Illusionsim
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The document discusses Vitruvius and his work De Architectura which describes Greek and Roman architectural styles. It then discusses the eruption of Mount Vesuvius in 79 AD that buried the cities of Pompeii and Herculaneum. Archaeological excavations of these sites began in the early 1700s and have uncovered many frescoes and examples of the four styles of Roman wall painting: Imitation of Marble, Illusion, Decorative Surfaces, and Synthesis or Intricate Style.
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Smedberg presentation from work at yaleJoshua Poston
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George C. Smedberg consulted with Delford F. Brummer of Stanford University Theatre to develop the Westlite Projector in the 1990s. The Westlite Projector was an improvement on previous Linnebach projectors. It allowed for custom projections using paint on acetate sheets, but the projections had a soft focus. While large and sometimes difficult to hide, the Westlite Projector was still fairly dim. It helped advance projection technology but was later replaced by glass gobo technology.kliegel lighting Clockwork
kliegel lighting ClockworkJoshua Poston
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kliegel clockwork mechanism for rotating colors or gobo wheels
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A choreographer has a different role than a director when working on a production. While a director works from an existing script and vision, a choreographer is responsible for creating the vision, staging, and choreography all at the same time. This requires a choreographer to take on many roles simultaneously, making it an entirely different type of collaborative process than working with a director.The piano lesson research
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This document contains information about African and African American art, culture, and history from the late 1800s through the 1920s. It mentions wood carvings from Haiti in the 1940s, plantations in the 1870s, pianos from the 1800s, August Wilson's home in the Hill District of Pittsburgh, technologies like electricity and gas stoves from the 1920s, and furnishings and designs for living rooms, kitchens, and staircases from the 1920s focused on the African and African American experience.Late and great
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This document provides biographical information on four individuals who worked in theatrical design: Peggy Clark, Howard Bay, and Shirley Pendergast. Peggy Clark was a pioneering lighting designer who had her Broadway debut in 1946 and went on to design lighting for major productions and events. Howard Bay was a prolific scenic designer who had over 50 Broadway credits and won two Tony Awards. Shirley Pendergast broke barriers as the first African American woman to work as a lighting designer on Broadway. The document outlines their educational backgrounds, notable career achievements, and credits.
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The Metropolitan Opera was founded in 1880 and performs operas from September to May each year at its Lincoln Center location in New York City. It presents around 28 operas annually including several new productions along with classics from the Baroque era to modern works. With a seating capacity of 3,800, the Metropolitan Opera attracts around 800,000 attendees each season and broadcasts many performances live internationally.Ad
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- 2. VITRUVIUS MarcusVitruvius Pollio Author of De Architectura This work is divided into ten books Covers Greek through Roman Period Styles Describes the artwork in his treatise
- 3. MT.VESUVIUS Pierre JacquesVolaire- 1777 Erupted in 79 AD Witnessed and later Documented by Pliny theYounger Erupted 3 dozen times since 79 AD Including 1631 and 1913-1944
- 4. POMPEII & HERCULANEUM 700 BCE first traces of settlement 89 BCE Captured by Romans 79 CE Eruption ofVesuvius causes Pompeii & Herculanuem to be lost. 1709Theatre in discovered will digging well 1748 First formal excavations at Pompeii 1763 Pompeii Identified from inscription
- 5. FRESCO There are two primary types of Fresco Buon (true) Fresco Painted using wet plaster Pigments are absorbed into the wall No binder is required Sections are called giornata (days work) White is used to lighten pigment Secco Fresco Pigments are mixed with egg (tempered) The plaster is also pre-moistened to simulate fresh plaster No white is used, more like watercolor
- 6. House of Sallust 2nd Century BCE House of the Faun 2nd Century BCE 1st Style: IMITATION OF MARBLE 200-60 BCE Decline Coincided with conquering of Pompeii Meant to appear as expensive construction materials
- 7. 2ND Style: ILLUSION Villa of Mysteries Early 1st Century BCE Imitation of Architectural form and Fantasy Meant to seem real to the eye Many believed to be copies of HellenisticArt Naturalistic Architecture
- 8. 3RD Style: DECORATIVE SURFACES 20 BCE to 20 CE Monochromatic rooms and backgrounds. May resemble Second Style Usually raised from the floor Panel Pictures Plausible additions to actual architecture Imperial Palace at Boscotrecase
- 9. 4TH Style: SYNTHESIS OR INTRICATE STYLE Circa 50 CE- 79CE (continues beyond destruction of Pompeii) Marble Blocks usually form the base and frame, 1st style Naturalistic Architectural elements, 2nd style Flat panels of color, thin linear detail, 3rd style Central Panel Pictures are larger than in the 3rd Style (Khan Academy)
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- #5: 10km and 7km from crater. Ash vs. boiling mud/ash