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ALTERNATIVE MATERIALS TIM TEEL Director of Instrument Design C.F. MARTIN & CO.
Personal Background Interested in guitars at very young age Joined Martin Guitar in 1986 Started in R&D group in 1997 Worked on projects from X-series to Authentic Series
Martin Guitar History Late 1960’s switch from Brazilian to East Indian Rosewood Developed 3-piece back Used many domestic woods i.e. walnut, ash, maple, cherry, oak, red birch 1990’s developed smartwood guitars (FSC) 1998 launched X-series
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High-pressure Laminate
Natural Alternatives Acceptable tonal properties Different tonal voices Combinations and bracing important Usually lower cost compared to synthetic materials
Medullary   Rays Cambium Quartersawn Flatsawn Heart Cracks
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Synthetic Materials Tonally very different than natural materials Different bracing needed Usually more durable Can be more expensive  Not always better for environment
Bracing- (Non-traditional)
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Market Acceptance Education Perception Price Timing
Conclusion Continual evolving mix of alternative materials are needed Education to end consumer is a must Managing natural resources is critical Developing great tonal synthetic materials will be a bonus

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