Paul tysall feedback
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Paul Tysall, an art editor, provided feedback on the cover design: - The typography was energetic but did not seem related to the film. The color choices, particularly the green helmet, reminded him too much of the video game character Master Chief. - The clash of flat vectors and texture brush strokes was great and helped the cover stand out. - The artist agreed the colors could be improved but felt changing them would require a new concept to better fit the film's style.
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5. fmp pre productionMedia Studies
油
This document contains style sheets and layouts for Amy Watson's final major project, which includes an animated autobiography, t-shirt design, and autobiography book. The style sheets describe the color palettes, fonts, and image styles that will be used for each project. The t-shirt layout shows the planned drawings and text. The animation layout indicates how characters and elements will be cut out of felt and assembled. The book cover, sample text page, and blurb layout demonstrate the planned visual design and formatting for the autobiography book. Overall, the document provides planning and design details for Amy's three creative works conveying her life story and experiences with autism.Production process
Production processmaddieefaye
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The document outlines the production process for designing a magazine front cover for a thriller film. It describes revisions made across three drafts. In the first draft, the costume and layout are deemed ineffective and cluttered. The second draft changes the clothing, adds a background effect, and receives feedback on further improvements. The final draft incorporates this feedback, changing fonts and colors for continuity across productions to better suit the thriller genre. It sharpens the main image, adds more text elements, and buzz words to complete the magazine cover design.Evaluation question 3
Evaluation question 3lizzie_hipgrave_media
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The document provides feedback from multiple reviewers on marketing materials produced for a horror film project. Key points included improving consistency of fonts, logos and settings across materials, balancing sound elements in the trailer, and further developing the retro theme in the magazine. The respondent agreed with most feedback, noting areas they would adjust if reproducing the work, but felt the overall materials were effective given the resources available.Development pro-forma
Development pro-formaLibby-Wright1
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The proposal outlines a children's book based on the nursery rhyme "The House That Jack Built." The 10-page book would be targeted at ages 3-6 and follow the rhyming structure of the poem, linking different animals. Strengths include a clear target audience and production methods using hand drawn textures, rotoscoping, and photographed patterns. Areas for improvement include shortening the page count to allow higher quality images and exporting in JPEG rather than PSD format for universal viewing. The idea generation shows contrasting traditional and adapted versions of the rhyme as well as font options, demonstrating thorough planning. Further developing the mind map with production techniques could strengthen the idea development process.Album analysis
Album analysisjuliaharvey
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The document analyzes and summarizes four different album covers. For the Mount Kimbie album cover, it notes the simple layout with text at the bottom, natural casual pose of the photo, and use of selective focus and saturation to make the image eye-catching. For the Yeah Yeah Yeahs cover, it comments on the photo filling the background, surreal image matching their style, and vibrant colors tying the image and font together. It analyzes the OFWGKTA cover's well-spaced layout, close-up face photo paired with minimal font, and vintage photo contrasting with cartoon fonts. Finally, it discusses the bright colors, clashing fonts and photo effects on the Tyler the Creator album fitting its unconDigital graphics evaluation pro forma 3-2
Digital graphics evaluation pro forma 3-2Bradley Cox
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The document provides a template for evaluating a graphic narrative project. It prompts the creator to provide specific details and examples from their work to praise strengths and identify areas for improvement. The creator is also asked to reflect on how well their final product achieved their original intentions and planning. They should compare their storyboards, flat plans, and other pre-production materials to the final product.More from Ryan Worcester (20)
Graphic design
Graphic designRyan Worcester
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Ryan Worcester created various marketing assets for the mobile game "Snake Escape" over the course of several months. This included designing an app icon, t-shirt, stickers, poster, and Twitter page. Worcester researched existing designs and gained feedback on initial drafts. Based on feedback, adjustments were made such as adding color, unifying elements, and including gameplay screenshots. The final assets were evaluated against similar existing products and for fitness of purpose. Worcester also created box art and additional graphic designs.111 physicsdynamics research
111 physicsdynamics researchRyan Worcester
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This document discusses physics and animation techniques used in video games. It describes physics engines that simulate rigid body and soft body dynamics to increase realism. While 3D animation and motion capture have advanced significantly, full realism has not been achieved due limitations such as inability to adapt captured motions to different environments. Facial motion capture in particular remains challenging to implement realistically. Particle systems are also discussed as a method to simulate explosive effects and other phenomena using simulated individual points.Graphic design
Graphic designRyan Worcester
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The document outlines Ryan Worcester's graphic design work for a Little White Lies magazine cover project and Snake Escape app and game. It includes schedules and goals for the projects, research on cover and app icon designs, draft designs, and feedback received. Draft designs included app icons, t-shirts, stickers, and a poster. Feedback led to changes like adding color, unifying design elements, and showing gameplay. The final assets included refined app icon, t-shirt with icon, sticker set with linked designs, and a poster with QR code and screenshots. Additional work analyzed video game box covers and included original box art.Marketing keynote finished
Marketing keynote finishedRyan Worcester
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The marketing plan summarizes Ryan Worcester's plan to promote the mobile game "Snake Escape". The key objectives are to increase awareness, gain a good reputation, and generate revenue to fund future games. The plan discusses the game itself, market research on competitors and target audiences, and promotional products including an app icon, t-shirt, and sticker collection. Feedback was gathered on initial designs and changes were made to improve color, linking of themes, and overall recognition of the game brand.Animation evaluation
Animation evaluationRyan Worcester
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The document provides an evaluation of an animation created by Ryan Worcester. It summarizes the technical quality of the animation, including the walk cycle, use of parallax scrolling, and shot types. It also discusses the creative quality of the unique characters. Ryan took inspiration from The Grim Adventures of Billy and Mandy for the animation style and dark humor. He tested the animation with his target audience of 16-18 year old fans of dark humor and received positive feedback on the humor, characters, and professional visuals. Ryan used Photoshop to create animation elements and After Effects to animate them.Graphic design evaluation
Graphic design evaluationRyan Worcester
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The document evaluates the graphic design work done to promote a mobile game called Snake Escape. It compares the poster, t-shirt, and sticker designs to existing examples from other games. Feedback was received that prompted changes to declutter the poster, make the game more accessible, and unite the visual elements of the stickers. The work was done using pencil, Photoshop, Illustrator, and a graphics tablet to design assets and products for promoting the game. While the t-shirt design fits its purpose to promote brand recognition, the app icon design may need changes based on further feedback to better fit the target audience and game.Target audience profile
Target audience profileRyan Worcester
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This document profiles Kieran, the target audience for an animated short. Kieran enjoys cartoons like Rick and Morty as well as darker animated sketches by YouTube artists. He watches shorts regularly and prefers animations under 30 seconds with dark humor. The profile provides insights on Kieran's tastes to help guide the style and content of the animated short.Monty info
Monty infoRyan Worcester
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Monty is an elderly veteran monkey who lives in a retirement home against his will. He finds the other monkeys too sedentary and hates being forced to wear a onesie. Monty remains mentally and physically active, telling his grandchildren war stories during their visits and enjoying time outside with his youngest grandchild. Though grumpy about his current situation, Monty is wise and enjoys adventure, seeking to avoid a sedentary lifestyle.Comic panels transitions
Comic panels transitionsRyan Worcester
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This document describes the transitions between shots in a video or sequence of events. It provides examples of different types of transitions, such as subject-to-subject, action-to-action, scene-to-scene, and aspect-to-aspect transitions. The transitions track a man drinking alone in a room and moving between different actions, views, and locations like his bed, the mirror, and the window.Mag ownership and distribution
Mag ownership and distributionRyan Worcester
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This document summarizes the ownership, structure, distribution methods and analysis of 3 magazines: Total Film, Little White Lies, and Sight and Sound.
Total Film is published by Future Publishing and has a wide physical and digital distribution to maximize revenue. Little White Lies is published by Church of London and has a more limited physical distribution, but makes its archive freely available online. Sight and Sound is published by the non-profit British Film Institute and focuses on being a record of UK cinema, so it has not rushed to go fully digital like Total Film.Total film page furniture
Total film page furnitureRyan Worcester
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This document describes the layout and design elements used on a magazine page about a film. It includes a large main image from the film, behind-the-scenes content to appeal to readers interested in filmmaking, and a pull quote to entice readers to read the full article. Additional elements are a drop cap indicating a change in text, a boxed Q&A section with the lead star using different fonts, and subheadings using a drop cap to introduce sections in a three-column layout. The main title uses a unique steel effect font against a background photo to stand out visually from the rest of the page.Lwl page furniture
Lwl page furnitureRyan Worcester
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The document discusses the design elements of the Little White Lies magazine page layout, including a pink overlay emphasizing the magazine's design over the article content, branding with the LWL logo as a full stop, and structural elements like subdividers, a two-page format with a large colored first letter drop cap, and folio with page and issue numbers to help readers navigate.Total film flat plan
Total film flat planRyan Worcester
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This document outlines the layout and sections of a film magazine. It includes a contents page, people section, reader interaction page, latest film news, reviews of current films shown in both landscape and portrait orientations, an important special page using images, eye-catching competition page, and home entertainment section appealing to movie fans who do not go to the cinema. The layout is designed to benefit and engage the reader throughout.Shame issue flat plan
Shame issue flat planRyan Worcester
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This magazine issue discusses a featured film and reviews other recent films. It introduces the magazine staff and opportunities for reader interaction. Several chapters analyze themes in the featured film and preview upcoming movie releases.Page furniture
Page furnitureRyan Worcester
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This document discusses design elements for print publications including page furniture such as headers, sidebars, pull quotes, and boxouts. It questions how many entry points or ways to engage the reader a publication needs to be effective.History of film magazines
History of film magazinesRyan Worcester
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Kine Weekly was a UK film industry trade magazine established in 1889 that provided news, reviews, and box office data to those working in film production and exhibition. It ceased publication in 1971 after being absorbed by its American rival, Today's Cinema. Today's Cinema was later rebranded as Screen International in 1975, which continues as the UK's main industry publication. Fan magazines like Motion Picture Story Magazine and Picturegoer evolved from focusing solely on film plots and stars respectively to include more lifestyle content as television rose to prominence in the 1950s. Today, magazines like Empire have found success engaging male audiences with serious film criticism alongside coverage of popular culture.Draft designs feedback
Draft designs feedbackRyan Worcester
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The client provided feedback on the draft designs for stickers, a poster, and a t-shirt to promote a new game. For the stickers, the client suggested linking the characters together through color or design to show they are from the same game. For the poster, the client recommended moving the snake character, adding gameplay screenshots, and using a QR code instead of app store text. Finally, the client thought adding color could improve the black and white t-shirt design showing the game icon. Based on this feedback, the designer will make revisions like linking sticker characters, adjusting the poster layout, and exploring colored versions of the t-shirt design.Focus
FocusRyan Worcester
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The photographer took photos around Baldock to showcase its natural beauty, focusing close-ups of plants and leaves while keeping backgrounds like a footpath out of focus. Another photo highlights a pink flower against a blurred green background to draw the eye to the focal point and convey a summer atmosphere through contrasting colors. Both photos demonstrate an understanding of depth of field to direct the viewer's attention.Composition
CompositionRyan Worcester
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The document discusses the composition of two photographs according to the rule of thirds. The first photo of a restaurant positions the sign along the left third to attract attention, with the building in the middle third and walkway on the right third. The second photo of countryside splits into thirds with a foreground hill, further hill, and horizon line dividing the sky and trees. Both photos demonstrate effective composition adhering to the rule of thirds.Lighting
LightingRyan Worcester
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The first paragraph discusses a photo of a church where the flare of sunlight in the top left corner helps express the sunny weather and brightens the church to appeal to visitors. The blue sky and white clouds add to the happy feeling. The second paragraph discusses a photo of a woodland area where enhancing the burst of light through the leaves in Photoshop creates a nice shot and the dark shadows express that the sun is bright and the weather is warm, which could attract visitors interested in long walks.Paul tysall feedback
- 1. Paul Tysall - Art Editor Feedback I have received feedback on my 鍖nal LWL cover design from an Art Editor named Paul Tysall who works for a magazine called Imagine FX. Here are his comments: +油Typography is good energetic. The clash of the 鍖at vectors and texture brush strokes is great. Stands out, eye catching. - The colour choices don't seem to 鍖t the 鍖lm - feels a bit Halo (Master Chief). Similarly the typography seems to have little link with the 鍖lm. The comments on the colour scheme were slightly expected. Paul mentions that the green helmet reminds him too much of the Halo game character Master Chief, he does have a point. I maybe should have used the orange and blue colour scheme, but I wasn兵t happy at how it looked and so I wanted to explore different colours. The comments on the typography were good and bad. He mentions that the text looks energetic, giving the cover some life. However, he also said that the font choice doesn兵t really relate to the 鍖lm, which is a fair comment. I think that in order for the text to 鍖t into the style of the design, it would need to be this kind of font. I would need to make a completely new concept in order to 鍖t a more suiting futuristic themed font into the design. Paul commented on the use of the dry texture brush strokes and said that it helps make the cover stand out and eye catching. This is what was in mind when I decided to use these brush strokes. I wanted to make a grungy design that stood out well but also looked right. The comments on the line art were positive. The simple, 鍖at, symmetrical vector lines clash very well with the dry brush strokes and splatters. It helps split up the colours and shades of the helmet whilst allowing colours to splat over the other colours.