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An Introduction to
There Is Something  Magical  in Film .   You know it every time you sit down to that western you love or that action film that has you wishing, if only James Bond were real.
Do you dream of walking down the  Red Carpet ?
Or is it the  Financial Possibilities?
Investors World Wide are  Generating Income  in Independent Media
CURRENT US  BOX OFFICE In Billions . Research through 2009:  http://www. mpaa .org/ researchstatistics .asp
Maybe its time you got in on the  Action.. Juno   Budget $7.5M  Gross $227M Saw   Budget $1.2M  Gross $55.2M Napoleon Dynamite   Budget 400K Gross $44.5M Blair Witch Project   Budget $60K Gross $240M
HOW? There are literally  thousands of possibilities  out there for you to consider with hundreds of companies.. No matter the amount of research youll find that each of those companies has their merit, but how can you be sure they are the  right investment  for  you?
What if we can make that process a  No-Brainer?
Studio Productions Cost  Millions The rising costs of studio films are often less likely to return a reasonable rate on the investment made.  These projects also involve multiple investors, each with less then favorable percentages of financial return even IF the film generates income.
Our Goal is to  Solve That Problem.
Understanding   the  Product  throughout  History The  history of film  spans over a hundred years, from the latter part of the 19th century to the beginning of the 21st century. Motion pictures developed gradually from a carnival novelty to one of the most important tools of communication and entertainment, and mass media in the 20th century. Motion picture films have had a substantial impact on the arts, technology, and politics.
Understanding the  Product  throughout  History During the budding years of production, cinema was a phenomenal industry commanding a capitol of over 2 billion in investments during the 1920s. This was the beginning of studio giants, MGM, Universal, Fox, Columbia, Warner Brothers and Paramount.  Over the next 75 years their pioneering advances in film and television created a legitimate multi-billion dollar enterprise  this creation has historically generated a rising net profit, even during periods of recession.
Understanding the  Product  Today Today, film continues to grow. With new technologies and production accessibilities, smaller independent companies are able to not only match the quality of the studio giants, but produce them at a portion of the cost therefore maximizing profit and ROI values. In fact,  in 2007 North American box office figures topped  $9.63 billion  which is a one billion dollar increase from 2006.  Analysts project on average a one to two billion worldwide box office increase in film return each year .  And Independent films brought in over 10% of the total years box office gross worldwide.
Discover the  Opportunity  The Motion Picture Association has concluded that  International markets will drive global box office to  $25 billion in 2010 . Thats double the 1995 total!   North American box office revenue alone has climbed 59% from a yearly $4.8 billion in 1991 to $7.66 billion in 2000.  The Film Industry is thriving , and unlike the currently struggling Technologies, Transportation, and even Real Estate enterprises, Film continues to profit World Wide.
Discover the  Opportunity  Sales of independent films to cable and network TV are rapidly on the rise. New distribution methods such as satellite and cable plus emerging digital markets like online video rentals are accelerating demand for all films presenting huge growth opportunities over the next ten years.  The pioneering developments in High Definition and Internet based TV promise even greater opportunities for growth.  According to Price Waterhouse Cooper, the combined worldwide filmed entertainment market will achieve sales of $118.9 billion in 2009, a 7.1% compound annual growth rate (CAGR ).  These increased revenue streams mean increased distribution opportunities, earning potential and  decreased downside risk .
Intrigued by the  possibilities? Allow us save you the research.
Maybe its Time We  Introduced  Ourselves..
-TRIWAR Mission Statement 2008 At  TRIWAR  we express our corporate intent by constantly learning, employing good team work, orientated results, and maintaining professional standards by studying and practicing the actions and work of the best of the industry.  Hollywood standards at reasonable Independent costs .
Who  Are We? President and CEO, Nicole Kruex   In addition to extensive training in sales and marketing, Nicole has taken part in over 40 productions to date.  With 10 years in the entertainment field and closing in on a Bachelors degree in production Nicole is the cornerstone to a growing legacy.   Producer, Alex Bodnarchek   A member of a family with a lineage in Film, Alex is a film jack of all trades with direct connections to Hollywoods finest. With his extensive resume of 20+ years in video and commercial production, Alex is a veteran of his craft.
Who  Are We? Producer, Richard Wallace   An LA native with a history in film production and owner of a Burbank based production company of his own.  Richard is our coastal representative and one pillar of many contributing to our growth. Writer, C.A. Bryers   A novelist and film aficionado, Mr. Bryers is a contributing professional to the creative process behind every TRIWAR project.  With over 15 years experience, Mr.Bryers involvement provides a safety net to consistency in project output.
Who  Are We? Casting Specialist, Landyn Banx   Production and Actor Management. Board Member, Merle Johnson   Production Assistant. Board Member, Melon   Production Management. Legal Advisor, Steve Helland   Specializes in Entertainment Law.
Our  Business Concept  (What We Do) TRIWAR Pictures  is a full service media production innovator. Its main purpose is to create high quality projects in Film, Television, and Commercial Markets that are demographically sound and internationally marketable but maintain costs of a minimum of One Million to a cap of Ten Million in budget. Each Project produced will maintain levels of quality that include highly established cast and crew, and professionally written and revised scripts that pass though an experienced team of entertainment professionals.
Operations  (How We Do it) From conception each project we entertain must undergo or obtain the following BEFORE facing the desk of our investment interest: Several test points of pre-committee approval. Multi-member consideration in our selection committee. Demographic and product placement re-writes to encourage external corporation interest. A and B list casting choices that will encourage post production distribution. Highest level of production crew hirable not limited to the best in commercially respected post production services. Predetermined course of media, publicity, and advertisement efforts  with a detailed timeline of action.
We Operate Like a  Major Studio . At a tenth of the cost..
What About Our  Competition? Nationally, competition is fierce.  As in all aspects of business there is a constant need to be at the top of the game, fresh and aware. Locally, we outshine the one project wonder of other production companies in our peer circle.
How do we Come Out on  Top ?
TRIWAR is not bound to studio point systems, this allows for creativity in the field untouched by formulaic necessity. TRIWAR is not genre specific. Much like major studios, we have the ability to reach every genre and demographic available therefore increasing our market value. TRIWAR is budget conscious and will remain so throughout the life of the corporation.  Avoiding all mega-budget attempts will maximize ROI continuously. TRIWAR produces more then just film.  We deal in commercial, industrial and corporate accounts which maximize profits in downtime. TRIWAR minimizes local competition though smart business tactics, extraordinary marketing, and superior quality control. TRIWAR Uses local teams, internships, and quality in house production techniques to minimize cost and therefore maximize ROI. TRIWAR and its subsidiaries are NON-UNION, this alone saves thousands in costs and allows the company to make cost effective decisions without costal union control.
Need a  Coffee Break?   Dont worry, were almost finished.
What can you  expect from us  in the years to come? Up to 4 Feature films per year with positive returns of a minimum of no less then 50% above the budget. Foster the sale of at least one successful Television Series per year. Collect several corporate commercial accounts to generate income during down time. Expand the Corporation into several departments to handle increase in business outlook. Foster several charitable foundations to support the community Build several community aware inner city organizations in support of student advancement. Corner the market on Midwest independent film output with a competitive Hollywood level multi lot studio.  Annual Revenue of a minimum of 10-15M in self distribution and box office sales. Established as an equally competitive independent  film corporation recognized by the industry.
What do we expect over the next  three years? -Using the following avenues of revenue we expect to generate climbing annual returns- Domestic & International box office release Domestic and International DVD/Blue Ray Distribution (All major retailers) Merchandise sales (Posters, T-Shirts, etc.) Rental Sales (Blockbuster, Redbox, Netflix, etc.) Book Rights and spin off (or sequel) rights Television Pay Per View sales Television rights Music Revenue Corporate Media Accounts Industrial Media Accounts Miscellaneous Media Accounts Studio Rental Fees Equipment Rental Fees Film Festival and Trade Show Profits
The Most Specific Reasons for  Choosing TRIWAR Unlike many of our peer competition, we have several baskets to cradle our eggs that span multiple genres and media formats. Unlike many of our peer competition, the film is never first. Our concern is for marketability  and return, the film will always remain a product. Unlike many of our peer competition, we are NOT a do it yourself corner cutter.  We will only employ the best available cast and crew talent to be sure the quality of the product remains at the highest standard affordable. Unlike many of our peer competition, our goals extend further then todays film and tomorrows festival.  We maintain a corporate mindset that seeks a higher level of consciousness in the industry. Last, unlike many of our peer competition, all production and company direction is handled by a team of professionals in the field.  No single decision will deviate any course of events that could jeopardize the success of any one project.
So, Whats the  Bad  News?   If it sounds to good to be true
Everything  Sounds to Good to be True Every business in America and beyond, no matter how carefully planned, carries with it a high risk of failure. Even as we celebrate our innovation, we must accept the costs of miscalculation or the lack of market response.. This company shares the same dark cloud of uncertainty, but has taken steps to minimize that result.
Everything  Sounds to Good to be True We address this by:  Performing due diligence to the advertising and marketing standards of the AFMA (American Film Marketing Association), to contribute a competent percentage of budget to distribution and marketing and insure public awareness though highly visible means and measures. Employ more then just The Internet and Film Festivals to create public awareness on a mass scale for every project including but not limited to: Corporate support through Product Placement, Television Marketing, Radio Marketing, Consumer Competition Tactics, Limited Coastal Theatrical Viewings, Multiple Distribution Options.
That all  sounds great , but what can I expect?   Were seriously almost done, honest.
You  CAN make a Fortune  in Film!!   There is nothing stopping us from making this statement a reality except you!  We have the ability, staff, the talent, and the projects waiting for the right financial team to support a win-win sound investment backed by a team of industry professionals.
EVEN MORE  POSITIVES ??? In addition to a generous profit, We wish to create an opportunity for a wanting benefactor to leave a  lasting positive legacy . Screenwriters Grant  YOUR NAME/ TRIWAR Screenwriters Fund Film Scholarship  YOURNAME/TRIWAR Film Scholarship Film Grant  YOUR NAME/TRIWAR Film Fund Film Festival  Negotiable Title Midwest Fest that rivals Sundance. Media Childrens Charities  YOUR NAME Child Foundation Minnesota Media Center for Students  YOUR NAME/TRIWAR Media Center TRIWAR Internship program  YOUR NAME Internship Program Nothing is more important to us then giving back to our community. -Nicole Kruex
There is really only  one more  thing to say
Would you like to  know more ? Click the Button

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Triwar Presentation 06/14

  • 2. There Is Something Magical in Film . You know it every time you sit down to that western you love or that action film that has you wishing, if only James Bond were real.
  • 3. Do you dream of walking down the Red Carpet ?
  • 4. Or is it the Financial Possibilities?
  • 5. Investors World Wide are Generating Income in Independent Media
  • 6. CURRENT US BOX OFFICE In Billions . Research through 2009: http://www. mpaa .org/ researchstatistics .asp
  • 7. Maybe its time you got in on the Action.. Juno Budget $7.5M Gross $227M Saw Budget $1.2M Gross $55.2M Napoleon Dynamite Budget 400K Gross $44.5M Blair Witch Project Budget $60K Gross $240M
  • 8. HOW? There are literally thousands of possibilities out there for you to consider with hundreds of companies.. No matter the amount of research youll find that each of those companies has their merit, but how can you be sure they are the right investment for you?
  • 9. What if we can make that process a No-Brainer?
  • 10. Studio Productions Cost Millions The rising costs of studio films are often less likely to return a reasonable rate on the investment made. These projects also involve multiple investors, each with less then favorable percentages of financial return even IF the film generates income.
  • 11. Our Goal is to Solve That Problem.
  • 12. Understanding the Product throughout History The history of film spans over a hundred years, from the latter part of the 19th century to the beginning of the 21st century. Motion pictures developed gradually from a carnival novelty to one of the most important tools of communication and entertainment, and mass media in the 20th century. Motion picture films have had a substantial impact on the arts, technology, and politics.
  • 13. Understanding the Product throughout History During the budding years of production, cinema was a phenomenal industry commanding a capitol of over 2 billion in investments during the 1920s. This was the beginning of studio giants, MGM, Universal, Fox, Columbia, Warner Brothers and Paramount. Over the next 75 years their pioneering advances in film and television created a legitimate multi-billion dollar enterprise this creation has historically generated a rising net profit, even during periods of recession.
  • 14. Understanding the Product Today Today, film continues to grow. With new technologies and production accessibilities, smaller independent companies are able to not only match the quality of the studio giants, but produce them at a portion of the cost therefore maximizing profit and ROI values. In fact, in 2007 North American box office figures topped $9.63 billion which is a one billion dollar increase from 2006. Analysts project on average a one to two billion worldwide box office increase in film return each year . And Independent films brought in over 10% of the total years box office gross worldwide.
  • 15. Discover the Opportunity The Motion Picture Association has concluded that International markets will drive global box office to $25 billion in 2010 . Thats double the 1995 total! North American box office revenue alone has climbed 59% from a yearly $4.8 billion in 1991 to $7.66 billion in 2000. The Film Industry is thriving , and unlike the currently struggling Technologies, Transportation, and even Real Estate enterprises, Film continues to profit World Wide.
  • 16. Discover the Opportunity Sales of independent films to cable and network TV are rapidly on the rise. New distribution methods such as satellite and cable plus emerging digital markets like online video rentals are accelerating demand for all films presenting huge growth opportunities over the next ten years. The pioneering developments in High Definition and Internet based TV promise even greater opportunities for growth. According to Price Waterhouse Cooper, the combined worldwide filmed entertainment market will achieve sales of $118.9 billion in 2009, a 7.1% compound annual growth rate (CAGR ). These increased revenue streams mean increased distribution opportunities, earning potential and decreased downside risk .
  • 17. Intrigued by the possibilities? Allow us save you the research.
  • 18. Maybe its Time We Introduced Ourselves..
  • 19. -TRIWAR Mission Statement 2008 At TRIWAR we express our corporate intent by constantly learning, employing good team work, orientated results, and maintaining professional standards by studying and practicing the actions and work of the best of the industry. Hollywood standards at reasonable Independent costs .
  • 20. Who Are We? President and CEO, Nicole Kruex In addition to extensive training in sales and marketing, Nicole has taken part in over 40 productions to date. With 10 years in the entertainment field and closing in on a Bachelors degree in production Nicole is the cornerstone to a growing legacy. Producer, Alex Bodnarchek A member of a family with a lineage in Film, Alex is a film jack of all trades with direct connections to Hollywoods finest. With his extensive resume of 20+ years in video and commercial production, Alex is a veteran of his craft.
  • 21. Who Are We? Producer, Richard Wallace An LA native with a history in film production and owner of a Burbank based production company of his own. Richard is our coastal representative and one pillar of many contributing to our growth. Writer, C.A. Bryers A novelist and film aficionado, Mr. Bryers is a contributing professional to the creative process behind every TRIWAR project. With over 15 years experience, Mr.Bryers involvement provides a safety net to consistency in project output.
  • 22. Who Are We? Casting Specialist, Landyn Banx Production and Actor Management. Board Member, Merle Johnson Production Assistant. Board Member, Melon Production Management. Legal Advisor, Steve Helland Specializes in Entertainment Law.
  • 23. Our Business Concept (What We Do) TRIWAR Pictures is a full service media production innovator. Its main purpose is to create high quality projects in Film, Television, and Commercial Markets that are demographically sound and internationally marketable but maintain costs of a minimum of One Million to a cap of Ten Million in budget. Each Project produced will maintain levels of quality that include highly established cast and crew, and professionally written and revised scripts that pass though an experienced team of entertainment professionals.
  • 24. Operations (How We Do it) From conception each project we entertain must undergo or obtain the following BEFORE facing the desk of our investment interest: Several test points of pre-committee approval. Multi-member consideration in our selection committee. Demographic and product placement re-writes to encourage external corporation interest. A and B list casting choices that will encourage post production distribution. Highest level of production crew hirable not limited to the best in commercially respected post production services. Predetermined course of media, publicity, and advertisement efforts with a detailed timeline of action.
  • 25. We Operate Like a Major Studio . At a tenth of the cost..
  • 26. What About Our Competition? Nationally, competition is fierce. As in all aspects of business there is a constant need to be at the top of the game, fresh and aware. Locally, we outshine the one project wonder of other production companies in our peer circle.
  • 27. How do we Come Out on Top ?
  • 28. TRIWAR is not bound to studio point systems, this allows for creativity in the field untouched by formulaic necessity. TRIWAR is not genre specific. Much like major studios, we have the ability to reach every genre and demographic available therefore increasing our market value. TRIWAR is budget conscious and will remain so throughout the life of the corporation. Avoiding all mega-budget attempts will maximize ROI continuously. TRIWAR produces more then just film. We deal in commercial, industrial and corporate accounts which maximize profits in downtime. TRIWAR minimizes local competition though smart business tactics, extraordinary marketing, and superior quality control. TRIWAR Uses local teams, internships, and quality in house production techniques to minimize cost and therefore maximize ROI. TRIWAR and its subsidiaries are NON-UNION, this alone saves thousands in costs and allows the company to make cost effective decisions without costal union control.
  • 29. Need a Coffee Break? Dont worry, were almost finished.
  • 30. What can you expect from us in the years to come? Up to 4 Feature films per year with positive returns of a minimum of no less then 50% above the budget. Foster the sale of at least one successful Television Series per year. Collect several corporate commercial accounts to generate income during down time. Expand the Corporation into several departments to handle increase in business outlook. Foster several charitable foundations to support the community Build several community aware inner city organizations in support of student advancement. Corner the market on Midwest independent film output with a competitive Hollywood level multi lot studio. Annual Revenue of a minimum of 10-15M in self distribution and box office sales. Established as an equally competitive independent film corporation recognized by the industry.
  • 31. What do we expect over the next three years? -Using the following avenues of revenue we expect to generate climbing annual returns- Domestic & International box office release Domestic and International DVD/Blue Ray Distribution (All major retailers) Merchandise sales (Posters, T-Shirts, etc.) Rental Sales (Blockbuster, Redbox, Netflix, etc.) Book Rights and spin off (or sequel) rights Television Pay Per View sales Television rights Music Revenue Corporate Media Accounts Industrial Media Accounts Miscellaneous Media Accounts Studio Rental Fees Equipment Rental Fees Film Festival and Trade Show Profits
  • 32. The Most Specific Reasons for Choosing TRIWAR Unlike many of our peer competition, we have several baskets to cradle our eggs that span multiple genres and media formats. Unlike many of our peer competition, the film is never first. Our concern is for marketability and return, the film will always remain a product. Unlike many of our peer competition, we are NOT a do it yourself corner cutter. We will only employ the best available cast and crew talent to be sure the quality of the product remains at the highest standard affordable. Unlike many of our peer competition, our goals extend further then todays film and tomorrows festival. We maintain a corporate mindset that seeks a higher level of consciousness in the industry. Last, unlike many of our peer competition, all production and company direction is handled by a team of professionals in the field. No single decision will deviate any course of events that could jeopardize the success of any one project.
  • 33. So, Whats the Bad News? If it sounds to good to be true
  • 34. Everything Sounds to Good to be True Every business in America and beyond, no matter how carefully planned, carries with it a high risk of failure. Even as we celebrate our innovation, we must accept the costs of miscalculation or the lack of market response.. This company shares the same dark cloud of uncertainty, but has taken steps to minimize that result.
  • 35. Everything Sounds to Good to be True We address this by: Performing due diligence to the advertising and marketing standards of the AFMA (American Film Marketing Association), to contribute a competent percentage of budget to distribution and marketing and insure public awareness though highly visible means and measures. Employ more then just The Internet and Film Festivals to create public awareness on a mass scale for every project including but not limited to: Corporate support through Product Placement, Television Marketing, Radio Marketing, Consumer Competition Tactics, Limited Coastal Theatrical Viewings, Multiple Distribution Options.
  • 36. That all sounds great , but what can I expect? Were seriously almost done, honest.
  • 37. You CAN make a Fortune in Film!! There is nothing stopping us from making this statement a reality except you! We have the ability, staff, the talent, and the projects waiting for the right financial team to support a win-win sound investment backed by a team of industry professionals.
  • 38. EVEN MORE POSITIVES ??? In addition to a generous profit, We wish to create an opportunity for a wanting benefactor to leave a lasting positive legacy . Screenwriters Grant YOUR NAME/ TRIWAR Screenwriters Fund Film Scholarship YOURNAME/TRIWAR Film Scholarship Film Grant YOUR NAME/TRIWAR Film Fund Film Festival Negotiable Title Midwest Fest that rivals Sundance. Media Childrens Charities YOUR NAME Child Foundation Minnesota Media Center for Students YOUR NAME/TRIWAR Media Center TRIWAR Internship program YOUR NAME Internship Program Nothing is more important to us then giving back to our community. -Nicole Kruex
  • 39. There is really only one more thing to say
  • 40. Would you like to know more ? Click the Button