際際滷

際際滷Share a Scribd company logo
The Great Chain of Being and 
the Wheel of Fortune
The Two Worldviews of Macbeth
 The Chain is an ancient idea, but popular in 
medieval Christianity. 
 It supports the notion that there is a 
hierarchy, or natural inequality, in Gods 
universe. 
 In Shakespeares time, it was still popularly 
believed that people had to know their place. 
 Moving above your station, or marrying 
below your social status, was an insult to 
God.
Hecate says this about Macbeth: 
 He shall spurn fate, scorn death and 
bear/ 
His hopes bove wisdom, grace and 
fear. 
3.5.30-31
The Two Worldviews of Macbeth
The Two Worldviews of Macbeth
 A competing ontological notion was the Wheel of 
Fortune. 
 It was cyclical rather than linear. 
 The Wheel was a relatively pagan concept, 
popular in ancient Greece and Rome. 
 The goddess Fortunae (or Fate) was fickle and 
unreliable; good fortune would rarely last. What 
went up had to come down! 
 J.D. Duffy: Once on the wheel, no one gets off 
until the descent has been made
The Two Worldviews of Macbeth
 Scholars have linked the two concepts in the 
following way: 
 Those who ignored the Chain of Being, such as 
Macbeth and his wife, were throwing 
themselves onto the Wheel of Fortune. 
 J.D. Duffy: A wise man would follow Gods 
law, and not surrender himself to fortune. 
 This moral choice helps explain Macbeths 
tragic nature: hes a noble man whose tragic 
flaw (A.C. Bradley) is ambition.
 If Macbeth has chosen to forsake his place on the 
Chain of Being in favour of the Wheel, is this an 
act of free will? 
 Look to the emissaries of fate and fortune, like the 
Weird Sisters. Are they determining Macbeths 
path? Are they messengers or agents? Or is 
Macbeth choosing his own path? 
 Men at some time are masters of their fates; 
The fault, dear Brutus, is not in our stars, 
But in ourselves, that we are underlings. 
(Julius Caesar: I.I.139-141)
 Duffy, J.D. Introduction to Macbeth." The 
Tragedy of Macbeth. New York: Airmont, 
1965. xix-xxix. Print. 
 Bradley, A. C. Shakespearean Tragedy. 
Greenwich, Conn.: Fawcett, 1904. Print.

More Related Content

The Two Worldviews of Macbeth

  • 1. The Great Chain of Being and the Wheel of Fortune
  • 3. The Chain is an ancient idea, but popular in medieval Christianity. It supports the notion that there is a hierarchy, or natural inequality, in Gods universe. In Shakespeares time, it was still popularly believed that people had to know their place. Moving above your station, or marrying below your social status, was an insult to God.
  • 4. Hecate says this about Macbeth: He shall spurn fate, scorn death and bear/ His hopes bove wisdom, grace and fear. 3.5.30-31
  • 7. A competing ontological notion was the Wheel of Fortune. It was cyclical rather than linear. The Wheel was a relatively pagan concept, popular in ancient Greece and Rome. The goddess Fortunae (or Fate) was fickle and unreliable; good fortune would rarely last. What went up had to come down! J.D. Duffy: Once on the wheel, no one gets off until the descent has been made
  • 9. Scholars have linked the two concepts in the following way: Those who ignored the Chain of Being, such as Macbeth and his wife, were throwing themselves onto the Wheel of Fortune. J.D. Duffy: A wise man would follow Gods law, and not surrender himself to fortune. This moral choice helps explain Macbeths tragic nature: hes a noble man whose tragic flaw (A.C. Bradley) is ambition.
  • 10. If Macbeth has chosen to forsake his place on the Chain of Being in favour of the Wheel, is this an act of free will? Look to the emissaries of fate and fortune, like the Weird Sisters. Are they determining Macbeths path? Are they messengers or agents? Or is Macbeth choosing his own path? Men at some time are masters of their fates; The fault, dear Brutus, is not in our stars, But in ourselves, that we are underlings. (Julius Caesar: I.I.139-141)
  • 11. Duffy, J.D. Introduction to Macbeth." The Tragedy of Macbeth. New York: Airmont, 1965. xix-xxix. Print. Bradley, A. C. Shakespearean Tragedy. Greenwich, Conn.: Fawcett, 1904. Print.