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Feminist Criticism
Presented by Jenny Li, MA Program
College of Foreign Languages, FJCU
2
Presentation Outline
Feminism and feminist criticism
Feminist criticism and the role of theory
Feminist criticism and language
Feminist criticism and psychoanalysis
Woman¡¯s role: Wuthering Heights
Questions
Works cited
3
? The ¡°women¡¯s movement¡± of the 1960s: a renewal
? Mary Wollstonecraft¡¯s A Vindication of the Rights of Women
(1792)
? Virginia Woolf¡¯s A Room of One¡¯s Own (1929)
? The direct product of the women¡¯s movement of
the 1960s
? The movement realized the significance of the
images of women promulgated by literature
? Not an off-shoot or a spin-off from feminism
? But one of its most practical ways of influencing everyday
conduct and attitudes
Feminism and feminist criticism
4
? The representation of women in literature: socialization
?Toril Moi¡¯s explanation
? Feminist: A political position
? Female: A matter of biology
? Feminine: A set of culturally defined characteristics
? 19th-century fiction: the focus of interest is on the heroine¡¯s choice
of marriage partner, which will decide her ultimate social position.
? 1970s: exposing ¡°mechanisms of patriarchy¡±
? The cultural ¡°mind-set¡± in men and women which perpetuated
sexual inequality (male writers constructed typical images of
women)
? Elaine Showaiter: ¡°andro-texts¡±¡ú¡°gynotexts¡±
Feminism and feminist criticism
5
? 1980s
? Feminist criticism became much more eclectic (drew upon other
criticism)
? Attacking male versions of the world¡úExploring the nature of the
female world and outlook.
? Elaine Showaiter: the history of women¡¯s writing
? Feminine phase (1840-1880): imitated
? Feminist phase (1880-1920): maintained
? Female phase (1920 onwards): looked particularly at¡­
? Three particular areas: theory, language,
psychoanalysis
Feminism and feminist criticism
6
? A major division within feminist criticism has
concerned disagreements about the amount and
type of theory.
?Anglo-American version of feminism: more skeptical
about recent critical theory, and more cautious in using
it. (close reading and explication of individual literary
texts)
?English feminist criticism: tends to be ¡°socialist feminist¡±
in orientation. (cultural materialism and Marxism)
?French feminists: language and psychology (the literary
text is never primarily a representation of reality.)
Feminist criticism and the role of theory
7
? Do women have any specific language form?
? Virginia Woolf: language use is gendered
? A ¡°woman¡¯s sentence¡±: the clauses are linked in
looser sequences, rather than carefully balanced
and patterned as in male prose.
? Helene Cixous, French theorist: ecriture feminine
?It is associated with the feminine, and facilitating the
free play of meanings within the framework of loosened
grammatical structures.
Feminist criticism and language
8
? Kate Millett¡¯s Sexual Politics (1969)
?it condemns Freud as a prime source of the patriarchal
attitudes against which feminists must fight.
? Juliet Mitchell¡¯s Psychoanalysis and Feminism
(1974)
?a defense for Freud against Millett.
? Simone de Beauvoir, The Second Sex (1949)
?¡°One is not born a woman; rather, one becomes a
woman.¡±
Feminist criticism and psychoanalysis
9
Woman¡¯s role: Wuthering Heights
? Gilbert and Gubar¡¯s strategy with Bronte¡¯s
novel: a female version of the male form
?In male form: the hero¡¯s growth to manhood is traced,
as a process of ¡°triumphant self-discovery¡±, whereby
an identity is discovered and a mission in life
conceived and embarked upon.
?In female form: the heroine¡¯s growth to womanhood
records a process of ¡°anxious self-denial¡±, this being
the ¡°ultimate product of a female education.¡±
10
Woman¡¯s role: Wuthering Heights
11
Woman¡¯s role: Wuthering Heights
? Catherine: she does not know
her own name, and therefore
cannot know either who she is
or whom she is destined to be.
? The process: ¡°social castration¡±
? Leave behind all her instinctive
preferences, signified by the
Heights
? Take on an alien attitude, signified
by Thrushcross Grange
? In order to achieve acceptability
and femininity¡­
12
Woman¡¯s role: Wuthering Heights
? The marriage with Edgar Linton:
locks Catherine into a social
system which denies her
autonomy
? In Thrushcross Grange:
Catherine represses her desire
and stays in ¡°reason¡±
? The return of Heathcliff: the
return of her true self¡¯s desires
13
Questions
? Do women/men have any specific language form?
? Do you agree that women are ¡°defined¡± or ¡°constructed¡±
by society/men? If not, then who/what defines women?
(language?)
? Are the terms such as ¡°male/female¡±, ¡°hero/heroine¡±,
¡°history/herstory¡± the products of feminism? Do they
strive for a gender balance in language?
? If a man concerns about female issues, and makes great
contributions in this field, can he be called as a ¡°feminist¡±?
(The Guy¡¯s Guide to Feminism by Michael Kimmel and
Michael Kaufman) (ex. abolitionist)
14
? Barry, Peter. Beginning Theory: An Introduction
to Literary and Cultural Theory. 2nd ed.
Manchester University P. 2002.
? Èû –µÇµÈÖø£¬„¢ÏóÓÞ×g¡£¡¶®”´úÎÄŒWÀíÕ“Œ§
×x¡·£¬Îå°æ£¬±±¾©£º±±¾©´óŒW³ö°æÉç¡£2006Äê
12Ô¡£
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  • 1. 1 Feminist Criticism Presented by Jenny Li, MA Program College of Foreign Languages, FJCU
  • 2. 2 Presentation Outline Feminism and feminist criticism Feminist criticism and the role of theory Feminist criticism and language Feminist criticism and psychoanalysis Woman¡¯s role: Wuthering Heights Questions Works cited
  • 3. 3 ? The ¡°women¡¯s movement¡± of the 1960s: a renewal ? Mary Wollstonecraft¡¯s A Vindication of the Rights of Women (1792) ? Virginia Woolf¡¯s A Room of One¡¯s Own (1929) ? The direct product of the women¡¯s movement of the 1960s ? The movement realized the significance of the images of women promulgated by literature ? Not an off-shoot or a spin-off from feminism ? But one of its most practical ways of influencing everyday conduct and attitudes Feminism and feminist criticism
  • 4. 4 ? The representation of women in literature: socialization ?Toril Moi¡¯s explanation ? Feminist: A political position ? Female: A matter of biology ? Feminine: A set of culturally defined characteristics ? 19th-century fiction: the focus of interest is on the heroine¡¯s choice of marriage partner, which will decide her ultimate social position. ? 1970s: exposing ¡°mechanisms of patriarchy¡± ? The cultural ¡°mind-set¡± in men and women which perpetuated sexual inequality (male writers constructed typical images of women) ? Elaine Showaiter: ¡°andro-texts¡±¡ú¡°gynotexts¡± Feminism and feminist criticism
  • 5. 5 ? 1980s ? Feminist criticism became much more eclectic (drew upon other criticism) ? Attacking male versions of the world¡úExploring the nature of the female world and outlook. ? Elaine Showaiter: the history of women¡¯s writing ? Feminine phase (1840-1880): imitated ? Feminist phase (1880-1920): maintained ? Female phase (1920 onwards): looked particularly at¡­ ? Three particular areas: theory, language, psychoanalysis Feminism and feminist criticism
  • 6. 6 ? A major division within feminist criticism has concerned disagreements about the amount and type of theory. ?Anglo-American version of feminism: more skeptical about recent critical theory, and more cautious in using it. (close reading and explication of individual literary texts) ?English feminist criticism: tends to be ¡°socialist feminist¡± in orientation. (cultural materialism and Marxism) ?French feminists: language and psychology (the literary text is never primarily a representation of reality.) Feminist criticism and the role of theory
  • 7. 7 ? Do women have any specific language form? ? Virginia Woolf: language use is gendered ? A ¡°woman¡¯s sentence¡±: the clauses are linked in looser sequences, rather than carefully balanced and patterned as in male prose. ? Helene Cixous, French theorist: ecriture feminine ?It is associated with the feminine, and facilitating the free play of meanings within the framework of loosened grammatical structures. Feminist criticism and language
  • 8. 8 ? Kate Millett¡¯s Sexual Politics (1969) ?it condemns Freud as a prime source of the patriarchal attitudes against which feminists must fight. ? Juliet Mitchell¡¯s Psychoanalysis and Feminism (1974) ?a defense for Freud against Millett. ? Simone de Beauvoir, The Second Sex (1949) ?¡°One is not born a woman; rather, one becomes a woman.¡± Feminist criticism and psychoanalysis
  • 9. 9 Woman¡¯s role: Wuthering Heights ? Gilbert and Gubar¡¯s strategy with Bronte¡¯s novel: a female version of the male form ?In male form: the hero¡¯s growth to manhood is traced, as a process of ¡°triumphant self-discovery¡±, whereby an identity is discovered and a mission in life conceived and embarked upon. ?In female form: the heroine¡¯s growth to womanhood records a process of ¡°anxious self-denial¡±, this being the ¡°ultimate product of a female education.¡±
  • 11. 11 Woman¡¯s role: Wuthering Heights ? Catherine: she does not know her own name, and therefore cannot know either who she is or whom she is destined to be. ? The process: ¡°social castration¡± ? Leave behind all her instinctive preferences, signified by the Heights ? Take on an alien attitude, signified by Thrushcross Grange ? In order to achieve acceptability and femininity¡­
  • 12. 12 Woman¡¯s role: Wuthering Heights ? The marriage with Edgar Linton: locks Catherine into a social system which denies her autonomy ? In Thrushcross Grange: Catherine represses her desire and stays in ¡°reason¡± ? The return of Heathcliff: the return of her true self¡¯s desires
  • 13. 13 Questions ? Do women/men have any specific language form? ? Do you agree that women are ¡°defined¡± or ¡°constructed¡± by society/men? If not, then who/what defines women? (language?) ? Are the terms such as ¡°male/female¡±, ¡°hero/heroine¡±, ¡°history/herstory¡± the products of feminism? Do they strive for a gender balance in language? ? If a man concerns about female issues, and makes great contributions in this field, can he be called as a ¡°feminist¡±? (The Guy¡¯s Guide to Feminism by Michael Kimmel and Michael Kaufman) (ex. abolitionist)
  • 14. 14 ? Barry, Peter. Beginning Theory: An Introduction to Literary and Cultural Theory. 2nd ed. Manchester University P. 2002. ? Èû –µÇµÈÖø£¬„¢ÏóÓÞ×g¡£¡¶®”´úÎÄŒWÀíÕ“Œ§ ×x¡·£¬Îå°æ£¬±±¾©£º±±¾©´óŒW³ö°æÉç¡£2006Äê 12Ô¡£ Works Cited