Evaluation Question 4: How did you use media technologies in the construction and research, planning and evaluation stages?
0 likes294 views
This is my answer to the fourth question of my evaluation.
1 of 16
Recommended
Sub-Genre Analysis 
Sub-Genre Analysis Ninny22
Ìý
This document provides information on various horror subgenres and their typical conventions. It discusses the conventions of supernatural horror films, including common settings like isolated homes. It also covers conventions for gothic horror like gloomy settings and mysterious atmospheres. Possession films typically have isolated locations with dark histories and use religious imagery. Slasher films are set in suburban towns and feature masked or disfigured killers. Psychological horror relies on characters' fears and doubts rather than violence. The document analyzes examples from films to illustrate different conventions. Clips from films like Insidious and The Exorcism of Emily Rose are also embedded. The writer's group chose the possession subgenre for their film due to its complexity and relevance.History of Horror Genre
History of Horror Genremootje2009
Ìý
The document traces the history of the horror genre from the late 1800s to the 2000s. It notes that some of the earliest depictions of supernatural events were in silent films from the 1890s, and that the first horror film with sound was released in 1928. The genre became more popular in the 1930s with the releases of Dracula and Frankenstein. Horror films evolved through the 1940s-1950s to focus more on characters transforming into animals and introducing more overtly evil faces. The 1960s saw the rise of low-budget slasher films made outside major studios. Several influential horror films were released in the 1970s, and the 1990s-2000s saw fewer developments but some films that aimed to cutAlien 1979 Film Analysis
Alien 1979 Film Analysisselinargyrou
Ìý
The document analyzes the 1979 film Alien and its use of birth imagery and metaphors. It discusses how the film explores fears and anxieties about the human body through its "body horror" elements. Three key birth scenes are described: 1) the crew's awakening from hyper-sleep, 2) the discovery of the alien eggs, and 3) Kane's death as the alien bursts from his chest. Throughout the film, every "mother" character, including the spaceship and alien, dies after giving birth except the sole female crew member Ripley, establishing her as a strong yet maternal figure.Media Studies AS Evaluation Questions 3,4,5
Media Studies AS Evaluation Questions 3,4,5mootje2009
Ìý
Mohamed Bushra resubmitted their AS media studies coursework to achieve a higher grade by better linking their research and planning to their final film product. Their film represents teenagers and young adults, particularly males, through its genre, characters' clothing and language. It will attract this audience as comedy provides escape from real life problems. The film would be distributed by Channel 4, Film 4 or ITV to advertise to its target C2-DE social class audience in the UK. The target audience is teenagers and young adults aged 12-25 who enjoy comedy films. The film aims to attract this audience through identifiable characters, conventions of the comedy genre, and an upbeat soundtrack.Conventions and Codes of Horror Film Posters
Conventions and Codes of Horror Film Postersmootje2009
Ìý
The document analyzes conventions used in horror film posters. It discusses several examples and notes common visual elements like protagonists/villains, dark color schemes, isolated settings, and taglines to generate intrigue. Key aspects summarized include introducing audiences to characters, using color and text to set a ominous tone, and including hashtags or release dates to promote discussion online.BBFC Horror
BBFC Horrormootje2009
Ìý
This document discusses the age classification criteria used for films, including discrimination, drugs, horror scenes, imitable behavior, language, nudity, sex, theme, and violence. It then provides the film rating for a specific horror film about a demonically possessed doll, classifying it as a 15 due to its horror/supernatural scenes and potential to give younger audiences nightmares since it involves a doll. Younger than 15 are not advised to view the film.Codes and Conventions of General Film Trailers
Codes and Conventions of General Film Trailersmootje2009
Ìý
Here some of the codes and conventions of film trailers.
Codes & Conventions of Horror Film Trailers
Codes & Conventions of Horror Film Trailersmootje2009
Ìý
The document discusses conventions used in horror film trailers. It analyzes the trailers for the films Annabelle, Scream 4, and The Woman in Black. For Annabelle, it examines the title design and how it uses motion, lighting, and font to set a ominous tone. It also applies Vladimir Propp's character archetypes to the trailer. For Scream 4, it analyzes the title treatment and how camera angles are used to portray vulnerability. Finally, for The Woman in Black, it notes the producers and describes how the title appears out of smoke to hint that something will be revealed.A2 Analysis of Questionnaire
A2 Analysis of Questionnairemootje2009
Ìý
The document summarizes research from a questionnaire about audience preferences for horror films. It was distributed to 16-18 year old students and analyzed their responses. Key findings included that forests were seen as likely horror film locations over cities. Respondents enjoyed horror for the tension and adrenaline. Main characters were viewed as paranoid and classical music as fitting for the soundtrack. While the research methodology had some limitations, the results still provided useful insights into audience expectations for horror films.A2 Film Proposal Form Draft
A2 Film Proposal Form Draftmootje2009
Ìý
Friends visit Angel's house for a weekend getaway after the death of Angel's grandmother. Two friends leave to get food while Angel stays behind. Angel receives a call that their car broke down and they will not return. Strange events begin to occur in the house, especially in one room that Angel was warned not to enter. The film will be shot using natural lighting during the day and edited to appear at night. It will have a dark color scheme and employ various camera techniques like close-ups, tracking shots, and point of view shots to create a horror genre story.AS MY ROLE
AS MY ROLEmootje2009
Ìý
This is a description of my role during my AS Media Studies, but also includes the roles of members in the group of ZKMC.Final Film Proposal 
Final Film Proposal mootje2009
Ìý
This film proposal outlines a comedy/action film about two rookie police officers. The story follows the officers as they are assigned to monitor a public park but find no trouble. They become distracted and fail to notice a passerby being killed. When they see someone litter, they pursue them in a thrilling chase, believing they will make their first arrest. The film will be shot on location at a local park, starring the four script writers as the main characters.Roles & Script Final Film
Roles & Script Final Filmmootje2009
Ìý
The document assigns roles for filming a short film about two rookie police officers monitoring a public park. It outlines that Mise-en-Scene and camera techniques will be chosen by all, while camera operation will rotate between the four filmmakers. Chris and Mo will be responsible for editing after filming. All will contribute to the script writing. The story is about the rookie officers aiming to make their first arrest in the park. The opening scene introduces the two officers as they sit on a bench and have a brief conversation, being distracted by a phone call before noticing someone dying in the background.Script Of Interview
Script Of Interviewmootje2009
Ìý
Kvarne interviews Chris for a PE teacher position at the school. Chris details his experience as a previous PE teacher, having guided many students to high performance levels and sending some to athletics trials. He shares that he has a BA in Physical Education and Sport. When asked about personal qualities, Chris notes that he is patient with energetic students.Audience Profile 
Audience Profile mootje2009
Ìý
1) The document analyzes the target audience for an action-comedy film, finding it to be primarily males ages 12-40, though some comedy elements attract female viewers as well.
2) Research showed that popular action-comedy films from the last 10-20 years like Men in Black II, 21 Jump Street, and Bad Boys attracted diverse audiences through casting and storylines.
3) Conventions commonly used by directors to engage action-comedy audiences include introducing main characters early, establishing the narrative and mood clearly, and using flashbacks to provide context.Audience Research Results
Audience Research Resultsmootje2009
Ìý
An audience questionnaire was given to 15 people. For question 1, most people (73%) preferred a city setting. For question 2, most (73%) preferred a funny genre. For question 3, most (67%) thought the main character should be stupid. For question 4, most (73%) preferred hip-hop music. For question 5, most (67%) preferred the Cooper Black font. For question 6, most respondents (87%) were between 12-18 years old. For question 7, most (93%) preferred a police costume.Final Film: Action Plan
Final Film: Action Planmootje2009
Ìý
The document outlines an action plan for a student group to film a short movie. It records their decisions over various dates: they initially decided on a horror genre in February, began filming in March but then changed their idea to a police comedy due to limitations of filming in school. They proceeded to film the comedy in a park in March and returned to the park in April to improve the footage, with the goal of finishing edits by April 10th.Action-comedy Questionnaire & Interview
Action-comedy Questionnaire & Interviewmootje2009
Ìý
This document contains two questionnaires about action comedy films. The first asks respondents to choose settings, motivations for enjoyment, character traits, music styles, title fonts, target age groups, and costumes likely seen in action comedies. The second is an interview that asks about watching frequency, reasons for preference over other genres, likely opening scenes, main character traits, and conventions present in the genre. Both aim to understand audiences and conventions of action comedy films.Opening Conventions Of Action-comedy
Opening Conventions Of Action-comedymootje2009
Ìý
The document analyzes the opening credits and scenes of an action-comedy film to establish genre conventions. It discusses how the use of color, music, font, camerawork, editing, and characterization work together to quickly introduce the main character and narrative while setting an atmosphere of seriousness undercut with comedy. Key aspects like the red/blue color scheme, Eminem song, and portrayal of the protagonist as an outsider help establish this is a film about police and authority with comedic elements.Media Studies AS Evaluation
Media Studies AS Evaluationmootje2009
Ìý
This document contains Mohamed Bushra's reflections on their media studies coursework. They explain that they are resubmitting because they can now better link their research and planning to their final film product. They then provide responses to questions about how their film uses and challenges conventions of real media products, how it represents social groups, what type of media institution might distribute it, who the target audience is, and how they addressed this audience.Radial Analysis My Film
Radial Analysis My Filmmootje2009
Ìý
The introduction establishes the main characters as police officers named "Badcop" and "Worsecop" through freeze frames and annotations describing their physical attributes and lack of intelligence. The location of a park is an unconventional choice for an action-comedy that subverts expectations and adds an element of comedy. The opening credits are in all uppercase with a funky font style that connotes the film may have a twist despite its serious implications as an action-comedy.Lighting Effects
Lighting Effectsmootje2009
Ìý
The document discusses different lighting techniques used in films. Chiaroscuro lighting in used to convey a tense and powerful atmosphere around a character and create a sense of depth. Low key lighting, as seen in "Sin City", is used to generate dramatic effects through suspending and an eerie atmosphere. While some blood and objects had their natural colors, this lighting choice helped focus attention. In contrast, high key lighting, as in "The Wizard of Oz", makes scenes appear very bright and soft in an unrealistic way, conveying the fantastical nature of the film.
Preliminary Film Plan: Roles & Script 
Preliminary Film Plan: Roles & Script mootje2009
Ìý
The document outlines roles and a script for a film. It divides the script into 7 scenes: 1) The main character Jack arrives at the building. 2) Two employees discuss the disappearance of a previous employee, Norman. 3) Jack meets the employees and is told he is replacing Norman. 4) The manager interrupts to show Jack his work area. 5) Time passes as Jack works. 6) An employee warns Jack not to stay late. 7) After everyone leaves, strange noises are heard and a terrifying figure appears telling Jack this day will be bad for him.In Depth Analysis Of Film Conventions
In Depth Analysis Of Film Conventionsmootje2009
Ìý
The document analyzes film opening sequences across different genres to identify key conventions. It finds that openings typically introduce the main character within minutes, establish the narrative and genre through elements like credits/titles, soundtrack and scenes. They also set the mood and atmosphere using techniques such as music, editing, mise-en-scene and cinematography. The analysis of action-comedy films like "21 Jump Street" and "Hot Fuzz" shows they quickly introduce stereotypical main characters and use elements like music, colors and editing to create a lighthearted tone and signal the genre.Camera Angles & Movemenrs
Camera Angles & Movemenrsmootje2009
Ìý
This document lists different camera shots and the movies they are featured in, including aerial shots in Jumper, handheld camera shots in White House Down, crane shots in Harry Potter and the Deathly Hallows Part 2, close ups and fast zooms in Fast and Furious 6, point of view shots in Chronicle, low angled establishing long shots and a forward tracking followed by upward tilt in Chronicles of Riddick, panning in The Dark Knight, long shots in Twilight part 2, and close ups in 12 Angry Men.Costume Comparison
Costume Comparisonmootje2009
Ìý
Costumes are an important part of mise-en-scene because they convey a character's personality and status and signify the time period of a film. The Batman costume, which is black, conveys mystery and secrecy as Batman has no superpowers and uses weapons and strength, while Superman's blue and red costume represents trust, honesty, and leadership as he is a symbol of responsibility with superpowers. The colors and protective elements of the costumes effectively communicate the differences between the characters of Batman and Superman.EDL 290F Week 3 - Mountaintop Views (2025).pdf
EDL 290F Week 3 - Mountaintop Views (2025).pdfLiz Walsh-Trevino
Ìý
EDL 290F Week 3 - Mountaintop Views (2025).pdfEssentials of a Good PMO, presented by Aalok Sonawala
Essentials of a Good PMO, presented by Aalok SonawalaAssociation for Project Management
Ìý
APM event hosted by the South Wales and West of England Network (SWWE Network)
Speaker: Aalok Sonawala
The SWWE Regional Network were very pleased to welcome Aalok Sonawala, Head of PMO, National Programmes, Rider Levett Bucknall on 26 February, to BAWA for our first face to face event of 2025. Aalok is a member of APM’s Thames Valley Regional Network and also speaks to members of APM’s PMO Interest Network, which aims to facilitate collaboration and learning, offer unbiased advice and guidance.
Tonight, Aalok planned to discuss the importance of a PMO within project-based organisations, the different types of PMO and their key elements, PMO governance and centres of excellence.
PMO’s within an organisation can be centralised, hub and spoke with a central PMO with satellite PMOs globally, or embedded within projects. The appropriate structure will be determined by the specific business needs of the organisation. The PMO sits above PM delivery and the supply chain delivery teams.
For further information about the event please click here.More Related Content
More from mootje2009 (20)
Codes & Conventions of Horror Film Trailers
Codes & Conventions of Horror Film Trailersmootje2009
Ìý
The document discusses conventions used in horror film trailers. It analyzes the trailers for the films Annabelle, Scream 4, and The Woman in Black. For Annabelle, it examines the title design and how it uses motion, lighting, and font to set a ominous tone. It also applies Vladimir Propp's character archetypes to the trailer. For Scream 4, it analyzes the title treatment and how camera angles are used to portray vulnerability. Finally, for The Woman in Black, it notes the producers and describes how the title appears out of smoke to hint that something will be revealed.A2 Analysis of Questionnaire
A2 Analysis of Questionnairemootje2009
Ìý
The document summarizes research from a questionnaire about audience preferences for horror films. It was distributed to 16-18 year old students and analyzed their responses. Key findings included that forests were seen as likely horror film locations over cities. Respondents enjoyed horror for the tension and adrenaline. Main characters were viewed as paranoid and classical music as fitting for the soundtrack. While the research methodology had some limitations, the results still provided useful insights into audience expectations for horror films.A2 Film Proposal Form Draft
A2 Film Proposal Form Draftmootje2009
Ìý
Friends visit Angel's house for a weekend getaway after the death of Angel's grandmother. Two friends leave to get food while Angel stays behind. Angel receives a call that their car broke down and they will not return. Strange events begin to occur in the house, especially in one room that Angel was warned not to enter. The film will be shot using natural lighting during the day and edited to appear at night. It will have a dark color scheme and employ various camera techniques like close-ups, tracking shots, and point of view shots to create a horror genre story.AS MY ROLE
AS MY ROLEmootje2009
Ìý
This is a description of my role during my AS Media Studies, but also includes the roles of members in the group of ZKMC.Final Film Proposal
Final Film Proposal mootje2009
Ìý
This film proposal outlines a comedy/action film about two rookie police officers. The story follows the officers as they are assigned to monitor a public park but find no trouble. They become distracted and fail to notice a passerby being killed. When they see someone litter, they pursue them in a thrilling chase, believing they will make their first arrest. The film will be shot on location at a local park, starring the four script writers as the main characters.Roles & Script Final Film
Roles & Script Final Filmmootje2009
Ìý
The document assigns roles for filming a short film about two rookie police officers monitoring a public park. It outlines that Mise-en-Scene and camera techniques will be chosen by all, while camera operation will rotate between the four filmmakers. Chris and Mo will be responsible for editing after filming. All will contribute to the script writing. The story is about the rookie officers aiming to make their first arrest in the park. The opening scene introduces the two officers as they sit on a bench and have a brief conversation, being distracted by a phone call before noticing someone dying in the background.Script Of Interview
Script Of Interviewmootje2009
Ìý
Kvarne interviews Chris for a PE teacher position at the school. Chris details his experience as a previous PE teacher, having guided many students to high performance levels and sending some to athletics trials. He shares that he has a BA in Physical Education and Sport. When asked about personal qualities, Chris notes that he is patient with energetic students.Audience Profile
Audience Profile mootje2009
Ìý
1) The document analyzes the target audience for an action-comedy film, finding it to be primarily males ages 12-40, though some comedy elements attract female viewers as well.
2) Research showed that popular action-comedy films from the last 10-20 years like Men in Black II, 21 Jump Street, and Bad Boys attracted diverse audiences through casting and storylines.
3) Conventions commonly used by directors to engage action-comedy audiences include introducing main characters early, establishing the narrative and mood clearly, and using flashbacks to provide context.Audience Research Results
Audience Research Resultsmootje2009
Ìý
An audience questionnaire was given to 15 people. For question 1, most people (73%) preferred a city setting. For question 2, most (73%) preferred a funny genre. For question 3, most (67%) thought the main character should be stupid. For question 4, most (73%) preferred hip-hop music. For question 5, most (67%) preferred the Cooper Black font. For question 6, most respondents (87%) were between 12-18 years old. For question 7, most (93%) preferred a police costume.Final Film: Action Plan
Final Film: Action Planmootje2009
Ìý
The document outlines an action plan for a student group to film a short movie. It records their decisions over various dates: they initially decided on a horror genre in February, began filming in March but then changed their idea to a police comedy due to limitations of filming in school. They proceeded to film the comedy in a park in March and returned to the park in April to improve the footage, with the goal of finishing edits by April 10th.Action-comedy Questionnaire & Interview
Action-comedy Questionnaire & Interviewmootje2009
Ìý
This document contains two questionnaires about action comedy films. The first asks respondents to choose settings, motivations for enjoyment, character traits, music styles, title fonts, target age groups, and costumes likely seen in action comedies. The second is an interview that asks about watching frequency, reasons for preference over other genres, likely opening scenes, main character traits, and conventions present in the genre. Both aim to understand audiences and conventions of action comedy films.Opening Conventions Of Action-comedy
Opening Conventions Of Action-comedymootje2009
Ìý
The document analyzes the opening credits and scenes of an action-comedy film to establish genre conventions. It discusses how the use of color, music, font, camerawork, editing, and characterization work together to quickly introduce the main character and narrative while setting an atmosphere of seriousness undercut with comedy. Key aspects like the red/blue color scheme, Eminem song, and portrayal of the protagonist as an outsider help establish this is a film about police and authority with comedic elements.Media Studies AS Evaluation
Media Studies AS Evaluationmootje2009
Ìý
This document contains Mohamed Bushra's reflections on their media studies coursework. They explain that they are resubmitting because they can now better link their research and planning to their final film product. They then provide responses to questions about how their film uses and challenges conventions of real media products, how it represents social groups, what type of media institution might distribute it, who the target audience is, and how they addressed this audience.Radial Analysis My Film
Radial Analysis My Filmmootje2009
Ìý
The introduction establishes the main characters as police officers named "Badcop" and "Worsecop" through freeze frames and annotations describing their physical attributes and lack of intelligence. The location of a park is an unconventional choice for an action-comedy that subverts expectations and adds an element of comedy. The opening credits are in all uppercase with a funky font style that connotes the film may have a twist despite its serious implications as an action-comedy.Lighting Effects
Lighting Effectsmootje2009
Ìý
The document discusses different lighting techniques used in films. Chiaroscuro lighting in used to convey a tense and powerful atmosphere around a character and create a sense of depth. Low key lighting, as seen in "Sin City", is used to generate dramatic effects through suspending and an eerie atmosphere. While some blood and objects had their natural colors, this lighting choice helped focus attention. In contrast, high key lighting, as in "The Wizard of Oz", makes scenes appear very bright and soft in an unrealistic way, conveying the fantastical nature of the film.Preliminary Film Plan: Roles & Script
Preliminary Film Plan: Roles & Script mootje2009
Ìý
The document outlines roles and a script for a film. It divides the script into 7 scenes: 1) The main character Jack arrives at the building. 2) Two employees discuss the disappearance of a previous employee, Norman. 3) Jack meets the employees and is told he is replacing Norman. 4) The manager interrupts to show Jack his work area. 5) Time passes as Jack works. 6) An employee warns Jack not to stay late. 7) After everyone leaves, strange noises are heard and a terrifying figure appears telling Jack this day will be bad for him.In Depth Analysis Of Film Conventions
In Depth Analysis Of Film Conventionsmootje2009
Ìý
The document analyzes film opening sequences across different genres to identify key conventions. It finds that openings typically introduce the main character within minutes, establish the narrative and genre through elements like credits/titles, soundtrack and scenes. They also set the mood and atmosphere using techniques such as music, editing, mise-en-scene and cinematography. The analysis of action-comedy films like "21 Jump Street" and "Hot Fuzz" shows they quickly introduce stereotypical main characters and use elements like music, colors and editing to create a lighthearted tone and signal the genre.Camera Angles & Movemenrs
Camera Angles & Movemenrsmootje2009
Ìý
This document lists different camera shots and the movies they are featured in, including aerial shots in Jumper, handheld camera shots in White House Down, crane shots in Harry Potter and the Deathly Hallows Part 2, close ups and fast zooms in Fast and Furious 6, point of view shots in Chronicle, low angled establishing long shots and a forward tracking followed by upward tilt in Chronicles of Riddick, panning in The Dark Knight, long shots in Twilight part 2, and close ups in 12 Angry Men.Costume Comparison
Costume Comparisonmootje2009
Ìý
Costumes are an important part of mise-en-scene because they convey a character's personality and status and signify the time period of a film. The Batman costume, which is black, conveys mystery and secrecy as Batman has no superpowers and uses weapons and strength, while Superman's blue and red costume represents trust, honesty, and leadership as he is a symbol of responsibility with superpowers. The colors and protective elements of the costumes effectively communicate the differences between the characters of Batman and Superman.Recently uploaded (20)
EDL 290F Week 3 - Mountaintop Views (2025).pdf
EDL 290F Week 3 - Mountaintop Views (2025).pdfLiz Walsh-Trevino
Ìý
EDL 290F Week 3 - Mountaintop Views (2025).pdfEssentials of a Good PMO, presented by Aalok Sonawala
Essentials of a Good PMO, presented by Aalok SonawalaAssociation for Project Management
Ìý
APM event hosted by the South Wales and West of England Network (SWWE Network)
Speaker: Aalok Sonawala
The SWWE Regional Network were very pleased to welcome Aalok Sonawala, Head of PMO, National Programmes, Rider Levett Bucknall on 26 February, to BAWA for our first face to face event of 2025. Aalok is a member of APM’s Thames Valley Regional Network and also speaks to members of APM’s PMO Interest Network, which aims to facilitate collaboration and learning, offer unbiased advice and guidance.
Tonight, Aalok planned to discuss the importance of a PMO within project-based organisations, the different types of PMO and their key elements, PMO governance and centres of excellence.
PMO’s within an organisation can be centralised, hub and spoke with a central PMO with satellite PMOs globally, or embedded within projects. The appropriate structure will be determined by the specific business needs of the organisation. The PMO sits above PM delivery and the supply chain delivery teams.
For further information about the event please click here.TLE 7 - 3rd Topic - Hand Tools, Power Tools, Instruments, and Equipment Used ...
TLE 7 - 3rd Topic - Hand Tools, Power Tools, Instruments, and Equipment Used ...RizaBedayo
Ìý
Hand Tools, Power Tools, and Equipment in Industrial Arts
How to attach file using upload button Odoo 18
How to attach file using upload button Odoo 18Celine George
Ìý
In this slide, we’ll discuss on how to attach file using upload button Odoo 18. Odoo features a dedicated model, 'ir.attachments,' designed for storing attachments submitted by end users. We can see the process of utilizing the 'ir.attachments' model to enable file uploads through web forms in this slide.Rass MELAI : an Internet MELA Quiz Finals - El Dorado 2025
Rass MELAI : an Internet MELA Quiz Finals - El Dorado 2025Conquiztadors- the Quiz Society of Sri Venkateswara College
Ìý
Finals of Rass MELAI : a Music, Entertainment, Literature, Arts and Internet Culture Quiz organized by Conquiztadors, the Quiz society of Sri Venkateswara College under their annual quizzing fest El Dorado 2025. How to Manage Putaway Rule in Odoo 17 Inventory
How to Manage Putaway Rule in Odoo 17 InventoryCeline George
Ìý
Inventory management is a critical aspect of any business involved in manufacturing or selling products.
Odoo 17 offers a robust inventory management system that can handle complex operations and optimize warehouse efficiency. 
Lesson Plan M1 2024 Lesson Plan M1 2024 Lesson Plan M1 2024 Lesson Plan M1...
Lesson Plan M1 2024 Lesson Plan M1 2024 Lesson Plan M1 2024 Lesson Plan M1...pinkdvil200
Ìý
Lesson Plan M1 2024 Lesson Plan M1 2024 Lesson Plan M1 2024 
FESTIVAL: SINULOG & THINGYAN-LESSON 4.pptx
FESTIVAL: SINULOG & THINGYAN-LESSON 4.pptxDanmarieMuli1
Ìý
Sinulog Festival of Cebu City, and Thingyan Festival of Myanmar.Principle and Practices of Animal Breeding || Boby Basnet
Principle and Practices of Animal Breeding || Boby BasnetBoby Basnet
Ìý
Principle and Practices of Animal Breeding Full Note
|| Assistant Professor Boby Basnet ||IAAS || AFU || PU || FUDatabase population in Odoo 18 - Odoo slides
Database population in Odoo 18 - Odoo slidesCeline George
Ìý
In this slide, we’ll discuss the database population in Odoo 18. In Odoo, performance analysis of the source code is more important. Database population is one of the methods used to analyze the performance of our code. APM People Interest Network Conference - Tim Lyons - The neurological levels ...
APM People Interest Network Conference - Tim Lyons - The neurological levels ...Association for Project Management
Ìý
APM People Interest Network Conference 2025
-Autonomy, Teams and Tension: Projects under stress
-Tim Lyons
-The neurological levels of
team-working: Harmony and tensions
With a background in projects spanning more than 40 years, Tim Lyons specialised in the delivery of large, complex, multi-disciplinary programmes for clients including Crossrail, Network Rail, ExxonMobil, Siemens and in patent development. His first career was in broadcasting, where he designed and built commercial radio station studios in Manchester, Cardiff and Bristol, also working as a presenter and programme producer. Tim now writes and presents extensively on matters relating to the human and neurological aspects of projects, including communication, ethics and coaching. He holds a Master’s degree in NLP, is an NLP Master Practitioner and International Coach. He is the Deputy Lead for APM’s People Interest Network.
Session | The Neurological Levels of Team-working: Harmony and Tensions
Understanding how teams really work at conscious and unconscious levels is critical to a harmonious workplace. This session uncovers what those levels are, how to use them to detect and avoid tensions and how to smooth the management of change by checking you have considered all of them.The Story Behind the Abney Park Restoration Project by Tom Walker
The Story Behind the Abney Park Restoration Project by Tom WalkerHistory of Stoke Newington
Ìý
Presented at the 24th Stoke Newington History Talks event on 27th Feb 2025
https://stokenewingtonhistory.com/stoke-newington-history-talks/How to Configure Restaurants in Odoo 17 Point of Sale
How to Configure Restaurants in Odoo 17 Point of SaleCeline George
Ìý
Odoo, a versatile and integrated business management software, excels with its robust Point of Sale (POS) module. This guide delves into the intricacies of configuring restaurants in Odoo 17 POS, unlocking numerous possibilities for streamlined operations and enhanced customer experiences.N.C. DPI's 2023 Language Diversity Briefing
N.C. DPI's 2023 Language Diversity BriefingMebane Rash
Ìý
The number of languages spoken in NC public schools.Useful environment methods in Odoo 18 - Odoo ºÝºÝߣs
Useful environment methods in Odoo 18 - Odoo ºÝºÝߣsCeline George
Ìý
In this slide we’ll discuss on the useful environment methods in Odoo 18. In Odoo 18, environment methods play a crucial role in simplifying model interactions and enhancing data processing within the ORM framework.Adventure Activities Final By H R Gohil Sir
Adventure Activities Final By H R Gohil SirGUJARATCOMMERCECOLLE
Ìý
Adventure Activities Final By H R Gohil SirBlind Spots in AI and Formulation Science Knowledge Pyramid (Updated Perspect...
Blind Spots in AI and Formulation Science Knowledge Pyramid (Updated Perspect...Ajaz Hussain
Ìý
This presentation delves into the systemic blind spots within pharmaceutical science and regulatory systems, emphasizing the significance of "inactive ingredients" and their influence on therapeutic equivalence. These blind spots, indicative of normalized systemic failures, go beyond mere chance occurrences and are ingrained deeply enough to compromise decision-making processes and erode trust.
Historical instances like the 1938 FD&C Act and the Generic Drug Scandals underscore how crisis-triggered reforms often fail to address the fundamental issues, perpetuating inefficiencies and hazards.
The narrative advocates a shift from reactive crisis management to proactive, adaptable systems prioritizing continuous enhancement. Key hurdles involve challenging outdated assumptions regarding bioavailability, inadequately funded research ventures, and the impact of vague language in regulatory frameworks.
The rise of large language models (LLMs) presents promising solutions, albeit with accompanying risks necessitating thorough validation and seamless integration.
Tackling these blind spots demands a holistic approach, embracing adaptive learning and a steadfast commitment to self-improvement. By nurturing curiosity, refining regulatory terminology, and judiciously harnessing new technologies, the pharmaceutical sector can progress towards better public health service delivery and ensure the safety, efficacy, and real-world impact of drug products.Rass MELAI : an Internet MELA Quiz Finals - El Dorado 2025
Rass MELAI : an Internet MELA Quiz Finals - El Dorado 2025Conquiztadors- the Quiz Society of Sri Venkateswara College
Ìý
APM People Interest Network Conference - Tim Lyons - The neurological levels ...
APM People Interest Network Conference - Tim Lyons - The neurological levels ...Association for Project Management
Ìý