Visual thinking is described as being between complete immersion in one's work and an objective, self-critical view, involving both intuition and thought. The speaker discusses their process in the studio using techniques like wax medium, working across multiple panels to allow for changes, and refining work until focal points emerge late in the process. They evaluate their work based on criteria such as complexity, connection, tension, contrast, and whether it adds new understanding or has multiple aspects of meaning.
35. my self-critique criteria complexityconnection tension contrastsubdued energy serenitymysterypresenceauthorityauthenticityinnovative , or adds to understanding of other workhas multiple aspects of meaningInter-relationship of form and content