elements n principles of design
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The document describes three garments. Garment 1 is peach colored with an umbrella shape below the waist and sweetheart neckline. It has a tactile texture and the flower at the waist is the point of emphasis. Garment 2 is peach green and white with a boat neck and bell shape below the waist. It has a visual texture from the print. Garment 3 is tomato orange with curved lines in the ruffles above the waist and a sweetheart neckline. It has a soft tactile texture from ruffles which provide rhythm.
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- They are traditionally made of cotton or silk with zari borders and designs inspired by patterns on the Maheshwar fort. Natural dyes were originally used.
- Today the sarees are produced using both natural and chemical dyes and sold nationally and internationally, helping to preserve the weaving tradition in Maheshwar. Proper care involves dry cleaning.Textile designing techniques
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油
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油
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This document discusses clothing, jewelry, hairstyles, and textiles during the Gupta period in India. It notes that finely printed, dyed, and embroidered textiles were available, including floral designs from Deccan and Paithan. Women's clothing included the antariya skirt and uttariya shawl. Hairstyles featured central partings for women covered by decorative ornaments. Gold jewelry was commonly worn, including necklaces, bracelets, and anklets. Men generally wore their hair shoulder-length and curled, and their main clothing was a long-sleeved brocaded tunic.Tech pack for Shirt Dress
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The document discusses various elements of clothing design including shape, line, and texture. It describes how different shapes, lines, and textures can be used to visually alter the perceived size and proportions of the body. For example, wide shapes can make a person look larger while straight lines can create the illusion of height. Smooth textures minimize size while rough textures subdue colors. Overall, careful manipulation of these design elements allows garments to emphasize or disguise certain body features for a tailored fit and flattering silhouette.Elements and Principles of Design in Photography
Elements and Principles of Design in Photographyballardgraphicdesign
油
This document discusses the elements and principles of art as they relate to photography composition. The elements are line, shape, space, value, texture, and color. The principles are emphasis, balance, unity, contrast, movement/rhythm, and pattern/repetition. Understanding and using these elements and principles allows photographers to make intentional compositional choices that make their photographs more visually interesting and impactful.Elements of Design
Elements of DesignJennifer Janviere
油
The document discusses the key elements of design including line, figure and ground, scale and proportion, texture and pattern, rhythm and repetition, direction, weight, balance, and the rule of thirds. These elements are the fundamental building blocks that designers use to create unified compositions and deliver effective visual messages to audiences. When used successfully together, these elements create design harmony.Fashion sketchbook
Fashion sketchbookLuka279
油
This document provides an overview of Bina Abling's sixth edition of the Fashion Sketchbook. Key details include that it is a fully revised introductory text explaining how to draw figures, fashion heads and faces, garments, and accessories. It contains step-by-step instructions and images throughout. New features include additional focus on drawing men, children, luxury details, and flats and specs. The book aims to demystify the fashion drawing process for students and professionals.Ad
elements n principles of design
- 1. Garment 1 Eod: Line-curved lines seen in the formation of the texture and the outline of the garment Color- peach Texture- tactile texture Shape- umbrella shape below the waistline and sweetheart neckline Space- negative space Pod: Rhythm- repition of the petals which form the texture provide rhythm to the garment Proportion- the perfect combination of a solid muted color with a bold tactile texture gives proportion to the garment Emphasis-the flower created at the waistline is the point of emphasis Unity- the use of the single color gives unity to the garment Balance- symmetric balance
- 2. Garment 2 Eod: Line- Curved line at the neckline and the hemline, horizontal line at the waist line Color- peach green and white Texture- visual texture due to the print Shape- Boat neck and bell shaped below the waistline Space- the print shows the positive space. the peach lining is showing the negative space Pod: Rhythm- repetition of the print provides rhythm the garment Proportion- the solid colored lining with the printed front provides a proportionate look to the garment Unity- Balance- Symmetrical balance
- 3. Garment 3 Eod: Line- curved lines seen in the gathers above the waistline and the texture below the waist Color- tomato orange Texture- soft tactile texture created because of the ruffles Space- negative space Shape- rectangular shape above the waistline and sweetheart neckline Pod: Rhythm- layers of ruffles gives a rhythm to the garment Proportion- the right combination of soft n stiff fabric gives the right proportion Emphasis- layering of the ruffles Unity- the use of monochromes of color gives unity to the garment Balance- asymmetric balance