Hannah Morse was booked for a voiceover session on the 8th of May 2014 at 2:30pm. The voiceover artist for the session was Denni Hepburn and the studio manager overseeing the session was Damen Bramwell.
Bethany Melia booked a voiceover session with Hannah Morse for August 5th, 2014 at 1:00 pm. The studio manager overseeing the session was Damen Bramwell.
The call sheet provides the schedule and contact information for filming a music video over several days and locations around Walkden and Manchester. Filming will take place from 10am to 6pm on various dates in February 2013. It includes the schedule with scene numbers being shot each time block, and contact details for the three people from GBH Productions organizing the shoot.
Hannah Morse created a production log for her Topshop advertising project at Salford City College. She began by deciding to advertise women's clothing and creating a mood board and pitch. Next, she wrote a synopsis and storyboard. Hannah then completed pre-production paperwork like a schedule, equipment list, and crew requirements. She filmed the advert in one day using the college photography studio. Post-production took two lessons, first editing in Premier Pro using the storyboard, then adding color effects in After Effects.
This meeting record sheet documents a meeting held on January 15th, 2013 at 3pm in Eccles College to discuss an upcoming production. Beth Melia and Georgia Braidwood were present, with an apology from Hannah Morse. They discussed changing the script from three main characters to just one to allow a deeper focus on developing the single character's personality. The meeting closed at 3:40pm.
This document provides the assignment brief for a music video research and pre-production project. The assignment includes 5 tasks: 1) analyzing conventions in 3 existing music videos; 2) generating ideas for a new music video; 3) producing a budget and staffing plan; 4) writing a proposal and treatment; and 5) writing a script. The deadline is November 12th and the assignment will be assessed based on criteria for 3 qualifications in creative media production.
Hannah Morse booked media equipment from the Media Department for a project on April 30th. She booked one HD SLR camera, one lapel microphone, one digital video camera, one shotgun microphone, one boom pole, one compact digital stills camera, one SD card, one sound recording pack, one mini DV tape, and one tripod. The equipment booking is from 12pm to 2pm on April 30th.
This document provides a script for a music video to accompany the song "Sweet Disposition" by The Temper Trap. The script outlines 8 scenes that will depict a "day in the life" of three female characters. It begins with them getting ready in the morning and taking a bus to college. Later scenes show them at a house party, the messy aftermath, and flashbacks to their fun at the party. The final scene shows the tired but happy girls walking away from the camera at sunrise as the song ends. Each scene is paired with the corresponding lyrics and timed to the music.
The document lists equipment needed for a film production including cameras, lighting, sound recording kits, locations, art department items, and insurance. It provides details on rental costs for a Sony Z1 HDV camcorder ranging from £42-£68 per day, lighting kits from £12-£30 per day, sound recording kits from £31-£36 per day, and locations from £280-£400 per day. Insurance for a 3 day shoot is £63.
This document discusses the films REC and its American remake Quarantine. It provides background information on the production of both films such as their directors, years of release, distributors, budgets and box office takings. REC was made with a handheld documentary style to immerse viewers in the protagonist's perspective, while Quarantine had a higher budget but similar found footage style. The quick turnaround of the Quarantine remake related to audience demand for the horror genre filmed in this style. Factors like financial motivations, trends, genre popularity, synergy between related products, and vertical integration in the film industry influenced the decision to remake REC as Quarantine.
The EMMA's are award events that are taking place on a certain date to honor achievements in media. The location of the event is not specified. Awards will be given out at the event, which is intended to recognize individuals in the media industry.
Pre-production market research identifies the target audience for a film. For Need for Speed, researchers looked into the video game to understand audience interests. Focus groups and surveys then provide more information about the target audience and what they want to see.
During post-production, test screenings with the target audience gather feedback on the film to determine what should be cut or added before release.
Synergy between related industries like video games and films can boost both. The Need for Speed film draws on fans of the popular racing game franchise as its target audience. The film may increase interest in the old games, showing how each media product helps promote the other.
This meeting record sheet documents a meeting held on January 15th, 2013 at 3pm in Eccles College to discuss an upcoming production. Beth Melia and Georgia Braidwood were present, with an apology from Hannah Morse. They discussed changing the script from three main characters to just one to allow a deeper focus on developing the single character's personality. The meeting closed at 3:40pm.
This document appears to be a script summary of a horror film involving two characters, Alice and Grace. It describes home videos of Alice and Grace laughing and playing as children, followed by Alice grieving at Grace's grave in modern times. Alice finds a mysterious note on her doorstep that says "You're not alone" and starts locking her house when strange noises begin. Later, Alice runs through a graveyard seeking safety but is grabbed from behind by an unknown assailant.
This document outlines the requirements for a creative media production management project. The student must originate, develop, research, pitch and manage the production of a media product. They will be assessed on their pre-production planning, production skills, evaluation of the final product, and response to feedback. The project aims to demonstrate the student's abilities in independently managing an entire media production from start to finish. They must address all criteria for two units - Unit 4 on creative media production management and Unit 5 on working to a brief in the creative industries.
The production plan outlines requirements for a Topshop advert including crew of 2 models, camera operator, and actors Beth Melia and Georgia Braidwood. Props needed are festival clothes, sunglasses, and a guitar. Post-production will involve adding music and editing effects in After Effects.
This document outlines the schedule for a BTEC Level 3 Extended Diploma in Creative Media Production for Film, TV and Radio students at Eccles Sixth Form Centre. It details the tasks to be completed each week between April 15th and May 20th 2013 for the unit Objects of Desire, including pre-production, production and post-production work on creating an advert. It also notes weekly reviews of the production schedule and log.
This document contains risk assessments for various film production scenes and locations conducted by Georgia Braidwood, Beth Melia, and Hannah Morse. Key hazards identified include kitchen appliances, clothes on the floor, hair appliances, overcrowding on trains, falling on train platforms, weather, sharp objects in kitchens, electrical equipment in classrooms, spills on wires, and confined spaces. Risks were generally rated from 1-5, with the highest risks being electrocution, falling from train platforms, and train crashes. Actions to mitigate risks focused on switching off appliances, cleaning areas, filming during quiet/dry times, restricting access to dangerous areas, and being aware of hazards.
This document provides a detailed summary and timeline for an 8-part music video. It describes the scenes, shots, angles, lighting, and placement of lyrics/music for each part of the video. The video will tell the story of a day in the life of three girls, from getting ready in the morning to recovering from a house party. It will use a mix of rehearsed and candid shots to depict the girls' daily routines and weekend activities.
Hannah Morse was booked for a voiceover session on the 8th of May 2014 at 2:30pm. The voiceover artist for the session was Denni Hepburn and the studio manager overseeing the session was Damen Bramwell.
Beth Melia is directing a horror film trailer shooting on Tuesday, February 11th at 22:30 at The Vulcan Inn located at 94 Worsley Rd N, Manchester M28 3QW. The call sheet lists Beth Melia as director/producer/camera, Hannah Morse and Denni Hepburn as camera 2 and runner, and Daniel Watt, Curtis Jackson, Christian Owens, Amanda Williamson and Emily Grimshaw as extras. The nearest hospital is the Royal Bolton Hospital in Bolton.
The group meeting decided to use Beth's final script for the production because the song she chose relates more to the target audience. They also agreed that Beth's concept for the music video would give it a more professional look overall. The meeting was held on January 8th, 2013 at 3pm in the College Canteen and included Beth Melia, Georgia Braidwood, and Hannah Morse.
GBH Productions met on January 8th, 2013 at 3pm in the College Canteen to discuss the production of the music video "Sweet Disposition". Beth Melia, Georgia Braidwood, and Hannah Morse were present. They decided to use Beth's final script because the song she chose relates more to their intended target audience. The group also agreed that Beth's concept for the music video would give it a more professional look overall. The meeting ended at 3:40pm.
The marketing campaign for the Need for Speed film featured actor Aaron Paul appearing on various television shows and media platforms. He appeared on Top Gear, which had a similar target audience as the film of males aged 18-40 interested in cars. His appearance included an interview and racing challenge. He also went on the Graham Norton show, attracting a wider audience including women and a broader age range. Appearing on Top Gear was likely the most effective at reaching the film's intended target audience due to its similar demographic focus. Aaron Paul was a good choice as the face of the campaign due to his popularity from Breaking Bad, which would attract interest in what he was promoting.
The first document provides information about the romantic comedy film LOL starring Miley Cyrus and Demi Moore. It's about a teenager navigating high school relationships and friendship while dealing with her overbearing mother.
The second document is about the romantic comedy (500) Days of Summer starring Joseph Gordon-Levitt and Zooey Deschanel. It's about a man who falls for a woman who doesn't believe in love and their evolving relationship.
The third document is about the romantic comedy Friends with Benefits starring Mila Kunis and Justin Timberlake. It's about two friends who start a friends with benefits arrangement but complications arise when feelings develop.
The document provides information on three romantic comedy films:
1) LOL starring Miley Cyrus, about a mother discovering her daughter's journal and their communication gap.
2) Friends with Benefits starring Justin Timberlake and Mila Kunis, about two friends who have a friends with benefits arrangement that leads to complications.
3) That Awkward Moment starring Zac Efron, about three friends navigating relationships and dating in New York City.
Pre-production market research identifies the target audience for a film. For Need for Speed, researchers looked at the video game to understand audience interests. Focus groups and surveys help learn what the target audience wants in the film. During post-production, test screenings with the target audience provide feedback on the film to determine what to cut or add before release.
The marketing campaign for the Need for Speed film involved actor Aaron Paul appearing on various television shows and media platforms. He appeared on Top Gear, which has a similar target audience as the film of males aged 18-40 interested in cars. He also appeared on The Graham Norton Show to reach a wider audience that includes women and a broader age range. While both shows helped promote the film, Top Gear was likely more effective at reaching the intended target audience given its specific focus on cars. Aaron Paul was a good choice as the face of the campaign due to his popularity from Breaking Bad, which would attract audiences to learn more about his new project.
The marketing campaign for the Need for Speed film involved actor Aaron Paul appearing on various television shows and media platforms. He appeared on Top Gear, which has a similar target audience to the film of males aged 18-40 interested in cars. On the show, he did a short interview about the film and a race track challenge. He also appeared on The Graham Norton Show, which attracts a wider audience including women and a broader age range. The document argues that Top Gear was the most effective media platform for reaching the film's intended target audience due to its similar demographic focus. It also asserts that Aaron Paul was well-suited to lead the marketing campaign because of his popularity from Breaking Bad.
This document discusses the films REC and its American remake Quarantine. It provides background information on the production of both films such as their directors, years of release, distributors, budgets and box office takings. REC was made with a handheld documentary style to immerse viewers in the protagonist's perspective, while Quarantine had a higher budget but similar found footage style. The quick turnaround of the Quarantine remake related to audience demand for the horror genre filmed in this style. Factors like financial motivations, trends, genre popularity, synergy between related products, and vertical integration in the film industry influenced the decision to remake REC as Quarantine.
The EMMA's are award events that are taking place on a certain date to honor achievements in media. The location of the event is not specified. Awards will be given out at the event, which is intended to recognize individuals in the media industry.
Pre-production market research identifies the target audience for a film. For Need for Speed, researchers looked into the video game to understand audience interests. Focus groups and surveys then provide more information about the target audience and what they want to see.
During post-production, test screenings with the target audience gather feedback on the film to determine what should be cut or added before release.
Synergy between related industries like video games and films can boost both. The Need for Speed film draws on fans of the popular racing game franchise as its target audience. The film may increase interest in the old games, showing how each media product helps promote the other.
This meeting record sheet documents a meeting held on January 15th, 2013 at 3pm in Eccles College to discuss an upcoming production. Beth Melia and Georgia Braidwood were present, with an apology from Hannah Morse. They discussed changing the script from three main characters to just one to allow a deeper focus on developing the single character's personality. The meeting closed at 3:40pm.
This document appears to be a script summary of a horror film involving two characters, Alice and Grace. It describes home videos of Alice and Grace laughing and playing as children, followed by Alice grieving at Grace's grave in modern times. Alice finds a mysterious note on her doorstep that says "You're not alone" and starts locking her house when strange noises begin. Later, Alice runs through a graveyard seeking safety but is grabbed from behind by an unknown assailant.
This document outlines the requirements for a creative media production management project. The student must originate, develop, research, pitch and manage the production of a media product. They will be assessed on their pre-production planning, production skills, evaluation of the final product, and response to feedback. The project aims to demonstrate the student's abilities in independently managing an entire media production from start to finish. They must address all criteria for two units - Unit 4 on creative media production management and Unit 5 on working to a brief in the creative industries.
The production plan outlines requirements for a Topshop advert including crew of 2 models, camera operator, and actors Beth Melia and Georgia Braidwood. Props needed are festival clothes, sunglasses, and a guitar. Post-production will involve adding music and editing effects in After Effects.
This document outlines the schedule for a BTEC Level 3 Extended Diploma in Creative Media Production for Film, TV and Radio students at Eccles Sixth Form Centre. It details the tasks to be completed each week between April 15th and May 20th 2013 for the unit Objects of Desire, including pre-production, production and post-production work on creating an advert. It also notes weekly reviews of the production schedule and log.
This document contains risk assessments for various film production scenes and locations conducted by Georgia Braidwood, Beth Melia, and Hannah Morse. Key hazards identified include kitchen appliances, clothes on the floor, hair appliances, overcrowding on trains, falling on train platforms, weather, sharp objects in kitchens, electrical equipment in classrooms, spills on wires, and confined spaces. Risks were generally rated from 1-5, with the highest risks being electrocution, falling from train platforms, and train crashes. Actions to mitigate risks focused on switching off appliances, cleaning areas, filming during quiet/dry times, restricting access to dangerous areas, and being aware of hazards.
This document provides a detailed summary and timeline for an 8-part music video. It describes the scenes, shots, angles, lighting, and placement of lyrics/music for each part of the video. The video will tell the story of a day in the life of three girls, from getting ready in the morning to recovering from a house party. It will use a mix of rehearsed and candid shots to depict the girls' daily routines and weekend activities.
Hannah Morse was booked for a voiceover session on the 8th of May 2014 at 2:30pm. The voiceover artist for the session was Denni Hepburn and the studio manager overseeing the session was Damen Bramwell.
Beth Melia is directing a horror film trailer shooting on Tuesday, February 11th at 22:30 at The Vulcan Inn located at 94 Worsley Rd N, Manchester M28 3QW. The call sheet lists Beth Melia as director/producer/camera, Hannah Morse and Denni Hepburn as camera 2 and runner, and Daniel Watt, Curtis Jackson, Christian Owens, Amanda Williamson and Emily Grimshaw as extras. The nearest hospital is the Royal Bolton Hospital in Bolton.
The group meeting decided to use Beth's final script for the production because the song she chose relates more to the target audience. They also agreed that Beth's concept for the music video would give it a more professional look overall. The meeting was held on January 8th, 2013 at 3pm in the College Canteen and included Beth Melia, Georgia Braidwood, and Hannah Morse.
GBH Productions met on January 8th, 2013 at 3pm in the College Canteen to discuss the production of the music video "Sweet Disposition". Beth Melia, Georgia Braidwood, and Hannah Morse were present. They decided to use Beth's final script because the song she chose relates more to their intended target audience. The group also agreed that Beth's concept for the music video would give it a more professional look overall. The meeting ended at 3:40pm.
The marketing campaign for the Need for Speed film featured actor Aaron Paul appearing on various television shows and media platforms. He appeared on Top Gear, which had a similar target audience as the film of males aged 18-40 interested in cars. His appearance included an interview and racing challenge. He also went on the Graham Norton show, attracting a wider audience including women and a broader age range. Appearing on Top Gear was likely the most effective at reaching the film's intended target audience due to its similar demographic focus. Aaron Paul was a good choice as the face of the campaign due to his popularity from Breaking Bad, which would attract interest in what he was promoting.
The first document provides information about the romantic comedy film LOL starring Miley Cyrus and Demi Moore. It's about a teenager navigating high school relationships and friendship while dealing with her overbearing mother.
The second document is about the romantic comedy (500) Days of Summer starring Joseph Gordon-Levitt and Zooey Deschanel. It's about a man who falls for a woman who doesn't believe in love and their evolving relationship.
The third document is about the romantic comedy Friends with Benefits starring Mila Kunis and Justin Timberlake. It's about two friends who start a friends with benefits arrangement but complications arise when feelings develop.
The document provides information on three romantic comedy films:
1) LOL starring Miley Cyrus, about a mother discovering her daughter's journal and their communication gap.
2) Friends with Benefits starring Justin Timberlake and Mila Kunis, about two friends who have a friends with benefits arrangement that leads to complications.
3) That Awkward Moment starring Zac Efron, about three friends navigating relationships and dating in New York City.
Pre-production market research identifies the target audience for a film. For Need for Speed, researchers looked at the video game to understand audience interests. Focus groups and surveys help learn what the target audience wants in the film. During post-production, test screenings with the target audience provide feedback on the film to determine what to cut or add before release.
The marketing campaign for the Need for Speed film involved actor Aaron Paul appearing on various television shows and media platforms. He appeared on Top Gear, which has a similar target audience as the film of males aged 18-40 interested in cars. He also appeared on The Graham Norton Show to reach a wider audience that includes women and a broader age range. While both shows helped promote the film, Top Gear was likely more effective at reaching the intended target audience given its specific focus on cars. Aaron Paul was a good choice as the face of the campaign due to his popularity from Breaking Bad, which would attract audiences to learn more about his new project.
The marketing campaign for the Need for Speed film involved actor Aaron Paul appearing on various television shows and media platforms. He appeared on Top Gear, which has a similar target audience to the film of males aged 18-40 interested in cars. On the show, he did a short interview about the film and a race track challenge. He also appeared on The Graham Norton Show, which attracts a wider audience including women and a broader age range. The document argues that Top Gear was the most effective media platform for reaching the film's intended target audience due to its similar demographic focus. It also asserts that Aaron Paul was well-suited to lead the marketing campaign because of his popularity from Breaking Bad.
The document provides information on three romantic comedy films:
1) LOL focuses on a teenager navigating high school relationships and the communication gap with her mother. It stars Miley Cyrus and Demi Moore.
2) Friends With Benefits is about two friends in LA whose friendship turns into a friendship with benefits, complicated by past emotional issues. It stars Joseph Gordon-Levitt and Zooey Deschanel.
3) That Awkward Moment stars Zac Efron and focuses on three best friends and how adding sex complicates their friendships.
This magazine cover analysis discusses Billboard magazine. Some key points:
- Billboard is a weekly music magazine that has been published since 1894 aimed at those interested in music.
- The logo and consistent cover layout help attract regular readers by being familiar.
- The February 2011 cover features Lady Gaga, who was prominently promoted due to a new album release.
- Large font is used for the artist's name to draw attention to the main selling point of featuring a different artist each week.
The photoshoot plan aims to capture 10 images for a magazine cover and spread featuring a model in vintage-style clothing and dark makeup. The photoshoot will take place on February 10th at 12pm in the college photography studio to control lighting. Equipment needed includes a guitar prop to fit the music magazine theme. Health and safety considerations include checking lighting wires and cables are safely tucked away.
The document describes the process of designing a double page magazine spread. The designer began by adding a black background and white text to establish consistency. Images were resized and placed throughout the spread, with text added in a uniform font and color. The designer was careful to lay out the text and images so that the spread was visually appealing and easy to read while maintaining a consistent style.
Beth Melia discusses her whirlwind rise to fame over the past year, from being a normal girl in Ireland to now hanging out with pop stars like Ellie Goulding. She credits her brother Jake with inspiring her to sing and helping promote her career. While touring has been an amazing experience, like touring with Taylor Swift, her favorite part is still going back home to Mullingar, Ireland to spend time with family and friends. She also clarifies that rumors of her dating Niall Horan are untrue, saying they are just friends who went to the same school.
Hannah created a horror film trailer for her final major project. She filmed with a Nikon DSLR camera and used close-ups, medium shots, and different angles. She edited the footage in Adobe Premier Pro, using slow then fast-paced music to build tension. Feedback noted she could have edited footage more and added effects, but overall the trailer was effective at not revealing too much while building tension through sound. Moving forward, Hannah would improve lighting and editing, but is pleased with how the trailer engaged its intended young adult horror fan audience.
The document discusses fading audio tracks in and out to provide a smooth transition between sections rather than abrupt cuts. It mentions fading a crowd out slowly and fading two speaking tracks together to sound like a continuous conversation without pauses. The document refers to audio speaking tracks that have been faded together for a smooth flow.
The document is a production diary for a student's final major project creating a horror film trailer. It provides weekly updates over several months of pre-production, production, and post-production work. The student conducted research on horror film trailers, created a pitch, script, storyboards, and then filmed footage. Editing involved organizing footage, adding music and sound effects, and rearranging clips. The student completed the trailer and plans to review all pre-production materials and begin an evaluation of their work.
The document discusses techniques for editing a horror film trailer, including setting the scene with text before showing any footage, changing some footage to look like home videos to show what life was like before a character's death, and using common horror film settings like graveyards and houses. It also lists examples of iconography commonly found in horror film trailers, such as symbols of death, blood, screaming victims, murder weapons, dark places, and binaries of good and evil.
The document discusses conventions used in horror film trailers, including setting the scene with text before showing any footage, editing footage to look like home videos to establish context, and using common settings like graveyards and houses. It also lists examples of iconography commonly found in horror film trailers, such as symbols of death, blood, screaming victims, murder weapons, dark places, and binaries of good and evil.
The document discusses techniques for editing a horror film trailer, including setting the scene with text before showing any footage, changing some footage to look like home videos to show what life was like before a character's death, and using common horror film settings like graveyards and houses. It also lists examples of iconography commonly found in horror film trailers, such as symbols of death, blood, screaming victims, murder weapons, dark places, and binaries of good and evil.
A horror film trailer is looking for two locations in Manchester, England - St. Pauls Vicarage located at 10 Old Vicarage Gardens and a second location on Thornhill Drive in Walkden, Manchester.
The document discusses techniques for editing a horror film trailer, including setting the scene with text before showing any footage, changing some footage to look like home videos to show what life was like before a character's death, and using common horror film settings like graveyards and houses. It also lists examples of iconography commonly found in horror film trailers, such as symbols of death, blood, screaming victims, murder weapons, dark places, and binaries of good and evil.
There are two main approaches to analyzing films: genre analysis and auteur theory. Genre analysis examines how a film conforms to the conventions of its genre, like using expected character types and themes. Auteur theory looks at how the director brings their personal style and breaks genre conventions. Mean Girls is given as an example of genre analysis for a teen comedy because it uses standard elements like a voiceover and popular girl protagonist. Napoleon Dynamite is cited as an example of auteur theory in teen comedies since the director subverts expectations with an unpopular male lead. Quantum of Solace exemplifies genre analysis in action films by adhering to codes like handsome male leads and damsel-in-distress females. In contrast