The document is an interview with musician Obaro Ejimiwe discussing his latest album and career. Some key points:
- Ejimiwe says he isn't thinking much about his upcoming Mercury Prize nomination, as he has other projects keeping him busy like an upcoming tour to support his new album.
- His new album has a more classic band sound compared to his earlier electronic-focused works. He enjoyed making it but isn't sure if he'll stick to that style.
- He discusses the concept and artwork for the album, which deals with themes of identity and change.
- Ejimiwe enjoys touring and says his band has become like a family who work hard but also know
Marcel Everett, known by his stage name XXYYXX, is an electronic musician from Orlando, Florida signed to the independent record label Relief in Abstract Records. He gained prominence in the indie music scene at a young age through his experimental lo-fi bedroom productions made using FL Studio and Ableton software. Everett described his music as "Doing drugs on a freeway...underwater" and cites UK electronic artists like James Blake as influences, though there is little scene for that type of post-dubstep music in Orlando. XXYYXX remains a modest musician who is focused on school as well as expanding the local electronic music community.
- Black Veil Brides formed when Andy Biersack and his friends were inspired by their shared love of rock music and the history of rock bands that recorded at A&M Studios in LA.
- When asked which famous album he prefers, Metallica's "Black Album" or Motley Crue's "Dr. Feelgood", Andy chooses "Black Album" because he connects more with its lyrical themes as an adult.
- Andy describes the new Black Veil Brides album as "very angry" because he felt frustration that many people refused to listen to their previous concept album "Wretched and Divine" despite its grand scale.
This album cover analysis summarizes key elements of Rihanna's album artwork over multiple albums:
1) Rihanna favors a dark color scheme for her album artwork, likely to emphasize her "bad girl (sexy yet gothic)" image, except for her "Loud" album.
2) Her album covers vary between close-up shots of her face on the front and fuller body shots on the back.
3) Recently, she has neglected to put her name on album covers, instead using her "R" symbol as a brand representation.
The summary captures the main points about Rihanna's consistent image messaging and variations in her album cover designs over multiple releases. It
This document provides a summary of 3 Rihanna album covers: Unapologetic, Rated R, and Loud. It notes that:
1) The Unapologetic cover expresses Rihanna's confident personality in a controversial way by showing her technically nude.
2) This cover aims to empower women by showing the female body in an artistic way, while also seducing audiences with Rihanna's attractiveness.
3) The unconventional and controversial nature of the cover enhances its effectiveness at connecting with audiences through a real and natural image of Rihanna.
Marcel Everett, who produces music under the name XXYYXX, is a 16-year-old producer from Orlando, Florida. He started making electronic music seriously around age 15 using software like FL Studio and Ableton. XXYYXX gained popularity on the indie electronic scene despite his young age and experimental lo-fi style. He is signed to the Orlando-based independent label Relief In Abstract and has played live shows for audiences of over 2,000 people.
The article profiles the experimental jazz/electronic band Portico, formerly a quartet but now a trio. Lead saxophonist Jack Wyllie discusses how the band has evolved from playing live instrumental jazz to incorporating more electronic sounds and vocalists on their recordings. Wyllie explains how this change has allowed him to express himself more freely on saxophone outside of its strong jazz connotations. The band is currently writing a new album that will integrate live-generated electronic ideas while retaining a core live element to their music.
The document analyzes the opening soundtracks of the films Charlie Bartlett and Brick. In Charlie Bartlett, alternative rock music builds along with cheering sounds to establish the protagonist's arrival on stage, though it is revealed to be a daydream. Brick uses slower, eerie music and diegetic school sounds to set a mysterious tone and hint at future events. Both soundtracks effectively set the genre and tone through their style and use of diegetic and non-diegetic elements, though Brick's is more unsettling.
The document analyzes the opening soundtracks of the films Charlie Bartlett and Brick. In Charlie Bartlett, alternative rock music builds along with cheering sounds to establish the protagonist's daydream of being a rock star. When he wakes up, the cheers fade into a voice saying his mom is there. Brick uses slow, eerie music and diegetic school sounds to set a mysterious atmosphere and reveal the characters' names. Both soundtracks effectively set genre and tone through music and dialogue to introduce the characters and key story elements.
The video for "Gold Steps" by Neck Deep follows several conventions of pop punk music videos. It shows the band performing at various locations, including on a skate ramp being pulled by a van, emphasizing themes of youth and fun. The costumes of the band members are casual, fitting the energetic style of pop punk. The narrative depicts bored teenagers who become energized when Neck Deep arrives with the skate ramp, leading to a party by a lake. Visuals like close-ups and crowd interaction strengthen the band's connection to their young audience.
Daru Jones discusses his musical influences and career path. He found his "lane" in playing hip hop styles on drums, inspired by The Roots and Questlove. With Jack White, he channels the rock styles of John Bonham. Jones embraces many styles in his playing from jazz, funk, and rock. He brings showmanship to performances inspired by Gene Krupa. Jones collaborates closely with White, adapting his playing to White's visual cues without a setlist. Jones continues to work on projects with his group The Ruff Pack and others that pay homage to musical traditions while further innovating styles.
The video for "I Came Out Swinging" by The Wonder Years illustrates characteristics of the pop punk genre. It shows the band performing in a basement in Philadelphia, referencing the album's lyrics and the band's origins. Costumes and locations portray the genre's casual style. Visuals like the female protagonist's black nails and the band's attire amplify lyrical themes of struggling artists who have now "made it". Intertextual references to past album art and songs also connect the video to the band's broader work.
The music video for the song "I Don't Love You Anymore" by the pop-punk band Real Friends combines elements of narrative and performance. It follows a character wearing a fox mask as he walks through memories of his ex-girlfriend, seeing her happy with a new partner. Interspersed are scenes of the band performing the song in a small room. The video amplifies and illustrates the lyrics of lost love through its storytelling with the character and visuals.
Peter Case is an acclaimed American singer-songwriter who founded the proto-punk band The Nerves in the 1970s and later fronted The Plimsouls. He has collaborated with many notable artists. His 1985 solo debut album, produced by T-Bone Burnett and Mitchell Froom, featured appearances by Victoria Williams, Mike Campbell, John Hiatt, and others. The album has been reissued on vinyl. Case discusses his musical upbringing and influences, the early punk scene in California where he helped book shows for emerging bands, his work with The Nerves and The Plimsouls, and the process of recording his solo debut album.
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BRL Test low prices on sales and repairs is what we're about. Our world class repair lab is what sets us apart. Premium quality used spectrum analyzers,
Counterflows music festival will take place from April 4-6, 2014 in various venues in Glasgow, Scotland. The festival will feature new commissions from artists Cara Tolmie, Luke Fowler, Mika Vainio and Lee Patterson. The opening night on April 4 will kick off with performances by AiAso, Ela Orleans and the Space Lady. Later that night, Aki Onda and Akio Suzuki will perform in the Fleming House Car Park, followed by the commissioned piece from Fowler, Vainio and Patterson at CCA. Joe McPhee will perform a short solo set leading into a late night event at Saramago Caf辿 Bar with Whilst and DJs General Ludd. On Saturday April 5
XXYYXX, also known as Marcel Everett, is an electronic musician from Orlando, Florida who creates chillwave and chillstep music using Ableton software in his bedroom. He is signed to Relief in Abstract Records and has gained popularity in the underground dance music scene. His music has been described as "Doing drugs on a freeway...underwater." His music video for 'About You' has over 12 million views on YouTube. While he usually plays small intimate venues, in 2013 he headlined the Noise Pop festival in San Francisco. Relief in Abstract Records is an independent label based in Orlando that found success signing XXYYXX.
This review provides a summary of a concert by the band M O N E Y in three paragraphs:
The first paragraph discusses the band's philosophical ideals and lyrics, noting it is difficult to understand frontman Jamie Lee's unique worldview from just their debut album.
The second paragraph describes the concert, where Lee opened with an acapella poem and took a phone call on stage. The performance was more reserved possibly due to a sore throat.
The third paragraph praises the band's musical talents and highlights of their performance of the song "Cold Water", but notes the restrictions of the venue inhibited the atmosphere they aim to create with reverb and echo in Lee's powerful voice.
Madeline Edwards is a singer-songwriter from Santa Barbara, California who now resides in Houston, Texas. She defines herself through her creative, passionate, and incomparable sound that is neither cookie-cutter nor defined by any single genre. Edwards is a self-made artist who writes and produces her own music, drawing on her personal experiences to craft soulful and emotionally powerful songs. She is currently working on an ambitious self-funded project to release a new song and music video each month leading up to her debut album "MADE" coming out in the fall.
Rude, paranoid, obtuse Lou Reed is not a dream interviewee. But gradually the king of New York cool opens to Will Hodgkinson about his kindred spirit Andy Warhol, the power of rock and the beauty of the Kindle.
Published in The Times Sunday Review
This document analyzes the music video for "Not So Sad" by the indie rock band Faux Pas based on six conventions of music videos identified by Andrew Goodwin. The video takes place entirely in one location, appearing to be a band member's living room, with no storyline, due to the band's lack of budget and being unsigned. While fitting the convention of a live performance, it lacks professional elements and other conventions like reference to voyeurism, due to the band's inexperience. Rotations of the band members changing clothes are unexplained. The video concludes with thanks and a "blooper" scene. Overall, though amateurish, it is a valid attempt at a music video for an unsigned band.
The document discusses how the media product uses conventions of real music videos. It analyzes shots that establish relationships between the visuals and lyrics or music. Close-ups of the artist are used to develop a connection with the audience, as seen in many music videos. Conventions like candles, roses, and alcohol contribute to creating the style of a typical rock chick bedroom and music video.
This document provides an overview of the mysterious 1960s Argentine rock group El Sonido de Hillber. It discusses how little is known about the group, with contradictory information online. They were unique for pairing rock musicians with a string quartet from the Di Tella Institute in Buenos Aires. The group released up to four singles that flopped commercially in Argentina. The author was introduced to their music in 2008 and discovered they had an experimental psychedelic rock sound that blended the string quartet and band. While details about the group remain elusive, their music shows promise and hints at why they have developed a cult following among obscure psych fans today.
This document contains three writing samples from Jade Ingersoll:
1) A personal blog post detailing her first concert experience at age 12 that sparked a lifelong obsession with music and concert-going.
2) An assignment for a creative strategy class describing her experience visiting the Palace of Fine Arts in San Francisco for the first time and being struck by its hidden beauty.
3) Another personal blog post reflecting on how art and music videos can create connections between artist and viewer when they depart from strict organization and embrace chaos.
This magazine article summarizes several stories related to music. It discusses Charlie Chalk giving an interview where he talks about his childhood passion for music, past drug addiction, time in prison, and new album. It also previews tickets to see The Vaccines at Wembley Arena and reviews a new song by Jack Dalton.
The artist was inspired to do music after it became a big part of their life around age 16-17 when they started writing and producing their own songs. The Arctic Monkeys were a particular inspiration, especially songs like "From the Ritz to the Rubble", "I Bet That You Look Good on the Dancefloor", and "Fluorescent Adolescent". The artist has a UK tour confirmed but not yet worldwide and is working on a couple new songs hoped to be released by summer. They deny rumors of dating Tyler Joseph, saying they were just friends who met in a studio and went out a few times but nothing more. The biggest challenges of their career have been dealing with paparazzi and pressure from publicity
Jason Baum
Makeup: Heidi Hansen for Exclusive Artists using MAC Cosmetics
Hair: Cyndia Harvey for Exclusive Artists
Stylist: Molly Dickson
Special Thanks to Rick Rubin, Tom Whalley, Mike Elizondo, Brad Delson, Rob Bourdon, Joe Hahn, Dave Farrell and Chester Bennington.
Thanks also to our families and friends for their love and support.
Management: Rob McDermott for the Firm and Irving Azoff for Front Line
Legal Representation: Glen Nakasone for Ziffren Brittenham
Business Management: Howard Kaufman for Howard Kaufman Management
Booking Agents
This document is the latest issue of "On Tour with Shure", a magazine published by audio equipment company Shure Incorporated. It provides information on artists using Shure microphones and equipment on tour, including profiles of bands Mastodon, Smokey Robinson, Serj Tankian, and The Presets. It also recaps awards won at the Bluegrass Music Awards and discusses Shure's role at the Montreux Jazz Festival.
Ruby Fields was formerly known as a socialite who spent her father's money, but then found success with her band Molly's Chamber. She has now released a solo album after deciding to go solo and leave the band, which is on hiatus but not definitively over. The interview discusses the new album "Market" and Ruby's motivations for branching out on her own musically while still appreciating her past work with Molly's Chamber.
The document discusses potential bands and songs for a final music project based on the rock genre. It begins by listing various rock subgenres and representative bands. It then focuses on the band Twenty One Pilots, providing details about their discography and style. The author decides to base the project on an early self-titled Twenty One Pilots album. They analyze three potential songs - "Implicit Demand for Proof", "A Car, A Torch, A Death", and "Addict with a Pen" - and provide their interpretations of the lyrics and meanings.
The video for "Gold Steps" by Neck Deep follows several conventions of pop punk music videos. It shows the band performing at various locations, including on a skate ramp being pulled by a van, emphasizing themes of youth and fun. The costumes of the band members are casual, fitting the energetic style of pop punk. The narrative depicts bored teenagers who become energized when Neck Deep arrives with the skate ramp, leading to a party by a lake. Visuals like close-ups and crowd interaction strengthen the band's connection to their young audience.
Daru Jones discusses his musical influences and career path. He found his "lane" in playing hip hop styles on drums, inspired by The Roots and Questlove. With Jack White, he channels the rock styles of John Bonham. Jones embraces many styles in his playing from jazz, funk, and rock. He brings showmanship to performances inspired by Gene Krupa. Jones collaborates closely with White, adapting his playing to White's visual cues without a setlist. Jones continues to work on projects with his group The Ruff Pack and others that pay homage to musical traditions while further innovating styles.
The video for "I Came Out Swinging" by The Wonder Years illustrates characteristics of the pop punk genre. It shows the band performing in a basement in Philadelphia, referencing the album's lyrics and the band's origins. Costumes and locations portray the genre's casual style. Visuals like the female protagonist's black nails and the band's attire amplify lyrical themes of struggling artists who have now "made it". Intertextual references to past album art and songs also connect the video to the band's broader work.
The music video for the song "I Don't Love You Anymore" by the pop-punk band Real Friends combines elements of narrative and performance. It follows a character wearing a fox mask as he walks through memories of his ex-girlfriend, seeing her happy with a new partner. Interspersed are scenes of the band performing the song in a small room. The video amplifies and illustrates the lyrics of lost love through its storytelling with the character and visuals.
Peter Case is an acclaimed American singer-songwriter who founded the proto-punk band The Nerves in the 1970s and later fronted The Plimsouls. He has collaborated with many notable artists. His 1985 solo debut album, produced by T-Bone Burnett and Mitchell Froom, featured appearances by Victoria Williams, Mike Campbell, John Hiatt, and others. The album has been reissued on vinyl. Case discusses his musical upbringing and influences, the early punk scene in California where he helped book shows for emerging bands, his work with The Nerves and The Plimsouls, and the process of recording his solo debut album.
http://www.brltest.com
BRL Test low prices on sales and repairs is what we're about. Our world class repair lab is what sets us apart. Premium quality used spectrum analyzers,
Counterflows music festival will take place from April 4-6, 2014 in various venues in Glasgow, Scotland. The festival will feature new commissions from artists Cara Tolmie, Luke Fowler, Mika Vainio and Lee Patterson. The opening night on April 4 will kick off with performances by AiAso, Ela Orleans and the Space Lady. Later that night, Aki Onda and Akio Suzuki will perform in the Fleming House Car Park, followed by the commissioned piece from Fowler, Vainio and Patterson at CCA. Joe McPhee will perform a short solo set leading into a late night event at Saramago Caf辿 Bar with Whilst and DJs General Ludd. On Saturday April 5
XXYYXX, also known as Marcel Everett, is an electronic musician from Orlando, Florida who creates chillwave and chillstep music using Ableton software in his bedroom. He is signed to Relief in Abstract Records and has gained popularity in the underground dance music scene. His music has been described as "Doing drugs on a freeway...underwater." His music video for 'About You' has over 12 million views on YouTube. While he usually plays small intimate venues, in 2013 he headlined the Noise Pop festival in San Francisco. Relief in Abstract Records is an independent label based in Orlando that found success signing XXYYXX.
This review provides a summary of a concert by the band M O N E Y in three paragraphs:
The first paragraph discusses the band's philosophical ideals and lyrics, noting it is difficult to understand frontman Jamie Lee's unique worldview from just their debut album.
The second paragraph describes the concert, where Lee opened with an acapella poem and took a phone call on stage. The performance was more reserved possibly due to a sore throat.
The third paragraph praises the band's musical talents and highlights of their performance of the song "Cold Water", but notes the restrictions of the venue inhibited the atmosphere they aim to create with reverb and echo in Lee's powerful voice.
Madeline Edwards is a singer-songwriter from Santa Barbara, California who now resides in Houston, Texas. She defines herself through her creative, passionate, and incomparable sound that is neither cookie-cutter nor defined by any single genre. Edwards is a self-made artist who writes and produces her own music, drawing on her personal experiences to craft soulful and emotionally powerful songs. She is currently working on an ambitious self-funded project to release a new song and music video each month leading up to her debut album "MADE" coming out in the fall.
Rude, paranoid, obtuse Lou Reed is not a dream interviewee. But gradually the king of New York cool opens to Will Hodgkinson about his kindred spirit Andy Warhol, the power of rock and the beauty of the Kindle.
Published in The Times Sunday Review
This document analyzes the music video for "Not So Sad" by the indie rock band Faux Pas based on six conventions of music videos identified by Andrew Goodwin. The video takes place entirely in one location, appearing to be a band member's living room, with no storyline, due to the band's lack of budget and being unsigned. While fitting the convention of a live performance, it lacks professional elements and other conventions like reference to voyeurism, due to the band's inexperience. Rotations of the band members changing clothes are unexplained. The video concludes with thanks and a "blooper" scene. Overall, though amateurish, it is a valid attempt at a music video for an unsigned band.
The document discusses how the media product uses conventions of real music videos. It analyzes shots that establish relationships between the visuals and lyrics or music. Close-ups of the artist are used to develop a connection with the audience, as seen in many music videos. Conventions like candles, roses, and alcohol contribute to creating the style of a typical rock chick bedroom and music video.
This document provides an overview of the mysterious 1960s Argentine rock group El Sonido de Hillber. It discusses how little is known about the group, with contradictory information online. They were unique for pairing rock musicians with a string quartet from the Di Tella Institute in Buenos Aires. The group released up to four singles that flopped commercially in Argentina. The author was introduced to their music in 2008 and discovered they had an experimental psychedelic rock sound that blended the string quartet and band. While details about the group remain elusive, their music shows promise and hints at why they have developed a cult following among obscure psych fans today.
This document contains three writing samples from Jade Ingersoll:
1) A personal blog post detailing her first concert experience at age 12 that sparked a lifelong obsession with music and concert-going.
2) An assignment for a creative strategy class describing her experience visiting the Palace of Fine Arts in San Francisco for the first time and being struck by its hidden beauty.
3) Another personal blog post reflecting on how art and music videos can create connections between artist and viewer when they depart from strict organization and embrace chaos.
This magazine article summarizes several stories related to music. It discusses Charlie Chalk giving an interview where he talks about his childhood passion for music, past drug addiction, time in prison, and new album. It also previews tickets to see The Vaccines at Wembley Arena and reviews a new song by Jack Dalton.
The artist was inspired to do music after it became a big part of their life around age 16-17 when they started writing and producing their own songs. The Arctic Monkeys were a particular inspiration, especially songs like "From the Ritz to the Rubble", "I Bet That You Look Good on the Dancefloor", and "Fluorescent Adolescent". The artist has a UK tour confirmed but not yet worldwide and is working on a couple new songs hoped to be released by summer. They deny rumors of dating Tyler Joseph, saying they were just friends who met in a studio and went out a few times but nothing more. The biggest challenges of their career have been dealing with paparazzi and pressure from publicity
Jason Baum
Makeup: Heidi Hansen for Exclusive Artists using MAC Cosmetics
Hair: Cyndia Harvey for Exclusive Artists
Stylist: Molly Dickson
Special Thanks to Rick Rubin, Tom Whalley, Mike Elizondo, Brad Delson, Rob Bourdon, Joe Hahn, Dave Farrell and Chester Bennington.
Thanks also to our families and friends for their love and support.
Management: Rob McDermott for the Firm and Irving Azoff for Front Line
Legal Representation: Glen Nakasone for Ziffren Brittenham
Business Management: Howard Kaufman for Howard Kaufman Management
Booking Agents
This document is the latest issue of "On Tour with Shure", a magazine published by audio equipment company Shure Incorporated. It provides information on artists using Shure microphones and equipment on tour, including profiles of bands Mastodon, Smokey Robinson, Serj Tankian, and The Presets. It also recaps awards won at the Bluegrass Music Awards and discusses Shure's role at the Montreux Jazz Festival.
Ruby Fields was formerly known as a socialite who spent her father's money, but then found success with her band Molly's Chamber. She has now released a solo album after deciding to go solo and leave the band, which is on hiatus but not definitively over. The interview discusses the new album "Market" and Ruby's motivations for branching out on her own musically while still appreciating her past work with Molly's Chamber.
The document discusses potential bands and songs for a final music project based on the rock genre. It begins by listing various rock subgenres and representative bands. It then focuses on the band Twenty One Pilots, providing details about their discography and style. The author decides to base the project on an early self-titled Twenty One Pilots album. They analyze three potential songs - "Implicit Demand for Proof", "A Car, A Torch, A Death", and "Addict with a Pen" - and provide their interpretations of the lyrics and meanings.
The document discusses various styles and genres of music throughout different time periods, including rock, pop, disco, country, and hip hop. It provides lyrics and information about songs from Jerry Lee Lewis, The Beatles, Imagination, Bon Jovi, Nirvana, NSYNC, and others. It also briefly mentions the Rubik's Cube puzzle and discusses conversations about music preferences and plans.
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Grinder is an up-and-coming 18-year-old artist from North London who has performed over 200 shows across Europe and exploded onto the music scene in 2007. He has since sold over 5 million copies of his debut mixtape "The First Chapter" and is currently working on a new mixtape featuring collaborations with well-known artists like Blade, Slice, and Bouncer. The interview provides insight into Grinder's story of establishing himself as one of the most successful hip-hop artists through his journey from "rags to riches".
Grinder is an up-and-coming 18-year-old artist from North London who has performed over 200 shows across Europe and sold over 5 million copies of his debut mixtape. He is currently working on a new mixtape featuring several well-known artists. The interview provides insight into Grinder's story of establishing himself as one of the most successful hip-hop artists through his career beginning at age 9, gaining popularity through internet videos, and being signed to a major record label after recording a demo CD.
Grinder is an up-and-coming 18-year-old artist from North London who has performed over 200 shows across Europe and exploded onto the music scene in 2007. He has since sold over 5 million copies of his debut mixtape "The First Chapter" and is currently working on a new mixtape featuring collaborations with well-known artists like Blade, Slice, and Bouncer. The interview provides insight into Grinder's story of establishing himself as one of the most successful hip-hop artists through his journey from "rags to riches".
Grinder is an up-and-coming 18-year-old artist from North London who has performed over 200 shows across Europe and exploded onto the music scene in 2007. He has since sold over 5 million copies of his debut mixtape "The First Chapter" and is currently working on a new mixtape featuring collaborations with well-known artists like Blade, Slice, and Bouncer. The interview provides insight into Grinder's story of establishing himself as one of the most successful hip-hop artists through his journey from "rags to riches".
Grinder is an up-and-coming 18-year-old artist from North London who has performed over 200 shows across Europe and exploded onto the music scene in 2007. He has since sold over 5 million copies of his debut mixtape "The First Chapter" and is currently working on a new mixtape featuring collaborations with well-known artists like Blade, Slice, and Bouncer. The interview provides insight into Grinder's story of establishing himself as one of the most successful hip-hop artists through his journey from "rags to riches".
Grinder is an up-and-coming 18-year-old artist from North London who has performed over 200 shows across Europe and sold over 5 million copies of his debut mixtape. He is currently working on a new mixtape featuring several well-known artists. The interview provides insight into Grinder's story of establishing himself as one of the most successful hip-hop artists through his inspiration from artists in the 1990s, getting signed after a producer was impressed by his online videos, experiences working overseas, and future plans which include education and focusing on his music career.
Grinder is an up-and-coming 18-year-old artist from North London who has performed over 200 shows across Europe and exploded onto the music scene in 2007. He has since sold over 5 million copies of his debut mixtape "The First Chapter" and is currently working on a new mixtape featuring collaborations with well-known artists like Blade, Slice, and Bouncer. The interview provides insight into Grinder's story of establishing himself as one of the most successful hip-hop artists through his journey from "rags to riches".
Grinder is an up-and-coming 18-year-old artist from North London who has performed over 200 shows across Europe and exploded onto the music scene in 2007. He has since sold over 5 million copies of his debut mixtape "The First Chapter" and is currently working on a new mixtape featuring collaborations with well-known artists like Blade, Slice, and Bouncer. The interview provides insight into Grinder's story of establishing himself as one of the most successful hip-hop artists through his journey from "rags to riches".
Grinder is an up-and-coming 18-year-old artist from North London who has performed over 200 shows across Europe and sold over 5 million copies of his debut mixtape. He is currently working on a new mixtape featuring several well-known artists. The interview provides insight into Grinder's story of establishing himself as one of the most successful hip-hop artists through his career beginning at age 9, gaining popularity through internet videos, and being signed to a major record label after recording a demo CD.
The interviewer welcomes the singer to the music world and asks about her journey from singing locally to performing all over the country. The singer explains that she was discovered by a producer at a recording studio birthday gift and was signed by EMI. While still adjusting to her newfound fame at age 18, she finds support from fans keeps her grounded. Her debut album "Reality" expresses her past experiences and life through a mix of songs. She wrote all the tracks herself, drawing inspiration from family, friends and other artists. While surprised by her single reaching number 1, she has upcoming photo shoots, signings and a tour, though dates are not yet public. She remains single and says she is
1. 24th November 2015 23
www.studentnewspaper.org
music@studentnewspaper.org
twitter.com/EdStudentMusic
By Callum Godfrey
@calgodfrey
W.B Yeats Bob Dylan
IMAGE:ALFITUDE
Kristin Stewart
Ghostpoet
Bruce SpringsteenJohn Donne
CG: Thanks for taking the time to
chat to The Student, and congratula-
tions on your Mercury nomination,
thats what two weeks away, how
are you feeling about it?
OE: Yeah, I dont know really may-
be because Ive done it before but Im
kind of not really thinking about it. Ive
got lots of other bits keeping me busy.
Yeah, you have your tour round the
corner as well.
Exactly, so its not that I dont appre-
ciate it, its amazing, its just...
The butterflies arent there as much?
Yeah I think so, and its slightly later
on in my career now... Itll be the week
of the Mercury Prize where Ill be like
oh shit... just right now Ive got so
many other bits at the forefront of my
mind keeping me busy.
Thats right you have your tour
right round the corner for your new
album, this ones more band-centric...
Well Ive always played with a band
on tour.
True, but your latest album seems
to have more of a classic band setup is
what Im driving at, I was doing my
research and I read that Brian Eno
had a word with you about the whole
thing when you were in Mali?
Thats actually been mis-reported.
We had a general chat about music
and he said that sometimes its best
not to take forever to make a record
and that some of the best records are
done really quickly and move on. I just
kept that with me when I was thinking
of this record and it wasnt said to me
directly but it just stuck with me and
struck a chord.
Okay, so your new album, Shedding
Skin, do you want have a quick word
on the artwork, the symbolism behind
it etc.? Its your own skin cell on the
artwork, which I found really cool.
Thats correct yeah, the artwork idea
came soon after Id thought of the al-
bum title, which is sort of a subcon-
scious album title this idea of moving
on from things in your life and...iden-
tity is another concept that I wanted to
talk about in this album. That sense of
identity, partly the zeitgeist of the time,
you know? Where do we stand at the
moment, where are we going?
Would you agree your most recent
albums more of an uplifting one?
Erm, I guess so. Its not intentional.
Again, its just this subconscious thing.
I think Im just in a happier place I
guess. I mean, not so much my per-
sonal life, but the world Im living in,
the things that I see. Thats why its a
combination of things. It could be all
just happy - but thats a bit boring. As
humans were not always one thing.
I wanted to talk about your track
Off Peak Dreams, do you want to talk
about what inspired you to make the
budget the average monthly wage for
a 9-5 job?
Well I wanted to make a video that
reflected what I was talking about,
which was the 9-5 grind, you know.
The hamster wheel situation where
youre waking up, going to work, finish-
ing work, getting drunk, going home,
rinsing and repeating.
The routine of it all.
Exactly. And so, currently, Ive
worked a 9-5 job more than Ive
worked in music, so I feel I wasnt being
patronising. I just wanted something
that was headline worthy, that people
would discuss and think about, you
know? Initally I wanted to do it as a
weekly wage but the production team
said that was ambitious. So we went
with a monthly wage and Im really
happy with how it turned out, its one
of my favorite videos. Even though
on the surface it looks really shit, you
know what I mean, but its a reflection
of what I feel about life. Its not always
hi-flight, it can be lo-flight, it can be
budget and thats what I wanted to
get across.
I always feel like with your music
it fits an ambience or a mood rather
than a genre, and I think there has
been a progression in your albums. Do
It has been clear for quite a while
now that Logic is equipped with su-
preme talent. Since the release of his
Young Sinatra mixtape trilogy in 2011,
fans have flocked to the 25-year-olds
lyrical ability and story. He quickly gar-
nered recognition from industry leg-
ends such as Rick Rubin, Nas, and Big
Daddy Kane, en-route to amassing one
By Marissa Field
@EdStudentMusic
Logic
TheIncredibleTrueStory
of hip hops most dedicated fan bases.
However, despite the hype and the loy-
al following, it has not all gone uphill
from there.
Unfortunately, Logic seems to be
continually stuck on a tier below the
modern-day hip-hop greats. Artists
such as Drake, J. Cole, and Kendrick
Lamar simply have something that
Logic is missing. Under Pressure, his
last studio effort, had some enjoyable
tracks, but fell a bit flat with all but his
most loyal listeners, and The Incred-
ible True Story falls victim to similar
pitfalls, not to mention its criminally
cliche title.
It seems as though Logics quest to
reach the pinnacle of the rap industry
has been heavily influenced per-
haps too much so by those that are
already there. Songs like Run It and
Like Whoa, which arent bad both un-
necessarily employ catch phrases made
popular by both Cole and Drakes re-
cent work, and the album opens with
a classic Kanye drum pattern. But the
most frustrating example comes with I
Am the Greatest, which is essentially a
terrible Drake song.
Logics talent and immense dedica-
tion still shine through on the album,
and in some cases more so than they
ever have. The albums concept a
narrative sci-fi story following charac-
ters Quentin Thomas and William Kai
on their journey through space to the
planet Paradise is interesting, and
songs like Innermission are indica-
tive of the type of artist Logic can be.
The production throughout the album
consistently amazes, with visionary in-
house producer 6ix and Logic himself
exhibiting undeniable improvement
over past work. As on Innermission,
Logics at his best when telling his sto-
ry and getting things off his chest. His
future is still bright, but if he wants to
transcend himself in an unforgiving
IMAGE:HIPHOPNMORE
The Mercury Prize nominee Obaro Ejimiwe speaks on his latest
album, his influences and where his music and his life intertwine
you have any plans to stick to the more
guitar-laden stuff that were seeing in
your most recent album with a more
classic band setup, moving away from
the electronic beats that gave your ear-
lier works that vacuous melancholy?
I dont know. I feel like Im happy
with where I am right now, musically.
Maybe I will try to develop the sound
Ive created on this record, theres al-
ways room for improvement. Dunno,
looking back on this record there are al-
ready things that I would do differently.
But yeah, Ive enjoyed making this re-
cord and Ive enjoyed the gigs that have
come from it so I dont know, well see.
And on that subject, whats tour life
for you like?
I love it. Its good fun. Were a chilled
bunch. We do get on the drink a bit, its
not like Rolling Stones level. We re-
main disciplined, but we know how to
have fun.
And youve built a real family out of
it.
Yeah, thats correct, and it really
helps because we all think the same
way, we all work as hard as each other
onstage and give the best show we can,
and the listener will bounce off that and
feel that and hopefully enjoy it.
So hows life in London treating you?
Yeah well I was born and bred here,
Londons London its good. Got my
dog. (Hes called Ghostdog fyi.) Noth-
ing special really, just soaking up life
and all that taking in as much as I can
that London offers. I have definitely
come to realise how much of a cultural
mixing pot that London is.
Read the full interview at
studentnewspaper.org
To hear about what Ejimiwes been spinning, read the full interview online at studentnewspaper.org
industry, he must embrace the things
that make him unique, instead of trying
to emulate what has made others great.