Belajar Rudiment Drum
Download as docx, pdf1 like536 views
This document provides instruction on single stroke, multiple bounce, and double stroke rudiments. It begins by explaining single stroke rudiments like the single stroke roll, four, and seven. Then it discusses the multiple bounce roll and recommends practicing at varying tempos to find the "sweet spot" for sound quality rather than speed. It suggests starting with exercise 4's 16th note subdivision and working to more difficult triplets and quintuplets. Finally, it briefly introduces the triple stroke roll and long roll double stroke rudiments.
Belajar Rudiment Drum
- 1. A. Single Stroke Rudiments The Single Stroke Roll APPLICATION: The Single Stroke Four APPLICATION: The Single Stroke Seven APPLICATION:
- 2. B. Multiple Bounce Rudiments The Multiple Bounce Roll APPLICATION: * NOTE FROM MARK WESSELS (author of exercises, performing playalong files): In order to play the multiple bounce roll with a high quality of sound, speed is not a determining factor. Each of the following exercises is written within a tempo marking that is appropriate to produce the best quality of sound for a buzz roll (for most applications). As you work through each exercise, you'll notice that the "sweet spot" for hand speed is roughly in the middle of the tempo range. However, practicing throughout the range of tempi will give you the ability to produce the best sounding roll in a variety of situations. Drum size, musical style, head type, head tension, dynamic level, stick selection and performance space will all be determining factors in which roll subdivision will sound best! RECOMMENDED APPROACH FOR BEGINNING/INTERMEDIATE PLAYERS: The application of this rudiment is different from all the others in that you're not starting slow and gradually working on faster speeds. Instead, start by learning to play the 16th based roll subdivision in a medium tempo (exercise #4), then go back to #1 (which is essentially the same duple subdivision, but half the speed). Next, work on the triplet subdivisions (#2 and #5). The most difficult subdivision to master is the Quintuplet in exercise #3. This subdivision is not commonly found in band or orchestra music, but will produce the best sounding rolls because of the lack of "lead hand" pulsations! You may also wish to experiment with Septuplet subdivisions for slow tempos (overlapping exercise #1 and #2: m.m.=60–85). As always, use your ears to determine the best hand speed for your multiple bounce rolls. Good Luck! – m.w. m.m.=50-75
- 3. m.m.=70-100 m.m.=80-110 m.m.=100-150 m.m.=140-190 The Triple Stroke Roll APPLICATION:
- 4. C. Double Stroke Rudiments The Long Roll (Double Stroke / Open Roll) APPLICATION: