Shot list 2 (final)
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The document appears to be a production log or shot list for a film or television show. It details 65 shots in sequence, providing the shot number, type of shot, camera movement, and subjects or objects within each shot. The shots cover various scenes including a character running into an abandoned parking lot and making a confession, a conversation at a cafe with items in a box revealed on a computer, a mugging, drug deals, characters running through an alley, and a confrontation with guns drawn in what appears to be the climax of the story.
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The combination of the film trailer, poster, and magazine front cover are effective at promoting the film and maintaining consistency across media. The trailer, poster, and magazine all feature the film's logo, the main character Carl King wearing a crown and holding a gun, and a black and white color scheme. This consistency helps to create a cohesive marketing campaign and brand. While the poster is quite dark and does not clearly establish the crime genre, the key elements that appear in all three media products effectively link them together and promote the film.Choose One Trailer That You Think Successfully Fulfils The Purpose Of A Trailer
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The document provides feedback on a movie trailer, poster, and magazine created by students. For the trailer, positives included identifying the crime genre and effective use of music. Negatives were background sound and text on screen for too short. For the poster, positives were consistent fonts and color scheme, negatives included colors being bland and credits hard to read. For the magazine, positives were appropriate image and colors, negatives included needing more images and title too small. Suggested improvements addressed the negatives.When kings fall script
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Carl is being chased by police and records a video confessing before giving up. He is approached by Trevor who gives him a job to kill Marcel in exchange for money. Carl carries out the hit and begins working for Trevor's criminal operation, committing robberies and assaults. Carl eventually tracks down and confronts Trevor, with both pulling guns on each other in a standoff, mirroring a famous scene from Reservoir Dogs, before there is a gunshot and it ends.Evaluation Question 1 plan (trailer) 
Evaluation Question 1 plan (trailer) reidyluc
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This document analyzes how the film trailer challenges conventions of real media products like teaser trailers. It discusses several key elements:
The simple title is shown at the end to focus attention on the film's name. Locations in alleyways and abandoned places give viewers a character's POV perspective. Costumes were chosen by actors to suit characters. Editing uses cuts and jumps to show passage of time. Text fonts fade in/out to link to time jumps. The story introduces mystery rather than revealing character details upfront. Special effects include gunshots and reality distortions through cuts.Compare and Contrast Three Trailers From Different Genres
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Structure and components of film trailersjordangriffin1
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The document summarizes three movie trailers:
1) The Lucy trailer uses quick cuts between scenes of the main character at a club and other locations to create intrigue without providing context.
2) The Avengers trailer starts with slow fades between scenes and a voiceover by the antagonist to set the crime/action genre. It shows the protagonists needing to team up to defend Earth.
3) Both trailers use techniques like explosions, camera angles and editing to build excitement and convey the action genres.Question 8
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Shot list 2 reidyluc
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The document appears to be a production log or shot list for a film or television show. It details 65 shots in the production including establishing shots, reactions shots, close-ups, and shots of characters Carl and Trevor involved in confrontations, drug deals, a mugging, and ultimately at gunpoint together in a meeting room. The shots involve various camera movements and angles to capture the action and drama of the scenes described.Question 7 (new)
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The Dark Knight (2008) directed by Christopher Nolan had several unique selling points used in its film trailer to market it. It capitalized on Nolan's reputation as the director of the Batman series as well as its connection to the pre-existing Batman film franchise from 2005. Additionally, its association with Warner Brothers, a major media conglomerate known for superhero films, and DC Comics, which the Batman character originated from, helped attract existing fanbases. The film trailer highlighted the unique characterizations of Batman and his antagonist, the Joker, through their costumes and lack of clear motives. It also featured props specifically named after Batman like the Batmobile.Shot list 1 (new)
Shot list 1 (new)reidyluc
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This document provides a production log listing 62 shots from a film. It includes information about each shot such as the shot size, type of camera movement, and subjects or objects within the frame. The shots progress through a scene where Carl King records a confession, has an interaction with Trevor at an office, participates in a drug deal with Trevor in a park, and then a confrontation ensues between Carl and Trevor that involves Carl's mother.Shot list (new)
Shot list (new)reidyluc
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This document provides a shot list and descriptions for a movie trailer. It includes 28 shots ranging from close-ups to long shots of the main characters Carl and James King, as well as Trevor, a gang member. The shots are designed to build suspense and tension around Carl having to make a difficult decision whether to shoot his brother James at gunpoint by Trevor. They start with a close-up of Carl's face in a dark room and end with the film title fading in after a series of flash cuts between the three main characters' faces. The varying shot types and sizes are intended to reveal information to viewers, change the pace, and elicit emotional responses around this climactic scene.Shot list draft 2
Shot list draft 2reidyluc
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The document is a production log that outlines 62 shots from a film. It provides details for each shot such as the shot size, type, camera movement, and subjects or objects within the frame. The shots cover various scenes including Carl King running with a box and making a confession, a meeting between Carl and Tenov, a drug deal, Tenov following and confronting Carl, Tenov holding Carl's mom at gunpoint, and Carl punching Tenov after finding his mom dead.Shot list draft 1
Shot list draft 1reidyluc
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This document provides a shot list and descriptions for a movie trailer. It begins with a close-up of the main character Carl's face in a dark room to create suspense. Subsequent shots introduce the setting and other characters while building tension. Flashbacks provide background context. Quick cuts show emotional reactions and intensify the drama, building to a climactic scene where the character is forced to point a gun at his brother. The trailer aims to confuse audiences with its pacing and use of close-ups, establishing characters and their relationships while teasing dramatic events to entice viewers to watch the full film.Film Magazine Survey Analysis
Film Magazine Survey Analysisreidyluc
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This document summarizes the results of a survey about film magazines and movie posters. It discusses how the survey responses will influence the creation of a magazine and poster for an upcoming crime film. Key points include that the target audience is male, between 18-34 years old. Respondents preferred comedy genres but were also interested in crime. Dark color schemes and subtle images that don't reveal secrets will be used. The magazine will be called "View" and feature behind-the-scenes content and cryptic cover lines to engage readers without giving away the plot. Character facial expressions and costumes will represent crime genre conventions while maintaining suspense.Magazine Front Page Analysis
Magazine Front Page Analysisreidyluc
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This document analyzes the front page of a magazine. It discusses several design elements including the masthead in the top third, a main image in the middle following the rule of thirds, and cover lines at the bottom. It notes the use of buzzwords, symmetrical placement of the main actor's photo, and color schemes to draw readers' attention. Cover lines describe and appeal to readers about the main stories focusing on Star Trek and Gwyneth Paltrow.Film magazine survey analysis
Film magazine survey analysisreidyluc
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This document summarizes the results of a survey about film magazines and movie posters. It discusses how the survey responses will influence the design of a magazine for an upcoming crime film. Key points include that the target audience is male, aged 18-34, and interests include crime and comedy genres. Based on the responses, the magazine will have a dark color scheme and feature one of the main characters without revealing secrets or storylines. Cover lines will represent the crime genre and reference other films.Detailed synopsis credited by Jordan
Detailed synopsis credited by Jordanreidyluc
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Carl and his younger brother James get involved with a local gang leader named Tenov. James steals money from Tenov and Tenov demands that Carl kill James or his entire family will be killed. Carl is forced to shoot James. Carl then seeks revenge against Tenov by becoming a criminal himself and building a network to rival Tenov's. Eventually, Carl confronts Tenov and Tenov realizes Carl has become a more dangerous man.Audience results credited By Darren 
Audience results credited By Darren reidyluc
油
The document analyzes the results of a questionnaire given to the intended audience for a crime film. Most respondents were male aged 19-21 who preferred trailers that left some mystery and focused on personal relationships rather than showing violence or revealing major plot points. Locations in central London and classical music scored highest. This provides guidance on how to target the film toward young male viewers and structure the trailer to generate interest without giving too much away.More Related Content
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The document contains questions for focus groups to gather feedback on a trailer, magazine, and poster for a film. For the trailer, questions ask about genre, conventions seen, components like camera angles and editing, and whether they want to see the full film. For the magazine, questions address color scheme, conventions, content, main image, font, and purchase interest. Similarly for the poster, questions cover color scheme, conventions, main image, font, review placement, and interest in the film.Reflections
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How effective is the combination of your main product and ancillary texts?jordangriffin1
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The combination of the film trailer, poster, and magazine front cover are effective at promoting the film and maintaining consistency across media. The trailer, poster, and magazine all feature the film's logo, the main character Carl King wearing a crown and holding a gun, and a black and white color scheme. This consistency helps to create a cohesive marketing campaign and brand. While the poster is quite dark and does not clearly establish the crime genre, the key elements that appear in all three media products effectively link them together and promote the film.Choose One Trailer That You Think Successfully Fulfils The Purpose Of A Trailer
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油
The Alien trailer successfully builds mystery and intrigue without revealing any plot details. Over two minutes, it only shows brief shots of an egg, a character running, and something lurking in shadows. Sounds are unidentifiable, and neither the protagonist nor antagonist is shown. This leaves viewers with many questions about the narrative and characters without giving away any surprises. It also establishes the science fiction and horror genres through shots of space and ominous music. The trailer relies on subtlety and ambiguity rather than explicit exposition to entice audiences to the film.Question 3
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The document provides feedback on a movie trailer, poster, and magazine created by students. For the trailer, positives included identifying the crime genre and effective use of music. Negatives were background sound and text on screen for too short. For the poster, positives were consistent fonts and color scheme, negatives included colors being bland and credits hard to read. For the magazine, positives were appropriate image and colors, negatives included needing more images and title too small. Suggested improvements addressed the negatives.When kings fall script
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Carl is being chased by police and records a video confessing before giving up. He is approached by Trevor who gives him a job to kill Marcel in exchange for money. Carl carries out the hit and begins working for Trevor's criminal operation, committing robberies and assaults. Carl eventually tracks down and confronts Trevor, with both pulling guns on each other in a standoff, mirroring a famous scene from Reservoir Dogs, before there is a gunshot and it ends.Evaluation Question 1 plan (trailer)
Evaluation Question 1 plan (trailer) reidyluc
油
This document analyzes how the film trailer challenges conventions of real media products like teaser trailers. It discusses several key elements:
The simple title is shown at the end to focus attention on the film's name. Locations in alleyways and abandoned places give viewers a character's POV perspective. Costumes were chosen by actors to suit characters. Editing uses cuts and jumps to show passage of time. Text fonts fade in/out to link to time jumps. The story introduces mystery rather than revealing character details upfront. Special effects include gunshots and reality distortions through cuts.Compare and Contrast Three Trailers From Different Genres
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油
This document compares and contrasts trailers from three different genres - comedy, drama, and horror - and discusses how each reveals its genre. The 21 Jump Street trailer uses comedic scenes, an unrealistic storyline, silly costumes in serious situations, and funny dialogue to reveal it is a comedy. The Crash trailer has a more realistic plot, emotional music and scenes, and conveys characters' problems through dialogue to reveal it is a drama. The Ring trailer uses a child's eerie voiceover, sinister music that increases tension, mysterious camera shots, and gloomy settings and weather to reveal it is a horror film.Structure and components of film trailers
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The document summarizes three movie trailers:
1) The Lucy trailer uses quick cuts between scenes of the main character at a club and other locations to create intrigue without providing context.
2) The Avengers trailer starts with slow fades between scenes and a voiceover by the antagonist to set the crime/action genre. It shows the protagonists needing to team up to defend Earth.
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The document appears to be a production log or shot list for a film or television show. It details 65 shots in the production including establishing shots, reactions shots, close-ups, and shots of characters Carl and Trevor involved in confrontations, drug deals, a mugging, and ultimately at gunpoint together in a meeting room. The shots involve various camera movements and angles to capture the action and drama of the scenes described.Question 7 (new)
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The Dark Knight (2008) directed by Christopher Nolan had several unique selling points used in its film trailer to market it. It capitalized on Nolan's reputation as the director of the Batman series as well as its connection to the pre-existing Batman film franchise from 2005. Additionally, its association with Warner Brothers, a major media conglomerate known for superhero films, and DC Comics, which the Batman character originated from, helped attract existing fanbases. The film trailer highlighted the unique characterizations of Batman and his antagonist, the Joker, through their costumes and lack of clear motives. It also featured props specifically named after Batman like the Batmobile.Shot list 1 (new)
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This document provides a production log listing 62 shots from a film. It includes information about each shot such as the shot size, type of camera movement, and subjects or objects within the frame. The shots progress through a scene where Carl King records a confession, has an interaction with Trevor at an office, participates in a drug deal with Trevor in a park, and then a confrontation ensues between Carl and Trevor that involves Carl's mother.Shot list (new)
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油
This document provides a shot list and descriptions for a movie trailer. It includes 28 shots ranging from close-ups to long shots of the main characters Carl and James King, as well as Trevor, a gang member. The shots are designed to build suspense and tension around Carl having to make a difficult decision whether to shoot his brother James at gunpoint by Trevor. They start with a close-up of Carl's face in a dark room and end with the film title fading in after a series of flash cuts between the three main characters' faces. The varying shot types and sizes are intended to reveal information to viewers, change the pace, and elicit emotional responses around this climactic scene.Shot list draft 2
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油
The document is a production log that outlines 62 shots from a film. It provides details for each shot such as the shot size, type, camera movement, and subjects or objects within the frame. The shots cover various scenes including Carl King running with a box and making a confession, a meeting between Carl and Tenov, a drug deal, Tenov following and confronting Carl, Tenov holding Carl's mom at gunpoint, and Carl punching Tenov after finding his mom dead.Shot list draft 1
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油
This document provides a shot list and descriptions for a movie trailer. It begins with a close-up of the main character Carl's face in a dark room to create suspense. Subsequent shots introduce the setting and other characters while building tension. Flashbacks provide background context. Quick cuts show emotional reactions and intensify the drama, building to a climactic scene where the character is forced to point a gun at his brother. The trailer aims to confuse audiences with its pacing and use of close-ups, establishing characters and their relationships while teasing dramatic events to entice viewers to watch the full film.Film Magazine Survey Analysis
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油
This document summarizes the results of a survey about film magazines and movie posters. It discusses how the survey responses will influence the creation of a magazine and poster for an upcoming crime film. Key points include that the target audience is male, between 18-34 years old. Respondents preferred comedy genres but were also interested in crime. Dark color schemes and subtle images that don't reveal secrets will be used. The magazine will be called "View" and feature behind-the-scenes content and cryptic cover lines to engage readers without giving away the plot. Character facial expressions and costumes will represent crime genre conventions while maintaining suspense.Magazine Front Page Analysis
Magazine Front Page Analysisreidyluc
油
This document analyzes the front page of a magazine. It discusses several design elements including the masthead in the top third, a main image in the middle following the rule of thirds, and cover lines at the bottom. It notes the use of buzzwords, symmetrical placement of the main actor's photo, and color schemes to draw readers' attention. Cover lines describe and appeal to readers about the main stories focusing on Star Trek and Gwyneth Paltrow.Film magazine survey analysis
Film magazine survey analysisreidyluc
油
This document summarizes the results of a survey about film magazines and movie posters. It discusses how the survey responses will influence the design of a magazine for an upcoming crime film. Key points include that the target audience is male, aged 18-34, and interests include crime and comedy genres. Based on the responses, the magazine will have a dark color scheme and feature one of the main characters without revealing secrets or storylines. Cover lines will represent the crime genre and reference other films.Detailed synopsis credited by Jordan
Detailed synopsis credited by Jordanreidyluc
油
Carl and his younger brother James get involved with a local gang leader named Tenov. James steals money from Tenov and Tenov demands that Carl kill James or his entire family will be killed. Carl is forced to shoot James. Carl then seeks revenge against Tenov by becoming a criminal himself and building a network to rival Tenov's. Eventually, Carl confronts Tenov and Tenov realizes Carl has become a more dangerous man.Audience results credited By Darren
Audience results credited By Darren reidyluc
油
The document analyzes the results of a questionnaire given to the intended audience for a crime film. Most respondents were male aged 19-21 who preferred trailers that left some mystery and focused on personal relationships rather than showing violence or revealing major plot points. Locations in central London and classical music scored highest. This provides guidance on how to target the film toward young male viewers and structure the trailer to generate interest without giving too much away.Audience profile
Audience profilereidyluc
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Mark is a 20-year-old university student studying Law with Criminology at the University of Liverpool. He enjoys reading science fiction and researching current events online in his free time. Mark also likes to watch movies and TV shows ranging from action to comedy to relax from his studies. In order to appeal to Mark as an audience for a crime movie trailer, the trailer should include elements of mystery, violence in the form of gun shootings and fight scenes, focus on one main character, include classical background music, and be set in central London.Trailer Poster Analysis Credited by Camie 
Trailer Poster Analysis Credited by Camie reidyluc
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The poster depicts a solitary male figure standing in front of tall housing estates, suggesting he is an important but fearless character in a gritty crime drama. The enlarged word "ILL" in the title implies the film will be harsh and unflinching in its depiction of serious real-life issues. Dark colors, a realistic gun, and depictions of council estates further reinforce that the film will be a serious thriller addressing real problems through its crime-centered narrative that focuses on this central male character.Conventions of genre film trailer credited by Camie 
Conventions of genre film trailer credited by Camie reidyluc
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The document discusses film trailers and analyzes the trailers for the films Inception and Law Abiding Citizen. It notes that the Inception trailer uses a slow, beating soundtrack that increases tension and suspense. It features first-person narration and fade-in/out shots of film scenes. Symbols like black suits and guns imply suspense and action. The Law Abiding Citizen trailer also starts with a rating before showing the protagonist on a roof with mellow music. It includes shots of violence and escalating action scenes of police and weapons as the music intensifies, implying danger and threat. Both trailers effectively establish the genres through conventions like costumes, music, and visually exciting scenes.Group work
Group workreidyluc
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This group email address will be used to send all completed work to the group and see who has done each task. Once research and planning is finished, documents will be posted to individual blogs. A WhatsApp group chat was also created to communicate while working, ask for help, and share any new ideas for the movie trailer.Choose one trailer that you think successfully fulfils the purpose of a trail...
Choose one trailer that you think successfully fulfils the purpose of a trail...reidyluc
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The document analyzes the trailer for the film "American Sniper" and how it effectively captures audience attention to encourage viewership. Specifically, it notes that the trailer uses slow zooms and eye line shots to build tension. It also uses a mix of slow pacing to give perspective and fast editing late in the trailer to build excitement. Flashback scenes provide character background while also creating intrigue. Minimal soundtrack and dialogue allow for suspense and empathy with the main character. Overall, the trailer succeeds by showing just one scene to create mystery and withdrawing information in a way that makes viewers want to learn more by watching the full film.Compare and contrast the similarities/differences of the teaser trailer and t...
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Compare and contrast the similarities/differences of the teaser trailer and the full theatrical trailer of two filmsPreliminary Task 1 Laurelle
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This document summarizes how a media product follows and challenges conventions of real magazines. It includes a front page with a masthead, formal photos and color scheme, as well as formal coverlines. However, it challenges conventions by placing the main coverline at the bottom. The contents page follows conventions with a structured grid, consistent colors, and illustrative pictures, but challenges norms by including a subscription box in the middle rather than the back.Title block analysis Laurelle
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Historical instances like the 1938 FD&C Act and the Generic Drug Scandals underscore how crisis-triggered reforms often fail to address the fundamental issues, perpetuating inefficiencies and hazards.
The narrative advocates a shift from reactive crisis management to proactive, adaptable systems prioritizing continuous enhancement. Key hurdles involve challenging outdated assumptions regarding bioavailability, inadequately funded research ventures, and the impact of vague language in regulatory frameworks.
The rise of large language models (LLMs) presents promising solutions, albeit with accompanying risks necessitating thorough validation and seamless integration.
Tackling these blind spots demands a holistic approach, embracing adaptive learning and a steadfast commitment to self-improvement. By nurturing curiosity, refining regulatory terminology, and judiciously harnessing new technologies, the pharmaceutical sector can progress towards better public health service delivery and ensure the safety, efficacy, and real-world impact of drug products.
Computer Application in Business (commerce)
Computer Application in Business (commerce)Sudar Sudar
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The main objectives
1. To introduce the concept of computer and its various parts. 2. To explain the concept of data base management system and Management information system.
3. To provide insight about networking and basics of internet
Recall various terms of computer and its part
Understand the meaning of software, operating system, programming language and its features
Comparing Data Vs Information and its management system Understanding about various concepts of management information system
Explain about networking and elements based on internet
1. Recall the various concepts relating to computer and its various parts
2 Understand the meaning of softwares, operating system etc
3 Understanding the meaning and utility of database management system
4 Evaluate the various aspects of management information system
5 Generating more ideas regarding the use of internet for business purpose FESTIVAL: SINULOG & THINGYAN-LESSON 4.pptx
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Sinulog Festival of Cebu City, and Thingyan Festival of Myanmar.Research & Research Methods: Basic Concepts and Types.pptx
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This ppt has been made for the students pursuing PG in social science and humanities like M.Ed., M.A. (Education), Ph.D. Scholars. It will be also beneficial for the teachers and other faculty members interested in research and teaching research concepts.
Information Technology for class X CBSE skill Subject
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These questions are based on cbse booklet for 10th class information technology subject code 402. these questions are sufficient for exam for first lesion. This subject give benefit to students and good marks. if any student weak in one main subject it can replace with these marks.The Dravidian Languages: Tamil, Telugu, Kannada, Malayalam, Brahui, Kuvi, Tulu
The Dravidian Languages: Tamil, Telugu, Kannada, Malayalam, Brahui, Kuvi, TuluDrIArulAram
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The Dravidian Languages by Arul AramBlind spots in AI and Formulation Science, IFPAC 2025.pdf
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The intersection of AI and pharmaceutical formulation science highlights significant blind spotssystemic gaps in pharmaceutical development, regulatory oversight, quality assurance, and the ethical use of AIthat could jeopardize patient safety and undermine public trust. To move forward effectively, we must address these normalized blind spots, which may arise from outdated assumptions, errors, gaps in previous knowledge, and biases in language or regulatory inertia. This is essential to ensure that AI and formulation science are developed as tools for patient-centered and ethical healthcare.QuickBooks Desktop to QuickBooks Online How to Make the Move
QuickBooks Desktop to QuickBooks Online How to Make the MoveTechSoup
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If you use QuickBooks Desktop and are stressing about moving to QuickBooks Online, in this webinar, get your questions answered and learn tips and tricks to make the process easier for you.
Key Questions:
* When is the best time to make the shift to QuickBooks Online?
* Will my current version of QuickBooks Desktop stop working?
* I have a really old version of QuickBooks. What should I do?
* I run my payroll in QuickBooks Desktop now. How is that affected?
*Does it bring over all my historical data? Are there things that don't come over?
* What are the main differences between QuickBooks Desktop and QuickBooks Online?
* And moreHow to Setup WhatsApp in Odoo 17 - Odoo 際際滷s
How to Setup WhatsApp in Odoo 17 - Odoo 際際滷sCeline George
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Integrate WhatsApp into Odoo using the WhatsApp Business API or third-party modules to enhance communication. This integration enables automated messaging and customer interaction management within Odoo 17.APM People Interest Network Conference - Tim Lyons - The neurological levels ...
APM People Interest Network Conference - Tim Lyons - The neurological levels ...Association for Project Management
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APM People Interest Network Conference 2025
-Autonomy, Teams and Tension: Projects under stress
-Tim Lyons
-The neurological levels of
team-working: Harmony and tensions
With a background in projects spanning more than 40 years, Tim Lyons specialised in the delivery of large, complex, multi-disciplinary programmes for clients including Crossrail, Network Rail, ExxonMobil, Siemens and in patent development. His first career was in broadcasting, where he designed and built commercial radio station studios in Manchester, Cardiff and Bristol, also working as a presenter and programme producer. Tim now writes and presents extensively on matters relating to the human and neurological aspects of projects, including communication, ethics and coaching. He holds a Masters degree in NLP, is an NLP Master Practitioner and International Coach. He is the Deputy Lead for APMs People Interest Network.
Session | The Neurological Levels of Team-working: Harmony and Tensions
Understanding how teams really work at conscious and unconscious levels is critical to a harmonious workplace. This session uncovers what those levels are, how to use them to detect and avoid tensions and how to smooth the management of change by checking you have considered all of them.How to attach file using upload button Odoo 18
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In this slide, well discuss on how to attach file using upload button Odoo 18. Odoo features a dedicated model, 'ir.attachments,' designed for storing attachments submitted by end users. We can see the process of utilizing the 'ir.attachments' model to enable file uploads through web forms in this slide.APM People Interest Network Conference - Oliver Randall & David Bovis - Own Y...
APM People Interest Network Conference - Oliver Randall & David Bovis - Own Y...Association for Project Management
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APM People Interest Network Conference 2025
- Autonomy, Teams and Tension
- Oliver Randall & David Bovis
- Own Your Autonomy
Oliver Randall
Consultant, Tribe365
Oliver is a career project professional since 2011 and started volunteering with APM in 2016 and has since chaired the People Interest Network and the North East Regional Network. Oliver has been consulting in culture, leadership and behaviours since 2019 and co-developed HPTM速an off the shelf high performance framework for teams and organisations and is currently working with SAS (Stellenbosch Academy for Sport) developing the culture, leadership and behaviours framework for future elite sportspeople whilst also holding down work as a project manager in the NHS at North Tees and Hartlepool Foundation Trust.
David Bovis
Consultant, Duxinaroe
A Leadership and Culture Change expert, David is the originator of BTFA and The Dux Model.
With a Masters in Applied Neuroscience from the Institute of Organisational Neuroscience, he is widely regarded as the Go-To expert in the field, recognised as an inspiring keynote speaker and change strategist.
He has an industrial engineering background, majoring in TPS / Lean. David worked his way up from his apprenticeship to earn his seat at the C-suite table. His career spans several industries, including Automotive, Aerospace, Defence, Space, Heavy Industries and Elec-Mech / polymer contract manufacture.
Published in Londons Evening Standard quarterly business supplement, James Caans Your business Magazine, Quality World, the Lean Management Journal and Cambridge Universities PMA, he works as comfortably with leaders from FTSE and Fortune 100 companies as he does owner-managers in SMEs. He is passionate about helping leaders understand the neurological root cause of a high-performance culture and sustainable change, in business.
Session | Own Your Autonomy The Importance of Autonomy in Project Management
#OwnYourAutonomy is aiming to be a global APM initiative to position everyone to take a more conscious role in their decision making process leading to increased outcomes for everyone and contribute to a world in which all projects succeed.
We want everyone to join the journey.
#OwnYourAutonomy is the culmination of 3 years of collaborative exploration within the Leadership Focus Group which is part of the APM People Interest Network. The work has been pulled together using the 5 HPTM速 Systems and the BTFA neuroscience leadership programme.
https://www.linkedin.com/showcase/apm-people-network/about/
The Constitution, Government and Law making bodies .
The Constitution, Government and Law making bodies .saanidhyapatel09
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This PowerPoint presentation provides an insightful overview of the Constitution, covering its key principles, features, and significance. It explains the fundamental rights, duties, structure of government, and the importance of constitutional law in governance. Ideal for students, educators, and anyone interested in understanding the foundation of a nations legal framework.
APM People Interest Network Conference - Tim Lyons - The neurological levels ...
APM People Interest Network Conference - Tim Lyons - The neurological levels ...Association for Project Management
油
APM People Interest Network Conference - Oliver Randall & David Bovis - Own Y...
APM People Interest Network Conference - Oliver Randall & David Bovis - Own Y...Association for Project Management
油
Shot list 2 (final)
- 1. Shot Number Shot Size Shot Type The character/s object/s in shot. 1 Over the shoulder Dolly forward Carl running into abandoned car park 2 WS Static Carl King running into the middle of the shot 3 Over the shoulder Tilt Carl King gets box out of pocket 4 WS Static Carl King drops box and gets out voice recorder 5 CU Handheld Cark King talking into camera (confession) 6 WS Tilt Carl King gets on his knees 7 ------------------------------ -------------------------------- PRODUCTION LOGO 8 WS Establishing shot Olive tree cafe 9 WS Static Trevor sitting down; Carl has no reaction to this 10 MS Static Trevor starts converstion 11 MS Static Reaction shot 12 BCU Static Trevor talking to Carl 13 CU Static Box is on the table 14 Over the shoulder Tilt down Focus on contents of box 15 Over the shoulder Static Computer 16 CU Static Computer 17 CU Static Carl reaction to document 18 CU Handheld Computer 19 MS Static Trevor taking gun out of pocket 20 CU Static Shake hands 21 ------------------------------ -------------------------------- ON SCREEN TEXT 22 MS Static, low angle Carl opening boot of car 23 MS Static Audience sees the contents of the car boot
- 2. 24 WS Static, high angle Boot closes 25 WS Static Carl walking through alley way, we see Marcel in scene as well 26 CU Static Marcel pushed up against the wall 27 ------------------------------ -------------------------------- ON SCREEN TEXT 28 WS Static Gunshot, both the gun and Carl are seen in the scene 29 MS Static Marcel falling to the ground. Slow motion editing 30 CU Static, camera on floor Carl walking away 31 MS Static, low angle Carl walking away 32 ------------------------------ -------------------------------- ON SCREEN TEXT 33 Over the shoulder Static Drug deal number 1 34 WS Static Mugging, cast walking towards eachother 35 MS Static Steven is attacked by Carl 36 MS Static, high angle Steven held at gunpoint 37 CU Static Mugging has finished 38 CU Static, high angle Running away 39 Over the shoulder Static Drug deal number 2 40 CU Static, low angle Drug deal number 2 41 Over the shoulder Static Drug deal number 2 42 ------------------------------ -------------------------------- ON SCREEN TEXT 43 WS Pan right Car door opening 44 CU Dolly forward, handheld shot (camera shaking) Glory and Carl running through alleyway 45 CU Static, low angle Trevor stepping out of car 46 WS Static Glory and Carl running through alleyway 47 MS Static Glory and Carl running through alleyway
- 3. 48 CU Static Trevor stepping out of car 49 MS Static Glory and Carl running through alleyway 50 VCU Dolly forward, handheld shot (camera shaking) Glory and Carl running through alleyway 51 MS Static Car door closing 52 WS Static Carl running away from Glory 53 VCU Static Back of Glory head, Carl running away in the background 54 WS Slight pan right Car pulling away 55 ------------------------------ -------------------------------- ON SCREEN TEXT 56 MS Static Trevor in meeting room 57 WS Static Carl punching Trevor 58 MS Static, high angle CCTV shot of Carl pushing Trevor on table 59 CU Static, low angle Trevor and Carl at gunpoint 60 Over the shoulder Static, high angle Trevor and Carl at gunpoint 61 WS Static Trevor and Carl at gunpoint 62 ------------------------------ -------------------------------- ON SCREEN TEXT 63 CU Point of view shot Carl holding Trevor and gunpoint 64 CU Static, low angle Trevor and Carl at gunpoint 65 ------------------------------ -------------------------------- ON SCREEN TEXT 66 WS Static Trevor and Carl at gunpoint 67 ------------------------------ -------------------------------- WHEN KINGS FALL