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Mind map: The city of London
Andrea Scalzi VF
William Blake (1757-1827)
William Blake describes his city in ^London ̄. In the
poem, Blake is principally describing a very
corrupted society dominated by the power of
materialism and the contrast between upper and
working-class sections of society. It is written from a
very negative perspective where people who exist in
a dark and oppressive world, suffering the
consequences of corruption of those in positions of
power. The problem is that they do not realize this is
happening to them. For this reason, he is rejecting
the idea of an ideological or perfect place to live and
he wants people to be aware of the misery
surrounding them. No wonderful streets, no pleasant
people. A world with a very depressing atmosphere,
where everything is poverty stricken. All these ideas
are represented in one place: London.
Charles Dickens (1812-1870)
Charles Dickens was well versed in the poverty
of London, as he himself was a child worker
after his father was sent to debtors¨ prison. His
appreciation of the hardships endured by
impoverished citizens stayed with him for the
rest of his life and was evident in his novels.
Dickens began writing Oliver Twist after the
adoption of the Poor Law of 1834, which halted
government payments to the able-bodied poor
unless they entered workhouses. The novel was
the first of the author¨s works to realistically
depict the impoverished London underworld
and to illustrate his belief that poverty leads to
crime.
Robert Louis Stevenson (1850-1894)
London is the key to fully exploring
Stevenson's theme of duality in ^The
Strange Case of Dr. Jekyll and Mr.
Hyde ̄. The London street on which the
novel begins is an important setting
throughout the story. Victorian London
was new and exciting, and Stevenson
portrays it as both beautifully majestic
and mysteriously dark.
Oscar Wilde (1854-1900)
Wilde¨s The Picture of Dorian
Gray reinforces Victorian London¨s
preoccupation with the zoning of
London: the wealthy West End and the
decrepit Est End. The fluidity in which
Dorian moves between his debauchery
amongst the docks and opium dens of
the East End to the high society of West
London, emphasises his duality.
Virginia Woolf (1882-1941)
To Virginia Woolf, London was a source of creative
inspiration, a setting for many of her works, and a
symbol of the culture in which she lived and wrote.
The city fascinated Woolf, yet her relationship with
it was problematic. In her attempts to resolve her
developmental struggles as a woman write in a
patriarchal society, Woolf shaped and reshaped the
image and meaning of London. In "Mrs. Dalloway",
Virginia Woolf uses the setting of the city of London
to effectively show the vastly different emotional
responses of the three of the novel's characters:
Clarissa Dalloway, Septimus Warren Smith and Peter
Walsh.
George Orwell (1903-1950)
By setting 1984 in London, Orwell is
able to invoke the atmosphere of a real
war-torn community. His intent clearly
was to capitalize on a memory that
every reader, especially a British
reader, was likely to have. London
in 1984, then, becomes not just a
make-believe place where bad things
happen to unknown people, but a very
real geographical spot that still holds
some connection for the modern
reader.

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The city of London

  • 1. Mind map: The city of London Andrea Scalzi VF
  • 2. William Blake (1757-1827) William Blake describes his city in ^London ̄. In the poem, Blake is principally describing a very corrupted society dominated by the power of materialism and the contrast between upper and working-class sections of society. It is written from a very negative perspective where people who exist in a dark and oppressive world, suffering the consequences of corruption of those in positions of power. The problem is that they do not realize this is happening to them. For this reason, he is rejecting the idea of an ideological or perfect place to live and he wants people to be aware of the misery surrounding them. No wonderful streets, no pleasant people. A world with a very depressing atmosphere, where everything is poverty stricken. All these ideas are represented in one place: London.
  • 3. Charles Dickens (1812-1870) Charles Dickens was well versed in the poverty of London, as he himself was a child worker after his father was sent to debtors¨ prison. His appreciation of the hardships endured by impoverished citizens stayed with him for the rest of his life and was evident in his novels. Dickens began writing Oliver Twist after the adoption of the Poor Law of 1834, which halted government payments to the able-bodied poor unless they entered workhouses. The novel was the first of the author¨s works to realistically depict the impoverished London underworld and to illustrate his belief that poverty leads to crime.
  • 4. Robert Louis Stevenson (1850-1894) London is the key to fully exploring Stevenson's theme of duality in ^The Strange Case of Dr. Jekyll and Mr. Hyde ̄. The London street on which the novel begins is an important setting throughout the story. Victorian London was new and exciting, and Stevenson portrays it as both beautifully majestic and mysteriously dark.
  • 5. Oscar Wilde (1854-1900) Wilde¨s The Picture of Dorian Gray reinforces Victorian London¨s preoccupation with the zoning of London: the wealthy West End and the decrepit Est End. The fluidity in which Dorian moves between his debauchery amongst the docks and opium dens of the East End to the high society of West London, emphasises his duality.
  • 6. Virginia Woolf (1882-1941) To Virginia Woolf, London was a source of creative inspiration, a setting for many of her works, and a symbol of the culture in which she lived and wrote. The city fascinated Woolf, yet her relationship with it was problematic. In her attempts to resolve her developmental struggles as a woman write in a patriarchal society, Woolf shaped and reshaped the image and meaning of London. In "Mrs. Dalloway", Virginia Woolf uses the setting of the city of London to effectively show the vastly different emotional responses of the three of the novel's characters: Clarissa Dalloway, Septimus Warren Smith and Peter Walsh.
  • 7. George Orwell (1903-1950) By setting 1984 in London, Orwell is able to invoke the atmosphere of a real war-torn community. His intent clearly was to capitalize on a memory that every reader, especially a British reader, was likely to have. London in 1984, then, becomes not just a make-believe place where bad things happen to unknown people, but a very real geographical spot that still holds some connection for the modern reader.