Situated in Rajkot, Gujarat, MEFGI aims to create leaders of tomorrow who can face the dynamic society and contribute in increasing the worth of country. MEFGI believes in overall personality development of students. At present the institute is offering under graduate, post graduate and P.hd academic programme. Life at MEFGI is not limited to academic books only. The curriculum of the institute is designed in such a way which gives various opportunities to the students to showcase their talent. The institute is affiliated from Gujarat Technological University and AICTE.
Data _Whitepaper_FourFutures_DigitalLoyaltySurveySokho TRINH
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The document discusses four potential futures for digital marketing based on how companies manage customer data and engagement. The first future is "Offer Anarchy" where customers have little control over their data and marketers focus on short-term promotions. This leads to frustrated customers overwhelmed by irrelevant messages. The other futures are "Pay to Play" where data is traded as a commodity, "The Hunt for Affinity" where marketers try to build engagement without customer control, and "Real Relationships" where data is used to build trust and long-term customer relationships through relevance and reciprocity.
The document discusses an advertising campaign created for the charity SASH. It begins by outlining the original campaign design, which included a black and white photo and text. The author realized this design was too basic and didn't effectively communicate the message. Two revised designs are then presented, but both were deemed unsuccessful. The final design uses a collage of faces in black and white with the text "anyone can be homeless." Techniques like minimal text, visual elements, and black and white colors aim to clearly convey the message and engage the target audience of 16-24 year olds. The author believes the impactful design will make the public reflect on homelessness and potentially volunteer.
This document discusses design elements for a publication including a subheading font, color scheme, and masthead font. It also mentions ideas but provides no details. The main text font is specified as 12 point size.
Hengxia Costume Weaving Ltd is a swimwear and fitness wear manufacturer with 15 years of experience. It has major customers including Falabella, Ripley, and Target. With two factories and 300-350 staff, it has a monthly capacity of 450,000 sets and annual sales between $20-25 million. Its main export markets are Europe, USA, and Australia.
- The document analyzed the results of a questionnaire given to the target audience for a documentary about obsessions.
- The target audience was found to be mostly female, between the ages of 26-29, who watch ITV1 and Channel 4 and prefer darker color schemes and male voiceovers.
- They expressed interest in learning more about severe obsessions like OCD from a professional perspective, and preferred documentaries with statistics.
The documentary follows the evolution of the character Lara Croft from her creation in the Tomb Raider video game series to her portrayal in films. It uses interviews, game footage, and film clips to tell the linear story of how Lara Croft developed over time and became a well-known character that had a large cultural impact. Through elements like music, camera work, and graphics, the documentary aims to capture both the narrative of Lara Croft and the technological themes of the Tomb Raider franchise.
The documentary uses a mix of archive footage, interviews, and narration to explore the themes of horror, the creation of Frankenstein, and the life of Mary Shelley. It has a non-linear structure and focuses primarily on one theme. Various camera shots like tracking shots and medium close-ups are used to illustrate the narration and in interviews. The narration is provided by a male voice-of-god narrator and includes non-diegetic sounds that relate to the theme of horror. Black and white imagery and titles are incorporated relating to the documentary's examination of Frankenstein.
This document provides a 14-step guide for ensuring that lighting equipment in a drama studio is properly set up and functioning correctly. It outlines steps for checking that fixtures have safety chains, clamps, gel frames, and barn doors installed. It also includes steps for ensuring the dimmer control box and lighting desk are powered on and connected. The final steps cover troubleshooting non-functioning lights by checking connections and taking non-working lights to a technician.
This document provides a 14-step guide for ensuring that lighting equipment in a drama studio is properly set up and functioning correctly. It outlines steps for checking that fixtures have safety chains, clamps, gel frames, and barn doors installed. It also includes steps for ensuring the dimmer control box and lighting desk are powered on and connected. The final steps cover troubleshooting non-functioning lights by checking connections and taking non-working lights to a technician.
This document provides a 14-step guide for ensuring that lighting equipment in a drama studio is properly set up and functioning correctly. It outlines steps for checking that CCT Fresnel lights have safety chains, G-clamps, gel frames, barn doors, and gels installed. It also describes steps for ensuring the lighting desk and dimmers are on and the DMX cable is connected. Troubleshooting instructions are provided for non-functioning lights, such as checking the plug and bulb and cleaning dust from inside the light. Technicians should complete a check of all steps and equipment.
The document provides an inventory checklist for equipment in a drama studio, listing a laptop, projector with powered speakers, CD player, iPod lead, dimmer pack, lighting desk, and 10 CCT fresnel lights with gel frames. It instructs the reader to check that all listed equipment is present and report any faults or missing items to the technician.
This document provides a 10 step guide for ensuring that lighting equipment in a drama studio is properly set up and functioning correctly. The steps include checking that lights have safety chains, gels, barn doors, and are securely plugged in. It also involves inspecting the bulbs, cleaning dust from lights, and checking wires in plugs. The user is asked to confirm completion of each step by circling yes or no.
The document provides an inventory checklist for equipment in a drama studio, listing a laptop, projector with powered speakers, CD player, iPod lead, dimmer pack, lighting desk, and 10 CCT fresnel lights with gel frames. It instructs the reader to check that all listed equipment is present and report any faults or missing items to the technician.
This document provides a 9 step guide for ensuring that lighting equipment in a drama studio is properly set up and functioning correctly. The steps include checking that lights have safety chains, gels, barn doors, and are securely plugged in. It also provides instructions for troubleshooting non-functioning lights, such as checking the bulb and wiring. Completion of the guide is verified by signing and dating the document.
The document provides a checklist for inspecting lighting, sound, and projection equipment before an event. It lists items to check such as ensuring safety chains are attached to lights, lights are properly assembled, the correct number of lights are in the space, the lighting desk and dimmers are properly connected and powered on, G-clamps are securely fastened, all necessary sound equipment and leads are present and connected to the sound desk, and the projector and leads are properly connected. For each item, the checklist indicates whether it is yes or no.
Situated in Rajkot, Gujarat, MEFGI aims to create leaders of tomorrow who can face the dynamic society and contribute in increasing the worth of country. MEFGI believes in overall personality development of students. At present the institute is offering under graduate, post graduate and P.hd academic programme. Life at MEFGI is not limited to academic books only. The curriculum of the institute is designed in such a way which gives various opportunities to the students to showcase their talent. The institute is affiliated from Gujarat Technological University and AICTE.
Data _Whitepaper_FourFutures_DigitalLoyaltySurveySokho TRINH
Ìý
The document discusses four potential futures for digital marketing based on how companies manage customer data and engagement. The first future is "Offer Anarchy" where customers have little control over their data and marketers focus on short-term promotions. This leads to frustrated customers overwhelmed by irrelevant messages. The other futures are "Pay to Play" where data is traded as a commodity, "The Hunt for Affinity" where marketers try to build engagement without customer control, and "Real Relationships" where data is used to build trust and long-term customer relationships through relevance and reciprocity.
The document discusses an advertising campaign created for the charity SASH. It begins by outlining the original campaign design, which included a black and white photo and text. The author realized this design was too basic and didn't effectively communicate the message. Two revised designs are then presented, but both were deemed unsuccessful. The final design uses a collage of faces in black and white with the text "anyone can be homeless." Techniques like minimal text, visual elements, and black and white colors aim to clearly convey the message and engage the target audience of 16-24 year olds. The author believes the impactful design will make the public reflect on homelessness and potentially volunteer.
This document discusses design elements for a publication including a subheading font, color scheme, and masthead font. It also mentions ideas but provides no details. The main text font is specified as 12 point size.
Hengxia Costume Weaving Ltd is a swimwear and fitness wear manufacturer with 15 years of experience. It has major customers including Falabella, Ripley, and Target. With two factories and 300-350 staff, it has a monthly capacity of 450,000 sets and annual sales between $20-25 million. Its main export markets are Europe, USA, and Australia.
- The document analyzed the results of a questionnaire given to the target audience for a documentary about obsessions.
- The target audience was found to be mostly female, between the ages of 26-29, who watch ITV1 and Channel 4 and prefer darker color schemes and male voiceovers.
- They expressed interest in learning more about severe obsessions like OCD from a professional perspective, and preferred documentaries with statistics.
The documentary follows the evolution of the character Lara Croft from her creation in the Tomb Raider video game series to her portrayal in films. It uses interviews, game footage, and film clips to tell the linear story of how Lara Croft developed over time and became a well-known character that had a large cultural impact. Through elements like music, camera work, and graphics, the documentary aims to capture both the narrative of Lara Croft and the technological themes of the Tomb Raider franchise.
The documentary uses a mix of archive footage, interviews, and narration to explore the themes of horror, the creation of Frankenstein, and the life of Mary Shelley. It has a non-linear structure and focuses primarily on one theme. Various camera shots like tracking shots and medium close-ups are used to illustrate the narration and in interviews. The narration is provided by a male voice-of-god narrator and includes non-diegetic sounds that relate to the theme of horror. Black and white imagery and titles are incorporated relating to the documentary's examination of Frankenstein.
This document provides a 14-step guide for ensuring that lighting equipment in a drama studio is properly set up and functioning correctly. It outlines steps for checking that fixtures have safety chains, clamps, gel frames, and barn doors installed. It also includes steps for ensuring the dimmer control box and lighting desk are powered on and connected. The final steps cover troubleshooting non-functioning lights by checking connections and taking non-working lights to a technician.
This document provides a 14-step guide for ensuring that lighting equipment in a drama studio is properly set up and functioning correctly. It outlines steps for checking that fixtures have safety chains, clamps, gel frames, and barn doors installed. It also includes steps for ensuring the dimmer control box and lighting desk are powered on and connected. The final steps cover troubleshooting non-functioning lights by checking connections and taking non-working lights to a technician.
This document provides a 14-step guide for ensuring that lighting equipment in a drama studio is properly set up and functioning correctly. It outlines steps for checking that CCT Fresnel lights have safety chains, G-clamps, gel frames, barn doors, and gels installed. It also describes steps for ensuring the lighting desk and dimmers are on and the DMX cable is connected. Troubleshooting instructions are provided for non-functioning lights, such as checking the plug and bulb and cleaning dust from inside the light. Technicians should complete a check of all steps and equipment.
The document provides an inventory checklist for equipment in a drama studio, listing a laptop, projector with powered speakers, CD player, iPod lead, dimmer pack, lighting desk, and 10 CCT fresnel lights with gel frames. It instructs the reader to check that all listed equipment is present and report any faults or missing items to the technician.
This document provides a 10 step guide for ensuring that lighting equipment in a drama studio is properly set up and functioning correctly. The steps include checking that lights have safety chains, gels, barn doors, and are securely plugged in. It also involves inspecting the bulbs, cleaning dust from lights, and checking wires in plugs. The user is asked to confirm completion of each step by circling yes or no.
The document provides an inventory checklist for equipment in a drama studio, listing a laptop, projector with powered speakers, CD player, iPod lead, dimmer pack, lighting desk, and 10 CCT fresnel lights with gel frames. It instructs the reader to check that all listed equipment is present and report any faults or missing items to the technician.
This document provides a 9 step guide for ensuring that lighting equipment in a drama studio is properly set up and functioning correctly. The steps include checking that lights have safety chains, gels, barn doors, and are securely plugged in. It also provides instructions for troubleshooting non-functioning lights, such as checking the bulb and wiring. Completion of the guide is verified by signing and dating the document.
The document provides a checklist for inspecting lighting, sound, and projection equipment before an event. It lists items to check such as ensuring safety chains are attached to lights, lights are properly assembled, the correct number of lights are in the space, the lighting desk and dimmers are properly connected and powered on, G-clamps are securely fastened, all necessary sound equipment and leads are present and connected to the sound desk, and the projector and leads are properly connected. For each item, the checklist indicates whether it is yes or no.
This document provides an inventory of equipment in a drama studio, including a Toshiba laptop, projector with powered speakers, CD player, iPod lead, Zero88 dimmer pack, Strand lighting desk, and 10 CCT fresnel lights with gel frames. It instructs that when entering the drama studio, one should do a visual check that all listed equipment is present and check for any faults before powering things on.
This document contains a checklist for inspecting lighting, sound, and projection equipment before an event. It lists items to check such as ensuring safety chains are attached to lights, lights are assembled properly, the correct number of lights are set up, the lighting desk and dimmers are connected and powered on, G-clamps are securely fastened, all necessary sound equipment and leads are present and connected to the sound desk, and the projector and required cables are available and properly connected. For each item, the checklist specifies what to check and provides a yes/no field to record the results.
The document lists equipment in a drama studio including a Toshiba laptop, projector with powered speakers, CD player, iPod lead, Zero88 dimmer pack, Strand lighting desk, and 10 CCT Fresnels with gel frames. It instructs that when entering the drama studio, the first thing to do is check that all listed equipment is present in the studio.
This document provides a checklist to ensure lighting, sound, and projection equipment for an event is properly set up and functioning safely. It includes checking that lights have safety chains, are fully assembled, and focused properly. It also involves verifying the correct number of lights, that the lighting desk is powered on and dimmers are working. For sound, it checks that all necessary leads are connected to the sound desk and laptop. And for projection, it confirms all needed equipment is present and properly connected, including power and video cables.
The document discusses components of musical theatre like using a live orchestra, sound effects, and underscoring action. It then summarizes the plot of the musical comedy horror film The Rocky Horror Picture Show. Next, it analyzes the song "Time Warp" and how it uses tense musical notes and pre-recorded sound effects. It also discusses the artist Bill Fontana and his 2008 piece "Speed of Time" which features environmental sounds recorded from microphones placed around London. Finally, it compares how musical theatre and Bill Fontana's work use sound effects and microphone placement differently.
The document outlines several job roles in theatre production, including stage manager, sound designer/operator, lighting operator, front of house manager, and props mistress. A stage manager coordinates all aspects of a production to ensure successful performances. They manage rehearsals, actors, technicians and liaise between departments. A sound designer plans sound effects while an operator plays them at the right time. A lighting operator programs and operates lights to match scenes and cues. The front of house manager oversees customer service. The props mistress sources and manages all props for the production.
The document describes several job roles in theatre production:
Stage Manager coordinates all aspects of a production from rehearsals through performances to ensure successful delivery. Their duties include managing schedules, props, costumes, budgets and communicating between departments.
Sound Designers and Composers create sound effects and music to fit the production concept as directed. Sound Operators operate sound equipment during rehearsals and performances, cueing effects at the proper moments.
Lighting Operators operate lights during rehearsals and performances, programming cues to create desired emotions according to the director's vision.
Front of House Managers oversee ticket sales and audience experience to maintain the production's public image and quality service.
Props
The client wants the Production Arts team to put on a Contemporary Dance Show over two nights at Arley Hall & Gardens. On each night, there will be two simultaneous performances - one in the Gallery room and one in the Drawing Room. A total audience of 100 people will watch each night, with 50 people rotating between the two rooms at the interval. The Production team must develop a running order, source the necessary equipment, and assign roles like lighting technician. As the lighting technician, the student will be responsible for rigging, maintaining, and programming the lights under the supervision of the technical manager and assistant stage manager.
A documentary aims to document real events using actual footage or reconstruction. It can use a narrator's voiceover or rely on participant interviews to provide context. There are several styles of documentaries including fully narrated, observational, mixed, self-reflexive, docu-drama, and docu-soap. Documentaries typically use techniques like observation footage, interviews, drama/reconstruction, and exposition to advance their narrative while acknowledging their constructed nature.