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SADIE OLEN Shifts in the Music Industry: The Digital Revolution
The Technological Age As we shift to the digital age, the need for tangible items decreases more and more¡­ Music CD¡¯s to iTunes playlists Image source: http://www.flickr.com/photos/novemberborn/242484855/ Image source: http://www.flickr.com/photos/angela_kopp/3975482812/
The digitization allows for artists to create their own music Image source: Greenshot of jamstudio.com
¡­ and distribute it Image source: http://www.flickr.com/photos/wynnie/2391750460/ Image source: Greenshot of moonfruit.com
¡° there are more opportunities now than there ever have been before for small record labels¡±  Snavely, B. (2004). Lower costs give smaller labels a chance.  Crain¡¯s Detroit Business , 20(23),  60. Retrieved from EBSCO host .
Rendering the music industry useless Smaller artists ¡°get lost in the constant shuffle of the label¡¯s priorities and campaigns¡±, so why not use these internet resources? (Burr, R. (2006). Independent Spirit.  Billboard , 118(25), 34. Retrieved from EBSCO host .) Image source: http://www.flickr.com/photos/crystaljingsr/3915514014/
Because they provide financial assistance¡­. Creator: Sadie Olen using lovelycharts.com
With these programs, however, large investments aren¡¯t even necessary.. Which is significantly more beneficial for the artist Creator: Sadie Olen with the use of lovelycharts.com
the music industry needs to ¡°invest in digital distribution services alliances to maintain control over distribution in the new digital music industry ¡±  (Bockstedt, J., Kauffman, R. J., Riggins, F. (2006). The move to artist-led on-line music  distribution: A theory-based assessment and prospects for structural changes in the digital  music market. International Journal of Electronic Commerce,10(3), 7-38. Retrieved from  EBSCO host . ) Otherwise¡­
The music industry is in big trouble Image source : http://i95.photobucket.com/albums/l121/momacie/gravestone.jpg
Image and quote sources http://www.flickr.com/photos/angela_kopp/3975482812/ http://www.flickr.com/photos/novemberborn/242484855/ Greenshot of jamstudio.com  http://www.flickr.com/photos/wynnie/2391750460/ Greenshot of moonfruit.com  (Burr, R. (2006). Independent Spirit.  Billboard , 118(25), 34. Retrieved from EBSCO host .) http://www.flickr.com/photos/crystaljingsr/3915514014 Olen, Sadie. lovelycharts.com Olen, Sadie. lovelycharts.com Snavely, B. (2004). Lower costs give smaller labels a chance.  Crain¡¯s Detroit Business , 20(23),  60. Retrieved from EBSCO host .  Bockstedt, J., Kauffman, R. J., Riggins, F. (2006). The move to artist-led on-line music  distribution: A theory-based assessment and prospects for structural changes in the digital  music market. International Journal of Electronic Commerce,10(3), 7-38. Retrieved from  EBSCO host .  http://i95.photobucket.com/albums/l121/momacie/gravestone.jpg

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Shifts in the music industry

  • 1. SADIE OLEN Shifts in the Music Industry: The Digital Revolution
  • 2. The Technological Age As we shift to the digital age, the need for tangible items decreases more and more¡­ Music CD¡¯s to iTunes playlists Image source: http://www.flickr.com/photos/novemberborn/242484855/ Image source: http://www.flickr.com/photos/angela_kopp/3975482812/
  • 3. The digitization allows for artists to create their own music Image source: Greenshot of jamstudio.com
  • 4. ¡­ and distribute it Image source: http://www.flickr.com/photos/wynnie/2391750460/ Image source: Greenshot of moonfruit.com
  • 5. ¡° there are more opportunities now than there ever have been before for small record labels¡± Snavely, B. (2004). Lower costs give smaller labels a chance. Crain¡¯s Detroit Business , 20(23), 60. Retrieved from EBSCO host .
  • 6. Rendering the music industry useless Smaller artists ¡°get lost in the constant shuffle of the label¡¯s priorities and campaigns¡±, so why not use these internet resources? (Burr, R. (2006). Independent Spirit. Billboard , 118(25), 34. Retrieved from EBSCO host .) Image source: http://www.flickr.com/photos/crystaljingsr/3915514014/
  • 7. Because they provide financial assistance¡­. Creator: Sadie Olen using lovelycharts.com
  • 8. With these programs, however, large investments aren¡¯t even necessary.. Which is significantly more beneficial for the artist Creator: Sadie Olen with the use of lovelycharts.com
  • 9. the music industry needs to ¡°invest in digital distribution services alliances to maintain control over distribution in the new digital music industry ¡± (Bockstedt, J., Kauffman, R. J., Riggins, F. (2006). The move to artist-led on-line music distribution: A theory-based assessment and prospects for structural changes in the digital music market. International Journal of Electronic Commerce,10(3), 7-38. Retrieved from EBSCO host . ) Otherwise¡­
  • 10. The music industry is in big trouble Image source : http://i95.photobucket.com/albums/l121/momacie/gravestone.jpg
  • 11. Image and quote sources http://www.flickr.com/photos/angela_kopp/3975482812/ http://www.flickr.com/photos/novemberborn/242484855/ Greenshot of jamstudio.com http://www.flickr.com/photos/wynnie/2391750460/ Greenshot of moonfruit.com (Burr, R. (2006). Independent Spirit. Billboard , 118(25), 34. Retrieved from EBSCO host .) http://www.flickr.com/photos/crystaljingsr/3915514014 Olen, Sadie. lovelycharts.com Olen, Sadie. lovelycharts.com Snavely, B. (2004). Lower costs give smaller labels a chance. Crain¡¯s Detroit Business , 20(23), 60. Retrieved from EBSCO host . Bockstedt, J., Kauffman, R. J., Riggins, F. (2006). The move to artist-led on-line music distribution: A theory-based assessment and prospects for structural changes in the digital music market. International Journal of Electronic Commerce,10(3), 7-38. Retrieved from EBSCO host . http://i95.photobucket.com/albums/l121/momacie/gravestone.jpg