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UNIVERSITYOFHUDDERSFIELDSEMINARP
R E S E N T A T I O N 2 0 1 2
Catering for the varying technical
       abilities of the students.
Traditional dance teaching       Collaborative learning is considered to
methods promote isolation    create a comfortable environment, in which
   amongst students by           students feel less threatened. (Macaro,
  creating a competitive                                           1997)
  atmosphere and fear of
          failure.
   (Barnes &Todd, 1995)


Can I include the use of
collaborative learning
strategies to best prepare
students for examination?
Know your struggling students
 learning profiles & create tasks
   designed at a slightly more
advanced level (than their current
     level). (Tomlinson, 2003)



  L E A R N I N G I S AN A C T I V E , C O N S T R U C T I V E P R O C E S S 
                                                                  (Smith et al, 1992)
                        C-L ACTIVITIES FREQUENTLY BEGIN
                                 WITH PROBLEMS
                                                              SYNTHESIS
                                                                  =
                                                              CREATION
                                                               OF NEW
                                                                IDEAS

                                                                     Bloom (1956)
                                                           TAXONOMY OF LEARNING
C O O P E R A T I V E * L E A R N I N G
                                       The instructional use of small groups so that
                                     students work together to maximize their own and
                                                  each others learning.
                                               (Johnson et al. 1990 cited in Smith, 1993)



            C O O P E R A T I V E * W O R K

   Where groups can divide
   work and solve sub-tasks
     individually and then
  reconvene their results into
        the final output.
 (Johnson et al. 1990 cited in Smith, 1993)



Tomlinson (2001) offers some guidance 
 Create and deliver instructions carefully. Giving multiple directions to the class as a whole
              is confusing and calls too much attention to who is doing what.
How can the use of collaborative activities positively
         impact students in life and study beyond the dance
                                studio?



                                        TEAMWORK

                                       LEADERSHIP

                                HAVING AVOICE

                                        SENSITIVITY

D E B A T E * & * C O M P R O M I S E
How do I accommodate a class of students with conflicting technical dance
                              abilities?


                                      How can you relate
                                        the collaborative        Q
                                      learning strategies
                                          to your subject
                                              specialism?




 Do you have any collaborative learning tasks or
                 experiences you could share?                     Q

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Seminar presentation '12

  • 1. UNIVERSITYOFHUDDERSFIELDSEMINARP R E S E N T A T I O N 2 0 1 2
  • 2. Catering for the varying technical abilities of the students. Traditional dance teaching Collaborative learning is considered to methods promote isolation create a comfortable environment, in which amongst students by students feel less threatened. (Macaro, creating a competitive 1997) atmosphere and fear of failure. (Barnes &Todd, 1995) Can I include the use of collaborative learning strategies to best prepare students for examination?
  • 3. Know your struggling students learning profiles & create tasks designed at a slightly more advanced level (than their current level). (Tomlinson, 2003) L E A R N I N G I S AN A C T I V E , C O N S T R U C T I V E P R O C E S S (Smith et al, 1992) C-L ACTIVITIES FREQUENTLY BEGIN WITH PROBLEMS SYNTHESIS = CREATION OF NEW IDEAS Bloom (1956) TAXONOMY OF LEARNING
  • 4. C O O P E R A T I V E * L E A R N I N G The instructional use of small groups so that students work together to maximize their own and each others learning. (Johnson et al. 1990 cited in Smith, 1993) C O O P E R A T I V E * W O R K Where groups can divide work and solve sub-tasks individually and then reconvene their results into the final output. (Johnson et al. 1990 cited in Smith, 1993) Tomlinson (2001) offers some guidance Create and deliver instructions carefully. Giving multiple directions to the class as a whole is confusing and calls too much attention to who is doing what.
  • 5. How can the use of collaborative activities positively impact students in life and study beyond the dance studio? TEAMWORK LEADERSHIP HAVING AVOICE SENSITIVITY D E B A T E * & * C O M P R O M I S E
  • 6. How do I accommodate a class of students with conflicting technical dance abilities? How can you relate the collaborative Q learning strategies to your subject specialism? Do you have any collaborative learning tasks or experiences you could share? Q