The document analyzes different music video styles and theories. It discusses four music videos: "Leave Right Now" by Will Young uses the spectacle style by having the singer directly address the audience. It also applies Mulvey's theory of the female gaze. "Hero" tells a narrative story through its lyrics and video about a man protecting his love interest from a gang. It describes the main characters according to Propp's theory of hero, villain, and princess. "Earth Song" is a symbolic video that aligns with the song's lyrics about environmental destruction through showing stages of deforestation and war, then renewal according to Todorov's theory of equilibrium and reparation.
The document discusses plans for the opening sequence of a short film that combines comedy and horror genres. It will feature a woman casually shooting a zombie in a supermarket. There will be 5-6 shots including close-ups and long shots. Inspiration is drawn from films like Zombieland and Shaun of the Dead that blend humor with the zombie genre. The filmmakers aim to create suspense to engage an audience of horror and comedy fans ages 15 to 35.
The document provides a review of performances from the 2013 Grammys by Dana. It summarizes Bruno Mars, Taylor Swift, The Lumineers, Jack White, Katy Perry, Alabama Shakes, Carrie Underwood, Prince, Gotye, Kimbra, a Levon Helm tribute, Juanes, Frank Ocean, and the finale featuring LL Cool J as highlights and criticisms of the show.
The document discusses genocide through examples like the Holocaust, Rwanda, and the Ottoman Empire. Genocide is defined as mass killing without valid explanation and has occurred countless times throughout history, targeting entire species or ethnic groups. Some examples of ongoing genocides mentioned are in Syria, Afghanistan, Burma and Somalia. To help understand the scale and horror, genocide is compared to being trapped with 200,000 people in a deadly scenario like the movie Saw, with no survivors.
The document provides information about Jamaica, including its capital Kingston, largest city Montego Bay, and current Prime Minister Portia Miller. It mentions typical Jamaican foods like ackee and salt fish and famous Jamaican Usain Bolt. It also discusses Jamaican poet Benjamin Zephaniah and includes one of his poems about his mother. The document notes that while English is the official language, Patois is commonly spoken and derives from English.
1. The document appears to be lyrics for several rap songs written by Murad Camarad Wysinger and others listed.
2. The songs discuss trying to stay paid, having money and clout, and not needing to try to kill anyone.
3. They use repetitive lyrics and references to things like the sun, scenes, and green money.
This document provides a breakdown of scenes and shots for the script "Upon Thames". It includes details of the cast, locations, descriptions of shots, technical equipment needed, costumes, props, and dates scenes will be filmed. The breakdown is split over 4 pages and covers scenes filmed at Sunbury Park, a pub, streets in Sunbury, and inside a character's house. Common themes in soap operas like conflict, mystery, and domestic settings are discussed in relation to appealing to different target audiences.
Film noirs conventionally take place in dark, gloomy urban settings like New York City, often during rain. Scenes use low lighting from blinds and dull colors and objects to create a realistic, pessimistic tone. The camera uses close-ups and low/high angles to make audiences feel uneasy. Narratives typically begin with the protagonist broken in the present, then use flashbacks to explain mysterious events that led there, like a femme fatale seducing and betraying a man. Sound and music reinforce the dark atmosphere while editing was basic due to the era.
1. The document outlines Jean Baudrillard's theory of hyperreality and applies it to analyze the music video for Eminem's "Without Me".
2. Several scenes from the video are described that demonstrate concepts like intertextuality, narcissism, parody, hyper consciousness, and breaking the fourth wall.
3. These concepts include references to Batman and old TV shows, Eminem portraying himself as amazing, mocking Elvis and Osama bin Laden, an obviously unrealistic scene, and speaking to the viewer.
Benjamin, Raymond, Liam, Rose, and Samantha go on a camping trip that turns dangerous when they get lost in the woods and encounter a killer. Samantha wanders off on her own and is killed by the murderer, who is hiding in the bushes. The group hears Samantha's screams and realizes they are no longer alone in the forest. Several members of the group are killed by the killer before Rose pleads with Liam not to let her go as they struggle with the murderer.
Victor Hugo was a French writer born in 1802 who studied law and poetry. He is best known for writing The Hunchback of Notre Dame, which was hugely successful. The book tells the story of Quasimodo, a deformed orphan who lives in the famous Notre Dame cathedral in Paris. It explores themes of rejection, love, and the French Revolution. Hugo died in 1885 from pneumonia at the age of 83.
1) The document discusses several Asian films being shown at AFI FEST, an Asian cinema festival, including the Japanese film SAKURAN, the Chinese thriller MAD DETECTIVE, and the Singaporean film SOLOS.
2) It notes how Asian films are influenced by both Western and other Asian films and filmmakers, and how they offer a unique perspective on universal themes of manipulation, sacrifice, and silence.
3) The document encourages attending the festival to experience the rich variety of Asian cinema and gain a better understanding of other cultures through their filmmaking styles and storytelling.
The document discusses the proper use of apostrophes in different contexts:
1) To show possession - an apostrophe is used before the 's' for singular possession (John's car) and after the 's' for plural possession (ladies' handbags).
2) To replace missing letters - as in contractions like don't, it's.
3) Exceptions include not using apostrophes for possessive pronouns like his, hers, ours, yours, theirs or for the possessive case of "it" (the cat sat on its mat).
This document contains lyrics for four songs: "Like a Real Ass Aztexcian!", "Cool Edit!", "Amen! Pt.1", and "Anit No NeedFoe Nothin! Pt.1". Each song has multiple verses with repeating choruses focused on themes of staying true to oneself and not needing anything extra. The document lists many collaborators and is copyrighted by Dubsac Entertainment.
This short film follows a man who breaks down in his car and must walk to a gas station to get a funnel to fix it. Throughout his long walk in cold weather, he speaks on the phone with his friend. However, at the end it is revealed that his friend had been disconnected, so he had been talking to himself the whole time. The film has a comedic twist when it is also revealed that he left his keys in the locked car.
Drama has evolved significantly since its origins in ancient Greece. Early dramas were historical plays that reenacted important events and were popular for years. These plays were written during ancient Greece's classical period and are still performed today, though they were originally only performed by male actors. More modern dramas have explored different themes, like the post-war films Judgment at Nuremberg and love triangles seen in the film "After Many Years," though the genre still focuses on relationships between people. Fight Club examined violence and boxing, while Slumdog Millionaire told the story of a boy in the slums trying to win over the girl of his dreams.
1. The document appears to be a collection of songs or poems written by Murad Camarad Wysinger and other listed authors.
2. The songs discuss themes of empowerment, not needing violence or destruction, and staying true to oneself despite challenges.
3. Many verses repeat that there is no need for actions like "unwaitin", "hatin", or being "unheard" as the price of upholding oneself is facing "tha SATAN".
The document discusses Samuel Beckett's quote "Nothing is funnier than unhappiness" from his play Endgame. It explains that the quote defines the essence of Beckett's absurdist tragicomedy, which depicts a world without happiness or God where logic and communication break down. The quote satirizes this perspective, finding humor in revealing the grotesque nature of characters. The document then discusses how the quote relates to instances of mild unhappiness in Shakespeare's Romeo and Juliet, which can be amusing, but not the more severe unhappiness that later destroys Romeo and Juliet.
The document summarizes how the opening of a horror film conveys the genre through establishing calm conditions that are disrupted by the introduction of a zombie. The characters make the poor decision to flee into the woods, creating suspense and anxiety for the audience. During the ensuing chase scene, tension builds as the zombie is portrayed as faster than the victims, resulting in a character's death. Main characters are introduced as a group of vulnerable female friends to set them up as victims. A transition is used between scenes to unsettle the audience and convey the passage of time since the terrifying events.
1. The document appears to be lyrics from a hip hop album titled "The Price of the SATAN! Pt. 3" by Murad Camarad Wysinger and various other artists.
2. The lyrics cover 6 songs and describe themes of strength, love, and positivity for 2012 without needing violence, disasters, or negativity.
3. Refrains in the songs emphasize having strength, that there is nothing to worry about, and that the price is "the SATAN".
The document analyzes the opening 5 minutes of the 2004 film Shaun of the Dead. It summarizes that the opening engages viewers through its use of sound, camera angles, and humor. Specifically, it uses quick camera switches during a conversation between Shaun and his girlfriend Liz to create a sense of action. Their discussion is made humorous through interruptions by Shaun's friend Ed. Additionally, the songs used in the opening credits relate to the film's zombie/apocalyptic theme. Overall, the document argues that the opening's clever use of these techniques draws viewers into the rest of the film.
1. The document appears to be a collection of hip hop songs written and produced by various artists.
2. The songs discuss themes of empowerment, positivity, and overcoming adversity without needing violence.
3. They also reference spiritual and religious concepts while advocating for self-reliance instead of relying on external forces like natural disasters.
The document describes Sam Johnson's stop motion animation project. It will use a mixture of pixilation and cutout techniques, taking photos of real people but cutting them out and manipulating their parts. The story is about an elderly lady being followed by a youth planning to rob her, but the youth keeps getting interrupted by comedic events like slipping on a banana and having a piano fall on him. The target audience is those 15+ due to its dark humor and style of an adult sketch show. Inspiration comes from cutout animation in TV show openings. Sound effects and exaggerated voices will enhance the physical comedy over dialogue.
1) The document discusses the development of a horror film idea by a group of students. They initially considered a story about a man driven mad by paranoia, but decided it lacked scariness.
2) They then developed the idea of a woman being stalked and harassed, before being chased and killed in the woods. This would serve as the opening scene.
3) The document provides details on the target audience, budget, locations, music, costumes and promotional plan for distributing the film.
The combination of the filmmaker's short film and ancillary texts like film reviews and posters were important to tie them together and make the short film have more impact. The texts provided context about the build up and aftermath of the film. Key symbols like a clock were featured in both the film and poster to represent the main theme of time. Consistent visual elements and a plain backdrop in both the film and texts kept the focus on the protagonist and his story. Similar colors and effects were used in both to connect the pieces.
The document discusses a student's short documentary film project about their 90-year-old grandfather. To follow documentary conventions, the film tells a story through a series of photographs and video clips showing the progression of the grandfather's life. Scenes of him speaking in his armchair used natural lighting and an uncluttered background. Opening and closing shots of a cuckoo clock symbolized the passing of time. Post-production effects on the clock made it more appealing and eye-catching. Overall, the film creates a unique, creative story that develops over time and highlights key life moments from the perspective of a 90-year-old man to attract and involve the audience.
The video would have a dark, desaturated style to create a depressing mood. It would show the two artists standing alone on different dark roads, with the camera panning in for close-ups of their bloody faces as they sing. The camera would do 360 pans between the roads, revealing the artists arguing with the same woman or walking alone down the roads, with extreme close-ups emphasizing their frustration and singing of the lyrics. Ultimately, the roads would converge, with the woman at their intersection.
The video would have a dark, desaturated look to create a depressing mood. Scenes would include long shots of the artists standing alone on dark roads, then close-ups of their bloody faces as they sing. The camera would track them as they walk and sing. It would also show one artist arguing with a woman, then pan to the other artist with the same woman, implying disloyalty. Throughout, the camera work would transition between the artists in different locations to tell the story through their perspectives and movements as they sing the dark lyrics.
The weeknd feat ed sheeran Dark Times Lyric Analysis (Amad Islam)haverstockmedia
油
Ed Sheeran describes waking up bruised and hungover, having drunk too much the night before and gotten into a fight. He warns that this isn't the right time to fall in love with him, as he knows his lies can't be believed. Both Ed Sheeran and The Weeknd reference their past struggles with drugs, alcohol, and unstable lifestyles before fame. They acknowledge issues they are still trying to overcome that could undermine their success if not addressed. The Weeknd recalls using cocaine, getting into fights, and choosing a life of substance abuse and chaos.
The song "High for This" by The Weeknd describes a sexual encounter where he mentally prepares a woman for what is about to happen. He tells her they will have sex and do drugs together, reassuring her that she doesn't need to worry because he will be with her. As the drugs take effect, he tells her to breathe and relax while promising they will have a good time. He eliminates any doubts by saying to trust him as he knows she wants to experience this feeling.
1. The document outlines Jean Baudrillard's theory of hyperreality and applies it to analyze the music video for Eminem's "Without Me".
2. Several scenes from the video are described that demonstrate concepts like intertextuality, narcissism, parody, hyper consciousness, and breaking the fourth wall.
3. These concepts include references to Batman and old TV shows, Eminem portraying himself as amazing, mocking Elvis and Osama bin Laden, an obviously unrealistic scene, and speaking to the viewer.
Benjamin, Raymond, Liam, Rose, and Samantha go on a camping trip that turns dangerous when they get lost in the woods and encounter a killer. Samantha wanders off on her own and is killed by the murderer, who is hiding in the bushes. The group hears Samantha's screams and realizes they are no longer alone in the forest. Several members of the group are killed by the killer before Rose pleads with Liam not to let her go as they struggle with the murderer.
Victor Hugo was a French writer born in 1802 who studied law and poetry. He is best known for writing The Hunchback of Notre Dame, which was hugely successful. The book tells the story of Quasimodo, a deformed orphan who lives in the famous Notre Dame cathedral in Paris. It explores themes of rejection, love, and the French Revolution. Hugo died in 1885 from pneumonia at the age of 83.
1) The document discusses several Asian films being shown at AFI FEST, an Asian cinema festival, including the Japanese film SAKURAN, the Chinese thriller MAD DETECTIVE, and the Singaporean film SOLOS.
2) It notes how Asian films are influenced by both Western and other Asian films and filmmakers, and how they offer a unique perspective on universal themes of manipulation, sacrifice, and silence.
3) The document encourages attending the festival to experience the rich variety of Asian cinema and gain a better understanding of other cultures through their filmmaking styles and storytelling.
The document discusses the proper use of apostrophes in different contexts:
1) To show possession - an apostrophe is used before the 's' for singular possession (John's car) and after the 's' for plural possession (ladies' handbags).
2) To replace missing letters - as in contractions like don't, it's.
3) Exceptions include not using apostrophes for possessive pronouns like his, hers, ours, yours, theirs or for the possessive case of "it" (the cat sat on its mat).
This document contains lyrics for four songs: "Like a Real Ass Aztexcian!", "Cool Edit!", "Amen! Pt.1", and "Anit No NeedFoe Nothin! Pt.1". Each song has multiple verses with repeating choruses focused on themes of staying true to oneself and not needing anything extra. The document lists many collaborators and is copyrighted by Dubsac Entertainment.
This short film follows a man who breaks down in his car and must walk to a gas station to get a funnel to fix it. Throughout his long walk in cold weather, he speaks on the phone with his friend. However, at the end it is revealed that his friend had been disconnected, so he had been talking to himself the whole time. The film has a comedic twist when it is also revealed that he left his keys in the locked car.
Drama has evolved significantly since its origins in ancient Greece. Early dramas were historical plays that reenacted important events and were popular for years. These plays were written during ancient Greece's classical period and are still performed today, though they were originally only performed by male actors. More modern dramas have explored different themes, like the post-war films Judgment at Nuremberg and love triangles seen in the film "After Many Years," though the genre still focuses on relationships between people. Fight Club examined violence and boxing, while Slumdog Millionaire told the story of a boy in the slums trying to win over the girl of his dreams.
1. The document appears to be a collection of songs or poems written by Murad Camarad Wysinger and other listed authors.
2. The songs discuss themes of empowerment, not needing violence or destruction, and staying true to oneself despite challenges.
3. Many verses repeat that there is no need for actions like "unwaitin", "hatin", or being "unheard" as the price of upholding oneself is facing "tha SATAN".
The document discusses Samuel Beckett's quote "Nothing is funnier than unhappiness" from his play Endgame. It explains that the quote defines the essence of Beckett's absurdist tragicomedy, which depicts a world without happiness or God where logic and communication break down. The quote satirizes this perspective, finding humor in revealing the grotesque nature of characters. The document then discusses how the quote relates to instances of mild unhappiness in Shakespeare's Romeo and Juliet, which can be amusing, but not the more severe unhappiness that later destroys Romeo and Juliet.
The document summarizes how the opening of a horror film conveys the genre through establishing calm conditions that are disrupted by the introduction of a zombie. The characters make the poor decision to flee into the woods, creating suspense and anxiety for the audience. During the ensuing chase scene, tension builds as the zombie is portrayed as faster than the victims, resulting in a character's death. Main characters are introduced as a group of vulnerable female friends to set them up as victims. A transition is used between scenes to unsettle the audience and convey the passage of time since the terrifying events.
1. The document appears to be lyrics from a hip hop album titled "The Price of the SATAN! Pt. 3" by Murad Camarad Wysinger and various other artists.
2. The lyrics cover 6 songs and describe themes of strength, love, and positivity for 2012 without needing violence, disasters, or negativity.
3. Refrains in the songs emphasize having strength, that there is nothing to worry about, and that the price is "the SATAN".
The document analyzes the opening 5 minutes of the 2004 film Shaun of the Dead. It summarizes that the opening engages viewers through its use of sound, camera angles, and humor. Specifically, it uses quick camera switches during a conversation between Shaun and his girlfriend Liz to create a sense of action. Their discussion is made humorous through interruptions by Shaun's friend Ed. Additionally, the songs used in the opening credits relate to the film's zombie/apocalyptic theme. Overall, the document argues that the opening's clever use of these techniques draws viewers into the rest of the film.
1. The document appears to be a collection of hip hop songs written and produced by various artists.
2. The songs discuss themes of empowerment, positivity, and overcoming adversity without needing violence.
3. They also reference spiritual and religious concepts while advocating for self-reliance instead of relying on external forces like natural disasters.
The document describes Sam Johnson's stop motion animation project. It will use a mixture of pixilation and cutout techniques, taking photos of real people but cutting them out and manipulating their parts. The story is about an elderly lady being followed by a youth planning to rob her, but the youth keeps getting interrupted by comedic events like slipping on a banana and having a piano fall on him. The target audience is those 15+ due to its dark humor and style of an adult sketch show. Inspiration comes from cutout animation in TV show openings. Sound effects and exaggerated voices will enhance the physical comedy over dialogue.
1) The document discusses the development of a horror film idea by a group of students. They initially considered a story about a man driven mad by paranoia, but decided it lacked scariness.
2) They then developed the idea of a woman being stalked and harassed, before being chased and killed in the woods. This would serve as the opening scene.
3) The document provides details on the target audience, budget, locations, music, costumes and promotional plan for distributing the film.
The combination of the filmmaker's short film and ancillary texts like film reviews and posters were important to tie them together and make the short film have more impact. The texts provided context about the build up and aftermath of the film. Key symbols like a clock were featured in both the film and poster to represent the main theme of time. Consistent visual elements and a plain backdrop in both the film and texts kept the focus on the protagonist and his story. Similar colors and effects were used in both to connect the pieces.
The document discusses a student's short documentary film project about their 90-year-old grandfather. To follow documentary conventions, the film tells a story through a series of photographs and video clips showing the progression of the grandfather's life. Scenes of him speaking in his armchair used natural lighting and an uncluttered background. Opening and closing shots of a cuckoo clock symbolized the passing of time. Post-production effects on the clock made it more appealing and eye-catching. Overall, the film creates a unique, creative story that develops over time and highlights key life moments from the perspective of a 90-year-old man to attract and involve the audience.
The video would have a dark, desaturated style to create a depressing mood. It would show the two artists standing alone on different dark roads, with the camera panning in for close-ups of their bloody faces as they sing. The camera would do 360 pans between the roads, revealing the artists arguing with the same woman or walking alone down the roads, with extreme close-ups emphasizing their frustration and singing of the lyrics. Ultimately, the roads would converge, with the woman at their intersection.
The video would have a dark, desaturated look to create a depressing mood. Scenes would include long shots of the artists standing alone on dark roads, then close-ups of their bloody faces as they sing. The camera would track them as they walk and sing. It would also show one artist arguing with a woman, then pan to the other artist with the same woman, implying disloyalty. Throughout, the camera work would transition between the artists in different locations to tell the story through their perspectives and movements as they sing the dark lyrics.
The weeknd feat ed sheeran Dark Times Lyric Analysis (Amad Islam)haverstockmedia
油
Ed Sheeran describes waking up bruised and hungover, having drunk too much the night before and gotten into a fight. He warns that this isn't the right time to fall in love with him, as he knows his lies can't be believed. Both Ed Sheeran and The Weeknd reference their past struggles with drugs, alcohol, and unstable lifestyles before fame. They acknowledge issues they are still trying to overcome that could undermine their success if not addressed. The Weeknd recalls using cocaine, getting into fights, and choosing a life of substance abuse and chaos.
The song "High for This" by The Weeknd describes a sexual encounter where he mentally prepares a woman for what is about to happen. He tells her they will have sex and do drugs together, reassuring her that she doesn't need to worry because he will be with her. As the drugs take effect, he tells her to breathe and relax while promising they will have a good time. He eliminates any doubts by saying to trust him as he knows she wants to experience this feeling.
The document analyzes research from IMVDb on music charts and popular music videos. It finds that the target audience prefers hip-hop and pop genres, especially recent pop videos by artists like Sia, David Guetta, and Rudimental. This research will help decide which genre of music to focus on going forward.
1) Lupe Fiasco meets a girl at a club and is instantly captivated by her beauty and intelligence.
2) He expresses his growing love for her through poetic metaphors and promises to protect her.
3) At the end of the song, Lupe assures the girl that he wants their relationship to last beyond a typical short-lived club romance and promises to see her in the morning.
This music video portrays Beyonc辿 dancing seductively for her male love interest in a 1940s style setting. Voyeurism is prominently featured through close-ups of the intimate dancing and longing gazes between Beyonc辿 and the man. The video follows the conventions of R&B by including a choreographed dance routine to promote the artist. It depicts a stereotypical power dynamic between the male boss and female secretary but aims to empower women through Beyonc辿's display of control through her dancing.
The British Board of Film Classification (BBFC) regulates films and videos in the UK. It is a non-governmental organization that provides age ratings to films such as U, PG, 12A, 15, and 18. The BBFC recognizes adult freedom of choice, protects the public (especially children) from harmful content, and helps parents make informed viewing choices for their children. The document then provides detailed descriptions of the content allowed or implied for each age rating.
The document discusses two methods for categorizing audiences: Young and Rubicam's Four Consumers model and socio-economic class. Young and Rubicam divides people into four categories based on personality - Mainstreamers, Aspirers, Succeeders, and Reformers. The socio-economic model classifies people into six classes based on income - A through E. Both are useful for media targeting, but the socio-economic model is limited as it only considers income and not other factors like leisure activities.
The document discusses two methods for categorizing audiences: Young and Rubicam's Four Consumers model and socio-economic class. Young and Rubicam divides people into four categories based on personality - Mainstreamers, Aspirers, Succeeders, and Reformers. The socio-economic model classifies people into six classes based on income - A through E. Both are useful for media targeting, but the socio-economic model is limited as other factors like leisure activities may be more important than income alone.
The document discusses two methods for categorizing audiences: Young and Rubicam's Four Consumers model and socio-economic class. Young and Rubicam divides people into four categories based on personality - Mainstreamers, Aspirers, Succeeders, and Reformers. The socio-economic model classifies people into six classes based on income - A through E. Both are useful for media targeting, but the socio-economic model is limited as it only considers income and not other factors like leisure activities.
The document discusses two methods for categorizing audiences: Young and Rubicam's Four Consumers model and socio-economic class. Young and Rubicam divides people into four categories based on personality - Mainstreamers, Aspirers, Succeeders, and Reformers. The socio-economic model classifies people into six classes based on income - A through E. Both are useful for media targeting, but the socio-economic model is limited as it only considers income and not other factors like leisure activities.
The document describes several systems for categorizing consumers:
- Young and Rubicam's Four Consumers model divides people into Mainstreamers, Aspirers, Succeeders, and Reformers based on psychological attributes rather than income.
- Their socio-economic class system ranks people from A to E based on income and occupation.
- Life Matrix segments audiences based on lifestyle and values rather than demographic factors.
The student created a final drawing of a potion using Photoshop. They first hand drew the potion and then scanned it into Photoshop to color and add details digitally. It was difficult to control the pen at first but got easier with practice. The student used various colors like light blue, dark brown, and different shades of pink to create realistic effects like bubbles and shading. They used tools like the blur tool and size-adjustable brushes. In the end, the student felt they successfully created a realistic looking digital image meeting the goals of the project.
This document discusses digital graphics technology, describing features of vector and bitmap images. Vector images are resolution-independent and scalable without quality loss, using mathematical expressions to represent lines and shapes. Bitmap images are made up of pixels that lose quality when resized. The document provides examples of how vector and bitmap images differ when resized, and discusses image capturing, output methods for print and screen, storage considerations like file size and organization, and naming conventions.
1) Attack the Block was released in 2011 and was directed by Joe Cornish with production companies including The UK Film Council and Studio Canal. It had a budget of 贈8 million and made $5,824,175.
2) The film is a science fiction horror set in a London council estate about teenagers who encounter an alien invasion. It is rated 15 for violence, drug use, and gore.
3) The movie poster depicts a diverse group of teenagers from the council estate ready to battle the aliens, showing the working class setting and themes of fighting and violence.
The document outlines questions from a focus group about a film trailer. It asks for opinions on whether the trailer was effective and enjoyable, what genre it represents, how it could be improved, and favorite parts. It explains that the filmmaker created a focus group of 12 friends and family to get feedback on the trailer by showing it and having them answer questions. Most feedback suggested making the trailer look less like a drama and more realistic.
Audience research is conducted to gather information about what audiences want to watch and their personalities. There are several methods for conducting audience research, including focus groups, questionnaires, box office takings, and test screenings. Focus groups involve interviewing a small group of people to discuss their opinions in an interactive setting, but the results may not represent the larger population. Questionnaires can be inexpensive and gather a lot of data quickly from many people, but responses may be biased by wording and response rates may be low. Box office takings refer to the financial success of a film based on the number of viewers and money made, which depends on the quality of the movie. Test screenings allow audiences to provide feedback on a movie before
Corporate governance in family businesses involves a structured approach to managing the business while balancing family interests and professional management practices. Unlike non-family firms, these businesses face unique challenges such as succession planning, conflicts of interest, and decision-making influenced by family dynamics
Empowering young African leaders through community-led projects in under-reso...WAIHIGA K.MUTURI
油
CorpsAfrica/Kenya
CorpsAfrica is a non-profit organization that aims to assist young Africans by deploying them to rural, underdeveloped areas in their home countries. By utilizing a Human-Centered Design and Asset-Based Community Development approach, CorpsAfrica collaborates with local communities to identify ... see more.
A facilitation engagement for 2 sessions on Strategic Business Management and Practical Job Applications. These sessions will took 3 hours.
The participants of these sessions are former CorpsAfrica/Kenya volunteers who are between the ages of 25 and 35; some are in their early career stages; some are unemployed and actively seeking opportunities; some have started up businesses; and others are in the planning stage of starting a business.
Creator of Opportunities I Architect of Social Impact I Vendor of Attention
"Africa MUST change the way it tackles poverty!"
~ Waihiga K. Muturi, Rtn.
Waihiga K. Muturi is a distinguished Global Innovation Strategist, Communications expert and Social Impact Architect with over 15 years of experience driving transformative change across regions in Africa, MENA, and beyond. Renowned for his ability to craft compelling narratives that resonate with diverse audiences,
Waihiga leverages strategic communications, media, PR, advocacy, and stakeholder engagement to mobilise resources for underserved populations. He has successfully led multimillion-dollar programs, fostering partnerships across public, private, and non-profit sectors to address critical social issues.
With a proven track record in program development and management, Waihiga has enhanced organisational outreach and visibility for over 321 partners globally. He is adept at building cohesive teams and networks, driving collaboration that amplifies impact and promotes sustainable development. His holistic approach encompasses strategic planning, capacity building, and performance monitoring, ensuring that initiatives are scalable, inclusive, and sustainable.
Waihiga's commitment to social justice and impact is evident in his advocacy for community equity, grassroots participation, and human-centred solutions that empower marginalised and underserved communities. As also an accredited mediator and trainer, he champions the decolonisation of narratives surrounding African development while addressing pressing issues such as gender equality, climate change, philanthropy and grassroots policy advocacy. His work embodies a dedication to turning passionate ideas into actionable solutions that create lasting social impact.
Let's Create Africa:
* I'm happy to connect via https://www.linkedin.com/in/waihigakmuturi
* and/or slot an appointment via https://app.tap-tu.com/waihigakmuturi
Looking forward,油
Thank油You油
Subscribe Like Share & Comment
#WaihigaKMuturi #WaihigaIsImpact #CreatorOfOpportunities #SerialSocialEntrepreneur #DigitalStoryteller #SocialConnector #ProfessionalMediator #LetsCreateAfrica #JobsInAfrica
JCI is a worldwide federation of young leaders and entrepreneurs with nearly five lakh active members and millions of alumni spread across more than 115 ...
My session for mid-career managers on the cusp of growing into first-time leadership roles. In this session, I addressed some core issues around what constitutes leadership. My going in position is that while title, role, position, etc. bring the extrinsic "power" to your ability to lead, what really matters is who you are without any of those trappings? To me, leadership is all about the ability to lead wherever you are.
HISTORICAL DEVELOPMENT OF THE NATIONAL INSTITUTE.pptxTANKOAHMED
油
As history brings you together into the NIPSS System, you will also share in its challenges and opportunities.
You are the foundation for the SEC Participants coming after you, as those before you are the foundation of what you start today.
History has a way of transforming us into the agents of what it does to society, that is, Change over Time.
This is to say that you have assumed the role of Change Agents which is the general idea of being on the NIPSS SEC programme - You are also taken into the Nigerias Eagle System
Organised Services Operating Model Overview - Services Week 2025Steve Purkis
油
First presented at Gov.UK's Services Week 2025.
Adopting a service-based operating model is hard! The Organised Services Operating Model is a creative commons template based on years of experience transforming organisations in the public sector. It grew out of the practical application of the UKs Service Standard, and has also been used in the private sector.
It uses a simple cell-based structure with central governance that puts users front and center. Its freely available under creative commons at https://osom.guide/ and can be introduced into organisations either wholesale, or in part.
It's helps you think through the changes you'll need to make to your organisation to enable long-lived cross-functional service teams to form, and get on with designing, building and delivering effectively.
The Compassionate Leader: Balancing Ethics and Responsibility in LeadershipAbishec shah
油
This case study explores the leadership dilemma faced by Tina, a student council president, when a key team member, Vikram, requests time off due to personal issues amid a critical event. The presentation delves into ethical leadership, decision-making, and team management, drawing insights from the Bhagavad Gita and the Ramayana. It provides actionable strategies for compassionate leadership while maintaining team efficiency.
Leadershi for Creative and Critical Thinking Skills.pptxJeremiahKwenah2
油
Running on force script
1. Running on Forces Script
Jordanholdscash price above hisheadsmilingwithglee
The camera is lowdownandlookingupat Jordansface
Close upof mainbully
He saysWhat the fuckbutis interruptedbyvoiceoverbefore fucouldbe formulated intoany
wordunmistakeably
The interruptiongoesForBernardEricson,constantbullyingcame partof the deal.If onlyhe knew
howit couldall go hisway
Duringthisvoiceoverhe standslifelesslywhilsthe isbeinglightlyshovedandverballypicked on.This
ismeantto be fairly surreal/exaggerated
Close upof Jordansface as he letsouta strainingsoundof eeeeeeeeeeeeeeeugh!ashe isdoing
gruellingstretching.
Duringthistime,clich辿 motivational musicbegins
There isa close upof a wall whichhousestwoposters.The one thatJordanislookingat isfor
pottery andthe otherisfor a marathon
Bullyboysare makingfunof Bernardfromafar, and Hossamspotsthis
He narrowshiseyesandscowlsa tinybit
He thenshowssurprise andsaysto BernardHey,youshouldjoinup
Thenhe saysto HossamEh, Samanthaisknownformakingmeanvaseswithoutstoppage
Hossamshowsto be dumbfoundedHUH?! the marathon,Bernard,I meanthe marathon
He almostwincesatthe prospectof himself doing that turnshisheadto face the camera whilst
sayingooooooooo