The document introduces TRIWAR Pictures, an independent film production company. It summarizes TRIWAR's business model of producing high-quality films and television shows on budgets between $1-10 million to maximize profits. The company aims to operate like a major studio but at a fraction of the cost through a non-union model. It expects to generate annual returns and revenue of $10-15 million within three years through various distribution channels.
The document provides an overview of the global and Indian entertainment sectors, with a focus on movies and multiplexes. It discusses the economic recovery of the entertainment and media sector from 2009 to 2011. It also notes that India is the largest producer of films in the world, producing over 1,000 films annually, and has over 500 television channels. The success of India's multiplex industry has been driven by foreign investment and the popularity of watching films in modern multiplex theaters versus traditional single screens.
Entertainment marketing involves promoting products through various forms of entertainment media. It is often referred to as product placement. Examples given include placements of brands in popular Bollywood films. The practice of product placement is growing as it allows brands to reach large audiences in a clutter-free environment. Research shows viewers have better brand recall when placements are integrated into the story and involve multiple senses. However, effectiveness is difficult to measure and negative attitudes can emerge if placements are not well-executed. Product placement may transform viewers' experiences of brands by creating an emotional connection through identification with characters.
"Content, when done well, is your brands legacy ."
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Warp Films and Film 4 Productions would have distributed and co-produced the media product. They specialize in independent, low-budget social realism films and have a history of successful collaborations. Pathe would have distributed the film. The film would have been released in arthouse cinemas and marketed through social media and word-of-mouth to attract its niche audience.
The document provides background information on IMAX Corporation, including its history, core values, finances, competitors, target consumers, and marketing campaign objectives. IMAX was founded in 1967 and specializes in large-format motion picture technologies. It reported revenues of $34.9 million in Q1 2020 but saw declines due to theater closures from COVID-19. IMAX aims to enhance its brand and increase cinema visits by 80% in 12 months through an advertising campaign targeting millennials using YouTube, Google, and Facebook ads highlighting its immersive experiences.
Story Plant Media (SPM) is a production and creative development company that focuses on developing books, owned and published by SPM (third of which are on bestsellers lists), into full-production podcasts, theater, television, and film.
Sony Pictures Entertainment (SPE) is a major film and television production and distribution company. It was formed in 1991 when Sony acquired Columbia Pictures and has since expanded through acquisitions. SPE has major film, television, animation, home entertainment and digital businesses. It is the leading Hollywood studio at the US box office and has had financial success in recent years through its blockbuster films and popular television shows. SPE is also developing digital business models like pay-per-view, download to own, e-commerce sites, and mobile services to engage audiences online.
This document provides an overview of the brand history of HBO, its competitors in the pay TV market, its strengths and weaknesses, opportunities and threats, and a positioning statement. Key points include HBO's founding in 1972 and introduction of successful original shows like The Sopranos and Game of Thrones. Competitors include other pay TV providers as well as online streaming services like Netflix and Hulu. HBO's strengths are its brand recognition and original programming, while weaknesses include its costs and censorship. The positioning statement positions HBO as providing high quality programming for those dissatisfied with other TV services.
Sample Presentation created to instruct G.E. associates on how to properly handle JCPenney purchase disputes in an efficient manner.All sensitive details have been edited for privacy.
Este documento presenta las notas de 115 estudiantes en 5 pruebas (P1, P2, P3, P4, P5). Incluye el nombre completo de cada estudiante, sus calificaciones en cada prueba y su promedio general. La mayor鱈a de estudiantes obtuvieron calificaciones entre 0 y 100, aunque algunos no rindieron algunas pruebas.
Himmelfarb Library and the Faculty Affairs Office are pleased to host a series of talks for GWUMC faculty on instructional and information technologies. This series is designed to introduce faculty to new technologies which are being used at GWUMC and engender discussion of best practices for the use of technology in instruction.
The document discusses key differences between public health and clinical medicine. Public health focuses on populations, prevention, environmental and social factors, and uses observational study designs. It has a diverse workforce with varying education and involves social sciences. Clinical medicine focuses on individuals, diagnosis and treatment, uses experimental studies, and has a standardized education that primarily involves clinical sciences. The document then lists various human sources and databases that can provide public health information, including community groups, government resources, and educational tools.
The document discusses kinetic energy of rotation for a rigid body rotating about a fixed vertical axis. It defines that the kinetic energy of a particle of mass m at a distance r from the rotation axis is 1/2mv^2, where v is the tangential linear speed. The total kinetic energy of the rotating body is 1/2I^2, where I is the rotational inertia of the body which depends on the mass distribution and axis of rotation.
This document discusses the history and development of paper money. It explains that originally receipts and notes were used as money, but over time official government-issued paper currency became standardized and widespread, first in China and later in Europe and America. This development helped economies grow by allowing for easier and larger financial transactions.
1. The document discusses organic chemistry nomenclature and isomerism, as well as petroleum and several classes of organic compounds including alkanes, alkenes, haloalkanes, and alcohols.
2. Naming allows identification of isomers, while petroleum provides many hydrocarbons as fuel and feedstocks, but combustion can cause pollution.
3. Alkenes are more reactive than alkanes due to weaker double bonds, and haloalkanes react via nucleophilic substitution on their polar bonds. The reactivity of alcohols depends on whether they are primary, secondary, or tertiary.
The document discusses the potential economic impacts of the global crisis on Laos. It notes that while Laos has limited integration into global financial markets and a subsistence economy, it is still vulnerable through exports and foreign direct investment which could decline. It predicts GDP growth will slow to around 5% as exports and FDI fall, impacting the budget deficit. Over one-third of GDP growth comes from large hydropower and mining projects, so delays or cancellations of foreign investment projects could significantly affect GDP. Government revenue also relies heavily on commodities like copper and foreign aid.
1. The document outlines an event concept involving a cell phone fair and charity concert to raise funds for an organization called Muktijuddher Smriti Sangrakshan Kendra Trust.
2. The event aims to promote music and music-related cell phones from various operators while raising funds for the trust through ticket sales and sponsorships.
3. Key sponsors are sought to contribute funds and the press conference will be held on January 8th to announce the event lineup and transfer of funds raised to the trust.
The document discusses several special emphasis areas for pilots including positive aircraft control, procedures for positive exchange of flight controls, stall/spin awareness, collision avoidance, wake turbulence avoidance, and others. It provides details on positive aircraft control including maintaining situational awareness. It also describes the three-step process for positive exchange of flight controls between pilots. The document discusses aerodynamic factors related to spins, flight situations where unintentional spins may occur, and procedures for recovery from unintentional spins. It outlines techniques for collision avoidance including effective visual scanning, seeing and avoiding other aircraft, using radios appropriately, and being aware of right of way rules and high traffic areas.
Evolution of Internet and web based businessNeil Patel
油
This document provides an 11 step guide to building an effective website. The steps include: making the site reader friendly; using positive colors; having a good background scheme; being clear in your messaging; getting users to focus on your strongest point; writing in a direct and simple manner; keeping the site design simple; including call to action links; and getting users to contact you. Testimonials are provided praising Webidiotz for their website design services.
This document provides a summary of diffraction gratings and their applications. It discusses the physics of diffraction gratings, the different types of gratings including ruled, holographic and replicated gratings. It covers grating mounts and systems, imaging properties, efficiency characteristics, stray light, testing and applications. The document is the sixth edition of a handbook on diffraction gratings published by Newport Corporation.
The document discusses the major stages of film production: production, distribution, and exhibition. It provides details on what each stage involves, using the 2006 British film Kidulthood as an example. Production refers to the actual filmmaking process. Distribution deals with printing/marketing the film. Exhibition is the retail stage, involving cinema screenings and home video/download releases. Kidulthood had a small budget and limited distribution but found greater success on DVD.
National CineMedia, the largest movie theater advertising company in the US, is thriving in 2009 while other media companies are struggling. Movie theater advertising appeals to advertisers because viewers are a captive audience and cannot skip or mute the ads. Movie theater advertising also reaches a younger demographic that is difficult for TV to access. With box office revenues and attendance up in 2009, movie theaters are delivering more impressions to advertisers than they paid for.
National CineMedia, the largest movie theater advertising company in the US, is thriving in 2009 while other media companies are struggling due to the recession. Movie theater advertising is an attractive option for companies because viewers cannot skip or mute the ads, and the large screens in theaters command attention. Theater advertising revenues are up this year due to higher than expected movie attendance and box office revenues. While television still draws large audiences, cinema advertising offers better recall of ads and engages viewers more effectively.
The document discusses a horror film called "Torment" about teenagers being killed by a mysterious being who contacts them via text message. It evaluates the film as targeting a mainstream audience aged 15-30 through its use of everyday locations. As an independent film with a small budget and unknown actors, it is suggested a viral marketing campaign would be most effective in gaining interest from production companies like Working Title to distribute the film more widely. Film competitions are also identified as beneficial for exposure, and creating social media profiles and teaser trailers without revealing details, as done successfully for Cloverfield, would help generate buzz from fans before the film's release.
Sample Presentation created to instruct G.E. associates on how to properly handle JCPenney purchase disputes in an efficient manner.All sensitive details have been edited for privacy.
Este documento presenta las notas de 115 estudiantes en 5 pruebas (P1, P2, P3, P4, P5). Incluye el nombre completo de cada estudiante, sus calificaciones en cada prueba y su promedio general. La mayor鱈a de estudiantes obtuvieron calificaciones entre 0 y 100, aunque algunos no rindieron algunas pruebas.
Himmelfarb Library and the Faculty Affairs Office are pleased to host a series of talks for GWUMC faculty on instructional and information technologies. This series is designed to introduce faculty to new technologies which are being used at GWUMC and engender discussion of best practices for the use of technology in instruction.
The document discusses key differences between public health and clinical medicine. Public health focuses on populations, prevention, environmental and social factors, and uses observational study designs. It has a diverse workforce with varying education and involves social sciences. Clinical medicine focuses on individuals, diagnosis and treatment, uses experimental studies, and has a standardized education that primarily involves clinical sciences. The document then lists various human sources and databases that can provide public health information, including community groups, government resources, and educational tools.
The document discusses kinetic energy of rotation for a rigid body rotating about a fixed vertical axis. It defines that the kinetic energy of a particle of mass m at a distance r from the rotation axis is 1/2mv^2, where v is the tangential linear speed. The total kinetic energy of the rotating body is 1/2I^2, where I is the rotational inertia of the body which depends on the mass distribution and axis of rotation.
This document discusses the history and development of paper money. It explains that originally receipts and notes were used as money, but over time official government-issued paper currency became standardized and widespread, first in China and later in Europe and America. This development helped economies grow by allowing for easier and larger financial transactions.
1. The document discusses organic chemistry nomenclature and isomerism, as well as petroleum and several classes of organic compounds including alkanes, alkenes, haloalkanes, and alcohols.
2. Naming allows identification of isomers, while petroleum provides many hydrocarbons as fuel and feedstocks, but combustion can cause pollution.
3. Alkenes are more reactive than alkanes due to weaker double bonds, and haloalkanes react via nucleophilic substitution on their polar bonds. The reactivity of alcohols depends on whether they are primary, secondary, or tertiary.
The document discusses the potential economic impacts of the global crisis on Laos. It notes that while Laos has limited integration into global financial markets and a subsistence economy, it is still vulnerable through exports and foreign direct investment which could decline. It predicts GDP growth will slow to around 5% as exports and FDI fall, impacting the budget deficit. Over one-third of GDP growth comes from large hydropower and mining projects, so delays or cancellations of foreign investment projects could significantly affect GDP. Government revenue also relies heavily on commodities like copper and foreign aid.
1. The document outlines an event concept involving a cell phone fair and charity concert to raise funds for an organization called Muktijuddher Smriti Sangrakshan Kendra Trust.
2. The event aims to promote music and music-related cell phones from various operators while raising funds for the trust through ticket sales and sponsorships.
3. Key sponsors are sought to contribute funds and the press conference will be held on January 8th to announce the event lineup and transfer of funds raised to the trust.
The document discusses several special emphasis areas for pilots including positive aircraft control, procedures for positive exchange of flight controls, stall/spin awareness, collision avoidance, wake turbulence avoidance, and others. It provides details on positive aircraft control including maintaining situational awareness. It also describes the three-step process for positive exchange of flight controls between pilots. The document discusses aerodynamic factors related to spins, flight situations where unintentional spins may occur, and procedures for recovery from unintentional spins. It outlines techniques for collision avoidance including effective visual scanning, seeing and avoiding other aircraft, using radios appropriately, and being aware of right of way rules and high traffic areas.
Evolution of Internet and web based businessNeil Patel
油
This document provides an 11 step guide to building an effective website. The steps include: making the site reader friendly; using positive colors; having a good background scheme; being clear in your messaging; getting users to focus on your strongest point; writing in a direct and simple manner; keeping the site design simple; including call to action links; and getting users to contact you. Testimonials are provided praising Webidiotz for their website design services.
This document provides a summary of diffraction gratings and their applications. It discusses the physics of diffraction gratings, the different types of gratings including ruled, holographic and replicated gratings. It covers grating mounts and systems, imaging properties, efficiency characteristics, stray light, testing and applications. The document is the sixth edition of a handbook on diffraction gratings published by Newport Corporation.
The document discusses the major stages of film production: production, distribution, and exhibition. It provides details on what each stage involves, using the 2006 British film Kidulthood as an example. Production refers to the actual filmmaking process. Distribution deals with printing/marketing the film. Exhibition is the retail stage, involving cinema screenings and home video/download releases. Kidulthood had a small budget and limited distribution but found greater success on DVD.
National CineMedia, the largest movie theater advertising company in the US, is thriving in 2009 while other media companies are struggling. Movie theater advertising appeals to advertisers because viewers are a captive audience and cannot skip or mute the ads. Movie theater advertising also reaches a younger demographic that is difficult for TV to access. With box office revenues and attendance up in 2009, movie theaters are delivering more impressions to advertisers than they paid for.
National CineMedia, the largest movie theater advertising company in the US, is thriving in 2009 while other media companies are struggling due to the recession. Movie theater advertising is an attractive option for companies because viewers cannot skip or mute the ads, and the large screens in theaters command attention. Theater advertising revenues are up this year due to higher than expected movie attendance and box office revenues. While television still draws large audiences, cinema advertising offers better recall of ads and engages viewers more effectively.
The document discusses a horror film called "Torment" about teenagers being killed by a mysterious being who contacts them via text message. It evaluates the film as targeting a mainstream audience aged 15-30 through its use of everyday locations. As an independent film with a small budget and unknown actors, it is suggested a viral marketing campaign would be most effective in gaining interest from production companies like Working Title to distribute the film more widely. Film competitions are also identified as beneficial for exposure, and creating social media profiles and teaser trailers without revealing details, as done successfully for Cloverfield, would help generate buzz from fans before the film's release.
The document provides an overview of key concepts related to film audiences and industries for an exam question. It outlines the aims to review producers and audiences, Hollywood film industry terms, and investigate two questions - one on audiences and one on the industry. It lists important information on the US and UK film industries, audiences, genres, stars, and the relationship between industries and audiences. It also includes a recap of Hollywood major studios, tent-pole films, mainstream/independent films, and niche audiences.
Box office figures have been falling since 2014, with a 6% drop in ticket sales that year. There are several factors contributing to this decline, including an overreliance on franchises and remakes, rising ticket prices, and the availability of new technologies that allow consumers to replicate the cinematic experience at home. As home cinema systems improve and piracy increases, people are finding alternatives to going to the movie theater. However, film studios are exploring new models of financing through crowd-funding websites and developing other revenue streams to compensate for lower box office returns.
Film distribution involves getting films from production to exhibition through deals with cinemas, television networks, and other outlets. Major film distributors in the UK control much of the industry and prioritize distributing large Hollywood blockbusters. This makes it difficult for smaller distribution companies to get their films shown widely, as they have fewer resources for prints and promotion. The digital age has also made film distribution more challenging for independent distributors.
The document discusses how films are distributed and engage audiences. It explains that distribution involves identifying the target audience, marketing the film through various platforms like social media, and choosing an appropriate distributor to get the film in theaters and on DVD. Effective distribution relies on attracting the intended viewers through websites, trailers, and influencer screenings. The distributor's role is to determine the best way to sell the film and estimate revenue to plan marketing costs. The film industry is facing changes due to new online distribution methods on streaming platforms.
The document discusses how films are distributed and engage audiences. It explains that distribution involves identifying the target audience, estimating revenue, and getting theaters and video stores to screen the film. Modern distribution relies heavily on digital platforms like social media, websites, and online streaming to reach large audiences. Distributors must work with film influencers to build hype and promote films online to establish fan bases. The industry is facing changes due to new distribution methods from advances in technology and viewers watching films online.
1) The document discusses how to engage an audience and distribute films as real media texts. It explores researching the target audience, creating social media profiles, and working with independent distributors like Warp Films.
2) Distribution allows films to be released in theaters, on DVD, and through emerging online platforms. Distributors must identify the audience, estimate revenue, and ensure cinemas will screen the film.
3) New technologies and online distribution through sites like Netflix, Amazon, and iTunes provide both opportunities and challenges for the film industry.
This document provides an overview of a new social media and entertainment venture called UBoomerU. It will combine features of Facebook, YouTube, Netflix and Spotify for an adult demographic. The founders, Judy Myers and David Crosby, plan to offer original content across film, television and music production. They project the valuation of their various companies could reach over $1 billion within 3 years with funding of $7 million. The document outlines their business model, management team, and financial projections.
Alternative Investment To Startups For VC, Affluent HNW Investors, Hedge Fund...Yuri Rutman
油
The document provides information for accredited investors interested in investing in film through Noci Pictures Entertainment. The minimum investment for individual accredited investors is $100,000-$1M USD and $5M USD for institutional investors. Management includes Yuri Rutman as CEO and Victor Sagalovsky as President, who have experience in film production. Investors can contact the company for more information on the investment opportunity and process.
Disney grew gradually as an independent production company in Hollywood, building a reputation for quality animation using new technologies like sound and color. Disney's animated films and merchandise featuring characters like Mickey Mouse were instantly popular both in the US and abroad. Aardman was founded by Peter Lord and David Sproxton who wanted to produce animated films; they created short clay animations for the BBC and became known for characters like Morph. Independent films are initially produced without major studio financing and are shown in selective cinemas, seen as more creative though typically on low budgets with no big stars. Global companies operate across borders, gaining access to new resources and markets while monopolies and oligopolies can control prices within their industry through barriers to entry
This document provides information about studying British film for AS Media Studies, including key learning outcomes and focus areas. It discusses what makes a film British and provides examples of British films that have been nominated for awards. It also covers the requirements of the exam, finance and funding of British films, the roles of production companies and distributors, and targeting audiences. Case studies are used to illustrate concepts around the production and distribution of independent British films.
Tapping in to the $5 Trillion Market and BeyondJudy Myers
油
This document outlines plans for an online social media and entertainment company called U boomer U. It will offer music, video, and social networking content for older adults. The company aims to raise $7 million to build out its flagship site U boomer U TV. Financial projections estimate the total pre-money valuation for all assets could reach $1.2 billion by 2013. Key personnel are identified to fill roles in technology, marketing, and operations to execute the strategy and drive growth.
The document discusses GoFish, a youth entertainment network that combines advertising, media, and video content. It summarizes GoFish's business model, growth opportunities in the youth market, progress to date including revenue growth, and compares it to other companies. Key details include GoFish reaching 18.2 million unique users, 580 million page views, and $1.5 million in quarterly revenue after starting with no sales team.
The document provides an overview of GoFish, a youth entertainment network that combines advertising, media, and video content. It summarizes GoFish's strategy of building a network of smaller publisher sites focused on kids, tweens, and teens in order to bridge advertisers with these publishers. Key metrics highlighted include GoFish's growth from 0 to over 18 million unique users and 580 million page views in the US within a year.
IFTA would be an ideal distributor for the film. As a global independent motion picture and television industry, IFTA has distributed many prominent independent films over 30 years, including The King's Speech and Slumdog Millionaire, with a total of $4 billion in annual sales. IFTA advocates for independent films worldwide and finances top independent production and distribution companies.
Avatar Films and IndiePix would also be good potential distributors. Avatar Films specializes in art-house and documentary films in New York, taking a hands-on approach to marketing. IndiePix is an internet-based distributor that emphasizes using web technology to make independent films more available, with a catalog of over 3,200 titles
2. There Is Something Magical in Film . You know it every time you sit down to that western you love or that action film that has you wishing, if only James Bond were real.
6. CURRENT US BOX OFFICE In Billions . Research through 2009: http://www. mpaa .org/ researchstatistics .asp
7. Maybe its time you got in on the Action.. Juno Budget $7.5M Gross $227M Saw Budget $1.2M Gross $55.2M Napoleon Dynamite Budget 400K Gross $44.5M Blair Witch Project Budget $60K Gross $240M
8. HOW? There are literally thousands of possibilities out there for you to consider with hundreds of companies.. No matter the amount of research youll find that each of those companies has their merit, but how can you be sure they are the right investment for you?
10. Studio Productions Cost Millions The rising costs of studio films are often less likely to return a reasonable rate on the investment made. These projects also involve multiple investors, each with less then favorable percentages of financial return even IF the film generates income.
12. Understanding the Product throughout History The history of film spans over a hundred years, from the latter part of the 19th century to the beginning of the 21st century. Motion pictures developed gradually from a carnival novelty to one of the most important tools of communication and entertainment, and mass media in the 20th century. Motion picture films have had a substantial impact on the arts, technology, and politics.
13. Understanding the Product throughout History During the budding years of production, cinema was a phenomenal industry commanding a capitol of over 2 billion in investments during the 1920s. This was the beginning of studio giants, MGM, Universal, Fox, Columbia, Warner Brothers and Paramount. Over the next 75 years their pioneering advances in film and television created a legitimate multi-billion dollar enterprise this creation has historically generated a rising net profit, even during periods of recession.
14. Understanding the Product Today Today, film continues to grow. With new technologies and production accessibilities, smaller independent companies are able to not only match the quality of the studio giants, but produce them at a portion of the cost therefore maximizing profit and ROI values. In fact, in 2007 North American box office figures topped $9.63 billion which is a one billion dollar increase from 2006. Analysts project on average a one to two billion worldwide box office increase in film return each year . And Independent films brought in over 10% of the total years box office gross worldwide.
15. Discover the Opportunity The Motion Picture Association has concluded that International markets will drive global box office to $25 billion in 2010 . Thats double the 1995 total! North American box office revenue alone has climbed 59% from a yearly $4.8 billion in 1991 to $7.66 billion in 2000. The Film Industry is thriving , and unlike the currently struggling Technologies, Transportation, and even Real Estate enterprises, Film continues to profit World Wide.
16. Discover the Opportunity Sales of independent films to cable and network TV are rapidly on the rise. New distribution methods such as satellite and cable plus emerging digital markets like online video rentals are accelerating demand for all films presenting huge growth opportunities over the next ten years. The pioneering developments in High Definition and Internet based TV promise even greater opportunities for growth. According to Price Waterhouse Cooper, the combined worldwide filmed entertainment market will achieve sales of $118.9 billion in 2009, a 7.1% compound annual growth rate (CAGR ). These increased revenue streams mean increased distribution opportunities, earning potential and decreased downside risk .
19. -TRIWAR Mission Statement 2008 At TRIWAR we express our corporate intent by constantly learning, employing good team work, orientated results, and maintaining professional standards by studying and practicing the actions and work of the best of the industry. Hollywood standards at reasonable Independent costs .
20. Who Are We? President and CEO, Nicole Kruex In addition to extensive training in sales and marketing, Nicole has taken part in over 40 productions to date. With 10 years in the entertainment field and closing in on a Bachelors degree in production Nicole is the cornerstone to a growing legacy. Producer, Alex Bodnarchek A member of a family with a lineage in Film, Alex is a film jack of all trades with direct connections to Hollywoods finest. With his extensive resume of 20+ years in video and commercial production, Alex is a veteran of his craft.
21. Who Are We? Producer, Richard Wallace An LA native with a history in film production and owner of a Burbank based production company of his own. Richard is our coastal representative and one pillar of many contributing to our growth. Writer, C.A. Bryers A novelist and film aficionado, Mr. Bryers is a contributing professional to the creative process behind every TRIWAR project. With over 15 years experience, Mr.Bryers involvement provides a safety net to consistency in project output.
22. Who Are We? Casting Specialist, Landyn Banx Production and Actor Management. Board Member, Merle Johnson Production Assistant. Board Member, Melon Production Management. Legal Advisor, Steve Helland Specializes in Entertainment Law.
23. Our Business Concept (What We Do) TRIWAR Pictures is a full service media production innovator. Its main purpose is to create high quality projects in Film, Television, and Commercial Markets that are demographically sound and internationally marketable but maintain costs of a minimum of One Million to a cap of Ten Million in budget. Each Project produced will maintain levels of quality that include highly established cast and crew, and professionally written and revised scripts that pass though an experienced team of entertainment professionals.
24. Operations (How We Do it) From conception each project we entertain must undergo or obtain the following BEFORE facing the desk of our investment interest: Several test points of pre-committee approval. Multi-member consideration in our selection committee. Demographic and product placement re-writes to encourage external corporation interest. A and B list casting choices that will encourage post production distribution. Highest level of production crew hirable not limited to the best in commercially respected post production services. Predetermined course of media, publicity, and advertisement efforts with a detailed timeline of action.
26. What About Our Competition? Nationally, competition is fierce. As in all aspects of business there is a constant need to be at the top of the game, fresh and aware. Locally, we outshine the one project wonder of other production companies in our peer circle.
28. TRIWAR is not bound to studio point systems, this allows for creativity in the field untouched by formulaic necessity. TRIWAR is not genre specific. Much like major studios, we have the ability to reach every genre and demographic available therefore increasing our market value. TRIWAR is budget conscious and will remain so throughout the life of the corporation. Avoiding all mega-budget attempts will maximize ROI continuously. TRIWAR produces more then just film. We deal in commercial, industrial and corporate accounts which maximize profits in downtime. TRIWAR minimizes local competition though smart business tactics, extraordinary marketing, and superior quality control. TRIWAR Uses local teams, internships, and quality in house production techniques to minimize cost and therefore maximize ROI. TRIWAR and its subsidiaries are NON-UNION, this alone saves thousands in costs and allows the company to make cost effective decisions without costal union control.
29. Need a Coffee Break? Dont worry, were almost finished.
30. What can you expect from us in the years to come? Up to 4 Feature films per year with positive returns of a minimum of no less then 50% above the budget. Foster the sale of at least one successful Television Series per year. Collect several corporate commercial accounts to generate income during down time. Expand the Corporation into several departments to handle increase in business outlook. Foster several charitable foundations to support the community Build several community aware inner city organizations in support of student advancement. Corner the market on Midwest independent film output with a competitive Hollywood level multi lot studio. Annual Revenue of a minimum of 10-15M in self distribution and box office sales. Established as an equally competitive independent film corporation recognized by the industry.
31. What do we expect over the next three years? -Using the following avenues of revenue we expect to generate climbing annual returns- Domestic & International box office release Domestic and International DVD/Blue Ray Distribution (All major retailers) Merchandise sales (Posters, T-Shirts, etc.) Rental Sales (Blockbuster, Redbox, Netflix, etc.) Book Rights and spin off (or sequel) rights Television Pay Per View sales Television rights Music Revenue Corporate Media Accounts Industrial Media Accounts Miscellaneous Media Accounts Studio Rental Fees Equipment Rental Fees Film Festival and Trade Show Profits
32. The Most Specific Reasons for Choosing TRIWAR Unlike many of our peer competition, we have several baskets to cradle our eggs that span multiple genres and media formats. Unlike many of our peer competition, the film is never first. Our concern is for marketability and return, the film will always remain a product. Unlike many of our peer competition, we are NOT a do it yourself corner cutter. We will only employ the best available cast and crew talent to be sure the quality of the product remains at the highest standard affordable. Unlike many of our peer competition, our goals extend further then todays film and tomorrows festival. We maintain a corporate mindset that seeks a higher level of consciousness in the industry. Last, unlike many of our peer competition, all production and company direction is handled by a team of professionals in the field. No single decision will deviate any course of events that could jeopardize the success of any one project.
33. So, Whats the Bad News? If it sounds to good to be true
34. Everything Sounds to Good to be True Every business in America and beyond, no matter how carefully planned, carries with it a high risk of failure. Even as we celebrate our innovation, we must accept the costs of miscalculation or the lack of market response.. This company shares the same dark cloud of uncertainty, but has taken steps to minimize that result.
35. Everything Sounds to Good to be True We address this by: Performing due diligence to the advertising and marketing standards of the AFMA (American Film Marketing Association), to contribute a competent percentage of budget to distribution and marketing and insure public awareness though highly visible means and measures. Employ more then just The Internet and Film Festivals to create public awareness on a mass scale for every project including but not limited to: Corporate support through Product Placement, Television Marketing, Radio Marketing, Consumer Competition Tactics, Limited Coastal Theatrical Viewings, Multiple Distribution Options.
36. That all sounds great , but what can I expect? Were seriously almost done, honest.
37. You CAN make a Fortune in Film!! There is nothing stopping us from making this statement a reality except you! We have the ability, staff, the talent, and the projects waiting for the right financial team to support a win-win sound investment backed by a team of industry professionals.
38. EVEN MORE POSITIVES ??? In addition to a generous profit, We wish to create an opportunity for a wanting benefactor to leave a lasting positive legacy . Screenwriters Grant YOUR NAME/ TRIWAR Screenwriters Fund Film Scholarship YOURNAME/TRIWAR Film Scholarship Film Grant YOUR NAME/TRIWAR Film Fund Film Festival Negotiable Title Midwest Fest that rivals Sundance. Media Childrens Charities YOUR NAME Child Foundation Minnesota Media Center for Students YOUR NAME/TRIWAR Media Center TRIWAR Internship program YOUR NAME Internship Program Nothing is more important to us then giving back to our community. -Nicole Kruex