Christine De Weerdt: The use of digital media in a new urban history exhibition. 25.10.2011 Den Gamle By

Nov 7, 20112 likes975 views

Talk held at Urban History Exhibited. Seminar at Den Gamle By in Aarhus, Denmark. 25th October 2011. Christine De Weerdt, Museum Director STAM – stadsmuseum gent Abstract: In 2010, STAM – stadsmuseum gent re-opened after a radical reconstruction of both buildings and permanent exhibitions. The exhibitions make use of digital media on a much larger scale than seen at most other city museums (entire walls covered with screens, 3D-models, and digitally enriched photographs on floors and walls) next to more traditionally curated rooms. What were the intentions, the processes, and the reactions?

the shortest way to the city’s history Christine De Weerdt

Ghent: general facts & figures overall surface : 15.643 ha population : 246.719 (2010) - growth/increase +3.564 since 2009 (+1,4%) - slight female predominance (51,06 %) - over 150 different nationalities (12%) - average age: 39,58 years

city assets various operational functions: port city, university city, city of knowledge, culture in an historical city, Unesco creative city of music, shopping city, congress ciy, many sports facilities … the education city in Flanders (over 60.000 students at the University and other institutions of higher education) rich architectural, cultural and historic heritage

previously… archeological museum de bijloke closed in 2005

2. medieval refectory 14th century monument

abbey cloister ‘ storybenches’ and photo’s Carl De Keyzer

6. the just judges story of the painting ‘adoration of the mystic lamb’ and the theft of the ‘just judges’

9. the city of tomorrow a look into the future

what did it cost ? total: 14.693.432,28 €

131.812 visitors foreign visitors: 11% visitors according to age groups statistics after 1 year

number of awards: 3 languages in the STAM: 5 number of��guided tours: 1.607 students who visited the museum with�� ‘city classes’: 2.368 facebookfans: 3.052 statistics after 1 year

survey (august 2011) statistics after 1 year 46% spent between 1-2 hours in the museum, 41% spent 2-3 hours 72% of respondents stating that their visit exceeded their expectations all interactive media scored well in terms of user friendliness and quality of information less then 30% indicated that there was need for an audio-guide for 1/3 of the visitors, STAM encouraged them to explore other areas of the city

most popular movies in the multitouch table statistics after 1 year beguinage in the Lange Violettestraat (3007 x) life in the Vooruit in 1947 (2683 x) AA Gent wins the Belgian football cup in 2010 (2578 x) airshow in Sint-Denijs-Westrem in 1946 (1846 x) protesting students occupy the Counts Castle (1792 x)

Talk held at Urban History Exhibited. Seminar at Den Gamle By in Aarhus, Denmark. 25th October 2011. Paul van der Laar, Director of Collections/Professor of Urban History at Historical Museum, Rotterdam/Erasmus University Rotterdam Abstract: Nowadays, many city museum curators realize that in order to present urban narratives, considerations of authenticity are becoming less important than representations and should develop new urban story telling and imaginative strategies. New heritage models and concepts are needed as well, together with new professional qualifications for urban curators. They should expand their expertise beyond the classical driven collection based scholarship. Recent developments in urban history will be beneficial in enlarging the professional standards of city curators. They could benefit from new developments in urban history, in particular academic and museum historians are challenged by the concept of the transnational city and developments in urban visual history.

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Talk held at Urban History Exhibited. Seminar at Den Gamle By in Aarhus, Denmark. 25th October 2011. Jette Sandahl, Director of Museum of Copenhagen As nations decrease in importance and as the power of big cities increases, city museums become potentially more interesting. The scale and tempo, the richness, the contradictions and conflicts, the diversity and dilemmas of contemporary urban cultures are forcing many city museum realize that they are lagging behind, barely keeping up with their cities, and they have to examine their mission and purpose, their strategies and core values. The Museum of Copenhagen is one such museum trying to find methods of permanent change to keep up with the rapid and dynamic changes of our city; trying to find ways of anticipating, responding to and interpreting the sometimes intangible qualities of life; trying to develop platforms which support mediation, living with complexity, with disagreement, and which encourage participation, and invite users to engage with and challenge each other.

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By Harald Kraemer, School of Creative Media, City University of Hong Kong Since the 1990s, multimedia technology has had a growing impact on communication and education in museums. Museums have spent enormous effort in the production of multimedia applications like CD-i, CD-ROM, websites, kiosk-systems, etc. Nowadays museums are open to any kind of media that the new communication technology has forced them to comply with. Using Multimedia and Social Media-supported technologies, visitors have changed from passive learning customers to active co-authors and consumers. The Millennial generation in particular, with its narcissistic and event-driven behavior and its expectation of following the latest technology innovations, has led museums into a dependency with unforeseeable consequences. This essay contains aspects of the following questions: Are the multimedia contents, which mostly follow Alfred Barr’s didactic model of the educated consumer and focuses on interpretation, still relevant in view of the changed behavior of the digital born user? How can museums develop a contemporary education model that strengthens our visitor/user’s ability to critically engage with art and media? In the face of the growing loss of the products of our digital cultural heritage, the question remains how can we ensure that future generations will have access to the hypermedia applications created by museums, and that we will not lose these interactive masterpieces, as it is happening right now with the first generation of multimedia classics? Last not least the inglorious end of the NMC raises the question of who now evaluates and recommends the technologies that will have to be used in museums in the future.

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This document discusses how cities can revitalize abandoned industrial infrastructure by leveraging their cultural heritage and creative industries. It provides examples of how Sopron, Hungary and Eindhoven, Netherlands redeveloped former industrial sites by making them more pedestrian-friendly and transforming them into cultural quarters that attract creative professionals and businesses. Both cases show how respecting history, prioritizing pedestrians, and connecting new developments to the existing city helped spur economic and cultural regeneration.

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The document discusses branding and development initiatives in Athens, Greece. It outlines several programs and projects aimed at promoting Athens' culture and heritage, including City Branding, Innovathens, and Technopolis. It also details efforts to expand wireless internet access on the metro system and redevelop the historic city center. Private foundations like the Onassis Cultural Center and Stavros Niarchos Foundation support arts and culture. Overall the document provides an overview of Athens' efforts to strengthen its brand and promote tourism through investments in infrastructure, technology, arts, and entrepreneurship.

Positive Exposure – Connecting Culture with EuropeanaDouglas McCarthy

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DATA CULTURE What are the strategic and cultural data you wish to see freely ...Fabernovel

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1) The Emperor Konstantin Exhibition 2007 in Trier attracted over 350,000 visitors, far exceeding expectations of 250,000. It had wide press coverage and generated an estimated €56.7 million in economic impact. 2) Key success factors included the exhibition aligning with Trier's cultural focus on Roman history, clear targeting of an educated audience, high production quality, and cooperation between three local museums. 3) While most visitors stayed in Trier itself, there is potential to optimize the offering by strengthening regional cooperation, developing more immersive exhibition experiences, and better linking cultural activities with other local attractions like food and wine. Future events could profile Trier as a cultural tourism destination year

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Christine De Weerdt: The use of digital media in a new urban history exhibition. 25.10.2011 Den Gamle By

1. the shortest way to the city’s history Christine De Weerdt

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3. Ghent: general facts & figures overall surface : 15.643 ha population : 246.719 (2010) - growth/increase +3.564 since 2009 (+1,4%) - slight female predominance (51,06 %) - over 150 different nationalities (12%) - average age: 39,58 years

4. city assets various operational functions: port city, university city, city of knowledge, culture in an historical city, Unesco creative city of music, shopping city, congress ciy, many sports facilities … the education city in Flanders (over 60.000 students at the University and other institutions of higher education) rich architectural, cultural and historic heritage

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9. previously… archeological museum de bijloke closed in 2005

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31. opening STAM 9 october 2010

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39. 0. Ghent today

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44. 1. earliest development - 1200

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48. 2. medieval refectory 14th century monument

49. ��

50. 3. metropolis 1200 – 1600

51. ��

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55. abbey cloister ‘ storybenches’ and photo’s Carl De Keyzer

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58. 4. emperor Charles V 16th century

59. ��

60. 5. a quiet period 1600 – 1800

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65. 6. the just judges story of the painting ‘adoration of the mystic lamb’ and the theft of the ‘just judges’

66. ��

67. 7. industrial city 1800 – 1950

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72. 8. expanding city 1950 – today

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75. 9. the city of tomorrow a look into the future

76. ��

77. ��

78. STAMcafé sk å l

79. ��

80. what did it cost ? total: 14.693.432,28 €

81. and who paid for it ?

82. 9 oktober 2011: first anniversary

83. 131.812 visitors foreign visitors: 11% visitors according to age groups statistics after 1 year

84. number of awards: 3 languages in the STAM: 5 number of��guided tours: 1.607 students who visited the museum with�� ‘city classes’: 2.368 facebookfans: 3.052 statistics after 1 year

85. survey (august 2011) statistics after 1 year 46% spent between 1-2 hours in the museum, 41% spent 2-3 hours 72% of respondents stating that their visit exceeded their expectations all interactive media scored well in terms of user friendliness and quality of information less then 30% indicated that there was need for an audio-guide for 1/3 of the visitors, STAM encouraged them to explore other areas of the city

86. most popular movies in the multitouch table statistics after 1 year beguinage in the Lange Violettestraat (3007 x) life in the Vooruit in 1947 (2683 x) AA Gent wins the Belgian football cup in 2010 (2578 x) airshow in Sint-Denijs-Westrem in 1946 (1846 x) protesting students occupy the Counts Castle (1792 x)

87. ��

Editor's Notes

#2: HENDRIK Goeiemiddag collega’s Korte tijd: verhaal van het STAM Korte historiek – om zo vlug mogelijk naar het verhaal te komen
#5: us operational functions: port city, university city, city of knowledge, culture in an historical city,shopping city, congress city, many sports facilities … the education city in Flanders (Over 60000 students at the University and other institutions of higher education) Rich architectural, cultural and historic heritage
#6: Liefst wat meer recente beelden van studenten, haven theater,
#7: HENDRIK Bijlokesite 8,8 hectare Zorg  cultuur KASK, Muziekcentrum… 20 spelers
#10: HENDRIK
#11: Thematische opstelling
#12: HENDRIK
#13: HENDRIK
#14: HENDRIK
#15: HENDRIK Klooster en abdij worden verbonden Alles gerenoveerd
#16: - Construction work and work on content go together Chronological circuit vanaf eerste vondsten – heden – toekomst van de stad
#17: Backbone = story of the city 4 maps 1534, 1641, 1912 2008 VERHAAL BIJ FILM 4 kaarten VIERTALIG Dit is 1534 (vermoedelijk gemaakt in opdracht van abt St Baafsabdij) Mouse over  identificatie Vrijdagsmarkt Tekst Afbeeldingen, zowel historisch als recenter Vergelijken  1641 1641 Situeren op overzichtskaart Detail en zoom Index Kleurcode geeft aan wat op welke kaart staat Bv. Gravensteen Weer tekst en foto Vergelijking met de vierde kaart die we nog niet gehad hebben, nl. plan uit 1912 Dit is rode draad van het verhaal. In de scenografie komt het er op aan om deze multimedia dus overal te laten terugkomen
#31: LARS Collectiestukken: i.f.v. verhaal van de stad Collectiemobiliteit MAS Bruggemuseum Gentse musea (Miat, MSK, huis van Alijn) Rijksarchief Gent, UGENT 17000 stukken Bijloke – nu 450 gepresenteerd
#32: LARS
#33: OPEN! Met opening STAM ook nieuwe toegang tot Bijlokesite poort staat altijd open Maar toch gesloten karakter bewaren Toegang Gent Jazz
#36: LED Wall 14e eeuw: baksteenornamenten 21e eeuw: architect gekozen voor eigentijdse invulling Was van meet af aan onderdeel van het ontwerp Geen reclame, geen film, geen tekst, zelfs niet ons eigen logo Beelden van wat er te zien is
#37: HENDRIK Nieuwbouw Onthaal Ticket shop
#38: HENDRIK - Parcours begint op de eerste verdieping
#39: HENDRIK
#40: LARS - Eerste zaal bewust nr. NUL. Is introductieruimte
#41: LUCHTFOTO 304m² and the same amount of glass tiles of 1 m2 scale : 1/1000 4880 LED lamps 3 lagen glas – ELK 1 cm dik BUT: Not scratchfree  overshoes Introductiefilm heden – verleden van Gent Meerlagig verhaal 15 m x 3 m  3 projectoren met edge blending Maquette
#42: Maquette van centrum 1/1000 12 m² -- ongeveer slaapkamer modale woning Stereolithografie = 3D printing Helicopterscan 50 markante gebouwen in detail STAM Boekentoren Woonblokken groene vallei evengoed
#43: Glazen verbinding nieuw – oud via metersdikke muur op doksaal Gent
#44: Kerk = polyvalente ruimte Tentoonstellingen, concerten…
#45: LARS Start historisch parcours Ontstaan van Gent tot 1200
#46: Gent is ontstaan uit verschillende kernen Twee ervan waren abdijen, Sint-Pieters en Sint-Baafs. Van die abdijen verschillende objecten Om ontstaan uit verschillende kernen te duiden is er een topografische maquette (SPabdij, SB abdij, Gravensteen, Portus met StJanskerk en Gerardsduivelsteen)
#47: Hologramprojectie - High res full HD 1920x1200 Op glazen plaat Hoek 45° Automatisch met sensoren
#48: HENDRIK 5 jarig contract met UGent Lichtsensoren LEDverlichting
#49: HENDRIK
#50: HENDRIK (opgelet: door te klikken veranderen de rechterfoto’s) Zaal staat op zichzelf Polyfone muziek – rest evocatie abdijrefter dmv meubilair (lange tafel) Concerten lezingen  tafels ombouwen tot podium 200 stoelen
#51: LARS
#52: LARS
#53: LARS
#54: LARS TOPSTUK: panoramisch zicht op Gent uit 1534 Dit is een van de kaarten uit de multimedia van daarnet – hier achter antireflecterend glas geplaatst Dit is manier van opstelling: origineel met gedigitaliseerde en ontsloten versie ernaast
#55: HENDRIK Wapenwand Beton Lichtdoorlatend Collectiemobiliteit: wapens MAS
#56: HENDRIK
#57: HENDRIK circuit: altijd via pandgang naar volgende zaal Luisterbanken: Rust Verhalen uit periode van zaal ertegenover 4 talen via luidsprekers + inplugmogelijkheid koptelefoon (hardhorenden, rolstoelgebruikers) 15 foto’s Carl De Keyser (volgende slide)
#58: HENDRIK Artistieke opdracht Beelden van het hedendaagse Gent Gelaagd: samenstelling van foto’s van verschillende momenten vanuit hetzelfde perspectief
#59: HENDRIK Omkeerbaar (cfr. ander salon straks) Doos in de doos 2 verhalen: Keizer Karel en Beeldenstorm
#60: HENDRIK Doos binnen doos Geen multimedia – daarom nu niet verder
#61: HENDRIK
#62: HENDRIK scenografie: prieel Referentie naar die periode (17de 18de E) Dankbaar gegeven om ballustrades en andere metalen voorwerpen te presenteren Via trap toegankelijk  zicht op zaal en objecten
#63: HENDRIK - Opstelling wapenrok versus toortsen
#64: HENDRIK Duchatel Blijde intrede Karel II op Vrijdagsmarkt in 1666 Figuren zijn geïdentificeerd Ontsloten via multimedia – vergelijkbaar met Zichten op Gent
#65: HENDRIK Schilderijenwand Allerlei beelden die Gent in die periode tonen
#66: LARS Ook omkeerbaar salon
#67: LARS Whodonit: robbery of the panel of the just juges Sound recordings
#68: Important periode for Ghent Growing from a medieval town to an industrial city New harbour installations
#69: HENDRIK
#70: HENDRIK Sanering Dempen van waterlopen Ontstaan fotografie Overwelving van de REEP  scenografie van tunnels In tunnels fotomontage op LCD scherm zitmogelijkheid
#71: HENDRIK Periode 1800 – 1950 Objecten uit deze periode (bakeliet, bierglazen, bierflesjes, truweel eerste steenlegging…)
#72: HENDRIK Door hoeveelheid materiaal gekozen voor Waaiers Talrijke ingelijste plannen van bouwprojecten, stadsrenovatie, expo 1913 (vandaag is Gent een bouwwerf maar 100 jaar geleden was dat net zo)
#73: LARS
#74: Lars 1950 – nu Veel materiaal -- einde circuit Lounge opstelling Zitgelegenheid MULTIMEDIA Zichten op Gent – alle 4 de kaarten Koepel waar filmpjes op getoond worden Consoles waar alle filmpjes met trefwoorden inzitten Mutable: zelf filmpje samenstellen met tag op ticket (volgende slide)
#75: Lars MUTABLE Multi touch table Language choice Fragments 30 sec max. 4 Writ your name Film is shown in the cuppola When no moves are made  at random detailed statstics
#76: lars
#77: Lars Stad van Morgen Mutable met alle ruimtelijke projecten voor de komende jaren. = tonen hoe de stad Gent zal evolueren Een project wordt uitgelicht. Jaarlijks iets anders Nu: Oude Dokken
#78: Lars Stad van Morgen Mutable met alle ruimtelijke projecten voor de komende jaren. = tonen hoe de stad Gent zal evolueren Een project wordt uitgelicht. Jaarlijks iets anders Nu: Oude Dokken
#79: HENDRIK
#80: Afzonderlijke concessie Meubilair Van Severen Terras 200m² - net deal met Vedett
#88: Stadsklas cfr. bosklas Aanbod waaruit samen met leerkracht programma wordt samengesteld Moskee / gerechtsgebouw / museum / wandeling Br. Poort wordt nu uitgewerkt Bowling MEIBLOEM gaat niet meer want die is verdwenen

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Christine De Weerdt: The use of digital media in a new urban history exhibition. 25.10.2011 Den Gamle By

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