The document discusses Fibonacci numbers and the golden ratio, explaining how Fibonacci discovered the Fibonacci sequence by modeling rabbit populations and how ratios between numbers in the sequence converge on the golden ratio. It provides many examples of how the golden ratio appears frequently in nature, art, architecture, and the human body, demonstrating its aesthetic appeal and role in design.
Fibonacci Sequence .
The Fibonacci Sequence is a definite pattern that can begin with either 0, 1 or 1, 1. The sequence is generated by adding the previous terms, so that 0 +1 equals 1, 1+1 equals 2, 2 + 1 equals 3, 2 + 3 equals 5, 5 + 3 equals 8, 8 + 5 equals 13, 13 + 8 equals 21, 21 + 13 equals 34, 34 + 21 equals 55, and so on. Fibonacci can be found in in every domain such as nature, art, infrastructure ,humans etc. .
The document discusses how patterns in nature can be modeled mathematically through concepts like the Fibonacci sequence and golden ratio. It provides several examples of how these concepts appear in structures like pine cones, sunflowers, nautilus shells, galaxies, and even the human body. The Fibonacci sequence describes the breeding patterns of rabbits introduced by Leonardo Fibonacci in the 13th century, and the ratios between its numbers approach the golden ratio - a number linked to patterns in architecture, music, and nature.
The Fibonacci sequence is a sequence where each number is the sum of the two preceding numbers. This sequence appears frequently in nature, such as the spiral patterns of shells, flowers, pine cones, and galaxies. The golden ratio is the number approximately equal to 1.6180 that results from dividing any number in the Fibonacci sequence by its predecessor. Both the Fibonacci sequence and golden ratio are found in architecture, like the Parthenon, as well as in music scales.
The document discusses the Fibonacci sequence and its relationship to the golden ratio. It begins by introducing Leonardo of Pisa, who helped spread the use of the modern number system and knowledge of the Fibonacci sequence. The sequence is defined as a pattern where each number is the sum of the two preceding ones, starting with 1, 1, 2, 3, 5, etc. This sequence appears throughout nature and can be seen in spirals of shells, pinecones, and sunflowers. The ratio of consecutive Fibonacci numbers approaches the golden ratio, about 1.618, an irrational number important in art and architecture considered aesthetically pleasing. The golden ratio can also be observed in proportions of the human body.
In this presentation, we see that how golden ratio and Fibonacci series are calculated or working? and What is the problem faced by Fibonacci in Fibonacci series.
The document discusses the Fibonacci sequence and its properties. It begins by explaining how the Fibonacci sequence is defined, with each subsequent number being the sum of the previous two numbers. It then provides examples of calculating Fibonacci numbers. The document also discusses how the Fibonacci sequence appears in nature, such as the spiral patterns of sunflowers and pinecones. Finally, it notes that the ratio of adjacent Fibonacci numbers approaches the golden ratio, an interesting mathematical property.
The fibonacci sequence and the golden ratio #Scichallenge2017Mil辿na Szab坦
油
#SciChallenge2017
In this presentation I would like to show how important mathematics is. It is shows up in everyday life through nature.
"In order to understand the Universe you must know the language which it is written and that is Mathematics." /Galileo Galilei/
The document discusses the Fibonacci sequence and its applications. It begins by introducing the Fibonacci sequence as a way to understand mathematics through calculation, application, and inspiration. It then provides background on Leonardo Fibonacci and defines the Fibonacci sequence and its recursive calculation. Finally, it discusses applications of the Fibonacci sequence in nature, computer science, and architecture, showing how the sequence appears in patterns in plants, spirals in shells, and relates to the golden ratio.
The document discusses medieval mathematics from the 12th-14th centuries. It provides biographies of several important medieval mathematicians including Fibonacci, who introduced the Fibonacci sequence to Western Europe and studied rabbit populations. It also discusses Nicole Oresme who proved the divergence of the harmonic series and Giovanni di Casali who analyzed accelerated motion graphically. The document notes that during this time, Europeans learned mathematics from Arabic sources that had been translated to Latin.
The document discusses the Fibonacci sequence and its properties. It defines the Fibonacci sequence as a sequence where each number is the sum of the previous two, starting with 0 and 1 or 1 and 1. It then provides examples of where the Fibonacci sequence and golden ratio appear in nature, such as spiral galaxies, DNA molecules, seed heads, tree branches, and fingers. It also discusses applications of the Fibonacci sequence in mathematics, pseudorandom number generation, and software development estimation techniques.
The Fibonacci sequence is a series of numbers where each number is the sum of the two preceding numbers. The sequence begins with 0 and 1 and progresses as 0, 1, 1, 2, 3, 5, 8, etc. This mathematical pattern is found throughout nature, appearing in aspects like petal arrangements, sunflower seeds, and seashell spirals. The Fibonacci sequence was first studied by Indian mathematicians around 200 BC and introduced to Western Europe by Leonardo Fibonacci in 1202 based on patterns in rabbit populations.
The Golden Ratio is a mathematical constant approximately equal to 1.618 that is found in art, architecture, and nature. It describes a proportion where a line is divided such that the ratio of the whole line to the longer segment is the same as the ratio of the longer segment to the shorter segment. The Golden Ratio was used by ancient Greeks and Egyptians to achieve beauty and balance in their structures. It also appears in the Fibonacci sequence of numbers and is believed to influence what humans perceive as aesthetically pleasing in faces and bodies.
Fibonacci was an Italian mathematician born in 1170 who introduced the Hindu-Arabic numeral system to Europe. He is most known for the Fibonacci sequence, where each number is the sum of the previous two, starting with 0 and 1. These numbers appear often in nature, such as the spiral of a nautilus shell or the petals of flowers. The ratios of numbers in the Fibonacci sequence approach the golden ratio, about 1.6, which has been considered aesthetically pleasing, appearing in architecture, art, and the human body.
The document discusses Fibonacci numbers, the golden ratio, and how they appear throughout nature, art, architecture, and the human body. It provides background on Fibonacci, the origin of the Fibonacci sequence as related to rabbit populations, examples of the sequence and golden ratio in flowers, shells, spirals, and more. It also explains the mathematical properties of the golden ratio and how it relates to Fibonacci numbers and shapes like rectangles, triangles, and spirals.
The document discusses the Fibonacci sequence and the golden ratio. It begins by introducing the Fibonacci sequence of numbers: 1, 1, 2, 3, 5, 8, etc., where each number is the sum of the previous two. It then explains that the ratios of successive numbers in the sequence converge on the golden ratio, approximately 1.618. The golden ratio is found throughout nature, such as in the proportions of the human body and in vegetation. The document also provides methods for constructing a golden rectangle using squares and diagonals, with a final ratio matching the golden ratio.
The golden ratio is a mathematical constant approximately equal to 1.6180339887. It is the ratio between two quantities where the ratio of the whole to the larger part is equal to the ratio of the larger part to the smaller part. The golden ratio is found throughout nature and is considered aesthetically pleasing in architecture and art. It appears in structures like the Parthenon and in works by Leonardo Da Vinci. Fibonacci numbers approach the golden ratio as the numbers increase. While not always precise, the golden ratio approximates proportions found in plants, shells, the human body, and other biological systems.
- Leonardo Fibonacci introduced the Hindu-Arabic numeral system to Europe and wrote about the Fibonacci sequence where each number is the sum of the two preceding ones.
- The Fibonacci sequence appears frequently in nature, such as spiral patterns in shells and flowering patterns with petals in Fibonacci numbers.
- The golden ratio, which arises from the limits of ratios of Fibonacci numbers, has been used widely in art, architecture, design and music due to its aesthetic appeal. Many famous historical structures incorporate the golden ratio such as the Parthenon and Notre Dame Cathedral.
The Fibonacci sequence appears frequently in nature. It is seen in patterns of plant leaves, flower petals, pinecones, shells, and other biological settings. Many plants and flowers display spirals corresponding to Fibonacci numbers. The ratio of numbers in the sequence approaches the golden ratio, which is also found in natural patterns. The Fibonacci sequence has applications in mathematics, computer science, architecture, and art due to its prevalence in natural forms and patterns.
The document discusses Fibonacci numbers and the golden ratio, explaining how Fibonacci discovered the Fibonacci sequence by modeling rabbit populations and how ratios between numbers in the sequence converge on the golden ratio. It provides many examples of how the golden ratio appears frequently in nature, art, architecture, and the human body, demonstrating its aesthetic appeal and role in design.
What patterns can we find in nature? Plants, flowers and fruits have all kinds of patterns, from petal numbers that are in the Fibonacci sequence, to symmetry, fractals and tessellation.
The Fibonacci sequence is a series of numbers where each subsequent number is the sum of the previous two. It begins with 0 and 1, and the next terms are generated by adding the two numbers before it: 0, 1, 1, 2, 3, 5, 8, etc. The Fibonacci sequence appears throughout nature in patterns of plant growth, spirals in shells, and branching patterns in trees. It also shows up in galaxies, hurricanes, pinecones, and the human body, demonstrating mathematics in the natural world.
Patterns in nature are visible regularities that recur in different contexts and can be mathematically modeled. Early philosophers studied natural patterns like symmetries, spirals, and waves. The Fibonacci sequence, where each number is the sum of the previous two, is found throughout nature in patterns of seeds, shells, and other biological structures that follow the golden ratio of approximately 1.618. Many natural phenomena exhibit self-similar fractal patterns related to the Fibonacci sequence and golden ratio.
The document discusses the golden ratio, also known as the divine proportion or golden mean. It is a number approximately equal to 1.618 characterized by the property that the ratio between the whole and the larger part is the same as the ratio between the larger part and the smaller part. The golden ratio is found throughout nature and is considered aesthetically pleasing in art and architecture. It can be constructed geometrically and is exhibited in the proportions of the human body as well as structures like seashells, snowflakes, and spirals in flowers. Famous artists like Leonardo Da Vinci incorporated the golden ratio into their works and structures like the Parthenon exhibit it in their dimensions.
The document provides information about relations and functions:
- It defines key terms like relation, domain, range, ordered pair, and function.
- It explains how to represent relations using ordered pairs, tables, graphs, and mappings.
- It discusses how to determine if a relation is a function using the vertical line test or by checking if each domain value is mapped to only one range value.
- It distinguishes between independent and dependent variables in functional notation.
The document discusses Fibonacci numbers, the golden ratio, and how they appear in nature. It begins by introducing Fibonacci and describing the Fibonacci sequence, which arises from a rabbit breeding problem. The golden ratio is then defined as approximately 1.618. This ratio is seen throughout nature, such as in spirals of seeds and petals. It is also related to the ratios between numbers in the Fibonacci sequence. The golden ratio and Fibonacci numbers appear in architecture, art, and proportions of the human body.
The document discusses Fibonacci numbers, the golden ratio, and their prevalence in nature. It begins by introducing Fibonacci and describing his famous rabbit problem, which led to the discovery of the Fibonacci sequence. This sequence appears throughout nature, such as in the spirals of sunflowers and pinecones. The golden ratio of approximately 1.618 is also discussed, along with its relationship to the Fibonacci sequence and appearances in geometry, art, architecture, and the human body. Examples include the Mona Lisa painting and proportions of the human face, fingers, and full body.
The fibonacci sequence and the golden ratio #Scichallenge2017Mil辿na Szab坦
油
#SciChallenge2017
In this presentation I would like to show how important mathematics is. It is shows up in everyday life through nature.
"In order to understand the Universe you must know the language which it is written and that is Mathematics." /Galileo Galilei/
The document discusses the Fibonacci sequence and its applications. It begins by introducing the Fibonacci sequence as a way to understand mathematics through calculation, application, and inspiration. It then provides background on Leonardo Fibonacci and defines the Fibonacci sequence and its recursive calculation. Finally, it discusses applications of the Fibonacci sequence in nature, computer science, and architecture, showing how the sequence appears in patterns in plants, spirals in shells, and relates to the golden ratio.
The document discusses medieval mathematics from the 12th-14th centuries. It provides biographies of several important medieval mathematicians including Fibonacci, who introduced the Fibonacci sequence to Western Europe and studied rabbit populations. It also discusses Nicole Oresme who proved the divergence of the harmonic series and Giovanni di Casali who analyzed accelerated motion graphically. The document notes that during this time, Europeans learned mathematics from Arabic sources that had been translated to Latin.
The document discusses the Fibonacci sequence and its properties. It defines the Fibonacci sequence as a sequence where each number is the sum of the previous two, starting with 0 and 1 or 1 and 1. It then provides examples of where the Fibonacci sequence and golden ratio appear in nature, such as spiral galaxies, DNA molecules, seed heads, tree branches, and fingers. It also discusses applications of the Fibonacci sequence in mathematics, pseudorandom number generation, and software development estimation techniques.
The Fibonacci sequence is a series of numbers where each number is the sum of the two preceding numbers. The sequence begins with 0 and 1 and progresses as 0, 1, 1, 2, 3, 5, 8, etc. This mathematical pattern is found throughout nature, appearing in aspects like petal arrangements, sunflower seeds, and seashell spirals. The Fibonacci sequence was first studied by Indian mathematicians around 200 BC and introduced to Western Europe by Leonardo Fibonacci in 1202 based on patterns in rabbit populations.
The Golden Ratio is a mathematical constant approximately equal to 1.618 that is found in art, architecture, and nature. It describes a proportion where a line is divided such that the ratio of the whole line to the longer segment is the same as the ratio of the longer segment to the shorter segment. The Golden Ratio was used by ancient Greeks and Egyptians to achieve beauty and balance in their structures. It also appears in the Fibonacci sequence of numbers and is believed to influence what humans perceive as aesthetically pleasing in faces and bodies.
Fibonacci was an Italian mathematician born in 1170 who introduced the Hindu-Arabic numeral system to Europe. He is most known for the Fibonacci sequence, where each number is the sum of the previous two, starting with 0 and 1. These numbers appear often in nature, such as the spiral of a nautilus shell or the petals of flowers. The ratios of numbers in the Fibonacci sequence approach the golden ratio, about 1.6, which has been considered aesthetically pleasing, appearing in architecture, art, and the human body.
The document discusses Fibonacci numbers, the golden ratio, and how they appear throughout nature, art, architecture, and the human body. It provides background on Fibonacci, the origin of the Fibonacci sequence as related to rabbit populations, examples of the sequence and golden ratio in flowers, shells, spirals, and more. It also explains the mathematical properties of the golden ratio and how it relates to Fibonacci numbers and shapes like rectangles, triangles, and spirals.
The document discusses the Fibonacci sequence and the golden ratio. It begins by introducing the Fibonacci sequence of numbers: 1, 1, 2, 3, 5, 8, etc., where each number is the sum of the previous two. It then explains that the ratios of successive numbers in the sequence converge on the golden ratio, approximately 1.618. The golden ratio is found throughout nature, such as in the proportions of the human body and in vegetation. The document also provides methods for constructing a golden rectangle using squares and diagonals, with a final ratio matching the golden ratio.
The golden ratio is a mathematical constant approximately equal to 1.6180339887. It is the ratio between two quantities where the ratio of the whole to the larger part is equal to the ratio of the larger part to the smaller part. The golden ratio is found throughout nature and is considered aesthetically pleasing in architecture and art. It appears in structures like the Parthenon and in works by Leonardo Da Vinci. Fibonacci numbers approach the golden ratio as the numbers increase. While not always precise, the golden ratio approximates proportions found in plants, shells, the human body, and other biological systems.
- Leonardo Fibonacci introduced the Hindu-Arabic numeral system to Europe and wrote about the Fibonacci sequence where each number is the sum of the two preceding ones.
- The Fibonacci sequence appears frequently in nature, such as spiral patterns in shells and flowering patterns with petals in Fibonacci numbers.
- The golden ratio, which arises from the limits of ratios of Fibonacci numbers, has been used widely in art, architecture, design and music due to its aesthetic appeal. Many famous historical structures incorporate the golden ratio such as the Parthenon and Notre Dame Cathedral.
The Fibonacci sequence appears frequently in nature. It is seen in patterns of plant leaves, flower petals, pinecones, shells, and other biological settings. Many plants and flowers display spirals corresponding to Fibonacci numbers. The ratio of numbers in the sequence approaches the golden ratio, which is also found in natural patterns. The Fibonacci sequence has applications in mathematics, computer science, architecture, and art due to its prevalence in natural forms and patterns.
The document discusses Fibonacci numbers and the golden ratio, explaining how Fibonacci discovered the Fibonacci sequence by modeling rabbit populations and how ratios between numbers in the sequence converge on the golden ratio. It provides many examples of how the golden ratio appears frequently in nature, art, architecture, and the human body, demonstrating its aesthetic appeal and role in design.
What patterns can we find in nature? Plants, flowers and fruits have all kinds of patterns, from petal numbers that are in the Fibonacci sequence, to symmetry, fractals and tessellation.
The Fibonacci sequence is a series of numbers where each subsequent number is the sum of the previous two. It begins with 0 and 1, and the next terms are generated by adding the two numbers before it: 0, 1, 1, 2, 3, 5, 8, etc. The Fibonacci sequence appears throughout nature in patterns of plant growth, spirals in shells, and branching patterns in trees. It also shows up in galaxies, hurricanes, pinecones, and the human body, demonstrating mathematics in the natural world.
Patterns in nature are visible regularities that recur in different contexts and can be mathematically modeled. Early philosophers studied natural patterns like symmetries, spirals, and waves. The Fibonacci sequence, where each number is the sum of the previous two, is found throughout nature in patterns of seeds, shells, and other biological structures that follow the golden ratio of approximately 1.618. Many natural phenomena exhibit self-similar fractal patterns related to the Fibonacci sequence and golden ratio.
The document discusses the golden ratio, also known as the divine proportion or golden mean. It is a number approximately equal to 1.618 characterized by the property that the ratio between the whole and the larger part is the same as the ratio between the larger part and the smaller part. The golden ratio is found throughout nature and is considered aesthetically pleasing in art and architecture. It can be constructed geometrically and is exhibited in the proportions of the human body as well as structures like seashells, snowflakes, and spirals in flowers. Famous artists like Leonardo Da Vinci incorporated the golden ratio into their works and structures like the Parthenon exhibit it in their dimensions.
The document provides information about relations and functions:
- It defines key terms like relation, domain, range, ordered pair, and function.
- It explains how to represent relations using ordered pairs, tables, graphs, and mappings.
- It discusses how to determine if a relation is a function using the vertical line test or by checking if each domain value is mapped to only one range value.
- It distinguishes between independent and dependent variables in functional notation.
The document discusses Fibonacci numbers, the golden ratio, and how they appear in nature. It begins by introducing Fibonacci and describing the Fibonacci sequence, which arises from a rabbit breeding problem. The golden ratio is then defined as approximately 1.618. This ratio is seen throughout nature, such as in spirals of seeds and petals. It is also related to the ratios between numbers in the Fibonacci sequence. The golden ratio and Fibonacci numbers appear in architecture, art, and proportions of the human body.
The document discusses Fibonacci numbers, the golden ratio, and their prevalence in nature. It begins by introducing Fibonacci and describing his famous rabbit problem, which led to the discovery of the Fibonacci sequence. This sequence appears throughout nature, such as in the spirals of sunflowers and pinecones. The golden ratio of approximately 1.618 is also discussed, along with its relationship to the Fibonacci sequence and appearances in geometry, art, architecture, and the human body. Examples include the Mona Lisa painting and proportions of the human face, fingers, and full body.
The document discusses the prevalence and applications of the golden ratio, also known as phi, in mathematics, nature, art, architecture, music, and the human body. Some key points include:
- The golden ratio is approximately 1.618 and can be seen in the proportions of flowers, shells, galaxies, DNA, and the human face/body.
- It has been used intentionally in architecture for centuries, appearing in structures like the Parthenon and pyramids of Giza.
- The Fibonacci sequence is related to the golden ratio and can be observed in patterns in nature as well as the piano keyboard.
- Artists, architects and designers continue to find inspiration from the golden ratio's
This document discusses the golden ratio and its applications. It begins by explaining the history of the golden ratio in mathematics and its use by ancient Egyptians and Leonardo Da Vinci. It then discusses why objects containing the golden ratio are pleasing to the human eye. Several examples are given of the golden ratio appearing in nature, including plant growth patterns, spiral shells, and the human face and body. Architectural examples like the Great Pyramid are also discussed. The relationship between the golden ratio and Fibonacci sequence is explained. The document concludes that extensive examples of the golden ratio can be found throughout nature, art, architecture and more.
1) The Golden Ratio is a number approximately equal to 1.618 that is exhibited in patterns in nature and is considered aesthetically pleasing to the human eye.
2) The Golden Ratio can be derived from the Fibonacci sequence of numbers where each number is the sum of the two preceding numbers. The ratios of successive numbers in the Fibonacci sequence converge on the Golden Ratio as the numbers grow larger.
3) Many things in nature exhibit the Golden Ratio, including spirals in pinecones and sunflowers, branching patterns in trees and plants, proportions of the human body, and dimensions of DNA molecules. Famous works of art and architecture also incorporate the Golden Ratio, including paintings by Leonardo Da Vinci
The document discusses the history and evolution of the concept of the seven arts or liberal arts throughout antiquity and different time periods. It traces how the seven arts were conceived of in antiquity, during the early medieval period, in Renaissance Venice, in Hegel's time, and in modern times. Mathematics and mathematical principles are also discussed as being at the core of art.
The document discusses the history and evolution of the concept of the seven arts or liberal arts throughout antiquity and different time periods. It traces how the seven arts were conceived of in antiquity, during the early medieval period, in 15th century Venice, in the early 19th century according to Hegel, and in modern times. Mathematics and mathematical principles are also discussed as being at the core of art.
The Fibonacci sequence is a series of numbers where each number is the sum of the two preceding ones, starting from 0 and 1. This integer sequence can be found throughout nature, such as the spiral patterns of seashells and seed arrangements in sunflowers that are based on the golden ratio of 1.618. The Fibonacci sequence was first studied by Indian mathematicians around 200 BC and introduced to Western Europe in 1202 by Leonardo Fibonacci, who discovered the sequence in the patterns of breeding rabbits.
Nature is a weekly international scientific journal that was first published in 1869. It covers all fields of science and provides insightful reviews and commentary on important developments in scientific research and policy. Nature has a reputation for publishing papers that represent significant advances within their respective fields.
Leonardo Pisano Fibonacci was an Italian mathematician from the 13th century known for introducing the decimal numeral system and the Fibonacci sequence to Western Europe. The Fibonacci sequence is a series of numbers where each subsequent number is the sum of the previous two, starting with 0 and 1. This sequence appears frequently in nature, such as in the spiral pattern of flower petals, seed heads, pinecones, and branching in trees and galaxies. It is also used in computer programming, poetry meter, and as a technical analysis tool in finance to determine support and resistance levels in stock prices.
The golden ratio is a number approximately equal to 1.618 that is considered aesthetically pleasing. It arises from dividing a line into two parts where the ratio of the whole line to the longer part equals the ratio of the longer part to the shorter part. The golden ratio appears throughout nature and was used by ancient Greeks in sculptures and architecture. It relates to the Fibonacci sequence where the ratios of consecutive terms approach the golden ratio.
Correlation of Fibonacci Sequence and Golden Ratio With its Applications in E...Dr. Amarjeet Singh
油
We have discussed in this elucidation paper about correlation of Fibonacci sequence and golden ratio with its applications in engineering and science. One of the most recurring sequences in nature is the Fibonacci sequence. As the sequence was explored, it was found out that this sequence led to the golden ratio. This study tried to apply the concept of Fibonacci and golden ratio to maximize efficiency of our live life. We consider self-similar curve like golden spiral in whose nature their beauty is much admired. The explanations show that source of Fibonacci numbers and how to exist Fibonacci numbers in the world we live. The mathematical theories of Fibonacci numbers and golden ratio gives the source of many new ideas in Mathematics, Chemistry, Civil engineering, Architecture, Automobile engineering, Philosophy, Botanic and biology, Electrical engineering, Computer science and engineering, Mechanical engineering, Communication systems, Mathematical education as well as theoretical physics and physics of high energy particles [1].
The document discusses proportions and ratios in the human body based on the golden ratio and Fibonacci sequence. It provides examples of how these ratios and proportions appear in parts of the body like fingers, the face, lungs and other areas. Students are prompted to explore these concepts by measuring proportions in their own bodies and discussing ways to calculate volume for irregular objects.
The document discusses the golden ratio/mean, which is a ratio of approximately 1.618 that is found throughout nature and considered aesthetically pleasing. It is expressed as the ratio between two line segments divided at their midpoint. The golden ratio relates to the Fibonacci sequence and can be seen in structures like the Parthenon as well as patterns in plants, shells, insects, and galaxies. Artists like Leonardo Da Vinci incorporated the ratio into their works and depicted it in the human body. The golden ratio can be used for compositions, designs, and balancing visual elements in pictures.
Maths in Art and Architecture Why Maths? Comenius projectGosia Garkowska
油
THIS EBOOK WAS PREPARED
AS A PART OF THE COMENIUS PROJECT
WHY MATHS?
by the students and the teachers from:
BERKENBOOM HUMANIORA BOVENBOUW, IN SINT-NIKLAAS ( BELGIUM)
EUREKA SECONDARY SCHOOL IN KELLS (IRELAND)
LICEO CLASSICO STATALE CRISTOFORO COLOMBO IN GENOA (ITALY)
GIMNAZJUM IM. ANNY WAZWNY IN GOLUB-DOBRZY (POLAND)
ESCOLA SECUNDARIA COM 3.尊 CICLO D. MANUEL I IN BEJA (PORTUGAL)
IES LVAREZ CUBERO IN PRIEGO DE CRDOBA (SPAIN)
Spider webs are made from spider silk proteins called spinnerets. Spider webs serve several purposes, including shelter, courtship, and trapping prey. To construct a web, a spider first connects two endpoints with silk threads to form a bridge. It then adds more threads, pulling them into a Y shape. The spider joins three points to form a frame, then releases radial threads from the center to strengthen the web. Finally, it spins spirally from the center to complete the web. Studies show that spider webs exhibit properties consistent with the Fibonacci sequence and golden ratio, which allows the web to be both strong and compact.
Finals of Rass MELAI : a Music, Entertainment, Literature, Arts and Internet Culture Quiz organized by Conquiztadors, the Quiz society of Sri Venkateswara College under their annual quizzing fest El Dorado 2025.
How to Configure Flexible Working Schedule in Odoo 18 EmployeeCeline George
油
In this slide, well discuss on how to configure flexible working schedule in Odoo 18 Employee module. In Odoo 18, the Employee module offers powerful tools to configure and manage flexible working schedules tailored to your organization's needs.
How to Configure Restaurants in Odoo 17 Point of SaleCeline George
油
Odoo, a versatile and integrated business management software, excels with its robust Point of Sale (POS) module. This guide delves into the intricacies of configuring restaurants in Odoo 17 POS, unlocking numerous possibilities for streamlined operations and enhanced customer experiences.
How to Manage Putaway Rule in Odoo 17 InventoryCeline George
油
Inventory management is a critical aspect of any business involved in manufacturing or selling products.
Odoo 17 offers a robust inventory management system that can handle complex operations and optimize warehouse efficiency.
How to use Init Hooks in Odoo 18 - Odoo 際際滷sCeline George
油
In this slide, well discuss on how to use Init Hooks in Odoo 18. In Odoo, Init Hooks are essential functions specified as strings in the __init__ file of a module.
Useful environment methods in Odoo 18 - Odoo 際際滷sCeline George
油
In this slide well discuss on the useful environment methods in Odoo 18. In Odoo 18, environment methods play a crucial role in simplifying model interactions and enhancing data processing within the ORM framework.
APM People Interest Network Conference 2025
-Autonomy, Teams and Tension: Projects under stress
-Tim Lyons
-The neurological levels of
team-working: Harmony and tensions
With a background in projects spanning more than 40 years, Tim Lyons specialised in the delivery of large, complex, multi-disciplinary programmes for clients including Crossrail, Network Rail, ExxonMobil, Siemens and in patent development. His first career was in broadcasting, where he designed and built commercial radio station studios in Manchester, Cardiff and Bristol, also working as a presenter and programme producer. Tim now writes and presents extensively on matters relating to the human and neurological aspects of projects, including communication, ethics and coaching. He holds a Masters degree in NLP, is an NLP Master Practitioner and International Coach. He is the Deputy Lead for APMs People Interest Network.
Session | The Neurological Levels of Team-working: Harmony and Tensions
Understanding how teams really work at conscious and unconscious levels is critical to a harmonious workplace. This session uncovers what those levels are, how to use them to detect and avoid tensions and how to smooth the management of change by checking you have considered all of them.
Reordering Rules in Odoo 17 Inventory - Odoo 際際滷sCeline George
油
In Odoo 17, the Inventory module allows us to set up reordering rules to ensure that our stock levels are maintained, preventing stockouts. Let's explore how this feature works.
Database population in Odoo 18 - Odoo slidesCeline George
油
In this slide, well discuss the database population in Odoo 18. In Odoo, performance analysis of the source code is more important. Database population is one of the methods used to analyze the performance of our code.
Prelims of Kaun TALHA : a Travel, Architecture, Lifestyle, Heritage and Activism quiz, organized by Conquiztadors, the Quiz society of Sri Venkateswara College under their annual quizzing fest El Dorado 2025.
APM event hosted by the South Wales and West of England Network (SWWE Network)
Speaker: Aalok Sonawala
The SWWE Regional Network were very pleased to welcome Aalok Sonawala, Head of PMO, National Programmes, Rider Levett Bucknall on 26 February, to BAWA for our first face to face event of 2025. Aalok is a member of APMs Thames Valley Regional Network and also speaks to members of APMs PMO Interest Network, which aims to facilitate collaboration and learning, offer unbiased advice and guidance.
Tonight, Aalok planned to discuss the importance of a PMO within project-based organisations, the different types of PMO and their key elements, PMO governance and centres of excellence.
PMOs within an organisation can be centralised, hub and spoke with a central PMO with satellite PMOs globally, or embedded within projects. The appropriate structure will be determined by the specific business needs of the organisation. The PMO sits above PM delivery and the supply chain delivery teams.
For further information about the event please click here.
4. A Famous Mathematician Fibonacci (1170-1250) is a short for theLatin "filius Bonacci" which means "the son of Bonacci but his full name was Leonardo Pisano He introduced the Hindu-Arabic number system into Europe
7. Fibonaccis Rabbits Problem: Suppose a newly-born pair of rabbits (one male, one female) are put in a field. Rabbits are able to mate at the age of one month so that at the end of its second month, a female can produce another pair of rabbits. Suppose that the rabbits never die and that the female always produces one new pair (one male, one female) every month from the second month on. How many pairs will there be in one year?
8. Pairs 1 pair At the end of the first month there is still only one pair
9. Pairs 1 pair 1 pair 2 pairs End first month only one pair At the end of the second month the female produces a new pair, so now there are 2 pairs of rabbits
10. Pairs 1 pair 1 pair 2 pairs 3 pairs End second month 2 pairs of rabbits At the end of the third month, the original female produces a second pair, making 3 pairs in all in the field. End first month only one pair
11. Pairs 1 pair 1 pair 2 pairs 3 pairs End third month 3 pairs 5 pairs End first month only one pair End second month 2 pairs of rabbits At the end of the fourth month, the first pair produces yet another new pair, and the female born two months ago produces her first pair of rabbits also, making 5 pairs.
12. Thus We get the following sequence of numbers : 1, 1, 2, 3, 5, 8, 13, 21, 34 ,55,89,144. ... This sequence, in which each number is a sum of two previous is called Fibonacci sequence so there is the simple rule: add the last two to get the next! 油
13. So 144 Pairs will be there at the end of One Year.
30. The Fibonacci numbers can be found in pineapples and bananas. Bananas have 3 or 5 flat sides, Pineapple scales have Fibonacci spirals in sets of 8, 13, 21
33. The golden ratio is an irrational mathematical constant, approximately equals to 1.6180339887
34. The golden ratio is often denoted by the Greek letter (Phi) So = 1.6180339887
35. Also known as: Golden Ratio, Golden Section, Golden cut , Divine proportion , Divine section , Mean of Phidias Extreme and mean ratio , Medial section ,
36. Two quantities are in the golden ratio if the ratio between the sum of those quantities and the larger one is the same as the ratio between the larger one and the smaller .
39. One interesting thing about Phi is its reciprocal 1/ = 1/1.618 = 0.618 . It is highly unusual for the decimal integers of a number and its reciprocal to be exactly the same.
40. A golden rectangle is a rectangle where the ratio of its length to width is the golden ratio. That is whose sides are in the ratio 1:1.618
41. The golden rectangle has the property that it can be further subdivided in to two portions a square and a golden rectangle This smaller rectangle can similarly be subdivided in to another set of smaller golden rectangle and smaller square. And this process can be done repeatedly to produce smaller versions of squares and golden rectangles
43. Golden Spiral Start with the smallest one on the right connect the lower right corner to the upper right corner with an arc that is one fourth of a circle. Then continue your line in to the second square on the with an arc that is one fourth of a circle , we will continue this process until each square has an arc inside of it, with all of them connected as a continues line. The line should look like a spiral when we are done .
44. Golden Triangle The Golden triangle is a special isosceles triangle. The top angle is 36 0 while the bottom two angles are 72 0 each
46. Aha! Notice that as we continue down the sequence, the ratios seem to be converging upon one number (from both sides of the number)! 2/1 = 2.0 (bigger) 3/2 = 1.5 (smaller) 5/3 = 1.67 (bigger) 8/5 = 1.6 (smaller) 13/8 = 1.625 (bigger) 21/13 = 1.615 (smaller) 34/21 = 1.619 (bigger) 55/34 = 1.618 (smaller) 89/55 = 1.618 The Fibonacci sequence is 1,1,2,3,5,8,13,21,34,55,.
47. If we continue to look at the ratios as the numbers in the sequence get larger and larger the ratio will eventually become the same number, and that number is the Golden Ratio !
51. Golden ratio in Art Many artists who lived after Phidias have used this proportion. Leonardo Da Vinci called it the "divine proportion" and featured it in many of his paintings
52. Mona Lisa's face is a perfect golden rectangle, according to the ratio of the width of her forehead compared to the length from the top of her head to her chin.
56. Golden ratio in the Face The油blue油line defines a perfect square of the pupils and outside corners of the mouth. The golden section of these four油blue油lines defines the nose, the tip of the nose, the inside of the nostrils, the two rises of the upper lip and the inner points of the ear. The油blue油line also defines the distance from the upper lip to the bottom of the chin. The油yellow油line, a golden section of the油blue油line, defines the width of the nose, the distance between the eyes and eye brows and the distance from the pupils to the tip of the nose. The油green油line, a golden section of the油yellow油line defines the width of the eye, the distance at the pupil from the eye lash to the eye brow and the distance between the nostrils. The油magenta油line, a golden section of the green line, defines the distance from the upper lip to the bottom of the nose and several dimensions of the eye.
57. The front two incisor teeth form a golden rectangle, with a phi ratio in the heighth to the width.The ratio of the width of the first tooth to the second tooth from the center is also phi. The ratio of the width of the smile to the third tooth from the center is phi as well.
58. Golden Ratio in Human body The white line is the body's height. The油blue line, a golden section of the white line, defines the distance from the head to the finger tips The油yellow油line, a golden section of the油blue油line, defines the distance from the head to the navel and the elbows. The油green油line, a golden section of the油yellow油line, defines the distance from the head to the pectorals and inside top of the arms, the width of the shoulders, the length of the forearm and the shin bone. The油magenta油line, a golden section of the油green油line, defines the distance from the head to the base of the skull and the width of the abdomen. The sectioned portions of the magenta line determine the position of the nose and the hairline. Although not shown, the golden section of the油magenta油line (also the short section of the green line) defines the width of the head and half the width of the chest and the hips.