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This document compares classical realism and meta realism in ideology. Classical realism demanded complete acceptance of illusion, while meta realism continuously deconstructs and critiques itself, giving the subject a stronger sense of mastery through revealing its own machinery. The emergence of meta realism can be related to cultural changes where new technologies have redefined standards of illusionism and interactive experience. Examples of emerging technologies that enable new forms of interactive narratives and illusionism through motion sensors, projection mapping, holograms, and glasses-free 3D are discussed.
Dart
- 1. Meta Realism vs. Classical Realism Classical Realism Classical Realism
- 2. Classical Realism ? corresponded to the functioning of ideology during modernity: ? totalization of a semiotic field ? ‘false consciousness’ ? complete illusion ? demanded that the subject completely accepted the illusion for as long as it lasted
- 3. Meta Realism ? Different ideology: ? continuously and skillfully deconstructs itself ? presenting the subject with countless ‘scandals’ and ‘ investigations’ ? Auto-critique, scandal, revelation of its machinery
- 5. Meta Realism ? user has stronger position of mastery ? incorporates its own critique inside itself. ? its emergence can be related to a larger cultural change.
- 6. True? In my view, the most successful example of such an aesthetics already in existence is a military simulator, the only mature form of interactive narrative. ——Lev Manovich ——Lev Manovich ——Lev Manovich
- 7. Technology development ? new technologies redefined our standards of illusionism ? new medium ? new interactive experience
- 8. Future?
- 9. What we can do NOW ? Projection mapping & holographic projection ? Motion sensor (Wii, PlayStation Move, Kinect, Leap Motion & Samsung Galaxy S4 eye scroll & eye pause) ? Celluon Magic Cube ? Glasses Free 3D (Palm Top Theater)
- 10. Projection mapping & Holographic projection First live and interactive demonstration of a hologram communication system (London 2009)
- 12. Motion Sensor
- 14. Glasses-Free 3D