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ABSTRACTIONISM
ABSTRACTIONSM
 Same time with Expressionism
 Concepts: Space-time and relativity
 While Expressionism was emotional,
Abstractionism is Logical and rational.
 It involved: Analyzing, detaching, selecting,
and simplifying
Representational abstractionism
 Artists reduced a sc竪ne
into geometrical shapes,
patterns, lines, angles,
textures and swirls of
color.
 Depicting still-
recognizable subjects to
pure abstractionism
where no recognizable
subject could be
discerned. Oval Still Life (Le Violon)
Georges Braque, 1914
CUBISM
 Cubist style derived its name from the cube, a three-
dimensional geometric figure composed of strictly
measured lines, planes, and angles.
 Cubist artworks were, therefore a play of planes and
angles on a flat surface
 In earlier styles, subjects were depicted in a three-
dimensional manner, formed by light and shadow.
 In contrast, the cubists analyzed their subjects basic
geometrical forms, and broke them up into a series of
planes. Then they re-assembled these planes, tilting
and interlocking them in different ways.
CUBISM
 In addition, the art of the of the past centuries
had depicted a scene from a single, stationary
point of view. In contrast, cubism took the
contemporary view that things are actually
seen hastily in fragments and from different
points of view at the same time.
CUBISM
 Pablo Picasso (Pablo Diego Jos辿 Francisco de
Paula Juan Nepomuceno Mar鱈a de los
Remedios Cipriano de la Sant鱈sima Trinidad
Ruiz y Picasso)  Cubist Spanish
painter/sculptor
PABLO PICASSO
PABLO PICASSO
THREE MUSICIANS, 1921 GIRL BEFORE A MIRROR, 1932
FUTURISM
 Began in Italy in the early 1900s.
 Futurists created art for a fast-paced,
machine-propelled age.
 They admired the motion, force, speed, and
strength of mechanical forms
GINO SEVERINI
 was an Italian painter and a leading member
of the Futurist movement. For much of his life
he divided his time between Paris and Rome.
He was associated with neo-classicism and the
"return to order" in the decade after the First
World War. During his career he worked in a
variety of media, including mosaic and fresco.
He showed his work at major exhibitions,
including the Rome Quadrennial, and won art
prizes from major institutions.
FUTURISM
ARMORED TRAIN  GINO SEVERINI 1915
MECHANICAL STYLE
 In this style, basic forms such as planes, cones,
spheres, and cylinders all fit together precisely
and neatly in their appointed places.
MECHANICAL STYLE
The City  Fernand Leger, 1919
NONOBJECTIVISM
 Logical geometrical conclusion of abstractionism
 From the term non-object, works in this style
did not make use of figures or even
representations of figures. They did not refer to
recognizable objects or forms in the outside
world.
 Lines, shapes, and colors were used in a cool,
impersonal approach that aimed for balance,
unity and stability.
 Colors were mainly black, white, and the
primaries
PIET MONDARIAN
NEW YORK CITY - 1942

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Abstractionism ARTS grade 10

  • 2. ABSTRACTIONSM Same time with Expressionism Concepts: Space-time and relativity While Expressionism was emotional, Abstractionism is Logical and rational. It involved: Analyzing, detaching, selecting, and simplifying
  • 3. Representational abstractionism Artists reduced a sc竪ne into geometrical shapes, patterns, lines, angles, textures and swirls of color. Depicting still- recognizable subjects to pure abstractionism where no recognizable subject could be discerned. Oval Still Life (Le Violon) Georges Braque, 1914
  • 4. CUBISM Cubist style derived its name from the cube, a three- dimensional geometric figure composed of strictly measured lines, planes, and angles. Cubist artworks were, therefore a play of planes and angles on a flat surface In earlier styles, subjects were depicted in a three- dimensional manner, formed by light and shadow. In contrast, the cubists analyzed their subjects basic geometrical forms, and broke them up into a series of planes. Then they re-assembled these planes, tilting and interlocking them in different ways.
  • 5. CUBISM In addition, the art of the of the past centuries had depicted a scene from a single, stationary point of view. In contrast, cubism took the contemporary view that things are actually seen hastily in fragments and from different points of view at the same time.
  • 6. CUBISM Pablo Picasso (Pablo Diego Jos辿 Francisco de Paula Juan Nepomuceno Mar鱈a de los Remedios Cipriano de la Sant鱈sima Trinidad Ruiz y Picasso) Cubist Spanish painter/sculptor
  • 8. PABLO PICASSO THREE MUSICIANS, 1921 GIRL BEFORE A MIRROR, 1932
  • 9. FUTURISM Began in Italy in the early 1900s. Futurists created art for a fast-paced, machine-propelled age. They admired the motion, force, speed, and strength of mechanical forms
  • 10. GINO SEVERINI was an Italian painter and a leading member of the Futurist movement. For much of his life he divided his time between Paris and Rome. He was associated with neo-classicism and the "return to order" in the decade after the First World War. During his career he worked in a variety of media, including mosaic and fresco. He showed his work at major exhibitions, including the Rome Quadrennial, and won art prizes from major institutions.
  • 11. FUTURISM ARMORED TRAIN GINO SEVERINI 1915
  • 12. MECHANICAL STYLE In this style, basic forms such as planes, cones, spheres, and cylinders all fit together precisely and neatly in their appointed places.
  • 13. MECHANICAL STYLE The City Fernand Leger, 1919
  • 14. NONOBJECTIVISM Logical geometrical conclusion of abstractionism From the term non-object, works in this style did not make use of figures or even representations of figures. They did not refer to recognizable objects or forms in the outside world. Lines, shapes, and colors were used in a cool, impersonal approach that aimed for balance, unity and stability. Colors were mainly black, white, and the primaries
  • 15. PIET MONDARIAN NEW YORK CITY - 1942