no longer look at an old branch, such as the art of painting, as we did a century ago. Peter Weibel interviewed by 儲瓲屎 〆Encounters in the 21st Century: Polyphony- Emerging Resonances 〇 署g21弊o胆g^、v芙、2005、165166
- 33. ZKMCenter for Art and Media, Karlsruheの^Lのヴァイベルは メディアア`トがア`トという仝直々に伏えた仟しい仝乢々であり この仝乢々のため、仝直々そのものが笋錣辰討靴泙辰燭箸いい泙靴拭 その匯圭、 メディアア`トとは屡贋のア`トとは 功っこからなる仟しい仝直々であるという深え圭もあります。
- 44. やはり5蛍では涙尖でした、丶。