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- They included references and homages to videos by bands like Pulp and Oasis to ground their work in the genre.
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This document provides an analysis of the conventions and techniques used in the teaser trailer for a crime/action thriller film. The teaser begins with the film studio logos edited to match the film's color scheme. Clips shown include a car being destroyed with a voiceover about "fire and blood" to set the tone. Text stating "THE WORLD GOES MAD" is presented one word at a time between shots of characters in action to indicate the film is an action/thriller genre. The characters are shown fighting and have scary, unrealistic clothing to signal the fictional setting. At the end, brief clips introduce the main actors along with their real names and roles.TEI CONFERENCE 2016 LINHD Presentation
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The document discusses how the author's magazine product both uses conventions of real magazines as well as challenges some conventions. It addresses elements like the masthead, cover layout, and pull quotes that follow conventions seen in magazines like MOJO and NME. However, it also challenges some conventions like having a scaled back cover design with fewer promotional elements and featuring female artists prominently in an alternative rock magazine genre that typically features male artists. The author aims to create a unique yet accessible design that draws in readers. Unconventional aspects are balanced with conventions to still provide necessary information to readers.Survey
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The document analyzes an advertisement for a band's album. It identifies several conventions that the advertisement follows, such as displaying the band's name prominently, including the album release date and website, and featuring a popular single to entice purchases. It also notes some ways the advertisement challenges conventions, such as not including the album artwork. Overall, the analysis provides suggestions for an effective advertisement based on the techniques used in the example.Media Photography Plan
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The document outlines Patrick Smith's plans for photography for a magazine cover and contents pages. It details that the cover will feature a close-up of a female artist in a leather jacket with a neutral expression. Images will be taken in a controlled studio with careful lighting. The contents pages will show the band in a long shot with coordinated outfits to reinforce the brand. A double-page spread will have two images, one dominant of the female artist and another of her with a male model behind her. Consistency across images is intended to create a premium feel for the magazine.Media Evaluation: Question 4
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For planning their advanced media portfolio project, the author used Google Drive for document storage and collaboration. They created documents, presentations, and notes using Google Docs and ºÝºÝߣs. SurveyMonkey was used to conduct audience research through an online survey. YouTube was used to find examples, post, and receive feedback on the finished music video. ºÝºÝߣShare allowed embedding presentations on their WordPress blog. WordPress hosted the portfolio blog. Social media was used to distribute the survey and video to receive feedback. Adobe Photoshop and Premiere were used to create promotional materials and edit the video footage, respectively. Modern technology like DSLR cameras and powerful PCs enabled high quality production.Media - Music Video Evaluation
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The document summarizes how the media product challenges conventions of real music videos from the 1990s Britpop genre in several ways:
1) It focuses the narrative on the female character rather than using her as a passive object, challenging the "male gaze" convention.
2) It keeps footage of the band until the end rather than intercutting it with the narrative, challenging the typical segmented structure.
3) It chooses gritty street locations to reflect the song's lyrics and Pulp's aesthetic rather than just historical architecture, constructing relevance between visuals and lyrics.
4) It includes subtle references like short homage shots to ground it in the Britpop genre while avoiding direct copying.Media - Music Video Evaluation
Media - Music Video EvaluationPatrickJohnSmith
Ìý
The document summarizes how the media product challenges conventions of real music videos from the 1990s Britpop genre in several ways:
1) It focuses the narrative on the female character rather than using her as a passive object, challenging the "male gaze".
2) It subverts conventions by keeping footage of the band until the end rather than intercutting it with the narrative.
3) It uses locations that reflect the song's lyrics and Pulp's aesthetic rather than more historically accurate York locations.
4) It includes subtle references like short homages to shots from music videos of the era to ground it in the genre rather than trying to convince viewers it was made in the 1990s.Media - Music Video Evaluation
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Ìý
The document provides an analysis of how the student's media product uses, develops, and challenges conventions of real music videos from the 1990s Britpop genre. Specifically:
- They challenged the "male gaze" convention by focusing the narrative on the female character rather than using her as a passive object.
- They included references and homages to videos by bands like Pulp and Oasis to ground their work in the genre.
- Locations, wardrobe, and other elements were chosen to match the aesthetics and themes of Britpop videos from the time period.
- The promotional poster and digipak packaging were designed to create synergy between the media texts and follow conventions of other albums fromRisk Assessment
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This risk assessment document evaluates the risks of the music video "Pulp - Common People". The assessment looks at the content of the video and determines there are no significant risks. The assessment finds the video is appropriate for general audiences.Music Video Analysis
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- The document analyzes and summarizes three 1990s British music videos: Oasis's "Champagne Supernova", Blur's "Parklife", and Pulp's "Babies".
- Key lessons learned include incorporating visual variety, matching editing pace to the song, and using a two-segment structure switching between band performance and a narrative related to the lyrics.
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