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Writing Workshop
Using mentor texts to teach
writing and grammar.
Amia Kimoy Conrad- Christopher
Amia Kimoy Conrad- Christopher
Workshop Objectives
Teachers will demonstrate an
understanding of:
 Mentor texts and its use in teaching
grammar and writing.
 Story maps to write stories
Amia Kimoy Conrad- Christopher
Genre
 Expository
 Narrative
 Persuasive
 Reflective
Amia Kimoy Conrad- Christopher
Structure
A writers
purpose
affects:
Language
Purpose
Amia Kimoy Conrad- Christopher
How do we create tasks?
 We set a purpose  what is the purpose for
writing? To inform, to clarify, to explain, to
entertain?
 The purpose decides the language-
 to inform will use what type of language? Formal
or informal? Why?
 To inform, clarify or explain will use what type of
language?
Amia Kimoy Conrad- Christopher
Checklist
 What is the purpose of the task?
 Can your students write according to the purpose- to inform, to clarify
or to explain, to entertain?
 Can it lend itself to a sequenced exposition of events?
 Who is the audience?
 Can it be factual, can it be formal, lend itself to a narrative?
 Does it lend itself to report? Does the child have sufficient information
on the who, what, where, when, how? Can you write a story?
 Will it motivate students to write?
 Will it motivate your students to write a story?
Amia Kimoy Conrad- Christopher
Story Elements
Setting
Characters
Plot
Conflict
Resolution
Point of View
Theme
Climax
Rising action
Amia Kimoy Conrad- Christopher
Exposition: This is the beginning of the story. The setting,
characters, and background information are introduced.
Rising Action: The author introduces the conflict or problem that
the character(s) must attempt to solve. Complications are
introduced and the suspense builds.
Climax: The point of greatest interest or suspense in the story. It
is the turning point in the story where the action reaches its peak.
Falling Action: The characters are getting closer to solving the
conflict or problem.
Resolution: The conflict comes to an end or the problem is
solved.
Story Elements
Amia Kimoy Conrad- Christopher
Story Elements
Amia Kimoy Conrad- Christopher
What is a mentor text?
 Any text or piece of text that can teach a
writer about an aspect of writers craft,
from sentence structure to quotation marks
to show dont tell.
 Sentence Stalking
 Story Elements
Amia Kimoy Conrad- Christopher
Using a mentor text to teach
writing
 King Log and King Stork
 Purpose: Examining writers craft through
a story.
 Interrogating the text and completing our
story map.
 Examining conventions, language use and
sentence structure
Amia Kimoy Conrad- Christopher
Setting
 Setting is the where and
when of a story. It is the time
and place during which the
story takes place.
Amia Kimoy Conrad- Christopher
Setting
Details that describe:
 Furniture
 Scenery
 Customs
 Transportation
 Clothing
 Dialects
 Weather
 Time of day
 Time of year
Time and place are where the action occurs
Amia Kimoy Conrad- Christopher
Characters
 The person,
animals, and
things
participating
in a story
Amia Kimoy Conrad- Christopher
Characters
 Protagonist and antagonist are used to
describe characters.
 The protagonist is the main character of the
story, the one with whom the reader
identifies. This person is not necessary
good.
 The antagonist is the force in opposition of
the protagonist; this person may not be
bad or evil, but he/she opposes the
protagonist in a significant way
Amia Kimoy Conrad- Christopher
Characters
 Protagonist and antagonist are used to
describe characters.
 The protagonist is the main character of the
story, the one with whom the reader
identifies. This person is not necessary
good.
 The antagonist is the force in opposition of
the protagonist; this person may not be
bad or evil, but he/she opposes the
protagonist in a significant way
Amia Kimoy Conrad- Christopher
Plot (definition)
 Plot is the organized
pattern or sequence of
events that make up a
story.
 Plot is the literary element
that describes the
structure of a story. It
shows arrangement of
events and actions within a
story.
Amia Kimoy Conrad- Christopher
Parts of aPlot
 Exposition - introduction; characters, setting
and conflict (problem) are introduced
 Rising Action- events that occur as result of
central conflict
 Climax- highest point of interest or suspense
of a story
 Falling Action - tension eases; events show
the results of how the main character begins
to resolve the conflict
 Resolution- loose ends are tied up; the
conflict is solved
Amia Kimoy Conrad- Christopher
Plot Diagram
2
1
3
4
5
Amia Kimoy Conrad- Christopher
1.Exposition
 This usually occurs at the beginning of a short
story. Here the characters are introduced. We
also learn about the setting of the story. Most
importantly, we are introduced to the main
conflict (main problem).
Amia Kimoy Conrad- Christopher
2. Rising Action
 This part of the story begins to develop the
conflict(s). A building of interest or suspense occurs
and leads to the climax. Complications arise
Amia Kimoy Conrad- Christopher
3. Climax
 This is the turning point of the story. Usually the
main character comes face to face with a conflict.
The main character will change in some way. This is
the most intense moment.
Amia Kimoy Conrad- Christopher
4. Falling Action
 Action that follows
the climax and
ultimately leads to
the resolution
Amia Kimoy Conrad- Christopher
5. Resolution
 The conclusion; all
loose ends are tied up.
 Either the character
defeats the problem,
learns to live with the
problem, or the problem
defeats the character.
Amia Kimoy Conrad- Christopher
Putting It All Together
1. Exposition
2. Rising Action
3. Climax
4. Falling Action
5. Resolution
Beginning of
Story
Middle of Story
End of Story
Amia Kimoy Conrad- Christopher
Diagram of Plot
Setting, characters,
and conflict are
introduced
Introduction
/ Exposition
Climax
Resolution
Amia Kimoy Conrad- Christopher
Conflict
Conflict is the dramatic struggle
between two forces in a story.
Without conflict, there is no plot.
Amia Kimoy Conrad- Christopher
Conflict
Conflict is a problem that must be solved;
an issue between the protagonist and
antagonist forces. It forms the basis of the
plot.
Conflicts can be external or internal
External conflict- outside force may be
person, group, animal, nature, or a
nonhuman obstacle
Internal conflict- takes place in a
characters mind
Amia Kimoy Conrad- Christopher
Types of External
Conflict
Character vs Nature
Character vs Society
Character vs Character
Character vs Fate QuickTime and a
TIFF (Uncompressed) decompressor
are needed to see this picture.
Amia Kimoy Conrad- Christopher
Type of Internal Conflict
Character vs. Self
Amia Kimoy Conrad- Christopher
Special Techniques used ina Story
 Suspense- excitement, tension, curiosity
 Foreshadowing- hint or clue about what will happen
in story
 Flashback- interrupts the normal sequence of events
to tell about something that happened in the past
 Symbolism  use of specific objects or images to
represent ideas
 Personification  when you make a thing,
 idea or animal do something only humans do
 Surprise Ending - conclusion that reader
 does not expect
Amia Kimoy Conrad- Christopher
Amia Kimoy Conrad- Christopher
Point of View
 First Person Point of View- a
character from the story is telling the
story; uses the pronouns I and me
 Third Person Point of View- an
outside narrator is telling the story;
uses the pronouns he, she, they
Amia Kimoy Conrad- Christopher
Types of Third-Person
Point of View
 Third-Person Limited
 The narrator knows
the thoughts and
feelings on only ONE
character in a story.
 Third-Person
Omniscient
 The narrator knows the
thoughts and feeling of
ALL the characters in a
story.
Amia Kimoy Conrad- Christopher
Theme
The theme is the central, general
message, the main idea, the
controlling topic about life or people
the author wants to get across through
a literary work
To discover the theme of a story, think
big. What big message is the author
trying to say about the world in which
we live?
What is this story telling me about how
life works, or how people behave?Amia Kimoy Conrad- Christopher
The Theme is also
 the practical lesson ( moral) that we
learn from a story after we read it. The
lesson that teaches us what to do or
how to behave after you have learned
something from a story or something
that has happened to you.
Example: The lesson or teaching of the
story is be careful when youre offered
something for nothing.
Amia Kimoy Conrad- Christopher
Other elements
 Grammar
 Mechanics
 Dialogue
 Creole
Amia Kimoy Conrad- Christopher
Grammar vs. Mechanics
 Grammar includes principles that
guide the structure of sentences and
paragraphs.
He likes to eat pizza, but I like
spaghetti.
Amia Kimoy Conrad- Christopher
Grammar vs. Mechanics
 Mechanics is how we punctuate to
achieve meaning (punctuation,
capitalization, paragraphing,
formatting).
Lets eat Grandma.
Lets eat, Grandma.
Amia Kimoy Conrad- Christopher
Syntax
 Examples of Syntactical Complexity
 Multiple subject: The deer and the beaver are walking toward the stream.
 Multiple object: The boy is carrying the fishing net and pail.
 Infinitive used as an object: The girl wanted to play her guitar.
 Gerund used as an object: He enjoys catching frogs.
 Compound Sentences: The man is trying to light a fire, but he doesnt have enough
matches.
 Complex sentence: The girl e-mailed her family while sitting in the tent.
 Prepositional phrase: The frog jumped out of the stream.
 The girls sat on the log.
 The eagle soars over the trees.
 Relative clause: The camp leader is the man who started the fire.
 The younger sister is the girl that plays the guitar.
 The deer drinks from the stream, which flows through the
forest.
Amia Kimoy Conrad- Christopher
Principles We Know
 Construction of a Simple Sentence
Subject + Verb + stands on its own
 Construction of a Compound Sentence
Sentence, + Conjunction +
sentence.
Moving on
Complex SentencesAmia Kimoy Conrad- Christopher
Independent clause
(Simple sentence)
Subject Verb
Amia Kimoy Conrad- Christopher
An Independent Clause
Is a sentence
Stands on its own
Is perfectly fine as it is
Amia Kimoy Conrad- Christopher
But sometimes we want
more
 Pictures or images
 Information
 Specifics
 Description
So how do we add information to our
sentences without making run-on or
incorrect sentences?Amia Kimoy Conrad- Christopher
What you add to the sentence
 Cant be a whole new sentence
 Cant stand on its own it must be
Amia Kimoy Conrad- Christopher
Independent
This has a noun and a verb
Does it stand on its own?
Does it express a complete thought?
Its Dependent
Amia Kimoy Conrad- Christopher
independent clause (sentence)
must lean on an
Amia Kimoy Conrad- Christopher
There are three basic
complex sentence patterns
 Add information at the beginning of a
sentence
 Add information in the middle of a
sentence
 Add information at the end of a sentence
Amia Kimoy Conrad- Christopher
, closing .
Beginning ,
,interrupting ,
Complex Sentences
The three basic patterns
Amia Kimoy Conrad- Christopher
Planning for writing
 What do students know?
 What do they need to know?
 What is the end result
 How are you measuring they are reaching
there?
 What about the process approach and a
portfolio to track students work?
Amia Kimoy Conrad- Christopher
Amia Kimoy Conrad- Christopher
Thank you
Amia Kimoy Conrad- Christopher

More Related Content

Teaching writing craft and grammar through mentor texts

  • 1. Writing Workshop Using mentor texts to teach writing and grammar. Amia Kimoy Conrad- Christopher Amia Kimoy Conrad- Christopher
  • 2. Workshop Objectives Teachers will demonstrate an understanding of: Mentor texts and its use in teaching grammar and writing. Story maps to write stories Amia Kimoy Conrad- Christopher
  • 3. Genre Expository Narrative Persuasive Reflective Amia Kimoy Conrad- Christopher
  • 5. How do we create tasks? We set a purpose what is the purpose for writing? To inform, to clarify, to explain, to entertain? The purpose decides the language- to inform will use what type of language? Formal or informal? Why? To inform, clarify or explain will use what type of language? Amia Kimoy Conrad- Christopher
  • 6. Checklist What is the purpose of the task? Can your students write according to the purpose- to inform, to clarify or to explain, to entertain? Can it lend itself to a sequenced exposition of events? Who is the audience? Can it be factual, can it be formal, lend itself to a narrative? Does it lend itself to report? Does the child have sufficient information on the who, what, where, when, how? Can you write a story? Will it motivate students to write? Will it motivate your students to write a story? Amia Kimoy Conrad- Christopher
  • 7. Story Elements Setting Characters Plot Conflict Resolution Point of View Theme Climax Rising action Amia Kimoy Conrad- Christopher
  • 8. Exposition: This is the beginning of the story. The setting, characters, and background information are introduced. Rising Action: The author introduces the conflict or problem that the character(s) must attempt to solve. Complications are introduced and the suspense builds. Climax: The point of greatest interest or suspense in the story. It is the turning point in the story where the action reaches its peak. Falling Action: The characters are getting closer to solving the conflict or problem. Resolution: The conflict comes to an end or the problem is solved. Story Elements Amia Kimoy Conrad- Christopher
  • 9. Story Elements Amia Kimoy Conrad- Christopher
  • 10. What is a mentor text? Any text or piece of text that can teach a writer about an aspect of writers craft, from sentence structure to quotation marks to show dont tell. Sentence Stalking Story Elements Amia Kimoy Conrad- Christopher
  • 11. Using a mentor text to teach writing King Log and King Stork Purpose: Examining writers craft through a story. Interrogating the text and completing our story map. Examining conventions, language use and sentence structure Amia Kimoy Conrad- Christopher
  • 12. Setting Setting is the where and when of a story. It is the time and place during which the story takes place. Amia Kimoy Conrad- Christopher
  • 13. Setting Details that describe: Furniture Scenery Customs Transportation Clothing Dialects Weather Time of day Time of year Time and place are where the action occurs Amia Kimoy Conrad- Christopher
  • 14. Characters The person, animals, and things participating in a story Amia Kimoy Conrad- Christopher
  • 15. Characters Protagonist and antagonist are used to describe characters. The protagonist is the main character of the story, the one with whom the reader identifies. This person is not necessary good. The antagonist is the force in opposition of the protagonist; this person may not be bad or evil, but he/she opposes the protagonist in a significant way Amia Kimoy Conrad- Christopher
  • 16. Characters Protagonist and antagonist are used to describe characters. The protagonist is the main character of the story, the one with whom the reader identifies. This person is not necessary good. The antagonist is the force in opposition of the protagonist; this person may not be bad or evil, but he/she opposes the protagonist in a significant way Amia Kimoy Conrad- Christopher
  • 17. Plot (definition) Plot is the organized pattern or sequence of events that make up a story. Plot is the literary element that describes the structure of a story. It shows arrangement of events and actions within a story. Amia Kimoy Conrad- Christopher
  • 18. Parts of aPlot Exposition - introduction; characters, setting and conflict (problem) are introduced Rising Action- events that occur as result of central conflict Climax- highest point of interest or suspense of a story Falling Action - tension eases; events show the results of how the main character begins to resolve the conflict Resolution- loose ends are tied up; the conflict is solved Amia Kimoy Conrad- Christopher
  • 19. Plot Diagram 2 1 3 4 5 Amia Kimoy Conrad- Christopher
  • 20. 1.Exposition This usually occurs at the beginning of a short story. Here the characters are introduced. We also learn about the setting of the story. Most importantly, we are introduced to the main conflict (main problem). Amia Kimoy Conrad- Christopher
  • 21. 2. Rising Action This part of the story begins to develop the conflict(s). A building of interest or suspense occurs and leads to the climax. Complications arise Amia Kimoy Conrad- Christopher
  • 22. 3. Climax This is the turning point of the story. Usually the main character comes face to face with a conflict. The main character will change in some way. This is the most intense moment. Amia Kimoy Conrad- Christopher
  • 23. 4. Falling Action Action that follows the climax and ultimately leads to the resolution Amia Kimoy Conrad- Christopher
  • 24. 5. Resolution The conclusion; all loose ends are tied up. Either the character defeats the problem, learns to live with the problem, or the problem defeats the character. Amia Kimoy Conrad- Christopher
  • 25. Putting It All Together 1. Exposition 2. Rising Action 3. Climax 4. Falling Action 5. Resolution Beginning of Story Middle of Story End of Story Amia Kimoy Conrad- Christopher
  • 26. Diagram of Plot Setting, characters, and conflict are introduced Introduction / Exposition Climax Resolution Amia Kimoy Conrad- Christopher
  • 27. Conflict Conflict is the dramatic struggle between two forces in a story. Without conflict, there is no plot. Amia Kimoy Conrad- Christopher
  • 28. Conflict Conflict is a problem that must be solved; an issue between the protagonist and antagonist forces. It forms the basis of the plot. Conflicts can be external or internal External conflict- outside force may be person, group, animal, nature, or a nonhuman obstacle Internal conflict- takes place in a characters mind Amia Kimoy Conrad- Christopher
  • 29. Types of External Conflict Character vs Nature Character vs Society Character vs Character Character vs Fate QuickTime and a TIFF (Uncompressed) decompressor are needed to see this picture. Amia Kimoy Conrad- Christopher
  • 30. Type of Internal Conflict Character vs. Self Amia Kimoy Conrad- Christopher
  • 31. Special Techniques used ina Story Suspense- excitement, tension, curiosity Foreshadowing- hint or clue about what will happen in story Flashback- interrupts the normal sequence of events to tell about something that happened in the past Symbolism use of specific objects or images to represent ideas Personification when you make a thing, idea or animal do something only humans do Surprise Ending - conclusion that reader does not expect Amia Kimoy Conrad- Christopher
  • 32. Amia Kimoy Conrad- Christopher
  • 33. Point of View First Person Point of View- a character from the story is telling the story; uses the pronouns I and me Third Person Point of View- an outside narrator is telling the story; uses the pronouns he, she, they Amia Kimoy Conrad- Christopher
  • 34. Types of Third-Person Point of View Third-Person Limited The narrator knows the thoughts and feelings on only ONE character in a story. Third-Person Omniscient The narrator knows the thoughts and feeling of ALL the characters in a story. Amia Kimoy Conrad- Christopher
  • 35. Theme The theme is the central, general message, the main idea, the controlling topic about life or people the author wants to get across through a literary work To discover the theme of a story, think big. What big message is the author trying to say about the world in which we live? What is this story telling me about how life works, or how people behave?Amia Kimoy Conrad- Christopher
  • 36. The Theme is also the practical lesson ( moral) that we learn from a story after we read it. The lesson that teaches us what to do or how to behave after you have learned something from a story or something that has happened to you. Example: The lesson or teaching of the story is be careful when youre offered something for nothing. Amia Kimoy Conrad- Christopher
  • 37. Other elements Grammar Mechanics Dialogue Creole Amia Kimoy Conrad- Christopher
  • 38. Grammar vs. Mechanics Grammar includes principles that guide the structure of sentences and paragraphs. He likes to eat pizza, but I like spaghetti. Amia Kimoy Conrad- Christopher
  • 39. Grammar vs. Mechanics Mechanics is how we punctuate to achieve meaning (punctuation, capitalization, paragraphing, formatting). Lets eat Grandma. Lets eat, Grandma. Amia Kimoy Conrad- Christopher
  • 40. Syntax Examples of Syntactical Complexity Multiple subject: The deer and the beaver are walking toward the stream. Multiple object: The boy is carrying the fishing net and pail. Infinitive used as an object: The girl wanted to play her guitar. Gerund used as an object: He enjoys catching frogs. Compound Sentences: The man is trying to light a fire, but he doesnt have enough matches. Complex sentence: The girl e-mailed her family while sitting in the tent. Prepositional phrase: The frog jumped out of the stream. The girls sat on the log. The eagle soars over the trees. Relative clause: The camp leader is the man who started the fire. The younger sister is the girl that plays the guitar. The deer drinks from the stream, which flows through the forest. Amia Kimoy Conrad- Christopher
  • 41. Principles We Know Construction of a Simple Sentence Subject + Verb + stands on its own Construction of a Compound Sentence Sentence, + Conjunction + sentence. Moving on Complex SentencesAmia Kimoy Conrad- Christopher
  • 42. Independent clause (Simple sentence) Subject Verb Amia Kimoy Conrad- Christopher
  • 43. An Independent Clause Is a sentence Stands on its own Is perfectly fine as it is Amia Kimoy Conrad- Christopher
  • 44. But sometimes we want more Pictures or images Information Specifics Description So how do we add information to our sentences without making run-on or incorrect sentences?Amia Kimoy Conrad- Christopher
  • 45. What you add to the sentence Cant be a whole new sentence Cant stand on its own it must be Amia Kimoy Conrad- Christopher
  • 46. Independent This has a noun and a verb Does it stand on its own? Does it express a complete thought? Its Dependent Amia Kimoy Conrad- Christopher
  • 47. independent clause (sentence) must lean on an Amia Kimoy Conrad- Christopher
  • 48. There are three basic complex sentence patterns Add information at the beginning of a sentence Add information in the middle of a sentence Add information at the end of a sentence Amia Kimoy Conrad- Christopher
  • 49. , closing . Beginning , ,interrupting , Complex Sentences The three basic patterns Amia Kimoy Conrad- Christopher
  • 50. Planning for writing What do students know? What do they need to know? What is the end result How are you measuring they are reaching there? What about the process approach and a portfolio to track students work? Amia Kimoy Conrad- Christopher
  • 51. Amia Kimoy Conrad- Christopher
  • 52. Thank you Amia Kimoy Conrad- Christopher