Visual project fp
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During World War 2, pin-up pictures of actresses were popular among American soldiers and represented the women they left behind. Nearly 1 in 5 US soldiers had pictures of actresses like Betty Grable to look at for support and motivation. These pictures came to represent what the men were fighting for - to return home to the women and country they cared about.
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This document discusses pin up girls during World War II and provides examples of pin up calendars, photographs, and patches from that era. Pin ups featuring attractive women in fun poses were popular with soldiers overseas as a reminder of women back home. Well-known artists like Alberto Vargas and Billy DeVorrs created pin ups using mediums like pastels and watercolors. Calendars from 1942 and 1945 contained pin up pictures each month. Photographs in an Esquire datebook depicted Hollywood actresses in similar pin up styles. A Disney pin up was included in a dispatch for soldiers despite Disney's family-friendly reputation. A hand-painted leather squadron patch from 100 Recon featured a woman's chest with eyes on the unitLecture - Women's Changing Experiences - CHEE
Lecture - Women's Changing Experiences - CHEEGraceChee8
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This document summarizes women's experiences in the United States from the 1920s to 1945. It discusses key events and movements such as women gaining the right to vote in 1920, the flapper culture of the 1920s, women's increasing participation in the workforce during this period, as well as their roles during the Great Depression and World War II when many took jobs in factories and the military. The document also mentions figures like Margaret Sanger who advocated for birth control, as well as Amelia Earhart and Eleanor Roosevelt, reflecting the expanding opportunities and activism of women during this transformative period in American history.Conflict task obs
Conflict task obsGedlyn Porthole
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This document provides biographical information about several pioneering war photographers:
- Roger Fenton was one of the first war photographers and documented the Crimean War in 1855, though his equipment limited his shots. One of his photos from the war was included in Life magazine's "100 Photographs that Changed the World."
- Mathew Brady studied photography in the 1840s and opened studios in New York and Washington D.C. He is renowned for documenting the American Civil War, bringing a mobile studio directly to battlefields despite financial risks and dangers. His work helped document the war itself.
- Other photographers mentioned include Margaret Bourke-White who covered World War II, Larry Burrows who documented the Vietnam War while working forWwiipresentation 1
Wwiipresentation 1Angel Jacklyn
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This document compares the roles of Russian and American women in World War II. Russian women were more integrated into combat roles out of necessity, with over 800,000 serving in the military, including in frontline units like the "Night Witches" bomber regiment. American women were more restricted to non-combat support roles, but still contributed through organizations like the WAVES, WAC, and WASP programs. Both countries used propaganda to encourage women to take on new jobs supporting the war effort, though Russian women experienced more difficult conditions as combatants, while American women focused more on the home front through activities like working in factories.19) The Hollywood Art Audrey Hepburn
19) The Hollywood Art Audrey HepburnNick Zegarac
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The document discusses the life and legacy of Audrey Hepburn, highlighting her beauty, resilience, and humanitarian efforts, particularly her role as a UNICEF ambassador. It chronicles her early life, struggles during WWII, rise to stardom, and her significant film roles while emphasizing her authenticity and compassion. Hepburn's impact on the world extended beyond the screen, inspiring many with her dedication to helping others until her death in 1993.9 The WomanS Picture Of The 1930s
9 The WomanS Picture Of The 1930sjessieburke
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The document discusses how Hollywood movies of the 1930s, particularly "woman's pictures", influenced fashion, beauty, and consumer culture. It argues that the movies popularized new looks for working women and drove massive sales of cosmetics and fashion items by showcasing glamorous styles. Studio executives recognized women as the key cinema audience and deliberately partnered with manufacturers to advertise products through film placements and tie-in marketing.The Womans Picture Of The 1930s
The Womans Picture Of The 1930sguest0b6808
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The document discusses how Hollywood movies of the 1930s, particularly "woman's pictures", influenced fashion, beauty, and consumer culture. It argues that the movies popularized new looks for working women and drove massive sales of cosmetics and fashion items by showcasing glamorous styles. Studio executives recognized women as the key cinema audience and deliberately partnered with manufacturers to advertise products through film placements and tie-in marketing.9 The WomanS Picture Of The 1930s
9 The WomanS Picture Of The 1930snicolesaulnier
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The document discusses how Hollywood movies of the 1930s, particularly "woman's pictures", influenced fashion, beauty, and consumer culture. It argues that the movies popularized new looks for working women and drove massive sales of cosmetics and fashion items by showcasing glamorous styles. Studio executives recognized women as the key cinema audience and deliberately partnered with manufacturers to advertise products through film placements and tie-in marketing.Historic Black and White Photos
Historic Black and White Photosguimera
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The document contains a collection of photographs from various time periods showcasing important historical events, people, places and moments. Some of the photos show the construction of iconic structures like the Eiffel Tower and Golden Gate Bridge, moments of war like the signing of the Japanese surrender and D-Day invasion, and cultural figures like John F. Kennedy, Winston Churchill and Jimi Hendrix. The photos provide a visual timeline of the 20th century through iconic images.The Faces Of Vanity Fair
The Faces Of Vanity FairTrinity Blu*** Don't Thank Me for Viewing Shows....but Rather, Pay It Forward :))***
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This document provides images and captions from Vanity Fair magazine's 25th anniversary issue, summarizing the history and accomplishments of some of the magazine's most iconic covers and photographs over the decades. It highlights portraits of celebrities from the 1920s like Douglas Fairbanks Jr. and Joan Crawford to more modern figures like Kate Winslet, Julianne Moore, and Kate Moss. The summaries provide context on the subjects and photographers of the legendary images.10 War Class Dior
10 War Class Diornicolesaulnier
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1) During World War 2, rationing was introduced in Britain to control inflation and maintain civilian morale. Strict rationing was placed on foods like bacon, butter, sugar and clothing.
2) The Utility clothing scheme was introduced to replace fancy dresses and focus on durable, practical clothing. Designers created stylish lines that emphasized shoulders and waists within ration limits.
3) For many working class women, rationing and Utility clothing provided them with the best and most fashionable outfits they had ever owned, helping boost morale during the war. It also exposed social inequalities and improved health standards after the war.Ad
Visual project fp
- 1. Pin-Up Girls in World War 2 Pictures of beautiful movie stars filled the barracks of American soldiers during WWII. Now pictures like these are simply viewed as porn. But for these men, they meant so much more.
- 2. 1 in 5 US soldiers had a copy of this picture during World War 2. But it was more than just a pretty face for the boys to look at.
- 4. and her and her her
- 5. They were supposed to support their men...
- 6. ...so they sent their own pictures
- 7. and that is what they thought about... ...and it became what the men were fighting for
- 8. This...
- 10. Men didnt fight for
- 11. They fought for the ones they left behind
- 12. and the one they wanted to return to.
- 13. Images Used Betty Grable Pin Up Powolny, Frank. Studio portrait of Betty Grable taken for promotional use. 20th Century Fox Studio Promotional Portrait, 1943. JPEG. Write that Boy Ad R. C. Write that boy in the service today! Newark Evening News (1944). Duke University Libraries Digital Collections . Window woman Hine, Lewis W. Woman with Leaf Print. George Eastman House. ARTstor . Young Woman Shall, Mar. Portrait of an unidentified woman. Arthur and Elizabeth Schlesinger Library on the History of Women in America (Radcliffe Institute for Advanced Study, Harvard University. ARTstor . V-Day Eisenstaedt, Alfred. V-J day times square, New York City. (1945). ARTstor . Flag Britton, Ian. American Flag. (2009). FreeFoto.com. Couple and Baby An unidentified woman holding an infant. Arthur and Elizabeth Schlesinger Library on the History of Women in America (Radcliffe Institute for Advanced Study, Harvard University (1945) . ARTstor . Woman Working Unidentified woman packaging Bird's Eye-brand vegetables. Arthur and Elizabeth Schlesinger Library on the History of Women in America (Radcliffe Institute for Advanced Study, Harvard University. ARTstor . Jane Russell Plane Jane Russell (The Bettman Archive) featured in Westbrook, Robert B. I Want a Girl, Just Like the Girl that Married Harry James: American Women and the Problem of Political Obligation in World War II. American Quarterly Vol. 42, No. 4. Dec (1990): 587-614. The Johns Hopkins University Press. Homemade Pin-Up Nancy Gillam Westbrook, Santa Monica, California (1945) featured in Westbrook, Robert B. I Want a Girl, Just Like the Girl that Married Harry James: American Women and the Problem of Political Obligation in World War II. American Quarterly Vol. 42, No. 4. Dec (1990): 587-614. The Johns Hopkins University Press. Airplane Feggy, Art. P-51 Mustang-Duxford. (2010). flickr .
- 14. Audio Used The Las Goodnight. Pictures of You. Virgin Records America. 2007. Works Cited Westbrook, Robert B. I Want a Girl, Just Like the Girl that Married Harry James: American Women and the Problem of Political Obligation in World War II. American Quarterly Vol. 42, No. 4. Dec (1990): 587-614. The Johns Hopkins University Press. McGreevy, John. World War 2 at Home. Modern US History, University of Notre Dame. 7 Mar 2011