Nick Pavey_Resume
- 1. Nick Pavey ______________________________________ Contact: 323.304.5889 nickpavey@icloud.com Work: Freelance Sound Editorial and Mixing 2011- Present Recent projects include: The B-Sides: Elsa Dorfman’s Portrait Photography (dir. Errol Morris) -- sound effects editor Demon In The Freezer (dir. Errol Morris) -- dialogue and effects editor It’s not Crazy, It’s Sports: 6 Short Films About Sports (dir. Errol Morris) -- dialogue editor 3 Short Films About Peace (dir. Errol Morris) -- dialogue editor After The Storm (dir. Jessica Oyelowo) -- dialogue editor Thanks (dir. Odeya Rush) -- dialogue editor Hidden Idols (dir. Jason Kohn) -- dialogue and sound effects editor NikeLab+Kim Jones (dir. Ivan Landau) -- sound design and mix NikeLab+Roger Federer Collection (dir. Ivan Landau) -- sound design and mix The Better Angels (dir. AJ Edwards) -- dialogue editor Another Day, Another Time: Celebrating the Music of Inside Llewyn Davis -- (dir. C. Wilcha) – asst. sound editor After The Fall (dir. Saar Klein) -- sound effects editor Dig Two Graves (dir. Hunter Adams) -- sound effects editor Ronny (dir. Guy Shalem) -- dialogue and sound effects editor How To Cheat (dir. Amber Sealey) -- dialogue editor Wildwoods Sound 2012- present A post audio production facility providing complete post sound solutions, from editorial to mixing to versioning, with an emphasis on reality tv programming. Sound Editor As a sound editor, I was responsible for editing dialogue, sound effects, and backgrounds for over 500 episodes of broadcast television. Notable shows include, Master Chef, Master Chef Junior, Hell’s Kitchen, Undercover Boss, Catfish, Shahs of Sunset, Flipping Out, Restaurant Stakeout , and many more. For a complete list, please visit my IMDB page. EastWest 2005- -2008 EastWest is the world’s leading producer and distributor of software instruments and music creation tools for composers. Sample Editor and Programmer As a sample editor and programmer I took the audio files recorded by producers and engineers, isolated them into tens of thousands of discrete audio files, and compiled them according to precise naming conventions, tuned them when necessary, and created and tested sampler instruments for the software engineers to compile and incorporate into the final product. My initial project for EastWest was the first surround sound virtual orchestra instrument, “Symphonic Orchestra.” I returned to help build “Symphonic Choir,” and again to work on the award-winning Beatles virtual instrument “Fab Four.” I contributed to other products such as “Voices of Passion,” “Ministry of Rock,” “Storm Drum 2,” and “Gypsy.”
- 2. get it…pictures 2000- 2002 A television production company that provided high quality original and marketing content for cable broadcasters such as Comedy Central and FX, and commercial representation for directors. Assistant Video Editor As an assistant video editor, I was responsible for all tape input and output, maintaining three Avid Media Composer suites, and all logging and binning of clips for editors. Additional responsibilities included all music clearance reporting, maintaining an extensive library of master tapes and original video recordings, and light cutting of promotional materials and sequencing director’s commercial reels. Outpost Sound Mixing Company 1995- 1996 A boutique post sound facility, specializing in short-form television and network television promos. Reception/Scheduler Education: California Institute Of The Arts 1997-1999--Bachelor of Fine Arts; Jazz and World Music Performance UC Santa Cruz 1994-1996—Music Major Loyola High School; Class of 1994 References available upon request.