Shot list 2

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The document appears to be a production log or shot list for a film or television show. It details 65 shots in the production including establishing shots, reactions shots, close-ups, and shots of characters Carl and Trevor involved in confrontations, drug deals, a mugging, and ultimately at gunpoint together in a meeting room. The shots involve various camera movements and angles to capture the action and drama of the scenes described.

24 WS Static, high angle Boot closes
25 WS Static Carl walking through alley way,
we see Marcel in scene as well
26 CU Static Marcel pushed up against the wall
27 ------------------------------ -------------------------------- ON SCREEN TEXT
28 WS Static Gunshot, both the gun and Carl
are seen in the scene
29 MS Static Marcel falling to the ground. Slow
motion editing
30 CU Static, camera on floor Carl walking away
31 MS Static, low angle Carl walking away
32 ------------------------------ -------------------------------- ON SCREEN TEXT
33 Over the shoulder Static Drug deal number 1
34 WS Static Mugging, cast walking towards
eachother
35 MS Static Steven is attacked by Carl
36 MS Static, high angle Steven held at gunpoint
37 CU Static Mugging has finished
38 CU Static, high angle Running away
39 Over the shoulder Static Drug deal number 2
40 CU Static, low angle Drug deal number 2
41 Over the shoulder Static Drug deal number 2
42 ------------------------------ -------------------------------- ON SCREEN TEXT
43 WS Pan right Car door opening
44 CU Dolly forward, handheld
shot (camera shaking)
Glory and Carl running through
alleyway
45 CU Static, low angle Trevor stepping out of car
46 WS Static Glory and Carl running through
alleyway
47 MS Static Glory and Carl running through
alleyway

48 CU Static Trevor stepping out of car
49 MS Static Glory and Carl running through
alleyway
50 VCU Dolly forward, handheld
shot (camera shaking)
Glory and Carl running through
alleyway
51 MS Static Car door closing
52 WS Static Carl running away from Glory
53 VCU Static Back of Glory head, Carl running
away in the background
54 WS Slight pan right Car pulling away
55 ------------------------------ -------------------------------- ON SCREEN TEXT
56 MS Static Trevor in meeting room
57 WS Static Carl punching Trevor
58 MS Static, high angle CCTV shot of Carl pushing
Trevor on table
59 CU Static, low angle Trevor and Carl at gunpoint
60 Over the shoulder Static, high angle Trevor and Carl at gunpoint
61 WS Static Trevor and Carl at gunpoint
62 ------------------------------ -------------------------------- ON SCREEN TEXT
63 CU Point of view shot Carl holding Trevor and gunpoint
64 CU Static, low angle Trevor and Carl at gunpoint
65 ------------------------------ -------------------------------- ON SCREEN TEXT
66 WS Static Trevor and Carl at gunpoint
67 ------------------------------ -------------------------------- WHEN KINGS FALL

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Carl is being chased by police and records a video confessing before giving up. He is approached by Trevor who gives him a job to kill Marcel in exchange for money. Carl carries out the hit and begins working for Trevor's criminal operation, committing robberies and assaults. Carl eventually tracks down and confronts Trevor, with both pulling guns on each other in a standoff, mirroring a famous scene from Reservoir Dogs, before there is a gunshot and it ends.

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The document provides feedback on a movie trailer, poster, and magazine created by students. For the trailer, positives included identifying the crime genre and effective use of music. Negatives were background sound and text on screen for too short. For the poster, positives were consistent fonts and color scheme, negatives included colors being bland and credits hard to read. For the magazine, positives were appropriate image and colors, negatives included needing more images and title too small. Suggested improvements addressed the negatives.

Shot list 2 (final)reidyluc

The document appears to be a production log or shot list for a film or television show. It details 65 shots in sequence, providing the shot number, type of shot, camera movement, and subjects or objects within each shot. The shots cover various scenes including a character running into an abandoned parking lot and making a confession, a conversation at a cafe with items in a box revealed on a computer, a mugging, drug deals, characters running through an alley, and a confrontation with guns drawn in what appears to be the climax of the story.

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Question 7 (new)reidyluc

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Shot list 1 (new)reidyluc

This document provides a production log listing 62 shots from a film. It includes information about each shot such as the shot size, type of camera movement, and subjects or objects within the frame. The shots progress through a scene where Carl King records a confession, has an interaction with Trevor at an office, participates in a drug deal with Trevor in a park, and then a confrontation ensues between Carl and Trevor that involves Carl's mother.

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This document provides a shot list and descriptions for a movie trailer. It includes 28 shots ranging from close-ups to long shots of the main characters Carl and James King, as well as Trevor, a gang member. The shots are designed to build suspense and tension around Carl having to make a difficult decision whether to shoot his brother James at gunpoint by Trevor. They start with a close-up of Carl's face in a dark room and end with the film title fading in after a series of flash cuts between the three main characters' faces. The varying shot types and sizes are intended to reveal information to viewers, change the pace, and elicit emotional responses around this climactic scene.

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The document is a production log that outlines 62 shots from a film. It provides details for each shot such as the shot size, type, camera movement, and subjects or objects within the frame. The shots cover various scenes including Carl King running with a box and making a confession, a meeting between Carl and Tenov, a drug deal, Tenov following and confronting Carl, Tenov holding Carl's mom at gunpoint, and Carl punching Tenov after finding his mom dead.

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Carl and his younger brother James get involved with a local gang leader named Tenov. James steals money from Tenov and Tenov demands that Carl kill James or his entire family will be killed. Carl is forced to shoot James. Carl then seeks revenge against Tenov by becoming a criminal himself and building a network to rival Tenov's. Eventually, Carl confronts Tenov and Tenov realizes Carl has become a more dangerous man.

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Mark is a 20-year-old university student studying Law with Criminology at the University of Liverpool. He enjoys reading science fiction and researching current events online in his free time. Mark also likes to watch movies and TV shows ranging from action to comedy to relax from his studies. In order to appeal to Mark as an audience for a crime movie trailer, the trailer should include elements of mystery, violence in the form of gun shootings and fight scenes, focus on one main character, include classical background music, and be set in central London.

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Shot list 2

1. Shot Number Shot Size Shot Type The character/s object/s in shot. 1 Over the shoulder Dolly forward Carl running into abandoned car park 2 WS Static Carl King running into the middle of the shot 3 Over the shoulder Tilt Carl King gets box out of pocket 4 WS Static Carl King drops box and gets out voice recorder 5 CU Handheld Cark King talking into camera (confession) 6 WS Tilt Carl King gets on his knees 7 ------------------------------ -------------------------------- PRODUCTION LOGO 8 WS Establishing shot Olive tree cafe 9 WS Static Trevor sitting down; Carl has no reaction to this 10 MS Static Trevor starts converstion 11 MS Static Reaction shot 12 BCU Static Trevor talking to Carl 13 CU Static Box is on the table 14 Over the shoulder Tilt down Focus on contents of box 15 Over the shoulder Static Computer 16 CU Static Computer 17 CU Static Carl reaction to document 18 CU Handheld Computer 19 MS Static Trevor taking gun out of pocket 20 CU Static Shake hands 21 ------------------------------ -------------------------------- ON SCREEN TEXT 22 MS Static, low angle Carl opening boot of car 23 MS Static Audience sees the contents of the car boot

2. 24 WS Static, high angle Boot closes 25 WS Static Carl walking through alley way, we see Marcel in scene as well 26 CU Static Marcel pushed up against the wall 27 ------------------------------ -------------------------------- ON SCREEN TEXT 28 WS Static Gunshot, both the gun and Carl are seen in the scene 29 MS Static Marcel falling to the ground. Slow motion editing 30 CU Static, camera on floor Carl walking away 31 MS Static, low angle Carl walking away 32 ------------------------------ -------------------------------- ON SCREEN TEXT 33 Over the shoulder Static Drug deal number 1 34 WS Static Mugging, cast walking towards eachother 35 MS Static Steven is attacked by Carl 36 MS Static, high angle Steven held at gunpoint 37 CU Static Mugging has finished 38 CU Static, high angle Running away 39 Over the shoulder Static Drug deal number 2 40 CU Static, low angle Drug deal number 2 41 Over the shoulder Static Drug deal number 2 42 ------------------------------ -------------------------------- ON SCREEN TEXT 43 WS Pan right Car door opening 44 CU Dolly forward, handheld shot (camera shaking) Glory and Carl running through alleyway 45 CU Static, low angle Trevor stepping out of car 46 WS Static Glory and Carl running through alleyway 47 MS Static Glory and Carl running through alleyway

3. 48 CU Static Trevor stepping out of car 49 MS Static Glory and Carl running through alleyway 50 VCU Dolly forward, handheld shot (camera shaking) Glory and Carl running through alleyway 51 MS Static Car door closing 52 WS Static Carl running away from Glory 53 VCU Static Back of Glory head, Carl running away in the background 54 WS Slight pan right Car pulling away 55 ------------------------------ -------------------------------- ON SCREEN TEXT 56 MS Static Trevor in meeting room 57 WS Static Carl punching Trevor 58 MS Static, high angle CCTV shot of Carl pushing Trevor on table 59 CU Static, low angle Trevor and Carl at gunpoint 60 Over the shoulder Static, high angle Trevor and Carl at gunpoint 61 WS Static Trevor and Carl at gunpoint 62 ------------------------------ -------------------------------- ON SCREEN TEXT 63 CU Point of view shot Carl holding Trevor and gunpoint 64 CU Static, low angle Trevor and Carl at gunpoint 65 ------------------------------ -------------------------------- ON SCREEN TEXT 66 WS Static Trevor and Carl at gunpoint 67 ------------------------------ -------------------------------- WHEN KINGS FALL

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