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Paul tysall feedback

Ryan Worcester
Ryan Worcester

Paul Tysall, an art editor, provided feedback on the cover design: - The typography was energetic but did not seem related to the film. The color choices, particularly the green helmet, reminded him too much of the video game character Master Chief. - The clash of flat vectors and texture brush strokes was great and helped the cover stand out. - The artist agreed the colors could be improved but felt changing them would require a new concept to better fit the film's style.

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Paul Tysall - Art Editor Feedback I have received feedback on my 鍖nal LWL cover design from an Art Editor named Paul Tysall who works for a magazine called Imagine FX. Here are his comments: +Typography is good energetic. The clash of the 鍖at vectors and texture brush strokes is great. Stands out, eye catching. - The colour choices don't seem to 鍖t the 鍖lm - feels a bit Halo (Master Chief). Similarly the typography seems to have little link with the 鍖lm. The comments on the colour scheme were slightly expected. Paul mentions that the green helmet reminds him too much of the Halo game character Master Chief, he does have a point. I maybe should have used the orange and blue colour scheme, but I wasn兵t happy at how it looked and so I wanted to explore different colours. The comments on the typography were good and bad. He mentions that the text looks energetic, giving the cover some life. However, he also said that the font choice doesn兵t really relate to the 鍖lm, which is a fair comment. I think that in order for the text to 鍖t into the style of the design, it would need to be this kind of font. I would need to make a completely new concept in order to 鍖t a more suiting futuristic themed font into the design. Paul commented on the use of the dry texture brush strokes and said that it helps make the cover stand out and eye catching. This is what was in mind when I decided to use these brush strokes. I wanted to make a grungy design that stood out well but also looked right. The comments on the line art were positive. The simple, 鍖at, symmetrical vector lines clash very well with the dry brush strokes and splatters. It helps split up the colours and shades of the helmet whilst allowing colours to splat over the other colours.

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Paul tysall feedback

  • 1. Paul Tysall - Art Editor Feedback I have received feedback on my 鍖nal LWL cover design from an Art Editor named Paul Tysall who works for a magazine called Imagine FX. Here are his comments: +Typography is good energetic. The clash of the 鍖at vectors and texture brush strokes is great. Stands out, eye catching. - The colour choices don't seem to 鍖t the 鍖lm - feels a bit Halo (Master Chief). Similarly the typography seems to have little link with the 鍖lm. The comments on the colour scheme were slightly expected. Paul mentions that the green helmet reminds him too much of the Halo game character Master Chief, he does have a point. I maybe should have used the orange and blue colour scheme, but I wasn兵t happy at how it looked and so I wanted to explore different colours. The comments on the typography were good and bad. He mentions that the text looks energetic, giving the cover some life. However, he also said that the font choice doesn兵t really relate to the 鍖lm, which is a fair comment. I think that in order for the text to 鍖t into the style of the design, it would need to be this kind of font. I would need to make a completely new concept in order to 鍖t a more suiting futuristic themed font into the design. Paul commented on the use of the dry texture brush strokes and said that it helps make the cover stand out and eye catching. This is what was in mind when I decided to use these brush strokes. I wanted to make a grungy design that stood out well but also looked right. The comments on the line art were positive. The simple, 鍖at, symmetrical vector lines clash very well with the dry brush strokes and splatters. It helps split up the colours and shades of the helmet whilst allowing colours to splat over the other colours.