This document summarizes a market discovery session focused on Latin America that took place on November 19th, 2014 in Cancun, Mexico. It discusses trends in the Latin American television market including the strong potential of entertainment brands and series as a driving genre. Fiction programming dominates new launches and local entertainment attracts family audiences while international formats continue to spread globally. Content consumption is moving beyond traditional television to new platforms and a growing digital generation is embracing multi-screen and on-demand viewing.
In the review of international TV trends of 2014, Sahar Baghery, Director of the international TV Formats centre at Eurodata TV Worldwide and Julia Esp辿rance, International Research Manager, note that in a context of moderate risk-taking, producers and broadcasters are placing greater emphasis on proven televisual genres by activating the emotional dimension."
International TV Trends : TV- Therapy: Looking back to move forwards Levalloi...Amandine Cassi
油
Amandine Cassi, Head of Research, and Julia Esp辿rance Media Consultant, observe that in the face of increasing competition and in a troubled economic context, television an important social tie continues its mutation. We are seeing a move upmarket across all genres, which responds to the increasing demands of the public.
Eurodata tv tv viewing trends mip formats 11042015 abstractEurodataTVWorldwide
油
New TV viewing habits show that consumption is becoming more flexible, with increased time-shifted viewing. The TV ecosystem is also becoming more enriched, with content available everywhere and viewers at the center. Finally, certain TV formats have found worldwide success, such as live events, reality shows, and dramas from strong production brands.
This document summarizes international kids TV trends based on data from Eurodata TV Worldwide and its partners. It finds that the average daily viewing time for children is highest in Europe at 3 hours and 33 minutes, followed by North America at 2 hours and 32 minutes. Dedicated children's channels are continuing to grow across markets. Animation is the most popular genre for kids' shows in both Europe and Asia, comprising 50% and 66% of top shows respectively. Many animated shows are finding success crossing borders between markets. Multi-platform viewing is also on the rise as kids access content across televisions, smartphones, tablets and computers.
1. LatAm television content is increasingly being distributed globally, with over 100 formats from Latin American countries being launched abroad since 2014. North America leads as the largest importer of LatAm TV formats.
2. Latin American producers are partnering with broadcasters in other regions to co-produce and adapt their television shows in order to reach a wider global audience.
3. Popular Latin American television formats are now being exported and adapted for audiences in new international territories across Africa, Asia, the Middle East, and Europe, reflecting trends and success stories of television made in Latin America going global.
European Series in a Multiscreen Environment_Eurodata TV WorldwideEurodataTVWorldwide
油
This presentation is an abstract of the introduction at S辿rie S辿ries held by Sahar Baghery, Head of global research and contents strategy, on July 1st , 2015.
Eurodata TV and TAPE Consultancy are joining forces to strengthen their expertise in international content. They provide services and reports on international TV trends, multiscreen viewing, and audiences of young adults across 10, 12, and 50 countries. The document discusses strategies for developing audiences with innovative content and strategies, and provides key figures on content creation in 2016 versus 2015, including a 26% increase in the number of countries where original programs were launched. It also highlights examples of innovative content from around the world that performed well with audiences in late 2016 and early 2017.
Eurodata TV Worldwide provides audience ratings, content insights, and market intelligence on TV channels and programs globally. They cover over 100 territories across 5 continents and add 200 new channels per year to their database. Eurodata has a team of over 60 experts with experience in the TV industry. They produce reports on children's TV trends in over 25 countries, analyzing the top performing programs and channels for preschoolers and other age groups. These reports help clients understand different markets and position their programs internationally.
Kids' TV Trends: A global insight into the animation marketplaceMIP Markets
油
This document provides an overview of kids' TV trends based on a report from Eurodata TV Worldwide. It discusses continued growth in children's daily TV viewing times globally. Dedicated children's channels are growing their market shares while general channels are decreasing their kids' programming. Animation remains universally popular kids' TV content around the world, though local and homegrown productions also perform well nationally. Key times for kids' TV vary by country's school schedules and culture but generally peak during and after school hours.
This presentation was delivered by Dr. Justine Ram, Director of Economics, CDB, at the Caribbean Broadcasting Union 47th Annual General Assembly in Havana, Cuba on October 24, 2016.
This presentation focusses on the media environment in the Caribbean, existing opportunities and the way forward. Delivered by Dr. Justin Ram, Director, Economics Department, CDB at the Caribbean Broadcasting Union's 47th Annual General Assembly in Havana, Cuba on October 24, 2016.
The Tennessee Wildlife Resources Agency (TWRA) is launching its own online streaming platform called TWRA.tv to broadcast agency programming and local outdoor videos. This will allow the TWRA to stream content directly to users across Tennessee and beyond. TWRA.tv will function similarly to services like Netflix and YouTube, making the TWRA the first wildlife agency in the nation to start its own online streaming service. The platform will also integrate partnership opportunities for businesses to advertise to outdoor enthusiasts through video ads, display ads, and optimized channel profiles.
This document discusses trends in scripted television series and their reflection of society. It notes that scripted series are very popular, with local series attracting high viewership in many countries. Recent hit series have tackled social and political issues or portrayed family and human relationships. Biopics and dramedies are growing genres. Adaptations are also on the rise in Europe. The analysis suggests scripted series are increasingly addressing questions of responsibility and providing unique perspectives on contemporary society issues.
New rules and opportunities in the television industry are creating a changing landscape. Eurodata TV Worldwide provides insights into viewing trends across over 100 territories and 6,300 channels. While average daily viewing times have remained steady, some countries have seen increases as TV integrates new technologies. A transforming ecosystem includes emerging platforms in many regions. Immediacy is changing release timelines, and content remains central to the new economic model as local successes gain international recognition. The future may bring further disintermediation and new designs from broadcasters to engage viewers.
This document discusses trends in television formats and entertainment consumption. It summarizes that entertainment programming such as reality shows, game shows, and comedy shows make up a large percentage of top performing TV shows globally. New dating and competition show formats are gaining popularity. Kids' talent and storytelling shows are bringing families together. Emerging platforms like YouTube and mobile streaming apps are creating new business models and original content to engage younger audiences.
Global channels distribution TV is everywhereSahar Baghery
油
This document summarizes trends in global TV distribution and consumption. It finds that while terrestrial TV households still dominate in some countries, cable, satellite, and IPTV subscriptions are growing globally. TV content is also becoming available across more devices and platforms, with increased time-shifted and on-demand viewing on tablets, PCs, smartphones, and streaming services. Content owners are partnering with streaming platforms to access new audiences. Overall, TV habits are rapidly evolving, and both linear and non-linear viewing options are becoming more complementary as distribution continues to expand globally.
European creation in Fiction: Local success, global accessSahar Baghery
油
European fiction programs are increasingly popular globally. Local European shows dominate new launches, with 68% of programs in 20 territories from 2013-2014 being local creations. Popular genres include drama, investigation, and period drama. Successful European shows are breaking records, with some airing in over 100 territories. Adaptations of European programs are also widespread, with shows adapting globally and within Europe. New models of co-productions and multi-screen viewing are changing the economics of the television industry.
Roberto Su叩rez Candel: Trendy ve vys鱈l叩n鱈 evropsk辿 veejn辿 slu転byJan Brychta
油
The document summarizes trends affecting European public service broadcasting. It notes increasing complexity from internationalization, market consolidation, and new platforms and devices fragmenting audiences. Consumption trends show television viewing remaining steady while internet use grows, challenging public broadcasters to be where audiences are across platforms. Public trust in media is declining in Europe as public broadcasters struggle with questions around their legitimacy, role, and accountability to citizens, markets, and states. The document argues public broadcasters contribute to European culture, democracy, and innovation if their value is properly understood.
Ad Sales Presentation Pan Regional March 09lgduarte
油
DIRECTV is the second largest pay TV provider in Latin America with over 5 million subscribers across multiple countries. It provides over 5000 hours of exclusive live programming across more than 300 channels. DIRECTV has experienced subscriber growth rates of around 15% annually. It provides the premier television experience through exclusive programming and the best technology, including many sports broadcasts in high definition.
US Media Consulting's 2014 Media Market Report for Latin America highlights key aspects of the region for advertisers, marketers and media agencies, such as:
Ad spend trends for Latin America and specific countries, with breakdowns by medium in different markets
The rise of mobile media and its impact on advertising and reaching consumers
Use of social media in Latin America and its influence on purchase decisions
Smartphone and tablet sales in Latin America
Strength of traditional media in Latin America: newspapers, radio, TV and more
Media consumption habits in Latin America, including time devoted to major media in Argentina, Brazil, Mexico, Colombia, Peru and other markets
Trends in pay TV subscriptions
Growth of e-commerce in Latin America and preferences in terms of online shopping
Online video consumption in Latin America and the potential for advertisers
And much more.
This report brings together data from more than 200 studies to offer a detailed portrait of Latin America's media market, including:
Media penetration in Latin American markets
The rise of Latin American consumers
Pay TV in Latin America: penetration and future projections
Social media penetration and influence on purchase decisions in Latin America
Mobile and smartphone penetration in Latin America
Use of mobile Internet in Latin America
Growth of print media in Latin America
Ad spend trends in Latin America and future projections
Mobile Internet growth in Latin America
E-commerce in Latin America and top-selling products among Latin american e-online shoppers
Mobile commerce in Latin America
Broadband in Latin America
Top social media sites in Latin America
Media penetration, ad spend, pay TV adoption, print media circulation, Internet penetration and Internet user preferences and trends for Argentina, Brazil, Caribbean, Central America, Chile, Colombia, Mexico, Peru, Uruguay, Venezuela and other markets within Latin America
Television 2013_Digital Disruption_UOIT Innovation Conference PresentationSusan Dineen
油
The television industry in Canada has experienced significant changes in recent years driven by new technologies and trends. More choice and services are available to viewers through cable, satellite, IPTV and over-the-top services like Netflix. While Canadians still spend a lot of time watching TV, viewership is changing as people engage in multi-screen viewing and social media around content. Disruptive forces include Internet TV/OTT services producing original content, the rise of multi-screen experiences, and cord-cutting, though the latter remains relatively small in Canada. Broadcasters are focusing on audience engagement across multiple platforms to keep up with these changes.
Audiovisual markets in the European Union - Video sharing platforms and their...Christian Grece
油
The audiovisual market in the EU is evolving as viewing habits change, especially among younger generations. While revenues for paid audiovisual services are growing, free online viewing is increasing and challenging television. Advertising spending is shifting online to follow audiences. Online video sharing platforms like YouTube and Facebook now capture over half of global online video advertising revenues, competing with television for ad budgets. Younger viewers in particular are consuming more content online and on mobile devices. This has implications for traditional audiovisual players and their ability to reach audiences and adapt to the new landscape. A few major online video platforms have become a "discovery oligopoly" for audiovisual content online, potentially influencing how people access information, entertainment and education in the future.
This TV Trends Report is packed full of facts and figures about the television industry. For more information, visit thinktv.com.au or follow us @Think_TV
The document discusses the BBC's global reach and influence through its various platforms including BBC World News, bbc.com, mobile apps, and social media. It notes that BBC World News reaches over 380 million households globally and bbc.com reaches 58 million unique users every month. The document then discusses the BBC audience in more detail, noting that they are influential international travelers who take multiple trips abroad each year and have high spending levels. It positions the BBC as being able to help advertisers effectively reach this global and affluent audience through trusted storytelling across its various channels and platforms.
1) The document discusses the history of television, beginning with its invention in the US in 1925 and the first public demonstration in 1927. It traces developments like the first regular television shows in 1928 and the approval of color television.
2) It also covers the origins of cable TV in 1948 with the first system created in Pennsylvania to improve signal reception. John Walson is recognized as the founder of the cable television industry.
3) Additional topics discussed include the definition of web streaming as watching online content in real-time without downloading, and how this and other factors have contributed to changes in the TV industry and rise of streaming platforms.
BroadcastAsia 2014 - is social TV changing the international TV syndication m...Natan Edelsburg
油
This document discusses how social media is redefining user experiences with second screen viewing and social TV. It provides examples of data on Twitter and Facebook conversations around TV shows. Experts in the document discuss how social media is affecting international TV syndication through increased demand to view shows at the same time as their original air date to avoid spoilers. Some believe this will force changes to syndication models while others think it will only modestly shorten release windows. Overall, social media is disrupting traditional TV distribution but also helping market shows.
The review of Ukrainian media market with a focus on Digital component. Comparison of key indicators of the Internet industry in Ukraine with world and European trends, analysis of media consumption in Ukraine, all the benefits of the Internet as a media, in comparison with the TV. The highlight of the presentation - agency forecasts for the share of investments in the Internet media until 2016.
Eurodata TV Worldwide provides audience ratings, content insights, and market intelligence on TV channels and programs globally. They cover over 100 territories across 5 continents and add 200 new channels per year to their database. Eurodata has a team of over 60 experts with experience in the TV industry. They produce reports on children's TV trends in over 25 countries, analyzing the top performing programs and channels for preschoolers and other age groups. These reports help clients understand different markets and position their programs internationally.
Kids' TV Trends: A global insight into the animation marketplaceMIP Markets
油
This document provides an overview of kids' TV trends based on a report from Eurodata TV Worldwide. It discusses continued growth in children's daily TV viewing times globally. Dedicated children's channels are growing their market shares while general channels are decreasing their kids' programming. Animation remains universally popular kids' TV content around the world, though local and homegrown productions also perform well nationally. Key times for kids' TV vary by country's school schedules and culture but generally peak during and after school hours.
This presentation was delivered by Dr. Justine Ram, Director of Economics, CDB, at the Caribbean Broadcasting Union 47th Annual General Assembly in Havana, Cuba on October 24, 2016.
This presentation focusses on the media environment in the Caribbean, existing opportunities and the way forward. Delivered by Dr. Justin Ram, Director, Economics Department, CDB at the Caribbean Broadcasting Union's 47th Annual General Assembly in Havana, Cuba on October 24, 2016.
The Tennessee Wildlife Resources Agency (TWRA) is launching its own online streaming platform called TWRA.tv to broadcast agency programming and local outdoor videos. This will allow the TWRA to stream content directly to users across Tennessee and beyond. TWRA.tv will function similarly to services like Netflix and YouTube, making the TWRA the first wildlife agency in the nation to start its own online streaming service. The platform will also integrate partnership opportunities for businesses to advertise to outdoor enthusiasts through video ads, display ads, and optimized channel profiles.
This document discusses trends in scripted television series and their reflection of society. It notes that scripted series are very popular, with local series attracting high viewership in many countries. Recent hit series have tackled social and political issues or portrayed family and human relationships. Biopics and dramedies are growing genres. Adaptations are also on the rise in Europe. The analysis suggests scripted series are increasingly addressing questions of responsibility and providing unique perspectives on contemporary society issues.
New rules and opportunities in the television industry are creating a changing landscape. Eurodata TV Worldwide provides insights into viewing trends across over 100 territories and 6,300 channels. While average daily viewing times have remained steady, some countries have seen increases as TV integrates new technologies. A transforming ecosystem includes emerging platforms in many regions. Immediacy is changing release timelines, and content remains central to the new economic model as local successes gain international recognition. The future may bring further disintermediation and new designs from broadcasters to engage viewers.
This document discusses trends in television formats and entertainment consumption. It summarizes that entertainment programming such as reality shows, game shows, and comedy shows make up a large percentage of top performing TV shows globally. New dating and competition show formats are gaining popularity. Kids' talent and storytelling shows are bringing families together. Emerging platforms like YouTube and mobile streaming apps are creating new business models and original content to engage younger audiences.
Global channels distribution TV is everywhereSahar Baghery
油
This document summarizes trends in global TV distribution and consumption. It finds that while terrestrial TV households still dominate in some countries, cable, satellite, and IPTV subscriptions are growing globally. TV content is also becoming available across more devices and platforms, with increased time-shifted and on-demand viewing on tablets, PCs, smartphones, and streaming services. Content owners are partnering with streaming platforms to access new audiences. Overall, TV habits are rapidly evolving, and both linear and non-linear viewing options are becoming more complementary as distribution continues to expand globally.
European creation in Fiction: Local success, global accessSahar Baghery
油
European fiction programs are increasingly popular globally. Local European shows dominate new launches, with 68% of programs in 20 territories from 2013-2014 being local creations. Popular genres include drama, investigation, and period drama. Successful European shows are breaking records, with some airing in over 100 territories. Adaptations of European programs are also widespread, with shows adapting globally and within Europe. New models of co-productions and multi-screen viewing are changing the economics of the television industry.
Roberto Su叩rez Candel: Trendy ve vys鱈l叩n鱈 evropsk辿 veejn辿 slu転byJan Brychta
油
The document summarizes trends affecting European public service broadcasting. It notes increasing complexity from internationalization, market consolidation, and new platforms and devices fragmenting audiences. Consumption trends show television viewing remaining steady while internet use grows, challenging public broadcasters to be where audiences are across platforms. Public trust in media is declining in Europe as public broadcasters struggle with questions around their legitimacy, role, and accountability to citizens, markets, and states. The document argues public broadcasters contribute to European culture, democracy, and innovation if their value is properly understood.
Ad Sales Presentation Pan Regional March 09lgduarte
油
DIRECTV is the second largest pay TV provider in Latin America with over 5 million subscribers across multiple countries. It provides over 5000 hours of exclusive live programming across more than 300 channels. DIRECTV has experienced subscriber growth rates of around 15% annually. It provides the premier television experience through exclusive programming and the best technology, including many sports broadcasts in high definition.
US Media Consulting's 2014 Media Market Report for Latin America highlights key aspects of the region for advertisers, marketers and media agencies, such as:
Ad spend trends for Latin America and specific countries, with breakdowns by medium in different markets
The rise of mobile media and its impact on advertising and reaching consumers
Use of social media in Latin America and its influence on purchase decisions
Smartphone and tablet sales in Latin America
Strength of traditional media in Latin America: newspapers, radio, TV and more
Media consumption habits in Latin America, including time devoted to major media in Argentina, Brazil, Mexico, Colombia, Peru and other markets
Trends in pay TV subscriptions
Growth of e-commerce in Latin America and preferences in terms of online shopping
Online video consumption in Latin America and the potential for advertisers
And much more.
This report brings together data from more than 200 studies to offer a detailed portrait of Latin America's media market, including:
Media penetration in Latin American markets
The rise of Latin American consumers
Pay TV in Latin America: penetration and future projections
Social media penetration and influence on purchase decisions in Latin America
Mobile and smartphone penetration in Latin America
Use of mobile Internet in Latin America
Growth of print media in Latin America
Ad spend trends in Latin America and future projections
Mobile Internet growth in Latin America
E-commerce in Latin America and top-selling products among Latin american e-online shoppers
Mobile commerce in Latin America
Broadband in Latin America
Top social media sites in Latin America
Media penetration, ad spend, pay TV adoption, print media circulation, Internet penetration and Internet user preferences and trends for Argentina, Brazil, Caribbean, Central America, Chile, Colombia, Mexico, Peru, Uruguay, Venezuela and other markets within Latin America
Television 2013_Digital Disruption_UOIT Innovation Conference PresentationSusan Dineen
油
The television industry in Canada has experienced significant changes in recent years driven by new technologies and trends. More choice and services are available to viewers through cable, satellite, IPTV and over-the-top services like Netflix. While Canadians still spend a lot of time watching TV, viewership is changing as people engage in multi-screen viewing and social media around content. Disruptive forces include Internet TV/OTT services producing original content, the rise of multi-screen experiences, and cord-cutting, though the latter remains relatively small in Canada. Broadcasters are focusing on audience engagement across multiple platforms to keep up with these changes.
Audiovisual markets in the European Union - Video sharing platforms and their...Christian Grece
油
The audiovisual market in the EU is evolving as viewing habits change, especially among younger generations. While revenues for paid audiovisual services are growing, free online viewing is increasing and challenging television. Advertising spending is shifting online to follow audiences. Online video sharing platforms like YouTube and Facebook now capture over half of global online video advertising revenues, competing with television for ad budgets. Younger viewers in particular are consuming more content online and on mobile devices. This has implications for traditional audiovisual players and their ability to reach audiences and adapt to the new landscape. A few major online video platforms have become a "discovery oligopoly" for audiovisual content online, potentially influencing how people access information, entertainment and education in the future.
This TV Trends Report is packed full of facts and figures about the television industry. For more information, visit thinktv.com.au or follow us @Think_TV
The document discusses the BBC's global reach and influence through its various platforms including BBC World News, bbc.com, mobile apps, and social media. It notes that BBC World News reaches over 380 million households globally and bbc.com reaches 58 million unique users every month. The document then discusses the BBC audience in more detail, noting that they are influential international travelers who take multiple trips abroad each year and have high spending levels. It positions the BBC as being able to help advertisers effectively reach this global and affluent audience through trusted storytelling across its various channels and platforms.
1) The document discusses the history of television, beginning with its invention in the US in 1925 and the first public demonstration in 1927. It traces developments like the first regular television shows in 1928 and the approval of color television.
2) It also covers the origins of cable TV in 1948 with the first system created in Pennsylvania to improve signal reception. John Walson is recognized as the founder of the cable television industry.
3) Additional topics discussed include the definition of web streaming as watching online content in real-time without downloading, and how this and other factors have contributed to changes in the TV industry and rise of streaming platforms.
BroadcastAsia 2014 - is social TV changing the international TV syndication m...Natan Edelsburg
油
This document discusses how social media is redefining user experiences with second screen viewing and social TV. It provides examples of data on Twitter and Facebook conversations around TV shows. Experts in the document discuss how social media is affecting international TV syndication through increased demand to view shows at the same time as their original air date to avoid spoilers. Some believe this will force changes to syndication models while others think it will only modestly shorten release windows. Overall, social media is disrupting traditional TV distribution but also helping market shows.
The review of Ukrainian media market with a focus on Digital component. Comparison of key indicators of the Internet industry in Ukraine with world and European trends, analysis of media consumption in Ukraine, all the benefits of the Internet as a media, in comparison with the TV. The highlight of the presentation - agency forecasts for the share of investments in the Internet media until 2016.
This document is the support i have used while the introduction keynote i have done for the CrossVideoDays. This is a kind of state of art of the online video and connected TV ecosystem + some inputs and questions about the consequences on the video content value chain
Television remains the primary screen for viewing, but people are increasingly engaging in "multi-screening" by using other connected devices like smartphones and tablets while watching TV. Statistics from across Europe show that multi-screening is now mainstream, with over half of viewers in several countries using a second screen. While watching TV, people use other devices both to comment about the program on social media and to find additional information, such as content related to the TV show or details about advertised brands. Advertisers have an opportunity to reach these engaged viewers across multiple screens.
This document summarizes a presentation on video consumption trends and winning viewer strategies. It discusses how viewers are spending less time watching live TV and more time watching on-demand and online. Specifically, it notes that time-shifted viewing has increased by 15 minutes from 2013 to 2015. It also discusses how online streaming of TV programs has increased 9% from 2015 to 2016, though live streaming only accounts for 1.5% of total viewership. Finally, it presents examples of family-friendly programming from around the world that attracts wide audience demographics.
Vol.9: Havas Media Italy conducted a quantitative ad hoc research on 706 cases 18+, a sample that represents Italian citizens.
The aim is to investigate how Italian habits are changing since the start of the COVID-19 pandemic.
Analyse av trafikkulykker
-
hva kan vi l脱re?
De nordiske landene er blant de beste i verden n奪r det gjelder trafikksikkerhet. Men vi kan fortsatt l脱re og forbedre
oss. Alle de nordiske landene har ulykkesunders淡kelsesteam for dybdeanalyse av trafikkulykker. Denne 淡kten
presenterer noen av deres nyeste unders淡kelsesmetoder og funn.
Kalle Parkkari, Director at Finnish Crash Data Institute (OTI), Finland
Mastering ODC Architecture: Everything You Need to KnowShubhamSharma2528
油
This session is your ultimate guide to OutSystems Developer Cloud (ODC) architecture, providing insights into every critical aspect of the design process. Learn how to:
Disclose: Identify and analyze business requirements, processes, user stories, personas, and roles.
Organize: Group concepts into bounded contexts for modularity and clarity.
Assemble: Map bounded contexts into scalable and maintainable ODC applications.
Whether you're new to ODC or looking to deepen your understanding, this session offers everything and anything you need to build effective architectures. Get ready to design with confidence, ensuring your solutions are both robust and aligned with business objectives!
AI Safety in Parliaments: Latest Standards and Compliance ChallengesDr. Fotios Fitsilis
油
Joint presentation by Fotis Fitsilis and Vasileios Alexiou at the International Workshop on Cybersecurity and Society (IWCS)
5 March 2025
Universit辿 du Qu辿bec en Outaouais, Canada
JARINZO TANABATAS SIX CAPITAL FORCES: A FRAMEWORK FOR STRATEGIC ADVANTAGEJarinzo Tanabata
油
Strategic Excellence: In the ever-evolving landscape of business, technology, and governance, traditional views of capital as a static resource no longer suffice. To maintain a competitive edge, organizations must not only accumulate resources but must activate, integrate, and orchestrate them in ways that align with long-term goals. Jarinzo Tanabatas Six Capital Forces offers a rigorous and pragmatic framework for achieving this level of strategic agility. By viewing capital not as a static accumulation but as an interconnected system of forces, Tanabata introduces a model that drives growth, innovation, and sustained competitive advantage.
In the same tradition as thinkers like Peter Drucker, who emphasized the importance of aligning strategy with organizational capabilities, and Michael Porter, who outlined the critical dynamics of competitive advantage, Tanabata offers a vision of capital that is fluid, responsive, and ever-adapting. His Six Capital Forces Intellectual, Social, Financial, Human, Structural, and Natural must be continuously activated, integrated, and orchestrated to yield real value. This approach aligns with the strategic and operational needs of organizations looking to excel in a volatile, uncertain, complex, and ambiguous world.
Traditionally, capital was seen primarily as a static resource to be accumulated: assets, cash reserves, intellectual property, and human resources. But Tanabata's framework challenges this perspective by viewing capital as a dynamic force, a series of interrelated modalities that must be activated and integrated to drive sustained value creation. The success of modern institutions, corporations, and political bodies does not lie simply in their capital reserves but in their capacity to activate and orchestrate these reserves to deliver tangible, long-term results.
Your paragraph text_20250307_191630_0000.pdfjatv64344
油
The hospitality industry is deeply influenced by social and cultural factors that shape customer expectations, service delivery, and overall business operations. Hospitality, which encompasses lodging, food and beverage services, travel, and tourism, thrives on human interactions. Understanding the social and cultural dimensions is crucial for businesses to create positive guest experiences, ensure inclusivity, and maintain a competitive edge in a globalized world. This paper explores the social and cultural perspectives in hospitality, focusing on their impact on service quality, customer relations, workforce diversity, and the adaptation of businesses to different cultural settings.
Swipe through the carousel to explore them all.
P.S. Need help with SEO or PPC? send me a DM, and I'll be happy to assist you.
Follow Md Emran Hossain for more insightful content like this!
2. 100 territories 5500 channels
Hits & success Series
ONE contact
TV Ratings
Family
TV Trends
Insight analyses
Global TV Contents
Drama Formats History
Expertise
TV content
Understandtoday/ Preparetomorrow
3. Summary
Macro TV landscape & Contextual Background
Series: a Driving Genre in Latin America
The Strong Potential of Entertainment Brands in Latin America
Content Without Borders
4. 1
Macro TV Landscape and
Contextual Background
4
5. Audience Measurements in Evolution
76
Countries with
people meter
system 10
Countries measure
TV viewing on PC
Currency measurement evolution:
The latest & upcoming
Finland: PC viewing (April 2014)
Norway: Out of Home viewing (July 2014)
France: catch up TV (September, 29th 2014)
Netherlands: Video Total (final quarter of 2015)
UK: PC viewing (2016)
.
5
Countries measures
OOH viewing
88
Countries
Eurodata TV
Worldwide 22
Countries measure
time shifted viewing
Macro TV landscape and Contextual Background
6. 27/11/2014
Macro TV landscape and Contextual background
Second Highest Level of TV Viewing Ever
6
2013
World
Average daily viewing time per individual
Middle East*
11 territories
North America
3 territories
Europe
43 territories
Africa**
6 territories
Latin America
15 territories
Asia Pacific
17 territories
4:39
4:47
3:55
3:33
3:28
2:45
Based on total individuals, total day. Time shifted viewing included when measured.
* In the Middle East, only Lebanon, Israel and the United Arab Emirates have people meter systems over the studied markets.
* * In Africa, only South Africa and Morocco have people meter systems over the studied markets.
3:14
4:39 4:46
3:54
3:32
3:28
2:41
2012 2013
2012: 3:17
Source: Eurodata TV Worldwide / Relevant partners All rights reserved
7. 3:54
Chile
3:37
Brazil
3:32
Costa Rica
3:22
27/11/2014 7
Latin America: More TV than The Rest of the World
World
3:14
Macro TV landscape and Contextual Background
Mexico
Average daily viewing time per individual latin America
Weighted averages based on the size of the total individuals universes
Source: Eurodata TV Worldwide / Relevant partners All rights reserved
8. Entertainment
Fiction
Factual
27/11/2014
Macro TV landscape and Contextual background
Best Audiences of 2013 by Genre (excluding sport)
8
The Presidents speech reached the
highest scores in Ukraine and Russia.
CCTV Spring Festival attracted more than
119 million Chinese viewers.
The Eurovision Song Contest
leadiin the Nordic countries
(Netherlands, Sweden, Norway).
The election of the Pope reaches the top
of the ranking in Switzerland and Austria.
Got Talent: #1 in Georgia, Moldova, Romania and Slovenia.
85th Academy Awards: leader in North
America with more than 34 million
viewers in the USA.
Source: Eurodata TV Worldwide / Relevant partners All rights reserved
9. 37% FACTUAL 21%
27/11/2014
Macro TV landscape and Contextual Background
Fiction Back on Centre Stage.
9
Top 10 programs in 2013 by genre (excluding sport)
(based on the number of occurrences in %) - 70 territories included in the analysis.
42%
2012: 41%
2011: 38%
FICTION
2012: 21%
2011: 21%
2012: 38%
2011: 41%
ENTERTAINMENT
Series 61%
2012: 63%
Soap Opera
2012: 10%
Telenovela 6%
2012: 6%
14%
Movie
2012: 13%
3%
TV Movie
2012: 3%
2%
Sitcom
2012: 3%
Cartoon 1%
2012: 2%
News 63%
2012: 61%
Magazine 21%
2012: 16%
8%
Politics
2012: 15%
8%
Documentary
2012: 7%
Religious 0%
2012: 1%
13%
Reality 36%
2012: 31%
Event
2012: 33%
31%
Game Show
2012: 10%
9%
Variety
2012: 13%
11%
Talk Show
2012: 8%
7%
Comedy Show
2012: 5%
6%
70 territories:
Armenia, Australia, Austria, Azerbaijan, Belarus, Belgium (North & South), Bosnia, Bulgaria, Canada (Qu辿bec & English), China, Croatia, Cyprus, Czech Republic, Denmark, Dominican Republic, Estonia, Finland, France, Georgia, Germany, Greece,
Hungary, Iceland, Indonesia, Ireland, Israel, Italy, Japan (Kansai, Kanto, Nagoya), Kazakhstan, Latvia, Lebanon, Lithuania, Macedonia, Malaysia, Moldova, Mongolia, Morocco, Netherlands, New Zealand, Norway, Pakistan, Philippines, Poland,
Portugal, Puerto Rico, Romania, Russia, Serbia, Slovakia, Slovenia, South Africa, South Korea, Spain, Sweden, Switzerland (French, German, Italian), Taiwan, Thailand, Turkey, UAE, UK, Ukraine, USA, Venezuela, Vietnam.
Source: Eurodata TV Worldwide / Relevant partners All rights reserved
10. And Dominates New Launches in Latin America
65%
Source: Eurodata TV Worldwide / NOTA All rights reserved
23%
15%
7%
38%
28%
47%
Originals Adaptations Imports
2014 launches in Argentina, Brazil,Mexico, Venezuela
>230
Programs launched
since January 2014
64%
Fiction
(excl. movies)
Entertainment
Macro TV landscape and Contextual Background
12. Beyond love: Narco Novelas on the Rise
Caracol Internacional
Source: Eurodata TV Worldwide / Relevant partners All rights reserved
The Dark Widow
Portrety Wojenne
ZDF Enterprise
Series: a Driving Genre in Latin America
Telemundo Internacional
Univision
Communications
Gaumont International Television
Televisa Internacional / Caracol Internacional
The Lord of the Skies
Narco
Telemundo Internacional
Telemundo Internacional
13. Series: a Driving Genre in Latin America
Popular Culture and Local Heritage Highlighted on the Small
Screen
Rede Globo
Televisa / RTI Producciones
Telemundo Internacional
Rede Globo / Academia de Filmes
Televisa Internacional Electus International
14. Global Screen
Series: a Driving Genre in Latin America
Foreign Content to Enter the Latin American Market
Disney Media Distribution
Sony Pictures Television Distribution
A Gentlemans Dignity
Sony Pictures Television Distribution
Source: Eurodata TV Worldwide / Relevant partners All rights reserved
1001 Nights
Global Agency
A Gentlemans Dignity
Eccho Rights
Atresmedia Television Hwa&DamPictures
+ 6.4% above the slot for the premiere
(All Individuals / Televen)
15. 3
The Strong Potential Of Entertainment
Brands in Latin America
15
16. Local Entertainment to Attract Family Audiences
Source: Eurodata TV Worldwide / Relevant partners All rights reserved
Caracol Televisi坦n
Portrety Wojenne
ShipsBoy
The Strong Potential of Entertainment Brands in Latin America
Televisa Internacional
TV Azteca
La Hora De Los Kids
Venevision Produccion
Televisa Internacional
Premiere
X 2.7
vs. Slot
(All Individuals)
17. While International Formats Keep on Travelling
Source: Eurodata TV Worldwide / Relevant partners All rights reserved
Portrety Wojenne
The Strong Potential of Entertainment Brands in Latin America
FremantleMedia BBC Worldwide/ Shine International
Fremantle Media
Strictly Coe Dancing
Sony Pictures Television Distribution
Keshet International
Anything Goes Smart Face
Shine International
19. The Worldwide Evolution of Channel Reception Modes
UNITED KINGDOM
36%
14%
50%
+13 pts
FRANCE
4%
7%
36%
SCANDINAVIA
13%
+9 pts
8%
INDIA
GERMANY
5%
TERRESTRIAL HOUSEHOLDS SATELLITE HOUSEHOLDS CABLE SUBSCRIBERS HOUSEHOLDS IPTV HOUSEHOLDS
Methodology:
2013 data
UNITED STATES
9%
LATIN AMERICA
18%
+7 pts
Evolution between 2008 and 2013
ITALY
64%
36%
75%
14%
SPAIN
43%
39%
26%
26%
12%
+20 pts
15%
29%
47%
20%
15%
52%
22%
14%
56%
CHINA
+13 pts
13%
26%
60%
1%
6%
46% 43%
+12 pts
+17
pts
+5 pts
Source: Digiworld by IDATE, World TV & Video Service Markets July 2014
Content Without Borders
20. Content Without Borders
Multi-screen Consumption is Growing
Increase of timeshifted viewing
Video contents watched on all devices
Social TV is gaining ground
990 million
Tweets about TV were sent by 36
million of Americans in 2013
Source: M辿diam辿trie / Eurodata TV Worldwide / Relevant partners All rights reserverd
TV
Tablet
76%
9%
7%
4%
PC
Laptop
Smartphone
4%
13 +
+27 vs Live
+31 vs Live
Live + Vosdal + 7 Days
Live + Vosdal + 7 Days + 28 days
Period: January-July 2014
SKO Stiching Kijdonkerzoek (Netherlands): Moving Pictures 2013
2.2 million
Daily interactions with second
screen while watching TV
Scandinavia: TNS Gallup Mobile Devices / New Media Forecasts 2013 ZenithOptimedia / TNS Kantar Media
USA: Nielsen, Nielsen Social Guide, 束 Multi-Device Usage Study 損
21. To Suit the New Media Habits of The Growing Digital Generation
Millenials
40 Million Mexicans
(1/3 population)
Growth in OTT
services
52
%
online
population
15.6 million
internet users
(15-34)
15-34
13.2M
15.4 million
Unique Visitors
Social Media
56%
of Social
networkers
Source: Eurodata TV Worldwide / eMarketer / INEGI / CONAPO / ComScore Media Metrix
Content Without Borders
22. LatAm OTT are on the Increase
Source: M辿diam辿trie / Eurodata TV Worldwide / Relevant partners All rights reserverd
Content Without Borders
Yuzu
Mexico
Chile
Brazil
Singapour
USA
Colombia
23. and Join the Worldwide Revolution!
Scandinavia
Source: M辿diam辿trie / Eurodata TV Worldwide / Relevant partners All rights reserverd
+
Middle-East
Africa
Yomvi
Eastern Europe
Ivi
Asia
Iqiyi
Content Without Borders
24. In a Nutshell
In 2013, the daily viewing time was 3 hours 14 minutes per individual and per day. This is the
27/11/2014 24
third highest world average daily viewing time ever recorded.
Content its the motor for television consumption on all screens.
This growing appetite for TV Viewing confirmed by the evolution of the global channels
distribution
Fiction is at the heart of programming grids renewal in Latin America
Local Entertainment hits to become global
While international brands keep on travelling in the region
25. Eurodata TV products and reports
General reports
Themed reports
International TV
trends
Key players of TV
production
World TV
consumption
Sport Entertainment Series Multiscreen Kids