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"What" is ...

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. Symona Colina
. Symona Colina

Previeuw of the book: "WHAT" ... to read, to see, to experience... http://www.boekenbestellen.nl/boek/what/18192

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"What" is ...
"What" is ...
Senza Nome
WHAT I S L I K E T H E W I N D Symona Colina Visual artist whose main disciplines are drawing and painting.
K l o k h u i s
“ G r a p h i t e - C l o u d s ” S e n z a N o m e K l o k h u i s T e s t a d i R a p a G r a c e A p p e l s i e n t j e s D o u b l e F a c e O r i g i n P o i r e B e l l e V u e N o c i n a G r a p p o l o R o s a d e i V e n t i C a s a d i L u m a c a F r u i t L e a v e s B u r d i e s K a n n e t j e R a c c o n t i B e s H a l f T e r r a E Q B u b b e l T - P o t S p o o r W e k k e r E l l a G r o w i n g O u t R i d e r s D a n c e r s V i o l a F a m i l O r o l o g i o I P i s e l l i
Testa di Rapa
My work is like the wind defined by time and space. S y m o n a C o l i n a Art has many interfaces with existence, is 'all round' in its countless disciplines and nevertheless unlimited. The interfaces I employ in the visual arts chiefly tie in with spatial perception, spatial thinking and contemplation. Through which infinity apparently comes within reach. I took the first steps in writing WHAT during my studies at the Minerva Art Academy in Groningen. Because questions like, “What is that?” “What is the meaning of this?” and “What is behind this?” have become firmly rooted fundamental structures in the narrative and articulated framework of the visual arts. “What do you mean by that?” “What?”
Grace

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"What" is ...

  • 4. WHAT I S L I K E T H E W I N D Symona Colina Visual artist whose main disciplines are drawing and painting.
  • 5. K l o k h u i s
  • 6. “ G r a p h i t e - C l o u d s ” S e n z a N o m e K l o k h u i s T e s t a d i R a p a G r a c e A p p e l s i e n t j e s D o u b l e F a c e O r i g i n P o i r e B e l l e V u e N o c i n a G r a p p o l o R o s a d e i V e n t i C a s a d i L u m a c a F r u i t L e a v e s B u r d i e s K a n n e t j e R a c c o n t i B e s H a l f T e r r a E Q B u b b e l T - P o t S p o o r W e k k e r E l l a G r o w i n g O u t R i d e r s D a n c e r s V i o l a F a m i l O r o l o g i o I P i s e l l i
  • 8. My work is like the wind defined by time and space. S y m o n a C o l i n a Art has many interfaces with existence, is 'all round' in its countless disciplines and nevertheless unlimited. The interfaces I employ in the visual arts chiefly tie in with spatial perception, spatial thinking and contemplation. Through which infinity apparently comes within reach. I took the first steps in writing WHAT during my studies at the Minerva Art Academy in Groningen. Because questions like, “What is that?” “What is the meaning of this?” and “What is behind this?” have become firmly rooted fundamental structures in the narrative and articulated framework of the visual arts. “What do you mean by that?” “What?”