This document categorizes and describes traditional African musical instruments. It divides instruments into five main categories: idiophones, membranophones, lamellaphones, chordophones, and aerophones. Examples are provided for each category, including balafon, djembe, kora, flutes, and trumpets. The document provides details on the construction, playing technique, and cultural significance of various African percussion, string, and wind instruments.
African music incorporates a wide variety of traditional instruments including idiophones like balafons, rattles, and drums; membranophones like talking drums; chordophones such as the kora harp; and aerophones including flutes, whistles and animal horns. Many African instruments are made from natural materials found in the environment like wood, gourds and animal skins. Vocal music often takes the form of call-and-response choral singing where a soloist or small group sings a line and the full chorus responds with a refrain.
African musical instruments come in many varieties including idiophones like balafons, membranophones like djembes, chordophones like the kora, and aerophones like flutes. Many instruments are made from materials found in nature such as wood, metal, animal skins and horns. Drums can be crafted from wood, clay, gourds or animal shells. Flutes are made from reeds or bamboo. Animal horns and skins provide the raw materials for trumpets and drum membranes. African music thus incorporates a rich diversity of indigenous instruments closely tied to the local environment.
Copy of musical instruments of africa and latin america.pptxjosephine918589
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The document summarizes various traditional musical instruments from Africa organized into categories - idiophones, membranophones, chordophones, and aerophones. Some examples provided are the xylophone, balafon, djembe drum, and mbira lamellophone for idiophones; talking drums for membranophones; musical bows and kora harp for chordophones; and flutes, reed pipes, and kudu horns for aerophones. Body percussion is also mentioned. Each instrument is concisely described in terms of how it is constructed and played.
1. Music is an important part of daily life, ceremonies, and communication in African cultures. It accompanies work, religion, births, deaths, marriages, and other rituals.
2. Traditional African music is largely functional and used in ceremonies. It has an interlocking rhythmic structure due to overlapping dense textures and rhythms.
3. African music has been influenced by many cultures and has produced diverse styles like Afrobeat, Apala, Axe, Jive, Jit, Kwassa Kwassa, Juju, and Marabi. Musical instruments include membranophones like drums, idiophones, chordophones, and aerophones.
Musical instruments( Idiophones ) of AfricaJay Jade Estor
油
The document summarizes some of the major traditional musical instruments used in Africa. It describes idiophones such as the balafon xylophone and various rattles. It also discusses membranophones like the djembe hand drum as well as idiophones like the agogo bells, atingting kon slit gongs, and slit drums. The shekere gourd rattle and wood scrapers are also briefly described. The instruments represent important components of African musical traditions and genres.
The document discusses the historical and cultural background of Afro-Latin American and popular music. It describes the origins and characteristics of various musical forms that developed from African influences in Latin America, such as samba, blues, soul, and spirituals. Examples of common musical instruments used in African music are also provided, including membranes, idiophones, and chordophones.
This document discusses indigenous music in the Philippines before colonial influence. It describes how music was an integral part of daily life and ceremonies from birth to death. It summarizes some of the main types of traditional musical instruments used, including bamboo flutes, nose flutes, panpipes, zithers, lutes, fiddles, jew's harps, and gongs. The document also notes some regional differences in instruments between northern and southern indigenous groups in the Philippines.
African music has had a profound influence around the world. It originated as an integral part of rituals and celebrations [1]. While functional in nature, it also served social and entertainment purposes [2]. Some influential genres include Afrobeat, juju, marabi, and genres that developed in the Americas like blues, jazz, gospel, and soul, which have roots in African musical traditions [3]. Traditional African instruments include membranes like djembe drums, idiophones like agogo bells and balafons, and aerophones like flutes.
African music has had a significant influence globally and is used for many social and cultural purposes. Traditional African music incorporates singing, dancing, drums, and other instruments. It has influenced genres in Latin America like samba, salsa, and reggae through the slave trade. Some common African instruments include drums like the djembe, rattles, flutes, and the kora harp. Vocal styles include call-and-response, spirituals, and blues. Latin American music was shaped by indigenous, Spanish, and African influences and includes instruments like maracas, congas, and the charango small guitar. Popular genres are samba, son, and salsa which blend European, indigenous, and African rhythms and
This document provides an overview of a quarterly curriculum on Afro-Latin American and popular music. It covers various music genres like African music, Latin American music, jazz, and popular/pop music. It outlines content and performance standards as well as learning competencies related to observing, describing, listening to, dancing to, analyzing, singing, exploring sounds, improvising, and choreographing various Afro-Latin American and popular music styles. Specific lessons are also summarized on the music of Africa, Latin America, African influences on Latin American music, popular Latin American music, and the musical instruments and vocal/dance forms of both regions.
This document provides descriptions of various musical instruments from around the world, with a focus on instruments from the Philippines. It describes instruments from different categories including woodwinds like flutes, brass instruments, string instruments like guitars and harps, and percussion instruments. The descriptions cover the instrument's country or region of origin, what it is made of, how it is played, and some basic physical characteristics.
Percussion instruments produce sound when struck, scraped, or shaken. They include drums, cymbals, triangles, and many others. The drum set became popular in the late 1800s after the invention of the bass drum pedal, allowing one person to play multiple drums. Other important percussion instruments include timpani, which are kettle-shaped drums that can be tuned, and melodic instruments like the xylophone and harp. String instruments produce sound through plucking, bowing, or striking their strings and include instruments in the guitar, violin, and harp families.
This document provides brief descriptions of various musical instruments from different families and categories. It outlines the basic components and features of timpani, cymbals, snare drums, tambourines, bongo drums, xylophones, bass drums, gongs, congas, bassoons, piccolos, clarinets, oboes, transverse flutes, English horns, violins, cellos, basses, harps, and guitars. Key details mentioned include the materials used, such as wood, metal, and skin membranes, as well as playing techniques like striking, blowing, and bowing.
Musical instruments( Idiophones ) of AfricaJay Jade Estor
油
The document summarizes some of the major traditional musical instruments used in Africa. It describes idiophones such as the balafon xylophone and various rattles. It also discusses membranophones like the djembe hand drum as well as idiophones like the agogo bells, atingting kon slit gongs, and slit drums. The shekere gourd rattle and wood scrapers are also briefly described. The instruments represent important components of African musical traditions and genres.
The document discusses the historical and cultural background of Afro-Latin American and popular music. It describes the origins and characteristics of various musical forms that developed from African influences in Latin America, such as samba, blues, soul, and spirituals. Examples of common musical instruments used in African music are also provided, including membranes, idiophones, and chordophones.
This document discusses indigenous music in the Philippines before colonial influence. It describes how music was an integral part of daily life and ceremonies from birth to death. It summarizes some of the main types of traditional musical instruments used, including bamboo flutes, nose flutes, panpipes, zithers, lutes, fiddles, jew's harps, and gongs. The document also notes some regional differences in instruments between northern and southern indigenous groups in the Philippines.
African music has had a profound influence around the world. It originated as an integral part of rituals and celebrations [1]. While functional in nature, it also served social and entertainment purposes [2]. Some influential genres include Afrobeat, juju, marabi, and genres that developed in the Americas like blues, jazz, gospel, and soul, which have roots in African musical traditions [3]. Traditional African instruments include membranes like djembe drums, idiophones like agogo bells and balafons, and aerophones like flutes.
African music has had a significant influence globally and is used for many social and cultural purposes. Traditional African music incorporates singing, dancing, drums, and other instruments. It has influenced genres in Latin America like samba, salsa, and reggae through the slave trade. Some common African instruments include drums like the djembe, rattles, flutes, and the kora harp. Vocal styles include call-and-response, spirituals, and blues. Latin American music was shaped by indigenous, Spanish, and African influences and includes instruments like maracas, congas, and the charango small guitar. Popular genres are samba, son, and salsa which blend European, indigenous, and African rhythms and
This document provides an overview of a quarterly curriculum on Afro-Latin American and popular music. It covers various music genres like African music, Latin American music, jazz, and popular/pop music. It outlines content and performance standards as well as learning competencies related to observing, describing, listening to, dancing to, analyzing, singing, exploring sounds, improvising, and choreographing various Afro-Latin American and popular music styles. Specific lessons are also summarized on the music of Africa, Latin America, African influences on Latin American music, popular Latin American music, and the musical instruments and vocal/dance forms of both regions.
This document provides descriptions of various musical instruments from around the world, with a focus on instruments from the Philippines. It describes instruments from different categories including woodwinds like flutes, brass instruments, string instruments like guitars and harps, and percussion instruments. The descriptions cover the instrument's country or region of origin, what it is made of, how it is played, and some basic physical characteristics.
Percussion instruments produce sound when struck, scraped, or shaken. They include drums, cymbals, triangles, and many others. The drum set became popular in the late 1800s after the invention of the bass drum pedal, allowing one person to play multiple drums. Other important percussion instruments include timpani, which are kettle-shaped drums that can be tuned, and melodic instruments like the xylophone and harp. String instruments produce sound through plucking, bowing, or striking their strings and include instruments in the guitar, violin, and harp families.
This document provides brief descriptions of various musical instruments from different families and categories. It outlines the basic components and features of timpani, cymbals, snare drums, tambourines, bongo drums, xylophones, bass drums, gongs, congas, bassoons, piccolos, clarinets, oboes, transverse flutes, English horns, violins, cellos, basses, harps, and guitars. Key details mentioned include the materials used, such as wood, metal, and skin membranes, as well as playing techniques like striking, blowing, and bowing.
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The Philippines is home to a diverse range of ethnic groups, each with its own distinct culture, language, and traditions. The major ethnic groups include:
Major Ethnolinguistic Groups:
1. Tagalog Predominantly in Luzon, especially in Metro Manila, Batangas, and Bulacan.
2. Cebuano (Bisaya/Binisaya) Largest group in the Visayas and parts of Mindanao.
3. Ilocano Mainly in Northern Luzon (Ilocos Region and parts of Cagayan Valley and Cordillera).
4. Hiligaynon (Ilonggo) Mostly in Western Visayas, particularly Iloilo and Negros Occidental.
5. Bikolano (Bicolano) Found in the Bicol Region.
6. Waray In Eastern Visayas, particularly Samar and Leyte.
7. Kapampangan Predominantly in Pampanga and parts of Tarlac.
8. Pangasinense In Pangasinan province.
Indigenous and Ethnic Minority Groups:
1. Igorot Tribes Includes Kankanaey, Ifugao, Bontoc, Ibaloi, and others in the Cordillera region.
2. Mangyan Indigenous people of Mindoro, composed of subgroups like Iraya, Alangan, and Hanunuo.
3. Aeta (Ati, Dumagat, Agta) Negrito groups in Luzon, Visayas, and Mindanao.
4. Lumad A collective term for non-Muslim indigenous groups in Mindanao, including Manobo, T'boli, and Bagobo.
5. Badjao (Sea Gypsies) Nomadic seafaring people in Mindanao, Sulu, and Sabah.
Muslim Ethnic Groups (Moro People):
1. Maranao Found around Lake Lanao in Mindanao.
2. Maguindanao Predominantly in Maguindanao province.
3. Tausug Primarily in Sulu and parts of Mindanao.
4. Yakan Native to Basilan.
5. Sama-Bajau Found in Tawi-Tawi, Sulu, and Zamboanga.
These ethnic groups have contributed to the rich cultural heritage of the Philippines through their languages, traditions, and customs. Would you like more details on a specific group?
3. 1. IDIOPHONES
These are percussion
instruments that are
either struck with a
mallet or against one
another.
4. 1. BALAFON
a West African
xylophone. It is
a pitched
percussion
instrument with
bars made from
logs or bamboo.
5. 2. RATTLES
are made of
seashells, tin,
basketry, animal
hoofs, horn,
wood, metal
bells, cocoons,
palm kernels, or
tortoise shells.
6. 3. AGOGO
a single bell or multiple
bells that had its origins in
traditional Yoruba music
and also in the samba
baterias (percussion)
ensembles. The agogo may
be called the oldest
samba instrument based
on West African Yoruba
single or double bells.
Ithas the highest pitch of
any of the bateria
instruments.
7. 4. ATINGTING KON
These are slit gongs used
to communicate between
villages. They were carved
out of wood to resemble
ancestors and had a slit
opening at the bottom. In
certain cases, their sound
could carry for miles
through the forest and
even across water to
neighboring islands.
8. 5. SLIT DRUM
a hollow percussion
instrument. Although
known as a drum, it is not
a true drum but is an
idiophone. It is usually
carved or constructed
from bamboo or wood into
a box with one or more
slits in the top. Most slit
drums have one slit,
though two and three slits
(cut into the shape of an
H) occur.
9. 6. DJEMBE
The West Africandjembe
(pronounced zhem-bay) is
one of the best-known
African drums is. It is
shaped like a large goblet
and played with bare
hands. The body is carved
from a hollowed trunk and
is covered in goat skin.
10. 7. SHEKERE
a type of gourd and shell
megaphonefrom West
Africa, consisting of a
dried gourd with beads
woven into a net covering
the gourd. Theagbe is
another gourd drum with
cowrie shells usually
strung with white cotton
thread. The axatse is a
small gourd, held by the
neck and placed between
hand and leg.
11. 8. RASP
A rasp, or scraper, is a hand
percussion instrument whose
sound is produced by scraping
the notches on a piece of wood
(sometimes elaborately carved)
with a stick, creating a series
of rattling effects. Log drums
come in different shapes and
sizes as well: tubular drums,
bowl-shaped drums, and
friction drums. Some have one
head, others have two heads.
12. 2. MEMBRANOPHONES
instruments which have
vibrating animal membranes
used in drums. Their shapes
may be conical, cylindrical,
barrel, hour-glass, globular, or
kettle, and are played with
sticks, hands, or a combination
of both.
13. MEMBRANOPHONES
African drums are usually carved
from a single wooden log, and may
also be made from ceramics, gourds,
tin cans, and oil drums. Examples of
these are found in the different
localities entenga (Ganda), dundun
(Yoruba), atumpan (Akan), and ngoma
(Shona), while some are constructed
with wooden staves and hoops.
14. 1. BODY PERCUSSION
Africans frequently use their
bodies as musical instruments.
Aside from their voices, where
many
of them are superb singers, the
body also serves as a drum as
people clap their hands, slap
their thighs, pound their upper
arms or chests, or shuffle their
feet.
15. 2. TALKING DRUM
The talking drum is used to
send messages to
announce births, deaths,
marriages, sporting events,
dances, initiation, or war.
Sometimes it may also
contain gossip or jokes. It
is believed that the drums
can carry direct messages
to the spirits after the
death of a loved one.
16. TALKING DRUM
However, learning to
play messages on
drums is extremely
difficult, resulting in
its waning popularity.
An example of the
talking drum is the
luna.
17. BODY PERCUSSION
This body percussion
creates exciting rhythms
which also stir them to
action. Moreover, the
wearing of rattles or bells
on their wrists, ankles,
arms, and waists enhances
their emotional response.
19. 3. LAMELLAPHONE
One of the most popular
African percussion instruments is
the lamellaphone, which is a set of
plucked tongues or keys mounted
on a sound board. It is known by
different names according to the
regions such as mbira, karimba,
kisaanj, and likembe.
20. MBIRA
(hand piano or
thumb piano) The
thumb piano or
finger xylophone is
of African origin
and is used
throughout the
continent.
21. MBIRA
It consists of a wooden board
with attached staggered metal
tines (a series of wooden,
metal, or rattan tongues), plus
an additional resonator to
increase its volume. It is
played by holding the
instrument in the hands and
plucking the
tines with the thumbs,
producing a soft plucked
sound.
23. 4. CHORDOPHONES
are instruments which
produce sounds from the
vibration of strings.
These include bows,
harps, lutes, zithers, and
lyres of various sizes.
24. 1. MUSICAL BOW
is the ancestor of
all string
instruments. It
is the oldest and
one of the most
widely-used string
instruments of
Africa.
25. MUSICAL BOW
It consists of a single
string attached to each end
of a curved stick, similar to
a bow and arrow. The
string is either plucked or
struck with another stick,
producing a per-cussive yet
delicate sound. The earth
bow, the mouth bow, and
the resonator-bow are the
principal types of musical
bows.
26. 2. LUTE
The lute, originating from
the Arabic states, is shaped
like the modern guitar and
played in similar fashion. It
has a resonating body, a
neck, and one or more
strings which stretch across
the length of its body and
neck. The player tunes the
strings by tightening or
loosening the pegs at the
top of the lutes neck.
28. 3. KORA
The kora is Africa's most
sophisticated harp, while
also having features
similar to a lute. Its body
is made from a gourd or
calabash. A support for
the bridge is set across
the opening and covered
with a skin that is held in
place with studs.
29. 3. KORA
The kora is Africa's most
sophisticated harp, while
also having features
similar to a lute. Its body
is made from a gourd or
calabash. A support for
the bridge is set across
the opening and covered
with a skin that is held in
place with studs.
30. 4. ZITHER
is a stringed instrument
with varying sizes and
shapes whose strings are
stretched along its body.
Among the types of African
zither are the raft or Inanga
zither from Burundi, the
tubular or Valiha zither
from Malagasy, and the
harp or Mvet zither from
Cameroon. Raft zither
31. 5. ZEZE
The zeze is an African fiddle played with
a bow, a small wooden stick, or plucked with
the fingers. It has one or two strings, made
of steel or bicycle brake wire. It is from Sub-
Saharan Africa. It is also known by the
names tzetze and dzendze, izeze and
endingidi; and on Madagascar is called
lokanga (or lokango) voatavo.
32. 5. AEROPHONES
are instruments which are produced
initially by trapped vibrating air
columns or which enclose a body of
vibrating air. Flutes in various sizes
and shapes, horns, panpipes, whistle
types, gourd and shell megaphones,
oboe, clarinet, animal horn and
wooden trumpets fall under this
category.
33. 1. FLUTES
Flutes are widely
used throughout
Africa and either
vertical or side-blown.
They are usually
fashioned from a
single tube closed at
one end and blown
like a bottle.
34. PANPIPES
consist of cane pipes of
different lengths tied
in a row or in a bundle
held together by wax or
cord, and generally
closed at the bottom.
They are blown
across the top, each
providing a different
note.
35. 2. HORNS
Horns and trumpets, found almost
everywhere in Africa, are commonly made
from elephant tusks and animal horns.
With their varied attractive shapes, these
instruments are end-blown or side-blown
and range in size from the small signal
whistle of the southern cattle herders to
the large ivory horns of the tribal chiefs of
the interior. One trumpet variety, the
wooden trumpet, may be simple or
artistically carved, sometimes resembling
a crocodiles head.
36. KUDU HORN
This is one type of horn made
from the horn of the kudu
antelope. It releases a mellow
and warm sound that adds a
unique African accent to the
music. This instrument, which
comes in a set of six horns,
reflects the cross of musical
traditions in Africa. Today, the
kudu horn can also be seen in
football matches, where fans
blow it to cheer for their
favourite teams.
37. 3. REED PIPES
There are single-reed
pipes made from hollow
guinea corn or sorghum
stems, where the reed is a
flap partially cut from the
stem near one end. It is the
vibration of this reed that
causes the air within the
hollow instrument to
vibrate, thus creating the
sound.
38. REED PIPES
There are also cone-shaped
double-reed instruments similar to the
oboe or shawm. The most well-known
is the rhaita or ghaita, an oboe-like
double reed instrument from northwest
Africa. It is one of the primary
instruments used by traditional music
ensembles from Morocco. The rhaita
was even featured in the Lord of the
Rings soundtrack, specifically in the
Mordor theme.
39. 4. WHISTLE
Whistle found throughout the
continent may be made of wood
or other materials. Short pieces
of horn serve as whistles, often
with a short tube inserted into
the mouthpiece. Clay can be
molded into whistles of many
shapes and forms and then
baked. Pottery whistles are
sometimes shaped in the form
of a head, similar to the Aztec
whistles of Central America and
Mexico.
40. 5. TRUMPETS
African trumpets are
made of wood, metal,
animal horns, elephant
tusks, and gourds with
skins from snakes,
zebras, leopards,
crocodiles and animal
hide as ornaments to the
instrument.