tools and equipmentinanimation guide and descriptions.pptx
- 1. ANIMATION
- 2. ANIMATION THE TECHNIQUES OF PHOTOGRAPHING SUCCESSIVE DRAWINGS OR POSITIONS OF PUPPETS OR MODELS TO CREATE AN ILLUSION OF MOVEMENT WHEN THE MOVIES IS SHOWN AS A SEQUENCE.
- 3. TWO TYPES OF ANIMATION 1. TRADITIONAL ANIMATION 2. COMPUTER-GENERATED ANIMATION
- 4. TRADITIONAL ANIMATION AN ANIMATION TECHNIQUE WHERE EACH FRAME IS DRAWN BY HAND. THIS IS ALSO CALLED CLASSICAL ANIMATION OR CEL ANIMATION. THISS TYPE OF ANIMATION USES SPECIALIZED MATERIALS AND EQUIPMENT FOR ASRTISTS AND ANIMATORS.
- 5. COMPUTER-GENERATED ANIMATION AN ANIMATION TECHNIQUE THAT IS PURELY DIFITAL AND CREATED PRIMARILY WITH COMPUTERS. COMPUTER GENERATED ANIMATORS USE HIGH-POWERED COMPUTERS TO CREATE 3D ANIMATIONS.
- 7. LIGHTBOX THE ESSENTIAL FEATURES OF THIS EQUIPMENT IS TO HAVE THE LIGHT SHINE THROUGH DIFFERENT LAYERS OF PAPER FOR TRACING THE IN- BETWEENS.
- 10. PEG BAR IT IS WHERE PAPER IS ATTACHED TO THE DEVICE SO THAT THE PAPER WILL NOT MOVE AS THE ANIMATOR IS DOING THE ARTWORK.
- 13. PAPER AND CEL THERE IS NO SPECIFIC PAPER ON WHICH ANIMATION SHOULD BE DRAWN AS LONG AS IT IS BIG ENOUGH TO FLIP. THE PAPER SHOULD BE TRANSLUCENT ENOUGH FOR YOU TO SEE THE ESSENTIALS OF THE NEXT DRAWING THROUGH THE TOP SHEET.
- 15. PAPER AND CEL PUNCH EACH ANIMATION IS REGISTERED BY PALCING EACH SHEET OR CEL CONSECUTIVELY ON STANDARDIZE REGISTRATION PEGS SO IT DOES NOT MOVE IN RELATION TO OTHER SHEETS.
- 18. GRATICULE OR 12 FIELD CHART IT IS A GRID SYSTEM USED TO ACCURATELY CREATE A FIELD GUIDES IN THE LAYOUT. THESE GUIDES ARE WHAT THE CAMERA WILL SEE IN THE SCENE.
- 20. BAR SHEETS AND DOPE SHEETS IT IS A TRADITIONAL ANIMATION TOOL THAT ENABLES AN ANIMATOR TO ORGANIZE HIS/HER THINKING AND GIVE INSTRUCTIONS TO THE CAMERAMAN ON THE SHOTS NEEDED.
- 22. PRODUCTION FOLDER IT IS AN ESSENTIAL FOR LARGE-SCALE STUDIO PRODUCTIONS THAT THE DOPE SHEET INSTRUCTIONS FOR EACH SCENE BE KEPT SEPARATE FROM EACH OTHER.
- 24. DRAWING KIT THERE ARE DIFFERENT KINDS OF PENCIL THAT YOU MAY USE IN THE DRAWING STAGE OF THE ANIMATION PROCESS.
- 26. NON- PHOTO BLUE PENCILS ARE GREAT FOR INITIAL SKETCHES. THE RIGHT SHADE OF PALE BLUE TEND TO NOT SHOW UP ON COPIES WHEN TRANSFERRED FROM PAPER TO CLEAR CELS.
- 28. DRAWING PENCILS MECHANICAL PENCILS MAY BE USED BUT FOR ANIMATION WORK, A REGUALR WOODEN PENCIL IS BEST. 2B IS USUALLY THE BEST HARDNESS AND ARE GOOD FOR MAKING DARK LINES.
- 30. PAINT, BRUSH, PASTELS, AND WATERCOLORS USED MOSTLY FOR THE BACKGROUND AND THE FINAL STAGE OF THE PROCESS.
- 32. ART GUM ERASER THESE ERASERS ARE FAR SUPERIOR TO STANDARD ERASERS BECAUSE THEY RUB OUT LEAD CLEANLY WITHOUT SMUDGING AWAY ACTUAL PAPER SURFACE.
- 34. DIGITAL CAMERA AND VIDEO CAMERA IT IS ESSENTIAL TO TEST THE FULL ANIMATION TO CHECKS ITS MOVEMENT.