Storyboard animated
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The storyboard outlines 25 scenes for a screenplay involving characters recounting encounters with a mysterious black figure. In Scene 1, the characters gather silently. Scenes 2-13 involve the characters each describing times they saw the figure, cutting between flashbacks. Character 1 saw the figure disappear at a train station. Character 2 saw the figure's face behind curtains. Character 3 found the figure in a selfie on a bus. Scenes 14-19 continue the characters recounting their experiences and realizing the figure left something with each of them. Scenes 20-24 build tension as the figure appears again, with the characters screaming. Scene 25 ends on a black screen with the figure saying "I was waiting for you" before the
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Storyboard animated
Storyboard animatedrasina10
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The storyboard outlines a horror film involving three characters who recount mysterious encounters with a black figure to a councilor. In scene 1, the characters gather to share their experiences. Each character then takes turns describing flashbacks of times they saw the black figure unexpectedly appear and disappear. At the end, the characters realize the black figure has been following them and all scream in terror as the credits roll.Final narrative idea
Final narrative ideatravpaviour98asmedia
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A man breaks up with his controlling girlfriend who did not support his dream of being a musician. The narrative follows him focusing on playing piano and writing songs as he processes their breakup. Flashbacks show their relationship. In the end, the man achieves his resolution by being played on the radio, bringing him joy and closure, while his ex-girlfriend hears his song on the radio in her bedroom.Reservoir dogs
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The document summarizes key elements of camera work, sound, editing, and mise-en-scene in the opening credits sequence of the film Reservoir Dogs. The camera work includes mid shots, tracking shots, and wide shots following the characters. The sound is non-diegetic, including a man's narration and a song on the soundtrack. The editing includes fading between shots, slow motion, and text elements like the director and film title names. Mise-en-scene depicts cars, suits, and glasses that suggest the film is set in the 1970s-1990s.Black swan 2
Black swan 2KatieDring123
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The document discusses the genre of thriller films and the group's choice to create a thriller film opening. It mentions that while they selected the thriller genre, they still needed to decide on a specific sub-genre. It also states that they will first research two basic conventions found in all thriller films.Thriller
ThrillerKatieDring123
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The group chose to do a thriller film and decided to research the basic conventions of the thriller genre. They specifically looked at the film Black Swan to analyze its opening scene. The analysis describes the opening scene which starts with credits over a black background with ominous music. It then shows a ballerina dancing on a lit stage with contrasting dark background. The scene cuts between shots of her feet and body as she dances to the music. A male dancer then joins and seems to stalk her as the music becomes more tense. They engage in a dramatic dance before he leaves her alone on the stage. The next scene shows the main character waking from this dream.Media Deconstruction 3 - All Time Low - Weightless 
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This document summarizes the music video for the song "Weightless" by All Time Low. It analyzes the camera shots, camera movements, settings, costumes, lighting, editing, sound, genre, representation, and narrative of the video. Key details include medium shots of the singer, close-ups of the band performing, settings at a concert and backstage, the band members' stage costumes, upbeat blue lighting, fast editing to match the song's pace, and a narrative of the band performing live.Storyboard
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The document outlines a storyboard for a film trailer that is meant to be misleading. It shows various scenes including the main character at home, a flashback of friends camping, and two people later found with one dead. It then shows the character in town surrounded by a gang. Throughout, camera angles, shots, sounds and music are used to build mystery until the trailer ends on a cliffhanger with two people pointing guns at each other.Shot list 
Shot list Pamzy
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This shot list contains 30 shots detailing scenes that will be filmed around a girl's neighborhood, on her bus ride, and at London Bridge where she encounters her ex-boyfriend. The shots include establishing shots of locations, close-ups, and over-the-shoulder shots to capture the girl's interactions, movements, and reactions. A dramatic moment is created when the girl's ex-boyfriend sees her at the bus stop and realizes she overheard his conversation, and the shot list culminates in a hug and kiss between the two characters.Codal analysis of horror openings
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This opening scene establishes conventions of horror through visual, audio, and narrative codes. Visually, the isolated setting of a mental institution room suggests a lack of escape. A young boy as the vulnerable character indicates something bad will happen. Disturbing props of blood and a body further this notion. Through unsettling non-diegetic music and synchronous sounds, the audio sets an ominous tone and hints at disruption. Narratively, the boy's death begins the story in disequilibrium and follows the trope of using innocent victims. Several enigmas are presented, such as how the grudge exists and what will happen next given the early death.Thrillr openings
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The document discusses the openings of several thriller films and how they use sound and editing techniques to set tension and suspense. For Source Code, there is exaggerated train sounds to build tension. Inception uses loud water sounds and a lens flare to set an eerie scene. Prisoners starts silently but then a gunshot sound loudly kills tension. Shutter Island uses eerie music during flashbacks and a countdown music to draw attention. Seven has enhanced kitchen and radio sounds to feel important while rainy outside contrasts the dark mood. Hanna uses enhanced footsteps during a fight and eerie music to foreshadow the ending.Story Board Case Williams - AS Media
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This storyboard outlines scenes for a police investigation into the case of "Williams". It begins with an officer arriving at the police station. Then it shows flashbacks of Williams at home through extreme close-ups and establishing shots. The storyboard then cuts back to the police station, showing officers discussing the case at a board with evidence photos. Alternating between flashbacks and police investigation scenes, it builds tension as Williams enters her home and hears a strange noise just before the credits roll. The repeated final shots in color reveal what truly happened to Williams.Trailer analysis - The Shining
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This document provides a detailed shot-by-shot analysis of the trailer for the film The Shining. It describes various establishing shots of the exterior and interior of the hotel, moments with the family doing ordinary things, the father acting strangely, shots of the murderer and his attacks, and clips from the film with dramatic music to build tension. The analysis breaks the trailer down into periods of equilibrium and disequilibrium to trace how it establishes calm before intensifying with disturbing images and quotes to unsettle the audience.Evaluation question 1
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The document discusses the evaluation of a short film opening sequence meant to emulate an action thriller genre. It analyzes several elements of the sequence: the use of blurred police lights and lack of revealing the prisoner's face help build mystery and tension. Shots where the prisoner's face is covered draw attention and change in music keep the audience on edge. Comparable films like "Escape Plan" and "Lockout" demonstrate similar techniques used to create suspense through shots of interrogations and escaping prisoners.2 Minute Deconstruction - The exorcism of Emily Rose
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The document provides a shot-by-shot summary of the opening sequence of the film "The Exorcism of Emily Rose". It describes ominous background music playing as the words "based on a true story" appear. Screaming voices are then heard as someone cries out "Emily" in terror. After more fading voices, a shot of a barbed wire fence dripping with blood is shown, with the title appearing in blood red. Shots of empty corn and pumpkin fields with strong winds build an unsettling atmosphere. The house in the distance looks deserted, and a man is seen walking towards it and knocking on the door.Shot List
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A shot list is a list of all the shots in a film that is created during pre-production to help plan filming in an efficient manner. It includes details for each shot such as the scene, shot type, camera angle, actor movements, and a brief description. Creating a shot list involves envisioning shots from the script, organizing details in a spreadsheet, and precisely describing each shot to ensure all necessary shots are captured during filming.Black swan
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The opening sequence of Black Swan features a slow, drawn-out dance between a female dancer in white, representing innocence, and a male dancer in black, representing evil. Through their dance, the female appears trapped by the male, foreshadowing later events in the film. No dialogue is used, relying instead on slow, dramatic music and shadows to set the dark, thriller tone and build tension for the viewer.Music video analysis
Music video analysisminnetta1996
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The music video for "Helena" by My Chemical Romance depicts a funeral for a girl named Helena, showing the band members carrying her coffin and close-up shots of the lead singer looking upset, as the song is about mourning a loved one's death. The video uses a dark color scheme of black and red, and features Helena's spirit dancing from her coffin at the climax, representing how her memory lives on even after death.Documentary analysis
Documentary analysissophiemoran
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The documentary analyzes the themes of Satanism, religion, murder, and influencing behavior through interviews, archive footage, and narration. It explores the relationship between Marilyn Manson's music and a murder case. The documentary uses a linear narrative structure and includes close-ups, point-of-view shots, and establishing shots. It features dark colors, low lighting, chanting music, and reconstructed scenes. Archive material includes Manson's tour footage, music videos, and court case materials. Graphics include bold title words and words that introduce people and locations.Film Introduction 4
Film Introduction 4MollyKey
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The document provides details about scenes from a film depicting a man who is nervous to give a speech on the radio. It describes close-up shots of the man repeating his words and showing his nervousness through facial expressions. It then shows him with his wife at the bottom of some stairs where he must ascend to give his speech, as others wait for him to go upstairs. Finally, it depicts the man looking fearful as he is told he has two minutes before going live, as he seems stuck between going up or leaving, while the radio host prepares for their live show.Timeline - Unit G324
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(Girl 1) walks down a road looking vulnerable and witnesses suspicious events unfolding around her. She sees two men exchanging a package and a fighting couple. Further along, two men get in a fight that causes her to step back in fear. She continues walking down the street worriedly until entering a wooded area, where a hand grabs her from behind and the screen fades to black. Her feet are then shown elevated, implying she has been hanged.Law abiding citizen
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The opening of the film 'Law Abiding Citizen' uses various camera shots, lighting, editing, and sound techniques to set up the thriller genre and themes of the film. Close-ups, medium shots, and over-the-shoulder shots are used to introduce the characters and their relationship. Dim lighting in the family home foreshadows something bad will happen. When intruders attack, the scenes become shorter, faster cuts create panic. Non-diegetic music builds suspense during the attack. Diegetic sounds like radio and voices establish the domestic setting, then dramatic music and sound effects make the violence intense and disturbing for the audience.Body of lies
Body of liesnburton
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The opening scene introduces an Arabic man speaking about committing acts of terrorism while surrounded by weapons in a dark room. The next scene shows three Arabic men in a dark, cluttered apartment in Manchester as the terrorist leader's speech continues. British armed response units then raid the apartment, but one of the men detonates a bomb, destroying the building and ending the opening sequence amid smoke and debris.Gta script word doc
Gta script word docslidecollege
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1. Franklin and Michael wake up tied up in an abandoned Chinese building, having been knocked out. Trevor is then thrown into the room with them after apparently killing the son of the Chinese gang holding them.
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The storyboard is for a soap opera titled "Park Rise" and consists of 25 shots. It begins by introducing the main character, a school girl, through various shots that follow her through the school setting her journey. Various issues are represented through flashbacks including teacher-student relationships, domestic violence, pregnancy and friendship issues. Tension is built as the girl is confronted and receives threatening texts. She is later chased through the woods by boys before the storyboard ends by promoting the new series.Story board
Story boardhaverstockmedia
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This document outlines 27 scenes for a film. Scene 1 introduces Bayzid in a hoodie and jeans. Scene 2 introduces Mashud Ahmed in similar attire plus a gun. Scene 3 shows Rahel's point of view putting a weapon in a bag. Scenes 4-9 follow Rahel tracking and then driving with Mashud and Bayzid. Scenes 10-13 show their car journey and entering a garage. Scenes 14-17 show a fight that breaks out. Scenes 18-20 show a briefcase exchange in Kings Cross and a character walking downstairs. Scenes 21-27 reveal Rahel's identity and show her exchanging the briefcase with Bayzid, explaining he has the money,Storyboard planning
Storyboard planningJamieTilsley17
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The document provides a storyboard plan for a 12 scene film opening. Scene 1 introduces the killer in a close up shot with eerie music playing. In Scene 2 the killer is shown placing shoes down in dim lighting. Scene 3 shows the killer walking on creaky floorboards. Scene 4 depicts the killer crossing off a victim in a book under lamp light. Scenes 5 show multiple victim deaths with dim lighting. The storyboard then outlines the shots, angles, lighting, sounds and music for each subsequent scene leading to the victim being killed in Scene 12.Storyboard- We Are Young 
Storyboard- We Are Young Niann2
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This document outlines the scene and shot structure of a music video. It details 5 scenes with multiple shots in each scene. The shots show the singer N lip syncing and singing the lyrics of the song while playing the piano or keyboard. Other shots show a female singer M lip syncing. The shots alternate between close-ups of N singing and wider shots of him performing at the piano amid falling confetti. The video concludes with a shot of N out of breath and then slamming a door as the screen fades to black.Storyboard
Storyboardormojo
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The storyboard depicts 30 shots that tell a story of a couple breaking up and eventually reuniting. The story is told through a mix of black and white and color shots. It begins with the couple arguing at home, then shows the female character leaving the male artist. Several shots show the male character upset and alone as the female is seen with a new boyfriend. Later shots depict happy flashbacks of the couple in color. The storyboard ends with the male artist reuniting with the female character after she opens the door to him.Script
Scriptrasina10
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The Doctor has gathered several characters together to share unusual experiences they've recently had. Character one saw a mysterious figure watching them from a train platform that disappeared. Character two saw a similar figure on a bus that wasn't visible in a selfie but vanished when they turned around. Character three spotted a black silhouette at their window that disappeared when they closed the curtains. The figures left something behind with each person. When the characters realize one is behind them again, the black figure reveals it has been waiting for them.A grade noir film storyboard as
A grade noir film storyboard asjwright61
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This 12 shot sequence documents a confrontation between a main character and antagonist in a Film Noir style. Shot 1 introduces the main character descending stairs in low key lighting. In shot 5, the character walks down the street in natural lighting while narrating in voiceover. The antagonist interrupts in shot 6; their heated discussion is captured in shots 7-12 with escalating tension, punctuated by the antagonist's aggressive pointing and grabbing depicted in close-ups against a backdrop of a tree and church.More Related Content
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Codal analysis of horror openings
Codal analysis of horror openingsbethbouchareb
油
This opening scene establishes conventions of horror through visual, audio, and narrative codes. Visually, the isolated setting of a mental institution room suggests a lack of escape. A young boy as the vulnerable character indicates something bad will happen. Disturbing props of blood and a body further this notion. Through unsettling non-diegetic music and synchronous sounds, the audio sets an ominous tone and hints at disruption. Narratively, the boy's death begins the story in disequilibrium and follows the trope of using innocent victims. Several enigmas are presented, such as how the grudge exists and what will happen next given the early death.Thrillr openings
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The document discusses the openings of several thriller films and how they use sound and editing techniques to set tension and suspense. For Source Code, there is exaggerated train sounds to build tension. Inception uses loud water sounds and a lens flare to set an eerie scene. Prisoners starts silently but then a gunshot sound loudly kills tension. Shutter Island uses eerie music during flashbacks and a countdown music to draw attention. Seven has enhanced kitchen and radio sounds to feel important while rainy outside contrasts the dark mood. Hanna uses enhanced footsteps during a fight and eerie music to foreshadow the ending.Story Board Case Williams - AS Media
Story Board Case Williams - AS Mediaalejoh11
油
This storyboard outlines scenes for a police investigation into the case of "Williams". It begins with an officer arriving at the police station. Then it shows flashbacks of Williams at home through extreme close-ups and establishing shots. The storyboard then cuts back to the police station, showing officers discussing the case at a board with evidence photos. Alternating between flashbacks and police investigation scenes, it builds tension as Williams enters her home and hears a strange noise just before the credits roll. The repeated final shots in color reveal what truly happened to Williams.Trailer analysis - The Shining
Trailer analysis - The Shiningmarniaboyle
油
This document provides a detailed shot-by-shot analysis of the trailer for the film The Shining. It describes various establishing shots of the exterior and interior of the hotel, moments with the family doing ordinary things, the father acting strangely, shots of the murderer and his attacks, and clips from the film with dramatic music to build tension. The analysis breaks the trailer down into periods of equilibrium and disequilibrium to trace how it establishes calm before intensifying with disturbing images and quotes to unsettle the audience.Evaluation question 1
Evaluation question 1Joe Sandford
油
The document discusses the evaluation of a short film opening sequence meant to emulate an action thriller genre. It analyzes several elements of the sequence: the use of blurred police lights and lack of revealing the prisoner's face help build mystery and tension. Shots where the prisoner's face is covered draw attention and change in music keep the audience on edge. Comparable films like "Escape Plan" and "Lockout" demonstrate similar techniques used to create suspense through shots of interrogations and escaping prisoners.2 Minute Deconstruction - The exorcism of Emily Rose
2 Minute Deconstruction - The exorcism of Emily Roseabyjadelydiamedia
油
The document provides a shot-by-shot summary of the opening sequence of the film "The Exorcism of Emily Rose". It describes ominous background music playing as the words "based on a true story" appear. Screaming voices are then heard as someone cries out "Emily" in terror. After more fading voices, a shot of a barbed wire fence dripping with blood is shown, with the title appearing in blood red. Shots of empty corn and pumpkin fields with strong winds build an unsettling atmosphere. The house in the distance looks deserted, and a man is seen walking towards it and knocking on the door.Shot List
Shot ListEmmaLBentley
油
A shot list is a list of all the shots in a film that is created during pre-production to help plan filming in an efficient manner. It includes details for each shot such as the scene, shot type, camera angle, actor movements, and a brief description. Creating a shot list involves envisioning shots from the script, organizing details in a spreadsheet, and precisely describing each shot to ensure all necessary shots are captured during filming.Black swan
Black swanM_elissa
油
The opening sequence of Black Swan features a slow, drawn-out dance between a female dancer in white, representing innocence, and a male dancer in black, representing evil. Through their dance, the female appears trapped by the male, foreshadowing later events in the film. No dialogue is used, relying instead on slow, dramatic music and shadows to set the dark, thriller tone and build tension for the viewer.Music video analysis
Music video analysisminnetta1996
油
The music video for "Helena" by My Chemical Romance depicts a funeral for a girl named Helena, showing the band members carrying her coffin and close-up shots of the lead singer looking upset, as the song is about mourning a loved one's death. The video uses a dark color scheme of black and red, and features Helena's spirit dancing from her coffin at the climax, representing how her memory lives on even after death.Documentary analysis
Documentary analysissophiemoran
油
The documentary analyzes the themes of Satanism, religion, murder, and influencing behavior through interviews, archive footage, and narration. It explores the relationship between Marilyn Manson's music and a murder case. The documentary uses a linear narrative structure and includes close-ups, point-of-view shots, and establishing shots. It features dark colors, low lighting, chanting music, and reconstructed scenes. Archive material includes Manson's tour footage, music videos, and court case materials. Graphics include bold title words and words that introduce people and locations.Film Introduction 4
Film Introduction 4MollyKey
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The document provides details about scenes from a film depicting a man who is nervous to give a speech on the radio. It describes close-up shots of the man repeating his words and showing his nervousness through facial expressions. It then shows him with his wife at the bottom of some stairs where he must ascend to give his speech, as others wait for him to go upstairs. Finally, it depicts the man looking fearful as he is told he has two minutes before going live, as he seems stuck between going up or leaving, while the radio host prepares for their live show.Timeline - Unit G324
Timeline - Unit G324tj_salango
油
(Girl 1) walks down a road looking vulnerable and witnesses suspicious events unfolding around her. She sees two men exchanging a package and a fighting couple. Further along, two men get in a fight that causes her to step back in fear. She continues walking down the street worriedly until entering a wooded area, where a hand grabs her from behind and the screen fades to black. Her feet are then shown elevated, implying she has been hanged.Law abiding citizen
Law abiding citizenhaverstockmedia
油
The opening of the film 'Law Abiding Citizen' uses various camera shots, lighting, editing, and sound techniques to set up the thriller genre and themes of the film. Close-ups, medium shots, and over-the-shoulder shots are used to introduce the characters and their relationship. Dim lighting in the family home foreshadows something bad will happen. When intruders attack, the scenes become shorter, faster cuts create panic. Non-diegetic music builds suspense during the attack. Diegetic sounds like radio and voices establish the domestic setting, then dramatic music and sound effects make the violence intense and disturbing for the audience.Body of lies
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油
The opening scene introduces an Arabic man speaking about committing acts of terrorism while surrounded by weapons in a dark room. The next scene shows three Arabic men in a dark, cluttered apartment in Manchester as the terrorist leader's speech continues. British armed response units then raid the apartment, but one of the men detonates a bomb, destroying the building and ending the opening sequence amid smoke and debris.Gta script word doc
Gta script word docslidecollege
油
1. Franklin and Michael wake up tied up in an abandoned Chinese building, having been knocked out. Trevor is then thrown into the room with them after apparently killing the son of the Chinese gang holding them.
2. They realize they need to escape but don't have a plan. Franklin suggests pretending to be in pain to lure one of the Chinese gang members into the room, which they do. When the man comes to check on Franklin, Michael and Trevor jump him and knock him out to take his gun and keys to escape.Soap Opera Storyboard
Soap Opera Storyboardpregnaul99
油
The storyboard is for a soap opera titled "Park Rise" and consists of 25 shots. It begins by introducing the main character, a school girl, through various shots that follow her through the school setting her journey. Various issues are represented through flashbacks including teacher-student relationships, domestic violence, pregnancy and friendship issues. Tension is built as the girl is confronted and receives threatening texts. She is later chased through the woods by boys before the storyboard ends by promoting the new series.Story board
Story boardhaverstockmedia
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This document outlines 27 scenes for a film. Scene 1 introduces Bayzid in a hoodie and jeans. Scene 2 introduces Mashud Ahmed in similar attire plus a gun. Scene 3 shows Rahel's point of view putting a weapon in a bag. Scenes 4-9 follow Rahel tracking and then driving with Mashud and Bayzid. Scenes 10-13 show their car journey and entering a garage. Scenes 14-17 show a fight that breaks out. Scenes 18-20 show a briefcase exchange in Kings Cross and a character walking downstairs. Scenes 21-27 reveal Rahel's identity and show her exchanging the briefcase with Bayzid, explaining he has the money,Similar to Storyboard animated (11)
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The document provides a storyboard plan for a 12 scene film opening. Scene 1 introduces the killer in a close up shot with eerie music playing. In Scene 2 the killer is shown placing shoes down in dim lighting. Scene 3 shows the killer walking on creaky floorboards. Scene 4 depicts the killer crossing off a victim in a book under lamp light. Scenes 5 show multiple victim deaths with dim lighting. The storyboard then outlines the shots, angles, lighting, sounds and music for each subsequent scene leading to the victim being killed in Scene 12.Storyboard- We Are Young
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This document outlines the scene and shot structure of a music video. It details 5 scenes with multiple shots in each scene. The shots show the singer N lip syncing and singing the lyrics of the song while playing the piano or keyboard. Other shots show a female singer M lip syncing. The shots alternate between close-ups of N singing and wider shots of him performing at the piano amid falling confetti. The video concludes with a shot of N out of breath and then slamming a door as the screen fades to black.Storyboard
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The storyboard depicts 30 shots that tell a story of a couple breaking up and eventually reuniting. The story is told through a mix of black and white and color shots. It begins with the couple arguing at home, then shows the female character leaving the male artist. Several shots show the male character upset and alone as the female is seen with a new boyfriend. Later shots depict happy flashbacks of the couple in color. The storyboard ends with the male artist reuniting with the female character after she opens the door to him.Script
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The Doctor has gathered several characters together to share unusual experiences they've recently had. Character one saw a mysterious figure watching them from a train platform that disappeared. Character two saw a similar figure on a bus that wasn't visible in a selfie but vanished when they turned around. Character three spotted a black silhouette at their window that disappeared when they closed the curtains. The figures left something behind with each person. When the characters realize one is behind them again, the black figure reveals it has been waiting for them.A grade noir film storyboard as
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油
This 12 shot sequence documents a confrontation between a main character and antagonist in a Film Noir style. Shot 1 introduces the main character descending stairs in low key lighting. In shot 5, the character walks down the street in natural lighting while narrating in voiceover. The antagonist interrupts in shot 6; their heated discussion is captured in shots 7-12 with escalating tension, punctuated by the antagonist's aggressive pointing and grabbing depicted in close-ups against a backdrop of a tree and church.Storyboard 1-24shot
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The document describes a series of 24 shots for a film. It begins with establishing shots slowly moving through an exterior location with wind sound effects and mellow singing. The camera then cuts to interior shots of Aphrodite looking down on and speaking to the kneeling Raphaim. Aphrodite exiles Raphaim to earth to learn control after he disappoints her. The camera cuts to black as Raphaim falls to earth with a thud. It then shows his point of view through exterior nature shots with birdsong and saddening music. The final shots show Raphaim grieving on the ground but then standing to face the darkness as the music picks up and becomes darker.Storyboard
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The storyboard document outlines 56 scenes depicting a day in the life of a protagonist. Each scene includes details about the mise-en-scene, camera shot, lighting, sound, duration and editing. Scenes mainly follow the protagonist through daily routines and involve flashbacks. Jump cuts are used to transition between most scenes, with some scenes repeating motifs or sounds from earlier scenes.Joshua Davey - 5892 - 'Byrd's Lane' Storyboard 
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The document is a storyboard for a soap opera television show trailer created by directors Joshua Davey and producers Christian Bonning and Connie Cronin. It contains 16 scenes showing establishing shots of locations and exchanges between characters that set up intrigue. The storyboard provides direction on camera shots, angles, character focus and transitions between each of the 4-second scenes. It concludes with a logo and cliffhanger voice over to promote further viewing.Connie Cronin 5887 - 'Byrd's Lane' Storyboard
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The document is a storyboard for a soap opera television show trailer created by directors Joshua Davey and producers Christian Bonning and Connie Cronin. It contains 16 scenes showing establishing shots of locations and characters interacting and exchanging items in suspicious ways. The final scene is a long shot of a female character turning to face other characters with a grin, leaving the trailer on a cliffhanger before fading to black with the show's logo and air time.Shotlist
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This document contains a shot list for a music video production with 15 shots over 5 scenes. The shots include establishing shots, singles, inserts, cutaways and more. They show the female singer entering an empty studio, rehearsing a song while being filmed from different angles, and performing on stage with a male dancer.A Grade Noir Film Storyboard
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This document provides details on 12 shots for a film noir scene. Shot 1 introduces the main character descending stairs with a low camera angle and voiceover. Shot 2 cuts to a mid shot of the character opening the fridge with diegetic sounds. Shot 3 shows the character drinking with red in the frame and voiceover continuing. Shot 4 tracks the character exiting through a door with footsteps and voiceover. Shot 5 is a long wide shot tracking the character walking down the street as the narration continues.More from rasina10 (14)
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The document discusses how the media product, a thriller film trailer, uses and develops conventions of the thriller genre. It analyzes the various filmmaking techniques and stylistic choices used in the trailer, such as camera work, editing, sound, mise-en-scene, lighting, characters, and narrative structure, and how they conform to typical thriller genre conventions. By researching other thriller trailers and films, the filmmakers were able to identify common codes and conventions of the thriller genre and apply them to their own trailer to clearly communicate the genre to audiences.
Script
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The Doctor has gathered several characters together to discuss their recent encounters with a mysterious black figure. Each character shares their story - one saw the figure disappear in a lift, another captured it in a selfie on a bus, and a third saw its face appear behind curtains. When the characters compare objects the figure left behind, one suddenly sees it behind them. They look again and realize the black figure is still there, before it speaks and reveals it has been waiting for them.The strangers film poster
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The document analyzes and compares two movie posters for the film "The Strangers" and how they relate to the film's trailer. Both posters feature scenes and dialogue from the trailer to create synergy. The first poster uses dark colors that convey a sense of danger and fear to the audience. It depicts antagonists looking down on a vulnerable protagonist, creating mystery. The second poster also features trailer scenes and uses low-key lighting to focus on the protagonist and make the poster look mysterious.Analysing posters 
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This poster is for a film adaptation of Little Red Riding Hood. It features the main character alone in a dark forest background. The tagline "Believe the legend. Beware of the wolf" indicates it is based on the fairy tale and will include danger. The costume identifies the character as Red Riding Hood. It is aimed at teenagers and young adults interested in romance and horror genres. Including "From the director of Twilight" suggests it will attract fans of those films. The simple design with limited text and focus on the character's ominous situation creates intrigue about the narrative.Thor 2
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Thor 2 was more positively received on YouTube than the first Thor film, as evidenced by more likes on the trailer, showing that audiences who saw the first film were interested in watching the sequel. Most YouTube comments on the Thor 2 trailer came from a young audience who enjoy action and superhero genres. Several comments indicated that viewers planned to see Thor 2 because they enjoyed previous Marvel films like Avengers or were fans of the actors starring in Thor 2.
Empire magazine 
Empire magazine rasina10
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Empire Magazine is a British film magazine published by Bauer Media. It focuses on providing reviews, news, and previews about major new American blockbuster films. The magazine targets males ages 16-30 who enjoy films in genres like action and superhero films. It provides readers opportunities to interact through competitions, reviews, and social media to discuss featured films.Parody, pastiche and bricolage 
Parody, pastiche and bricolage rasina10
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The document discusses parody, pastiche, and bricolage. Parody mimics or imitates another work to ridicule or be sarcastic, while pastiche imitates in a positive way by embracing the original work. Examples of parody in advertising, art, television, and music videos are provided. Pastiche in art, television, and music is also exemplified. Bricolage is defined as a collection or collage of different media texts that forms one combined text.
Age rating
Age ratingrasina10
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The document discusses UK age ratings for films as determined by the British Board of Film Classification (BBFC). There are 5 age rating categories: U for universal, PG for parental guidance, 12A for those 12 and older accompanied by an adult, 15 for those 15 and older, and 18 for those 18 and older. The document discusses what types of content are appropriate for each rating. It also notes that 15 is a popular rating and the author has decided to rate their upcoming film opening at 15 since it will not include violence or sexual content inappropriate for that audience.My mood board
My mood boardrasina10
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This document provides guidance to students on creating a mood board for a gaming unit. It explains that a mood board captures the overall feel of an idea through visual and written elements. Examples of effective mood boards are shown. Students are instructed to consider the target audience, back story, objective, and PEGI rating of their game. They are also told to work independently for higher marks. Homework involves collecting diverse materials for their own mood board.Recently uploaded (20)
How to attach file using upload button Odoo 18
How to attach file using upload button Odoo 18Celine George
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In this slide, well discuss on how to attach file using upload button Odoo 18. Odoo features a dedicated model, 'ir.attachments,' designed for storing attachments submitted by end users. We can see the process of utilizing the 'ir.attachments' model to enable file uploads through web forms in this slide.
Blind spots in AI and Formulation Science, IFPAC 2025.pdf
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The intersection of AI and pharmaceutical formulation science highlights significant blind spotssystemic gaps in pharmaceutical development, regulatory oversight, quality assurance, and the ethical use of AIthat could jeopardize patient safety and undermine public trust. To move forward effectively, we must address these normalized blind spots, which may arise from outdated assumptions, errors, gaps in previous knowledge, and biases in language or regulatory inertia. This is essential to ensure that AI and formulation science are developed as tools for patient-centered and ethical healthcare.Digital Tools with AI for e-Content Development.pptx
Digital Tools with AI for e-Content Development.pptxDr. Sarita Anand
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This ppt is useful for not only for B.Ed., M.Ed., M.A. (Education) or any other PG level students or Ph.D. scholars but also for the school, college and university teachers who are interested to prepare an e-content with AI for their students and others.
Kaun TALHA quiz Finals -- El Dorado 2025
Kaun TALHA quiz Finals -- El Dorado 2025Conquiztadors- the Quiz Society of Sri Venkateswara College
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Finals of Kaun TALHA : a Travel, Architecture, Lifestyle, Heritage and Activism quiz, organized by Conquiztadors, the Quiz society of Sri Venkateswara College under their annual quizzing fest El Dorado 2025. N.C. DPI's 2023 Language Diversity Briefing
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The number of languages spoken in NC public schools.Blind Spots in AI and Formulation Science Knowledge Pyramid (Updated Perspect...
Blind Spots in AI and Formulation Science Knowledge Pyramid (Updated Perspect...Ajaz Hussain
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This presentation delves into the systemic blind spots within pharmaceutical science and regulatory systems, emphasizing the significance of "inactive ingredients" and their influence on therapeutic equivalence. These blind spots, indicative of normalized systemic failures, go beyond mere chance occurrences and are ingrained deeply enough to compromise decision-making processes and erode trust.
Historical instances like the 1938 FD&C Act and the Generic Drug Scandals underscore how crisis-triggered reforms often fail to address the fundamental issues, perpetuating inefficiencies and hazards.
The narrative advocates a shift from reactive crisis management to proactive, adaptable systems prioritizing continuous enhancement. Key hurdles involve challenging outdated assumptions regarding bioavailability, inadequately funded research ventures, and the impact of vague language in regulatory frameworks.
The rise of large language models (LLMs) presents promising solutions, albeit with accompanying risks necessitating thorough validation and seamless integration.
Tackling these blind spots demands a holistic approach, embracing adaptive learning and a steadfast commitment to self-improvement. By nurturing curiosity, refining regulatory terminology, and judiciously harnessing new technologies, the pharmaceutical sector can progress towards better public health service delivery and ensure the safety, efficacy, and real-world impact of drug products.How to Setup WhatsApp in Odoo 17 - Odoo 際際滷s
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Integrate WhatsApp into Odoo using the WhatsApp Business API or third-party modules to enhance communication. This integration enables automated messaging and customer interaction management within Odoo 17.Kaun TALHA quiz Prelims - El Dorado 2025
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Prelims of Kaun TALHA : a Travel, Architecture, Lifestyle, Heritage and Activism quiz, organized by Conquiztadors, the Quiz society of Sri Venkateswara College under their annual quizzing fest El Dorado 2025. How to use Init Hooks in Odoo 18 - Odoo 際際滷s
How to use Init Hooks in Odoo 18 - Odoo 際際滷sCeline George
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In this slide, well discuss on how to use Init Hooks in Odoo 18. In Odoo, Init Hooks are essential functions specified as strings in the __init__ file of a module.A PPT Presentation on The Princess and the God: A tale of ancient India by A...
A PPT Presentation on The Princess and the God: A tale of ancient India by A...Beena E S
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A PPT Presentation on The Princess and the God: A tale of ancient India by Aaron ShepardAPM People Interest Network Conference - Tim Lyons - The neurological levels ...
APM People Interest Network Conference - Tim Lyons - The neurological levels ...Association for Project Management
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APM People Interest Network Conference 2025
-Autonomy, Teams and Tension: Projects under stress
-Tim Lyons
-The neurological levels of
team-working: Harmony and tensions
With a background in projects spanning more than 40 years, Tim Lyons specialised in the delivery of large, complex, multi-disciplinary programmes for clients including Crossrail, Network Rail, ExxonMobil, Siemens and in patent development. His first career was in broadcasting, where he designed and built commercial radio station studios in Manchester, Cardiff and Bristol, also working as a presenter and programme producer. Tim now writes and presents extensively on matters relating to the human and neurological aspects of projects, including communication, ethics and coaching. He holds a Masters degree in NLP, is an NLP Master Practitioner and International Coach. He is the Deputy Lead for APMs People Interest Network.
Session | The Neurological Levels of Team-working: Harmony and Tensions
Understanding how teams really work at conscious and unconscious levels is critical to a harmonious workplace. This session uncovers what those levels are, how to use them to detect and avoid tensions and how to smooth the management of change by checking you have considered all of them.Information Technology for class X CBSE skill Subject
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These questions are based on cbse booklet for 10th class information technology subject code 402. these questions are sufficient for exam for first lesion. This subject give benefit to students and good marks. if any student weak in one main subject it can replace with these marks.APM People Interest Network Conference - Oliver Randall & David Bovis - Own Y...
APM People Interest Network Conference - Oliver Randall & David Bovis - Own Y...Association for Project Management
油
APM People Interest Network Conference 2025
- Autonomy, Teams and Tension
- Oliver Randall & David Bovis
- Own Your Autonomy
Oliver Randall
Consultant, Tribe365
Oliver is a career project professional since 2011 and started volunteering with APM in 2016 and has since chaired the People Interest Network and the North East Regional Network. Oliver has been consulting in culture, leadership and behaviours since 2019 and co-developed HPTM速an off the shelf high performance framework for teams and organisations and is currently working with SAS (Stellenbosch Academy for Sport) developing the culture, leadership and behaviours framework for future elite sportspeople whilst also holding down work as a project manager in the NHS at North Tees and Hartlepool Foundation Trust.
David Bovis
Consultant, Duxinaroe
A Leadership and Culture Change expert, David is the originator of BTFA and The Dux Model.
With a Masters in Applied Neuroscience from the Institute of Organisational Neuroscience, he is widely regarded as the Go-To expert in the field, recognised as an inspiring keynote speaker and change strategist.
He has an industrial engineering background, majoring in TPS / Lean. David worked his way up from his apprenticeship to earn his seat at the C-suite table. His career spans several industries, including Automotive, Aerospace, Defence, Space, Heavy Industries and Elec-Mech / polymer contract manufacture.
Published in Londons Evening Standard quarterly business supplement, James Caans Your business Magazine, Quality World, the Lean Management Journal and Cambridge Universities PMA, he works as comfortably with leaders from FTSE and Fortune 100 companies as he does owner-managers in SMEs. He is passionate about helping leaders understand the neurological root cause of a high-performance culture and sustainable change, in business.
Session | Own Your Autonomy The Importance of Autonomy in Project Management
#OwnYourAutonomy is aiming to be a global APM initiative to position everyone to take a more conscious role in their decision making process leading to increased outcomes for everyone and contribute to a world in which all projects succeed.
We want everyone to join the journey.
#OwnYourAutonomy is the culmination of 3 years of collaborative exploration within the Leadership Focus Group which is part of the APM People Interest Network. The work has been pulled together using the 5 HPTM速 Systems and the BTFA neuroscience leadership programme.
https://www.linkedin.com/showcase/apm-people-network/about/How to Configure Flexible Working Schedule in Odoo 18 Employee
How to Configure Flexible Working Schedule in Odoo 18 EmployeeCeline George
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In this slide, well discuss on how to configure flexible working schedule in Odoo 18 Employee module. In Odoo 18, the Employee module offers powerful tools to configure and manage flexible working schedules tailored to your organization's needs.
EDL 290F Week 3 - Mountaintop Views (2025).pdf
EDL 290F Week 3 - Mountaintop Views (2025).pdfLiz Walsh-Trevino
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EDL 290F Week 3 - Mountaintop Views (2025).pdfPOWERPOINT-PRESENTATION_DM-NO.017-S.2025.pptx
POWERPOINT-PRESENTATION_DM-NO.017-S.2025.pptxMarilenQuintoSimbula
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Rubric level Summary for Teacher 1 to 3, Proficient Teacher. Guide in assessing MOV presented.The Dravidian Languages: Tamil, Telugu, Kannada, Malayalam, Brahui, Kuvi, Tulu
The Dravidian Languages: Tamil, Telugu, Kannada, Malayalam, Brahui, Kuvi, TuluDrIArulAram
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The Dravidian Languages by Arul AramKaun TALHA quiz Finals -- El Dorado 2025
Kaun TALHA quiz Finals -- El Dorado 2025Conquiztadors- the Quiz Society of Sri Venkateswara College
油
Kaun TALHA quiz Prelims - El Dorado 2025
Kaun TALHA quiz Prelims - El Dorado 2025Conquiztadors- the Quiz Society of Sri Venkateswara College
油
APM People Interest Network Conference - Tim Lyons - The neurological levels ...
APM People Interest Network Conference - Tim Lyons - The neurological levels ...Association for Project Management
油
APM People Interest Network Conference - Oliver Randall & David Bovis - Own Y...
APM People Interest Network Conference - Oliver Randall & David Bovis - Own Y...Association for Project Management
油
Storyboard animated
- 2. Scene 1 : Black screen Sound: Tense Music Dialogue: We all know why we are here (Councilor - First character) Time: 8 second
- 3. Scene 2: The character start to Hold hands. Camera work: Close up Editing: Fade in Time: 3 second Sound: Tense music Layered music: Heavy Breathing
- 4. Scene 2: long shot of the room With characters inside. Camera movement: Slow panning shot around the Characters. Sound: Tense music Edit: Cut to Time 13 sec
- 5. Scene 4: Black Screen Dialogue: So who is going to start first? Councilor Sound: Tense music Editing: fades to next shot Time: 6 seconds
- 6. Scene 5: shot reverse shot Dialogue: Ill Start first character one Editing: Cut to Time: 5 seconds Camera type: mid shot
- 7. Scene 6: close up of character one Dialogue: well I was at the train station . I notice this black figure in the opposite direction . as the train passed by, the mysterious figure just disappeared Sound: Tense music Editing: L- Cut Time
- 8. Scene 7: Flash back scene Dialogue: continuing from scene 6 (L cut) Camera type: longshot Sound: wind Time: 5 seconds
- 9. Scene 8: flash back, train passing by Dialogue: continuing from scene 6 (L-cut) Camera type: close up Sound: sound of a train passing by Timing: 10 seconds
- 10. Scene 9: flash back Dialogue: Continuing from scene 6 (L-cut) Sound: people talking, wind Editing: cut to the next scene Timing: 5 seconds
- 11. Scene 10: close up of character 2 Dialogue:: I went around the house to open the curtains, when I reached to the last curtain, this black figure face just appears. I quickly closed the curtains .. I wanted to check if the black figure is there . When I opened the curtains it disappeared it wasnt there anymore. Editing: L cut
- 12. Scene 11: flash back Dialogue: continuing from scene 10 Editing: L-cut Camera type: mid shot
- 13. Scene 12: Flash back Dialogue: continuing from scene 11 Sound: closing curtains, heavy breathing Editing: L-cut
- 14. Scene 13: flash back Dialogue: continuing from scene 12 Editing: L-cut Sound: heavy breathing Camera type: mid shot
- 15. Scene 14: close up of character three Dialogue: : something similar happened to me as well, I was at the top deck of 24 buss It was empty, only me there I took a selfie of myself, when looking at the picture there was a black figure . I turned around it wasnt there Editing: L-cut
- 16. Scene 15: mid long shot Dialogue: continuing from scene 14 Sound: cars Editing: L- cut
- 17. Scene 16: mid shot of character three Dialogue: continuing from scene 14 Editing L cut Sound: clicking noise
- 18. Scene 17: close up of camera Dialogue: continuing from scene 14 Editing: L-cut
- 19. Scene 18 mid shot of character three Dialogue: continuing from scene 14 Editing: L-cut
- 20. Scene 19: long shot of all the characters Dialogue: Character three: This is something the figure left back Character two: yeah, the black figure left something with me as well Character one: Me too .. But what does all this mean
- 21. Scene 20: long shot of all the characters and the silhouette Dialogue: AAAAAHHHHHHHHHH Editing: face past, cut to the next scene Music: the tempo of the music is speeding up
- 22. Scene 21: close up of character three Dialogue: Its behind you Music: tempo increasing Sound: heaving breathing Editing: cut to , past pace
- 23. Scene 22: close up of the councilor Editing: slow pace, cut to Sound: tense music
- 24. Scene: 23 long shot of all the characters Dialogue: Look again . Its still there Editing: cut to
- 25. Scene 24: mid shot Dialogue: AAAHHHHHH Editing: fast pace Sound: heavy breathing, screaming Music: Tense music
- 26. Scene 25: black screen Dialogue: I was waiting for you Black figure Then the title of the film appears Editing: fast pace