Methods and technologies for the creation of a Digital replica in Cultural Heritage
1 like410 views
The document discusses methods and technologies for creating digital replicas in cultural heritage. It provides examples from research projects on 3D reconstruction of archaeological sites like the Banditaccia Necropolis in Cerveteri and the Sarmizegetusa archaeological site. The research team uses techniques like photogrammetry, 3D scanning, and virtual reconstruction to create digital replicas for uses like virtual museums, academic research, and games. Validation of models is an ongoing challenge. The document emphasizes the multidisciplinary nature of the work and potential applications of digital replicas.
Methods and technologies for the creation of a Digital replica in Cultural Heritage
- 1. Digital Heritage Bucharest - 11.9th.2018 Methods and technologies for the creation of a Digital Replica in Cultural Heritage: examples drawn from research projects Emanuel Demetrescu, Daniele Ferdani, Enzo d'Annibale, Bruno Fanini
- 2. Studies in Cultural Heritage (Archaeology, History, Anthropology etc.) Industry of Digital libraries Virtual Museums Games content validation 3D as a research tool academic dissemination Papers books research projects
- 3. Research team, VH LAB (CNR-ITABC) ? Enzo d’Annibale ? Emanuel Demetrescu ? Bruno Fanini ? Daniele Ferdani ? Alfonsina Pagano ? Augusto Palombini ? Eva Pietroni ? Sofia Pescarin ? Engineer and visual designer ? Classic Archaeologist and 3D modeller ? Computer scientist 3D realtime/CGI ? Medieval Archaeologist and 3D modeller ? UX designer specialist ? Prehistoric Archaeologist and GIS expert ? Art Historian and 3D expert ? Archaeologist Roman Topography need for a multidisciplinary approach
- 4. An ambiguous term: 3D reconstruction ?3D reconstruction for experts in cultural heritage (archaeologists, architects, historians etc..) ?3D reconstruction for experts in geomatics and 3D survey CG as an aesthetic endeavour ?
- 5. what is a Digital Replica it is NOT a digital copy of the real object it is a visual substitute that make it possible to “experiment” the real object
- 6. VR Solutions Portable, immersive VR solutions for easy deployment - ovrWalker (B.Fanini) ?
- 7. Gesture-based Gaming Admotum / AiRome? Fanini, B., d'Annibale, E., Demetrescu, E., Ferdani, D., & Pagano, A. (2015, September). Engaging and shared gesture- based interaction for museums the case study of K2R international expo in Rome. In Digital Heritage, 2015 (Vol. 1, pp. 263-270). IEEE
- 8. Digital Replica ICOMOS and UNESCO, have revised the definition of Cultural Heritage to include in this definition not only the elements of historical-artistic relevance and the testimonies of civilisation but also the environment that surrounds and hosts them.
- 9. Colonia Dacica Sarmizegetusa Ulpia Traiana Parallel Case studies Cerveteri Necropoli Banditaccia
- 10. extensive survey at the Necropolis of Banditaccia 2013-2016 Campo della Fiera (interni ed esterni) Onde Marine (esterni) Onde Marine (scavo) Grandi Tumuli (esterni) Tomba dei capitelli (esterni) Tomba della cornice(interni ed esterni) Via dei monti della Tolfa (esterni) 200 m
- 12. Rizzo 1997 Pallottino 1951 Cosentino 2016 Cosentino 2008 Onde Marine excavation 10 m 10 10
- 13. Cerveteri Onde Marine Tavola 5 vista isometrica de scala 1:2000 10 m10 10 3D model of the excavation 2016 1500 mq 7 interiors of tomb explored 7 main epochs, from the end of VII to our days
- 14. Sarmizegetusa Ulpia Traiana ITABC-MNIT
- 15. Survey, digital restoration and reconstruction of the Great Temple of Sarmisegetusa Survey 3D Study Digital restoration Virtual Reconstruction publishing Ph.D. research - running publishing
- 16. Investigation on the archaeological site 3D digital replica Scientific documentation 3D VM DL Game “derived" documentation (blueprints, sections) GIS Onde Marine Touch/Admotum Methodologyoftheresearch aerial and terrestrial photogrammetry, GPS and laser scanner
- 17. 3D survey Computer Graphic Integration of techniques 3 D
- 18. Rete topografica (Stazione Totale e D-GPS)
- 21. ITABC-02-S1000 S-1000 costruzione ITABC-CLOUDCAM Ottocottero, A2, weight 11630 gr. SPR ITABC-02-GRP32 - Graupner MC-20 GIMBAL tele-controllata universale CANON 6D 35mm Doppia trasmissione video a terra ITABC-01-PHM take off weight <1300 gr SPR ITABC-01-GRP16 - Graupner MX-20 Phantom II con GoPro Hero 3 Aerial Photogrammetry
- 22. Point Cloud Mesh Texture 04Terrestrialphotogr.-ProcessingData Photoscan Project Workflow data
- 23. 3DsegmentationMeshediting ● 3D models segmentation (～100 poly per block) ● Mesh optimization (poly decimation, capping holes) ● Texture building (1 text 2048x2048 px per 5 m?) ● 3 Level of Details (LOD) for RT appl. implementation: Lod1: 3K; Lod2: 1,5 K; Lod3: 0,5 K Texturebuilding 04Terrestrialphot.-3DModelOptimization
- 24. Digital Libraries and Virtual Museums Solid semantic tools like CIDOC CRM Lot of literature and projects 3D survey (of extant objects) Shared metadata schema (i.e. CARARE)
- 25. Recording the stratigraphy through the matrix of Harris Tavola 5 vista isometric scala 1:2000 10 m10 10 Tavola 5 vista isometrica dell'area di scavo scala 1:2000 10 m10 10 Time
- 26. US 01 US 04 US 14US -22 2D representation of the Matrix using GraphML The representation of stratigraphy in the 3D model
- 27. 3D/2D representation of the Matrix using GraphML The representation of stratigraphy in Blender 3D EM tools on git hub !
- 28. The representation of stratigraphy in Blender 3D yED - Matrix of Harris Blender - proxy / representation models
- 29. XX d.C. Restauration II d.C. (foundation podio) I d.C. (phase before the temple)
- 30. Carta archeologica digitale della Necropoli di Cerveteri Produzione elaborati derivati: prospetti
- 31. Cerveteri Onde Marine Production of derived documentation
- 38. High-dynamic-range imaging (HDR) is a technique used in imaging and photography to reproduce a greater dynamic range of luminosity 06HDRIsampling-Onffieldacquisition Mirrored Sphere for HDR Photographic campaign using multiple exposures
- 39. Camera Setting ● ISO 200 ● Af 5,6 ● Te 1/8000 sec → 2 sec ● 2 POV Mirrored sphere ● 15 cm 06HDRI-Multipleimageexposurecapturing Equirectangular 360° panoramaPOV 1 POV 2 Multiple image exposure dataset merged to HDR Transformation of the round fish-eye images to square equirectangular images
- 41. On-field sample gathering and classification Creation of a library of the local flora, sampling the most prevalent vegetal species directly on the field: ● Acacia ● Mallus Domestica ● Juglans Regia ● Prunus ● Vitis Vinifera 07Vegetationsampling
- 42. Organic procedural 3D modeling Procedural building of the local plants and placement on their original position in the reality- based virtual model 3D organic model af a Mallus Domestica Positioning on the virtual landscape 07Vegetationsampling
- 43. In recent years only 20% of papers written about ?the use of 3D technology in archaeology focus on the 3D reconstruction of lost contexts. Virtual reconstruction (no more extant objects) there is a general lack in validation practice inside the community A recent survey based on 686 publications, ?reports that only 1% of contributors propose methods to be used in the validation of models.1 % 20 % ->
- 44. Filling the gaps with Virtual Stratigraphic Units we can restore what likelihood was in the past
- 45. The USV fill the gaps that exist in the MoH
- 46. Cerveteri Onde Marine - reconstruction -US 93 SF03 VII BC
- 47. Cerveteri Onde Marine - reconstruction USV2010
- 48. Cerveteri Onde Marine - reconstruction
- 49. Cerveteri Onde Marine - reconstruction Stratigraphic unit (US) or context USVs Virtual Stratigraphic Unit (structural) USVn Virtual Stratigraphic Unit (non-structural)
- 50. Cerveteri Onde Marine - reconstruction
- 51. Cerveteri Onde Marine - reconstruction
- 52. Cerveteri Onde Marine - reconstruction Stratigraphic unit (US) or context USVs Virtual Stratigraphic Unit (structural) USVn Virtual Stratigraphic Unit (non-structural)
- 53. Cerveteri Onde Marine - reconstruction
- 54. Cerveteri Onde Marine - reconstruction
- 55. Cerveteri Onde Marine - reconstruction Stratigraphic unit (US) or context USVs Virtual Stratigraphic Unit (structural) USVn Virtual Stratigraphic Unit (non-structural)
- 56. Cerveteri Onde Marine - reconstruction
- 57. digital restoration Digital restoration digital replica Digital restoration starts from a physical element and it is operated on it digital replica SF 1 EM
- 58. Digital restoration starts from a physical element and it is operated on it digital replica digital anastylosis restores spatial relations between digital elements EM digital anastylosis
- 63. Touch application for the exploration of the excavation of the Marine Waves Onde Marine touch ? The application allows you to explore 8 information points of the excavation; ? goal of integrating methods and techniques specific to archaeological documentation ? 3D digital replica -> touch application documentation; ? double language ? fully usable version 1; ? an upgrade is planned when the final location will be defined (audio, music, additional effects).
- 64. Touche table - prototype A Touch table made by CNR-ITABC (D’Annibale Demetrescu) made to manage 3D interactive contents
- 68. WORK IN PROGRESS
- 69. EXPO-CLUJ@MNIT
- 70. EXPO-CLUJ@MNIT User1 full body gesture exploration User2 hand gesture exploration
- 71. EXPO-CLUJ@MNIT
- 72. EXPO-CLUJ@MNIT
- 73. EXPO-CLUJ@MNIT
- 74. EXPO-CLUJ@MNIT Awards and online assets
- 75. We are in the golden hour technical opportunity: tools to create theoretically infinite digital worlds (a.k.a. Open Worlds) Virtual Reconstruction as part of the Archaelogical study to improve quality of virtual museums and games on the field opportunity: diffusion of tools and users that are able to make 3D survey campaign in short time theoretical background ready since ’70 on simulation in archaeology, virtual and cyber archeology Digital Replica to express new Cultural Heritage definition scientific need to include more aspects of the cultural heritage (environment, light, vegetation, ethnographic aspects etc..) Scientific hypothesis can be part of a digital world