Peanuts panel analysis
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The document summarizes the four panels of a Peanuts comic strip. Panel 1 establishes Charlie and Lucy in conversation through a long shot profile view. Panel 2 uses a close-up and different backdrop to focus on their dialogue. Panel 3 returns to the original backdrop with a mid shot from different angles. Panel 4 changes the backdrop again with a close-up of both characters, as Charlie finishes reading the letter but Lucy remains upset that Linus did not write to her.
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CompositionRyan Worcester
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The document discusses the composition of two photographs according to the rule of thirds. The first photo of a restaurant positions the sign along the left third to attract attention, with the building in the middle third and walkway on the right third. The second photo of countryside splits into thirds with a foreground hill, further hill, and horizon line dividing the sky and trees. Both photos demonstrate effective composition adhering to the rule of thirds.Lighting
LightingRyan Worcester
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The first paragraph discusses a photo of a church where the flare of sunlight in the top left corner helps express the sunny weather and brightens the church to appeal to visitors. The blue sky and white clouds add to the happy feeling. The second paragraph discusses a photo of a woodland area where enhancing the burst of light through the leaves in Photoshop creates a nice shot and the dark shadows express that the sun is bright and the weather is warm, which could attract visitors interested in long walks.Peanuts panel analysis
- 1. - The humour behind this comic strip is the fact that Lucy isnʼt listening to Charlie reading the letter out, instead she is more focused on the fact that Linus didnʼt write to her. Panel 1 The first panel is a long shot of Charlie and Lucy which sets the scene of the comic strip. Both characters are shown from a side view (profile shot). Panel 2 The second panel is contrasted as the backdrop of the panel is different to the first panel and the shot is now a close up. Removing the scenery in the background and replacing it with a single colour is done to detach the characters from what is around them whilst they are in conversation, which helps focus on what is being said. Lucy is shown at a profile view and charlie front on. Panel 3 The third panel returns to the original backdrop. This is done so the reader is reminded of where the characters are. The shot is changed to a mid shot with Charlie at a side view and Lucy front on, the opposite of panel 2. Panel 4 The backdrop again changes to a single tone, but a different colour. This is also done to break up the continuity of the comic strip. Both characters are shot from the side, just like panel 1, however this time they are shot close up. Charlie finishes off the letter whilst Lucy is still angry that Linus didnʼt write to her.