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Exploring AuteursMichel Gondry - Spike Jonze  Mark Romanek  Chris Cunningham
Jessica Townsend
Michel Gondry
Beginning his work in Paris, having studied Graphic Arts there, he
began making music videos for the band he drummed in  Oui oui. It
wasnt long before this interest grew, and he began to make videos for
other French bands, and, after seeing one of his videos on MTV, Bjork
contacted him in 1993, and he made the music video for her song
Human Behavior, which won every existing award at that time.
Gondrys artistic goal was to create visuals that would compliment a
song, rather than just placing it on top of it. He also aims to find beauty
in normal people.
Gondry was a pioneer for many new techniques; the music video he
made for IAM (Je danse le Mia) was the first to use morphing
techniques, and he also invented the idea of using several camera
taking pictures at the same time . This technique first appeared in a
music videos in Bjorks Army of Me.
Themes and techniques common in Gondrys work include the idea of childhood, and techniques such as
single-shot videos (Kylies Come into my world for example) and the 360o camera sweeps created by his
multi-camera approach.
Spike JonzeSpike Jonze  real name Adam Spiegel - is a music video and film
director, who has worked with musicians Fatboy Slim and Daft Punk
amongst many others and often works under pseudonyms.
Having also directed many films (whose actors have won Oscars
under his direction), he is intrigued by how music videos are then
able to influence the world of movies and notes hes curious what
feature films the English Chris Cunningham and the Swedish
guy Jonas kerlund are going to make.
Jonzes works are noted for their offbeat visual storytelling and the
mixture of live action, puppetry and animatronics. Some examples
of these include to video to Fatboy Slims Praise You, shot in an
amateurish, mockumentary style with a fake dance troupe in a
public place, where the reactions to them are filmed and Jonze
himself appears as one of his personas. A video that clearly shows
his work with animatronics is Daft Punks Da Funk, where the main
character has the realistic-looking head of a dog.
It is noticable that many of his music videos take on attributes of
films, often with their own titles and clear storylines as seen with
Da Funk, the video for which titled Big City Nights in a movie
style and progresses with a clear narrative structure. His video for
Wonderboy by Tenacious D is similar, depicting a Propp-like heroic
storyline.
Mark RomanekAn award-winning American music director, Mark Romaneks
interest in the realms of video production began when he
undertook a 4-year film production and theory program at his
school, New Trier East. Having later gained a degree in cinema and
photography, and spending a few years writing screenplays, he
joined a boutique division of Propaganda Films named Satellite
Films, and began to produce music videos, his subsequent work
being widely considered as the best in its medium.
Romanek has worked prominently with musicians such as the
band Nine Inch Nails, his video for the bands song Closer
causing much public objection to its dark, demonic themes, and
also worked with Michael and Janet Jackson for the video
Scream. Whilst being thought of as the most expensive music
video ever made (costing $7 Million), it also won him his first
Grammy, of which hes won three. Romanek video 99 Problems
for Jay-Z has also been met with some controversy, with
complaints of it glorifying dog fighting, as well as depicting Jay-Zs
violent death, shot by unseen assailants. However, it still achieved
airspace on music video networks, who usually ban videos that
are in any way violent, though only with an accompanying
introduction, explaining why the scene is artistically and
metaphorically important for the video.
Romaneks video for Johnny Cashs cover
of Hurt was noted as one of the most
personal and moving music videos ever
made. With the poignant scenes of Cash
at home, archival shots of a younger self
and shots of his flood-ravaged museum
won him his third grammy and moved the
original artists to tears, and such themes
can be seen in Romaneks dystopian film
Never Let Me Go too.
Chris Cunningham
Chris Cunningham is an English music video director, and
a visual artist. Initially working in the realms of concept
design, prosthetics and animatronics, he was
headhunted to oversee animatronics for the film A.I.
before leaving to pursue a career as a director instead.
Cunningham is known to work closely with Warp
Records and, though them, with musician Aphex Twin on
several occasions, his video for Aphex Twins track
Windowlicker getting him a nomination for a Brit
Award in 2000. His video for Bjorks All is Full of Love
is also very well known, winning several awards and
nominated for more.
Cunninghams themes and techniques are clear in his
work, particularly his use of prosthetics, costumes and
special effects as well as his narrative perspective,
giving new viewpoints to accepted ideologies.

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Exploring auteurs

  • 1. Exploring AuteursMichel Gondry - Spike Jonze Mark Romanek Chris Cunningham Jessica Townsend
  • 2. Michel Gondry Beginning his work in Paris, having studied Graphic Arts there, he began making music videos for the band he drummed in Oui oui. It wasnt long before this interest grew, and he began to make videos for other French bands, and, after seeing one of his videos on MTV, Bjork contacted him in 1993, and he made the music video for her song Human Behavior, which won every existing award at that time. Gondrys artistic goal was to create visuals that would compliment a song, rather than just placing it on top of it. He also aims to find beauty in normal people. Gondry was a pioneer for many new techniques; the music video he made for IAM (Je danse le Mia) was the first to use morphing techniques, and he also invented the idea of using several camera taking pictures at the same time . This technique first appeared in a music videos in Bjorks Army of Me. Themes and techniques common in Gondrys work include the idea of childhood, and techniques such as single-shot videos (Kylies Come into my world for example) and the 360o camera sweeps created by his multi-camera approach.
  • 3. Spike JonzeSpike Jonze real name Adam Spiegel - is a music video and film director, who has worked with musicians Fatboy Slim and Daft Punk amongst many others and often works under pseudonyms. Having also directed many films (whose actors have won Oscars under his direction), he is intrigued by how music videos are then able to influence the world of movies and notes hes curious what feature films the English Chris Cunningham and the Swedish guy Jonas kerlund are going to make. Jonzes works are noted for their offbeat visual storytelling and the mixture of live action, puppetry and animatronics. Some examples of these include to video to Fatboy Slims Praise You, shot in an amateurish, mockumentary style with a fake dance troupe in a public place, where the reactions to them are filmed and Jonze himself appears as one of his personas. A video that clearly shows his work with animatronics is Daft Punks Da Funk, where the main character has the realistic-looking head of a dog. It is noticable that many of his music videos take on attributes of films, often with their own titles and clear storylines as seen with Da Funk, the video for which titled Big City Nights in a movie style and progresses with a clear narrative structure. His video for Wonderboy by Tenacious D is similar, depicting a Propp-like heroic storyline.
  • 4. Mark RomanekAn award-winning American music director, Mark Romaneks interest in the realms of video production began when he undertook a 4-year film production and theory program at his school, New Trier East. Having later gained a degree in cinema and photography, and spending a few years writing screenplays, he joined a boutique division of Propaganda Films named Satellite Films, and began to produce music videos, his subsequent work being widely considered as the best in its medium. Romanek has worked prominently with musicians such as the band Nine Inch Nails, his video for the bands song Closer causing much public objection to its dark, demonic themes, and also worked with Michael and Janet Jackson for the video Scream. Whilst being thought of as the most expensive music video ever made (costing $7 Million), it also won him his first Grammy, of which hes won three. Romanek video 99 Problems for Jay-Z has also been met with some controversy, with complaints of it glorifying dog fighting, as well as depicting Jay-Zs violent death, shot by unseen assailants. However, it still achieved airspace on music video networks, who usually ban videos that are in any way violent, though only with an accompanying introduction, explaining why the scene is artistically and metaphorically important for the video. Romaneks video for Johnny Cashs cover of Hurt was noted as one of the most personal and moving music videos ever made. With the poignant scenes of Cash at home, archival shots of a younger self and shots of his flood-ravaged museum won him his third grammy and moved the original artists to tears, and such themes can be seen in Romaneks dystopian film Never Let Me Go too.
  • 5. Chris Cunningham Chris Cunningham is an English music video director, and a visual artist. Initially working in the realms of concept design, prosthetics and animatronics, he was headhunted to oversee animatronics for the film A.I. before leaving to pursue a career as a director instead. Cunningham is known to work closely with Warp Records and, though them, with musician Aphex Twin on several occasions, his video for Aphex Twins track Windowlicker getting him a nomination for a Brit Award in 2000. His video for Bjorks All is Full of Love is also very well known, winning several awards and nominated for more. Cunninghams themes and techniques are clear in his work, particularly his use of prosthetics, costumes and special effects as well as his narrative perspective, giving new viewpoints to accepted ideologies.