Alternative materials tim teel
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Tim Teel has worked at C.F. Martin & Co. since 1986 in research and development and has experience developing many of their guitar series. He discusses Martin Guitar's history of switching wood materials due to sustainability concerns and their development of synthetic and domestic wood alternatives. Teel notes that while alternative materials have different tonal properties than natural woods, combinations and bracing are important, and acceptance in the market requires education around price, perception and timing of new materials.
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Top Producer Elston Richardson’s Musical Mastery.pdf Elston Lindsay Richardson
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Richardson has worked with some of the biggest names in music because of his talent. He is known as the go-to producer for people who want to make powerful, number-one music because of his ability to grasp an artist's vision and enhance it through production.
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Information of a Music Composer.... By PW.snehsoham
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Hi Everyone, This is Palash Wani. I have tried to make a Power Point Presentation about Alan Walker which is just for entertainment where people can know about him. I hope all the people would see my presentation. Thanks.
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Looking for the Best MP3 player with a powerful Video to MP3 converter? The Rocks Music Player is the ultimate solution for music lovers. This app not only delivers high-quality audio playback but also comes with a built-in MP4 to MP3 Player that allows you to extract audio from videos effortlessly.
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performance task 
Alternative materials tim teel
- 1. ALTERNATIVE MATERIALS TIM TEEL Director of Instrument Design C.F. MARTIN & CO.
- 2. Personal Background ? Interested in guitars at very young age ? Joined Martin Guitar in 1986 ? Started in R&D group in 1997 ? Worked on projects from X-series to Authentic Series
- 3. Martin Guitar History ? Late 1960’s switch from Brazilian to East Indian Rosewood ? Developed 3-piece back ? Used many domestic woods i.e. walnut, ash, maple, cherry, oak, red birch ? 1990’s developed smartwood guitars (FSC) ? 1998 launched X-series
- 7. Natural Alternatives ? Acceptable tonal properties ? Different tonal voices ? Combinations and bracing important ? Usually lower cost compared to synthetic materials
- 8. Medullary Rays Cambium Quartersawn Flatsawn Heart Cracks
- 10. Synthetic Materials ? Tonally very different than natural materials ? Different bracing needed ? Usually more durable ? Can be more expensive ? Not always better for environment
- 13. Market ? Acceptance ? Education ? Perception ? Price ? Timing
- 14. Conclusion ? Continual evolving mix of alternative materials are needed ? Education to end consumer is a must ? Managing natural resources is critical ? Developing great tonal synthetic materials will be a bonus