Stoixeia theatrologias
0 likes545 views
竜旅留 1侶 粒旅留 侶亮竜旅ﾏ竜旅 侶 略両侶, 虜留亮溜留 旅隆劉留 流 留侶;
1 of 7
Download to read offline
Ad
Recommended
旅劉了竜両侶 凌 . . 凌粒溜隆侶 亮竜 慮劉亮留 束劉留凌 虜留旅 虜留溜隆竜侶損 凌 侶亮旅凌 ...
旅劉了竜両侶 凌 . . 凌粒溜隆侶 亮竜 慮劉亮留 束劉留凌 虜留旅 虜留溜隆竜侶損 凌 侶亮旅凌 ...DImitrios Drogidis
油
旅劉了竜両侶 凌 . . 凌粒溜隆侶 亮竜 慮劉亮留 束劉留凌 虜留旅 虜留溜隆竜侶損 凌 旅隆留溜留 留亮留旅虜流 凌溜侶侶, 旅溜隆侶 了劉僚侶, 亮僚留溜凌, 旅留粒粒流 粒 亮劉凌
留亮留旅虜流 凌溜侶侶, 旅溜隆侶 了劉僚侶, 亮僚留溜凌, 旅留粒粒流 粒 亮劉凌里留凌侶 律流凌, 亮僚略旅凌 留粒凌了留 旅虜流 旅虜流
油
留亮留旅虜流 凌溜侶侶, 旅溜隆侶 了劉僚侶, 亮僚留溜凌, 旅留粒粒流 粒 亮劉凌Evaluation Question 4
Evaluation Question 4johnpattinson95
油
In the construction and research, planning and evaluation stages of a project, the document discusses the use of several media technologies: Final Cut and Photoshop software to edit video footage from a Panasonic camera into a final video project, and to design graphics for a digipak cover, CD art, and poster using Photoshop. Prezi was also used in the planning and evaluation stages.Hardwiring Infuence-NYS Cable Common Cause
Hardwiring Infuence-NYS Cable Common Causecommoncauseny
油
The document summarizes campaign contributions and lobbying expenditures by major cable companies in New York state. It finds that Cablevision, Time Warner Cable, and Verizon have spent millions on political donations and lobbying. This spending is argued to influence policy decisions around cable franchising and regulation that favor the industry over consumers.Wikimedia Projekte nicht nur Datenlieferant sondern Chance f端r EnSebastian Wallroth
油
Das Dokument beschreibt das offenes Wikimedia-Arbeitstreffen in Dresden, das die F旦rderung freien Wissens und die Nutzung von Wikimedia-Daten in mobilen Applikationen thematisiert. Wikimedia Deutschland, die deutsche Sektion der Wikimedia Foundation, unterst端tzt verschiedene Projekte, unter anderem Wikipedia, und hat Ziele f端r die Zukunft wie Freiwilligenf旦rderung, Lobbying und die Verbesserung der Qualit辰t der Inhalte. Die Organisation strebt an, freies Wissen in Bildung und Medien pr辰sent zu machen und ihre Community aktiv zu f旦rdern.Relaciones p炭blicas online samiragilnalon
油
Las relaciones p炭blicas online se definen como la direcci坦n de la comunicaci坦n entre una organizaci坦n y sus netizens o ciudadanos de Internet. Los relacionistas p炭blicos online se encargan de p炭blicos como empleados, accionistas, socios y medios de comunicaci坦n, tanto en l鱈nea como fuera de l鱈nea. Algunas funciones b叩sicas incluyen dise単ar contenido, generar informaci坦n actualizada y dinamizar a los p炭blicos objetivos a trav辿s de las redes sociales y otros canales en l鱈nea.Gu鱈a Lobby (III) - Encuentros parlamentariosrosa gomez-acebo (consultores de comunicaci坦n)
油
El documento proporciona una gu鱈a para encuentros parlamentarios. Detalla diferentes tipos de encuentros, como primeros encuentros, reuniones de continuidad y encuentros con los m叩s altos representantes. Para cada tipo de encuentro, ofrece consejos sobre los objetivos, qui辿n debe asistir y qu辿 informaci坦n y propuestas se deben presentar para hacer del encuentro uno efectivo.How do animations influence learning?Guilherme Storck
油
Este documento discute como diferentes formas de representa巽達o, como anima巽探es, podem influenciar no aprendizado. O autor revisa seis n鱈veis de an叩lise para entender este tema: expressivo, cognitivo, afetivo, estrat辿gico, metacognitivo e ret坦rico. Conclui que os n鱈veis n達o s達o independentes e que as anima巽探es podem tanto facilitar quanto dificultar o aprendizado dependendo do contexto.Coloca巽達o pronominalLidiane Rodrigues
油
O documento resume as tr棚s posi巽探es que os pronomes obl鱈quos 叩tonos (me, te, nos, etc) podem assumir em rela巽達o aos verbos: pr坦clise, mes坦clise e 棚nclise. Explica quando cada uma ocorre dependendo de palavras como nega巽達o, adv辿rbios, tempos verbais como futuro e imperativo.CAS open glam_teil1_20150620Beat Estermann
油
Das Dokument pr辰sentiert eine Einf端hrung in OpenGLAM, eine Initiative zur F旦rderung des offenen Zugangs zu Kulturg端tern und digitalen Informationen in der Schweiz. Es behandelt die Grundprinzipien von OpenGLAM, Methoden zur Publikation von offenen Daten sowie Kooperationsformen zwischen Ged辰chtnisinstitutionen und Wikipedia. Ziel ist es, kulturelles Erbe weltweit zug辰nglicher zu machen und neue Beteiligungsm旦glichkeiten f端r Nutzer zu schaffen.束旅 留留劉 凌 慮竜略凌: 竜流亮竜竜 虜留留虜竜劉 虜留旅 凌流留損.
束旅 留留劉 凌 慮竜略凌: 竜流亮竜竜 虜留留虜竜劉 虜留旅 凌流留損.an kar
油
裡侶僚 留凌溜留侶 隆溜僚凌僚留旅 留 留留虜侶旅旅虜略 凌 慮竜略凌 侶 虜了留旅虜流 竜凌流, 凌 留留略慮侶虜留僚 留 ﾏ留 隆略亮留留, 亮劉留 留 亮旅留 竜旅隆旅略硫留侶 竜 亮竜旅虜凌 留留旅凌了凌粒旅虜凌 ﾏ凌 龍亮竜僚僚 慮竜略僚 侶僚 旅虜流 流 虜留旅 留了了凌.竜凌竜了了侶僚旅虜流 了ﾏ留 亮僚留溜凌 僚侶留 5 陸了了凌 竜粒留溜留
竜凌竜了了侶僚旅虜流 了ﾏ留 亮僚留溜凌 僚侶留 5 陸了了凌 竜粒留溜留mvourtsian
油
僚侶留 5 :僚溜龍 凌 亮留粒旅虜 虜亮凌 凌 慮竜略凌 虜留旅 凌 虜旅僚侶亮留凌粒略凌
https://filologosab.blogspot.com/2020/01/5.htmlMore Related Content
Viewers also liked (7)
Hardwiring Infuence-NYS Cable Common Cause
Hardwiring Infuence-NYS Cable Common Causecommoncauseny
油
The document summarizes campaign contributions and lobbying expenditures by major cable companies in New York state. It finds that Cablevision, Time Warner Cable, and Verizon have spent millions on political donations and lobbying. This spending is argued to influence policy decisions around cable franchising and regulation that favor the industry over consumers.Wikimedia Projekte nicht nur Datenlieferant sondern Chance f端r EnSebastian Wallroth
油
Das Dokument beschreibt das offenes Wikimedia-Arbeitstreffen in Dresden, das die F旦rderung freien Wissens und die Nutzung von Wikimedia-Daten in mobilen Applikationen thematisiert. Wikimedia Deutschland, die deutsche Sektion der Wikimedia Foundation, unterst端tzt verschiedene Projekte, unter anderem Wikipedia, und hat Ziele f端r die Zukunft wie Freiwilligenf旦rderung, Lobbying und die Verbesserung der Qualit辰t der Inhalte. Die Organisation strebt an, freies Wissen in Bildung und Medien pr辰sent zu machen und ihre Community aktiv zu f旦rdern.Relaciones p炭blicas online samiragilnalon
油
Las relaciones p炭blicas online se definen como la direcci坦n de la comunicaci坦n entre una organizaci坦n y sus netizens o ciudadanos de Internet. Los relacionistas p炭blicos online se encargan de p炭blicos como empleados, accionistas, socios y medios de comunicaci坦n, tanto en l鱈nea como fuera de l鱈nea. Algunas funciones b叩sicas incluyen dise単ar contenido, generar informaci坦n actualizada y dinamizar a los p炭blicos objetivos a trav辿s de las redes sociales y otros canales en l鱈nea.Gu鱈a Lobby (III) - Encuentros parlamentariosrosa gomez-acebo (consultores de comunicaci坦n)
油
El documento proporciona una gu鱈a para encuentros parlamentarios. Detalla diferentes tipos de encuentros, como primeros encuentros, reuniones de continuidad y encuentros con los m叩s altos representantes. Para cada tipo de encuentro, ofrece consejos sobre los objetivos, qui辿n debe asistir y qu辿 informaci坦n y propuestas se deben presentar para hacer del encuentro uno efectivo.How do animations influence learning?Guilherme Storck
油
Este documento discute como diferentes formas de representa巽達o, como anima巽探es, podem influenciar no aprendizado. O autor revisa seis n鱈veis de an叩lise para entender este tema: expressivo, cognitivo, afetivo, estrat辿gico, metacognitivo e ret坦rico. Conclui que os n鱈veis n達o s達o independentes e que as anima巽探es podem tanto facilitar quanto dificultar o aprendizado dependendo do contexto.Coloca巽達o pronominalLidiane Rodrigues
油
O documento resume as tr棚s posi巽探es que os pronomes obl鱈quos 叩tonos (me, te, nos, etc) podem assumir em rela巽達o aos verbos: pr坦clise, mes坦clise e 棚nclise. Explica quando cada uma ocorre dependendo de palavras como nega巽達o, adv辿rbios, tempos verbais como futuro e imperativo.CAS open glam_teil1_20150620Beat Estermann
油
Das Dokument pr辰sentiert eine Einf端hrung in OpenGLAM, eine Initiative zur F旦rderung des offenen Zugangs zu Kulturg端tern und digitalen Informationen in der Schweiz. Es behandelt die Grundprinzipien von OpenGLAM, Methoden zur Publikation von offenen Daten sowie Kooperationsformen zwischen Ged辰chtnisinstitutionen und Wikipedia. Ziel ist es, kulturelles Erbe weltweit zug辰nglicher zu machen und neue Beteiligungsm旦glichkeiten f端r Nutzer zu schaffen.Similar to Stoixeia theatrologias (20)
束旅 留留劉 凌 慮竜略凌: 竜流亮竜竜 虜留留虜竜劉 虜留旅 凌流留損.
束旅 留留劉 凌 慮竜略凌: 竜流亮竜竜 虜留留虜竜劉 虜留旅 凌流留損.an kar
油
裡侶僚 留凌溜留侶 隆溜僚凌僚留旅 留 留留虜侶旅旅虜略 凌 慮竜略凌 侶 虜了留旅虜流 竜凌流, 凌 留留略慮侶虜留僚 留 ﾏ留 隆略亮留留, 亮劉留 留 亮旅留 竜旅隆旅略硫留侶 竜 亮竜旅虜凌 留留旅凌了凌粒旅虜凌 ﾏ凌 龍亮竜僚僚 慮竜略僚 侶僚 旅虜流 流 虜留旅 留了了凌.竜凌竜了了侶僚旅虜流 了ﾏ留 亮僚留溜凌 僚侶留 5 陸了了凌 竜粒留溜留
竜凌竜了了侶僚旅虜流 了ﾏ留 亮僚留溜凌 僚侶留 5 陸了了凌 竜粒留溜留mvourtsian
油
僚侶留 5 :僚溜龍 凌 亮留粒旅虜 虜亮凌 凌 慮竜略凌 虜留旅 凌 虜旅僚侶亮留凌粒略凌
https://filologosab.blogspot.com/2020/01/5.htmlAd
More from Evaggelos Manitakis (13)
Collaborative project new guide whole
Collaborative project new guide wholeEvaggelos Manitakis
油
The document provides guidance for an internal assessment task in Theatre Arts requiring students to collaboratively create and present an original 13-15 minute piece of theatre. Students must submit a process portfolio documenting their individual approaches and skills, exploration of the starting point, nature of collaboration, and contributions. They must also submit a 4 minute video excerpt from the full recording of the piece.RP What do i know of the Convention
RP What do i know of the ConventionEvaggelos Manitakis
油
This document provides a handout for theatre teachers to track their knowledge, assumptions, and questions about a theatre tradition as they conduct research. The handout has columns to list facts already known about the tradition, things presumed or assumed about the tradition before research begins, and specific questions that remain in order to identify areas requiring further investigation.Mid term research presentation faq
Mid term research presentation faqEvaggelos Manitakis
油
This document provides frequently asked questions (FAQ) and guidance for a midterm exam presentation on performance conventions in Ancient Greek theatre. Students must give a 7-10 minute presentation choosing one convention - mask, voice, or gesture - to demonstrate. They should discuss the cultural/theoretical context of Ancient Greek theatre for 4-6 minutes and then spend 2-3 minutes demonstrating their practical exploration of the convention through a short "work-in-progress" theatre moment. Students should reflect on the impact of exploring this convention on their development as a performer. Rehearsal with peers is recommended and simple props like paper bag masks are allowed. The presentation structure suggested is introduction to tradition/context, discussion of chosen convention/explorationResearch presentation ibo guide
Research presentation ibo guideEvaggelos Manitakis
油
This document outlines the requirements for a research presentation task where students must:
1) Research a theatre tradition they have not previously studied and identify a performance convention.
2) Physically explore the convention and apply it to a moment of theatre.
3) Present their findings and demonstration in a 15 minute video recorded presentation.
The presentation must cover the cultural context of the tradition, the student's exploration of the convention, and a reflection on how it impacted their learning. Students are assessed on their understanding of the tradition and ability to physically demonstrate the convention.Directing notes for the journal
Directing notes for the journalEvaggelos Manitakis
油
This document provides terminology and questions to help with directing journals. It covers analyzing scripts, working with actors and designers, staging techniques like blocking and use of space, and the rehearsal process. The director must understand the script, characters, and production demands to develop a vision and guide actors in bringing it to life through the technical rehearsal process. Effective communication and establishing trust with collaborators are important for transforming ideas into a cohesive final production.12 golden rules_about_actors
12 golden rules_about_actorsEvaggelos Manitakis
油
The document provides guidance for directors on effectively working with actors during the rehearsal process. It discusses the importance of sorting out one's private thoughts about actors beforehand and preparing mentally for difficult actors. Directors are advised to be patient, consistent, objective and avoid blaming actors when things go wrong. The text emphasizes establishing clear boundaries, focusing on the work, and not allowing personal issues or time pressures to interfere with the rehearsal process.Idiots Guide to Devising ENG
Idiots Guide to Devising ENGEvaggelos Manitakis
油
This document outlines a 10 step process for devising theatre, beginning with choosing a stimulus to explore as a subject. It describes various approaches to structuring the piece such as using a storyline, vignettes, or documentary style. Step 3 involves creating scenarios or a "Canovaccio" to determine plot elements. Later steps include deciding modes of communication to use, deepening the plot and characters through improvisation, and keeping the piece fresh during development. The process concludes with scripting, performing, and reflecting on the work.Acting chapter 14i
Acting chapter 14iEvaggelos Manitakis
油
The document discusses various aspects of an actor's training and process, including specialized training in areas like movement, music, and speech. It emphasizes that actors spend years mastering their primary instruments of body and voice. The document also covers techniques like developing observation skills, managing concentration, understanding stage vocabulary, questioning to understand a role, preparing emotionally, vocal characterization, memorization techniques, and adjusting to dress rehearsals and performances.Ri primeraki
Ri primerakiEvaggelos Manitakis
油
This document provides details about how the Kabuki actor would look when performing the role of Sukeroku from the play Sukeroku: Flower of Edo. It describes the elaborate costumes, wigs, makeup and props that would be used. The costumes include a black kimono with red and blue piping and an elaborate sash with a peony crest in the first act. In the second act, a simple white kimono is worn. The wigs are realistic styles and Sukeroku's would have the sakayaki style. His makeup accentuates his lips and eyes with red and black lines on a white face. Significant props aid in telling the story.Ri student guide
Ri student guideEvaggelos Manitakis
油
This document provides guidance for students on researching and writing a Research Investigation (RI) assignment, including selecting a theatre practice and play, conducting research, structuring the RI paper, meeting assessment criteria, and considering word counts and formatting. Tips are offered on initiating contact with production sources, focusing an "aspect" of research, attributing sources, and critiquing sources for the higher level assignment.A fellowship of baccalaurds
A fellowship of baccalaurdsEvaggelos Manitakis
油
The document summarizes a play adaptation of J.R.R. Tolkien's Lord of the Rings as an IB story. In the first scene, Gandalf forms a fellowship to defeat the antagonist Saruman and stop the suffering caused by IB assignments and the Extended Essay deadline. Frodo and Sam agree to submit Frodo's EE through Moodle. In the second scene, Frodo and Sam encounter Gollum in the forest. Gollum tries to steal Frodo's EE but they capture him instead. In the third scene, Legolas, Aragorn and Gandalf rest on their journey to Isengard, where Legolas and Aragorn argue over Arwen before LegolAd
Recently uploaded (14)
TelikiParousiasiSintaktikisFotografikisOEP.pdf
TelikiParousiasiSintaktikisFotografikisOEP.pdfTassos Karampinis
油
TelikiParousiasiSintaktikisFotografikisOEP.pdf
56o 亮僚略旅凌 慮流僚留
裡凌了旅虜 劉凌: 2024-2025Marko Batista Temporary Objects And Hybrid Ambients Batista
Marko Batista Temporary Objects And Hybrid Ambients Batistandumuseika
油
Marko Batista Temporary Objects And Hybrid Ambients Batista
Marko Batista Temporary Objects And Hybrid Ambients Batista
Marko Batista Temporary Objects And Hybrid Ambients BatistaPhilippine Independence Day 2025- Programma.pdf
Philippine Independence Day 2025- Programma.pdfTassos Karampinis
油
Philippine Independence Day 2025- Programma.pdf
Araw ng Kalayaan ng Pilipinas 2025
旅留虜流, 8 凌僚溜凌 2025
里留 虜留旅 竜了略
56凌 亮僚略旅凌 慮流僚留Erasmus_Job_Shadowing_Full_Final_Presentation.pptx
Erasmus_Job_Shadowing_Full_Final_Presentation.pptxcnenou
油
Job shadowing in Albacete, erasmus+ accreditationTelikiParousiasiPerivallontiko.pdf56o 亮僚略旅凌 慮流僚留
TelikiParousiasiPerivallontiko.pdf56o 亮僚略旅凌 慮流僚留Tassos Karampinis
油
TelikiParousiasiPerivallontiko.pdf
56o 亮僚略旅凌 慮流僚留
裡凌了旅虜 劉凌: 2024-2025留僚留了侶侶 僚 隆留侶旅凌流僚 侶 竜侶亮竜溜隆留 亮留
留僚留了侶侶 僚 隆留侶旅凌流僚 侶 竜侶亮竜溜隆留 亮留凌隆溜侶 旅留亮留僚凌凌了凌
油
了竜 凌旅 隆略竜旅 凌 劉粒旅僚留僚 凌 了留溜旅凌 侶 凌了旅虜流 竜侶亮竜溜隆留 凌旅 "僚留了了留虜旅虜凌溜"粒留溜竜 隆竜旅留, 1, 凌粒旅留了劉僚竜旅凌 1凌 亮僚略旅凌 粒凌凌了溜凌, 2024-25.pptx
粒留溜竜 隆竜旅留, 1, 凌粒旅留了劉僚竜旅凌 1凌 亮僚略旅凌 粒凌凌了溜凌, 2024-25.pptxEugenia Kosmatou
油
旅 亮留慮侶劉/旅竜 龍粒略旅留僚 虜留旅 虜留留虜竜留留僚 竜隆溜竜 凌 亮略慮侶亮留 侶 隆竜旅留. 里留 劉粒留 凌 留凌ﾎ塾仁熟留旅 竜 留 凌 p.p.凌留旅竜旅流旅留 粒旅凌流 裡里 略両侶 - 裡凌了旅虜 凌 2024 - 2025..pptx
凌留旅竜旅流旅留 粒旅凌流 裡里 略両侶 - 裡凌了旅虜 凌 2024 - 2025..pptx36dimperist
油
侶僚 留凌留旅竜旅流旅留 竜虜隆流了侶 僚 亮留慮侶ﾎ 侶 裡里 略両侶 凌 凌了竜溜凌 亮留. 亮僚略旅凌, 竜亮留竜!!! 旅留凌流- 虜了留隆旅虜 凌了旅旅亮- ' 侶亮凌旅虜凌.pptx
旅留凌流- 虜了留隆旅虜 凌了旅旅亮- ' 侶亮凌旅虜凌.pptxssusera01664
油
僚留 slidesahare 硫留旅亮劉僚凌 凌 ﾏ凌 亮略慮侶亮留 侶 粒隆凌侶 竜僚侶留 侶 凌溜留 ' 侶亮凌旅虜凌 KeimenoTelikhsGiortis-V1.pdf裡凌了旅虜 劉凌: 2024-2025
KeimenoTelikhsGiortis-V1.pdf裡凌了旅虜 劉凌: 2024-2025Tassos Karampinis
油
KeimenoTelikhsGiortis-V1.pdf
56o 亮僚略旅凌 慮流僚留
裡凌了旅虜 劉凌: 2024-2025粒留溜竜 隆竜旅留, 2, 凌粒旅留了劉僚竜旅凌 1凌 亮僚略旅凌 粒凌凌了溜凌, 2024-25.pptx
粒留溜竜 隆竜旅留, 2, 凌粒旅留了劉僚竜旅凌 1凌 亮僚略旅凌 粒凌凌了溜凌, 2024-25.pptxEugenia Kosmatou
油
旅 亮留慮侶劉/旅竜 龍粒略旅留僚 虜留旅 虜留留虜竜留留僚 竜隆溜竜 凌 亮略慮侶亮留 侶 隆竜旅留. 里留 劉粒留 凌 留凌ﾎ塾仁熟留旅 竜 留 凌 p.p.粒留溜留 裡里' 略両侶 2024-2025 (旅虜侶2 Iman & 里龍凌).ppt
粒留溜留 裡里' 略両侶 2024-2025 (旅虜侶2 Iman & 里龍凌).pptnikzoit
油
旅 亮留慮侶劉 侶 裡里' 略両侶 凌 133凌 侶亮凌旅虜凌 裡凌了竜溜凌 慮流僚留 竜隆旅略龍凌僚 劉僚留 竜硫隆凌亮留隆旅留溜凌 留両溜隆旅 竜 亮溜留 流竜旅凌.Stoixeia theatrologias
- 1. 裡凌旅竜溜留 竜留凌了凌粒溜留 虜竜溜凌 旅隆略虜僚: .留僚旅略虜侶 虜竜旅凌 凌了竜粒溜凌 僚留了旅留
- 2. 離痢 裡離裡里里 凌 里痢離 1. 2. 3. 里凌 竜溜亮竜僚凌 旅 竜留劉 (里溜 硫了劉凌僚). (凌旅凌溜 硫了劉凌僚 凌 劉粒凌) 留略留侶 (凌,ﾏ & 留 凌旅僚 硫了劉凌僚 凌旅 慮竜留劉 凌 劉粒凌) 劉両竜旅 虜了竜旅隆旅略: I. 竜留亮侶 (留旅略僚 虜略旅 凌 隆竜僚 竜溜亮留旅) II.裡亮硫留侶/裡僚慮流虜侶 (留旅硫了旅凌粒留溜留: The Essential Theatre, Brocket & Ball, Wadsworth, Chapter 1. 虜凌旅僚凌 亮僚溜留 凌 劉亮留 竜 粒虜竜虜旅亮劉僚凌 僚凌 虜留旅 凌 竜僚溜凌竜 亮竜 粒虜竜虜旅亮劉僚留 亮僚侶亮劉僚留 留留虜侶旅旅虜略/虜ﾎ肝肯採杵 竜旅虜凌旅僚僚溜留 亮略虜竜, 了粒凌,
- 3. 留旅虜略 律留留虜侶旅旅虜略 凌 竜略凌 流亮竜凌 僚竜留僚略了侶凌 旅虜 亮留隆旅虜/裡僚竜粒留旅虜 旅硫了旅凌粒留溜留: 痢 里痢離, .留留僚隆劉凌, STUDIO UNIVERISTY PRESS, 竜了.12-16.
- 4. 亮留隆旅虜/裡僚竜粒留旅虜 ⇔旅 僚竜了竜劉 侶 竜留旅虜流 留略留侶: 1. 裡粒粒留劉留 2. 裡虜侶僚凌粒略凌 僚隆亮留凌了粒凌 3. 凌旅虜 陸旅流 4. 律凌凌粒略凌 5. 裡虜侶僚凌慮劉侶 6. 慮凌凌旅 劉両竜旅 虜了竜旅隆旅略: 裡僚-劉粒竜旅留, -略竜侶, 僚-竜粒留溜留 旅硫了旅凌粒留溜留: 裡凌旅竜溜留 竜留凌了凌粒溜留, , 竜了.38
- 5. 凌竜隆旅留亮 竜 凌僚 凌 留凌竜隆旅留亮 凌溜龍凌亮竜 侶 亮侶 凌竜隆旅留亮劉僚侶 隆侶亮旅凌粒溜留 竜 凌旅虜溜了竜 竜虜隆侶了ﾏ竜旅, 留 侶僚 竜旅僚侶侶 亮旅留 竜僚旅虜流 虜留留虜竜流 亮劉旅 虜留旅 侶僚 虜留了了旅竜僚旅虜流 隆侶亮旅凌粒溜留. 留凌竜隆旅留亮 亮凌竜溜 竜溜侶 僚留 侶旅亮凌凌旅侶慮竜溜 虜留旅 粒旅留 僚留 竜亮了凌溜竜旅 亮旅留 凌留留虜竜留亮劉僚侶 旅隆劉留 凌 亮凌竜溜 僚留 劉竜旅 留僚旅虜竜溜亮竜僚凌 侶 亮凌旅虜流, 凌 凌, 凌 慮劉留凌, 留虜亮留 凌僚 凌凌旅虜 了粒凌, 侶僚 凌溜侶侶 流 旅 凌了竜亮旅虜劉 劉僚竜. 留僚略粒虜侶 凌 留僚慮ﾏ凌 粒旅留 留凌竜隆旅留亮, 竜溜僚留旅 溜粒凌留 僚留亮劉僚侶 亮竜 侶僚 留僚略粒虜侶 粒旅留 劉虜留侶 虜留旅 侶僚 劉亮侶 隆侶亮旅凌粒旅虜侶略 凌. 裡侶僚 竜了了侶僚旅虜流 了留凌粒留溜留 硫溜虜凌亮竜 亮竜粒略了凌 留旅慮亮 留凌竜隆旅留旅虜ﾎ 隆侶亮旅凌粒侶亮略僚 留 凌凌溜留 竜旅劉凌僚留旅 留粒凌隆旅留, 留旅僚劉亮留留, 亮凌旅凌了粒旅留, 竜旅略粒亮留留, 僚留僚凌溜亮留留 虜.略. 旅虜旅留溜隆竜旅留
- 6. 竜溜竜 竜略凌 流 里溜 竜溜僚留旅 凌 慮劉留凌 留亮略; 劉留凌 侶 溜亮侶侶: 里凌 慮劉留凌 凌 侶亮竜旅旅虜凌 虜ﾎ肝肯採 凌 侶慮凌凌旅 亮旅亮竜溜留旅 略両竜旅 留僚慮ﾏ僚 凌隆留溜僚 (留旅了旅略隆竜, 溜粒虜旅竜...) 劉旅 ﾏ竜 僚留 竜溜慮凌僚 留了侶慮旅僚劉 虜留旅 僚留 硫凌侶慮凌僚 凌僚 慮竜留流 僚留 留旅竜溜 亮竜 凌僚 流留 虜留旅 留 隆ﾎ捨砧塾. 留旅侶 隆侶亮旅凌粒竜溜 凌 竜僚隆旅留劉凌僚 虜留旅 侶 留僚侶溜留 凌 慮竜留流 粒旅留 凌僚 流留. 裡凌 劉了凌 劉竜留旅 侶 虜略慮留侶, 侶 了侶 侶 留粒僚溜留 凌 慮竜留流 凌 凌劉竜旅 留 隆竜旅僚略 凌 竜旅了留両竜 侶 亮凌溜留 凌僚 流留. , 旅隆溜凌, 亮了竜 里凌 慮劉留凌 留僚 陸劉留 龍流: 里凌 慮劉留凌 隆竜僚 亮旅亮竜溜留旅 侶僚 留粒亮留旅虜侶留 留了了略 侶 亮竜留劉竜旅 侶 虜侶僚流 留僚 亮旅留 劉留 龍流. 凌 竜旅流亮凌僚留 亮凌竜溜 僚留 虜凌旅略龍竜旅 凌 亮旅虜凌虜旅凌 凌 亮旅留 劉留 留 竜溜留 侶 留僚留僚略虜了留侶: 劉僚留 竜溜隆凌 凌 竜両竜略龍竜旅, 劉旅 虜留旅 凌 里凌 慮劉留凌 - 虜留旅 侶 劉僚侶- 留凌竜了竜溜 慮竜留流 竜 僚慮流虜竜 竜粒留侶溜凌 虜留慮劉侶 凌 留僚留虜了略留旅 (亮凌竜溜 虜留旅 隆侶了留隆流 凌 慮劉留凌- 硫了劉竜旅 亮劉留 留 留留亮凌旅虜略) 侶 留粒亮留旅虜侶留 凌僚 里凌 慮劉留凌 侶 凌 亮旅虜凌虜旅凌 -隆侶了留隆流 侶 虜侶僚流凌凌溜凌 虜留慮劉侶 侶 虜凌旅僚僚溜留 硫了劉竜旅 凌僚 亮旅留 留了侶慮凌留僚竜溜 留僚留留略留侶 留凌留旅o凌溜侶: 竜留 侶. 侶 留粒亮留旅虜侶留. 侶 慮劉侶 侶 隆 凌 侶慮凌凌旅 虜留略 僚劉竜旅留 虜留旅 凌 粒僚留溜虜留 侶僚 虜凌旅僚僚溜留 凌 慮竜留流- 隆竜僚 留溜龍竜留旅 亮竜 凌僚 流留-了凌 留了了略 隆旅留侶竜溜 亮旅留 虜旅旅虜流 略侶 虜留旅 留留侶 留 凌僚 凌虜了旅凌 凌 竜僚. 了凌. 裡侶僚 略両侶 劉竜旅 虜留略 侶 流旅亮凌 亮旅留 留略留侶 流 侶僚 竜亮侶僚竜溜留 竜僚 了凌 僚留 留僚旅了留亮硫略僚竜留旅 凌 慮竜留流 旅 侶 留略留侶 虜留旅 侶 留粒亮留旅虜侶留 竜溜僚留旅 隆凌 隆旅留凌竜旅虜劉 凌僚侶竜. 旅硫了旅凌粒留溜留: 裡凌旅竜溜留 竜留凌了凌粒溜留, , 竜了.54
- 7. 僚溜亮留留 留亮留旅虜凌 粒凌 両竜旅虜略: 旅略了凌粒凌 凌僚了凌粒凌 裡虜侶僚旅虜劉 隆侶粒溜竜 裡虜侶僚劉 虜留旅 略両竜旅 竜旅虜略: 1. 粒虜凌侶 2. 留留留旅亮侶留 (隆略侶 了凌虜流 竜旅留粒粒流, 虜凌侶, 留凌虜了旅亮略虜侶...) 3. 旅 留留虜流竜 虜侶侶: 凌竜溜竜 僚留 留僚留粒僚溜竜竜 留 留留略僚 粒僚溜亮留留 留 慮竜留旅虜略 隆ﾎ捨砧塾 凌 竜旅僚凌流留竜; 旅硫了旅凌粒留溜留: 裡凌旅竜溜留 竜留凌了凌粒溜留, , 竜了.72-73