The document analyzes company idents in movie trailers for three films: Submarine, Angus, Thongs and Perfect Snogging, and Titanic. For Submarine and Angus, Thongs and Perfect Snogging, which had full trailers, there were 2-3 brief (1-2 second) still image idents with white text on black backgrounds. For the Titanic teaser trailer, there were two idents at the very beginning, one lasting 4 seconds and the other overlapping at 2 seconds, identifying 20th Century Fox and Lightstorm as producer and distributor. Based on this research, the conclusion is that a teaser trailer should have at least two idents with dark backgrounds and prominent
The title, footer, and magazine text all follow the same color scheme to maintain a clear brand identity. The background image shows an outdoor scene, implying that at least one key scene from the featured film will take place outside. The posing of the two main characters on the front introduces them as a romantic couple, suggesting the film's genre. While the film title stands out in a different color, the text uses the magazine's font, indicating the branding cannot be exactly the same as the original film. The bottom lists additional magazine contents in small text that may not be noticeable on shelves.
This document discusses sound editing techniques applied to a voiceover recording. It removed high frequencies when the voice went high to reduce fuzziness. Mud removal effect was added to better match the voiceover. Background noise was removed from the voiceover to reduce muffling, resulting in higher quality. Hum was removed from the voiceover to eliminate echoing. Background noise was removed from music to improve its sound quality.
The document discusses how the media product challenges and develops conventions of real media forms. It summarizes how the teaser trailer, idents, titles, shots, and magazine cover were influenced by and challenged conventions from the film "Angus, Thongs and Perfect Snogging" and other trailers. Key conventions that were followed include using montage in the teaser trailer, dark backgrounds and short length for idents, light-colored titles, quirky shots, and simple titles at the end. Some conventions were challenged, such as dividing the teaser trailer into stages rather than a single montage, and using titles to add structure rather than just hints.
The document analyzes and summarizes the company identification segments from the trailers of four movies: The Princess Diaries, Submarine, Angus Thongs and Perfect Snogging, and Miss Congeniality. It describes the appearance, duration, and style of the company ident segments in each trailer. It notes that while the full trailers provided inspiration, teaser trailers will need to be analyzed to understand how idents typically feature in terms of timing and placement for their own teaser trailer project.
The document discusses feedback received from test audiences on a film project. Primary research using surveys did not provide much useful information due to difficulties getting responses. Secondary research on target demographics from Thinkbox and Pearl & Dean informed marketing decisions. Rough cut feedback identified issues with sound that were addressed. Teacher feedback improved titles and sound design. Final audience feedback on YouTube was positive and showed the marketing campaign was successful at conveying the genre, though some elements could still be improved.
Jayne gets a job cleaning at Buckingham Palace and is promoted to a role where she has more contact with the Queen. She convinces others at the palace that she is a member of the royal family related to the Queen. When the Queen's actual granddaughter returns from holiday, Jayne is discovered to be impersonating her and is escorted away from the palace. Her dreams of being royal are ruined, so she turns her obsession to a boy band instead.
This document contains a risk assessment for a practical film production project conducted by students named Amy Ryckaert, Hannah McAlpine, Mackinlay Ingham, and Alice Merry at Reigate College and Castlefield House on October 13, 2014. It identifies potential hazards such as tripping over wires, being cut by scissors, tripping while filming, and slipping on wet floors. Control measures are proposed to reduce the risks, such as tidying wires, safe scissors use, guidance while filming, and limiting outdoor filming in bad weather. The goal of the risk assessment is to reduce the chances of injury from low to medium risks to low risks.
The document discusses poster design conventions for a movie. It includes reviews, a tagline, and billing blocks based on posters for similar movies liked by the group. Reviews were included and in color like the Submarine poster. A tagline was used to convey both sides of the main character's life, in white to stand out. Billing blocks were placed horizontally at the bottom, matching the layout of comparable films in genre and audience.
Magazine conventions typically advertise films of a similar genre inside the magazine that differs from the film featured on the cover. They also provide detailed listings of other films at the bottom and include a strip of pictures from recently released or upcoming films. The magazine announces the genre focus of each issue at the top.
Three boys are kidnapped and placed in a forest where they must escape and find treasure. They learn they are participants in a TV show where people bet on who will escape first. One boy tries to turn the others against each other so he can find the treasure alone.
The filmmakers will emphasize the three main character across marketing materials like the poster, teaser trailer, and magazine cover to build a consistent brand. The materials will feature the same iconic logo and colors associated with action and adventure genres to identify the project.
The filmmakers gathered feedback on their rough cut teaser trailer from their target audience. Based on this feedback, they made improvements to the music, pacing, and clarity of the plot in the teaser trailer. Later feedback on the nearly completed teaser trailer, poster, and magazine cover highlighted strengths like branding and areas to shorten the teaser trailer. The filmmakers used this feedback to further refine their projects.
The document discusses conventions used in real media products such as teaser trailers, and how the student's media products challenged and developed these conventions. Specifically:
- Their teaser trailer used montage editing and a voiceover for the titles to effectively convey the narrative in a short time, as is common in teaser trailers. However, they challenged conventions by placing titles on a white background for clarity.
- Their production company ident was simplified to a bold, recognizable silhouette shown for 3 seconds, adhering to the brief ident duration in teaser trailers. But they included more color than typical black idents.
- Shots, props, settings and other elements were incorporated from real teaser
This document provides a pitch presentation for a film called "Same Differences". The film will follow four characters dealing with different social issues - racism, mental health, family issues, and disability. It will show how the characters pursue ways to deal with these issues and fight discrimination. The presentation outlines ideas for the campaign, character representations, a teaser trailer narrative, film poster designs, target audiences, and comparisons to real media products dealing with similar issues. The film aims to raise awareness of these important social topics through a teen drama genre.
Magazine Cover and Film Poster Shoot - Same Differencesht11928
油
The document summarizes efforts to reshoot promotional materials for a film project. The original shoot during filming only captured basic pictures with poor lighting. To improve quality, the crew set up three-point lighting and used a DSLR camera on a tripod. They took a variety of shots, such as full body, laughing, and low angles. The reshoot was successful in providing higher quality, more professional-looking photos with better variety to distinguish the magazine cover from film poster. The new photos will enhance the persuasiveness of the marketing campaign.
Zoe Grace is a quirky 16-year-old girl who keeps a video blog about her plans to pursue Calvin Johnson, a boy at her school. However, her best friend Charlotte intervenes and tries to sabotage Zoe's plans by winning Calvin over herself out of jealousy. In the third act, Zoe watches from the sidelines as Charlotte and Calvin become close, while continuing to document her angry feelings in her videos but hiding them from the outside world. The film is targeted at teens aged 12-20 and marketing ideas include using distinct colors in the characters' costumes and posters as well as thought bubbles to hint at the story.
The document discusses three British film magazines: Empire, Total Film, and Sight and Sound. Empire reviews both mainstream and art films and tends to feature male "hero" characters more prominently than females. Total Film includes news, reviews, interviews and has sections for readers, news, previews, and reviews. It aims for a young audience with pictures and casual text. Sight and Sound reviews all films, including limited releases, and targets intellectual audiences over 30 interested in filmmaking details with more text and duller colors. The document recommends featuring an independent British film called "Zoe-Grace" in Total Film because it covers both mainstream and independent films, and targets the same UK young adult audience as the film.
The document discusses how a media product followed conventions of real trailers, posters, and magazines while also challenging some conventions. It summarizes the key conventions used in a teaser trailer like scenes inspiring interest, transitions, voiceover, and music. It also discusses conventions used in the magazine cover and poster like large photos, fonts, reviews. Some conventions were challenged, like the timing of the production company ident in the trailer and elements on the poster and magazine cover. Overall the document analyzes how the media product balanced following real conventions with some original challenges to those conventions.
The document analyzes the style of the teaser trailer for the 1927 film The Lodger. It discusses the trailer's use of camerawork including canted angles, movement, shot types, and composition. It also examines the trailer's non-diegetic soundtrack, editing techniques including order of shots and transitions, and aspects of mise-en-scene such as setting, props, costumes, and lighting. The analysis shows how the trailer builds mystery, tension, and excitement through its visual and audio techniques to engage audiences with the film's plot.
The teaser trailer for Fatal Attraction uses various cinematic techniques to build tension and unease. Low camera angles are used to make the audience feel vulnerable during violent scenes and when Alex is behaving unpredictably. Close-ups and shot-reverse-shot create intimacy during early scenes between Alex and Dan but also show Beth's tense body language when confronting Alex. Dark lighting and ominous music portray Alex as increasingly unhinged as she disrupts the family through obsessive phone calls and kidnapping Dan's daughter. The teaser cuts between scenes of the family's initial happiness and the growing chaos caused by Alex's unstable behavior, teasing the film's transformation from romance to psychological thriller.
The document describes the 7 steps taken to create a movie poster. It involved:
1) Cropping an image of a character and combining it with a full image to create a reflection that didn't match reality.
2) Using editing tools like eraser and blur to align the images seamlessly.
3) Adding a title at the bottom after considering different title positions inspired by other posters.
4) Polishing the title by fixing white marks around a silhouette used in the letter I.
5) Finally conventional features like actor names and credits were added following the poster layout plan.
This document describes the steps taken to design a magazine cover in the style of Little White Lies magazine. It involved scanning in an image and editing it for better contrast [1]. A Little White Lies badge was added by scanning and layering it [2]. The cover image was further edited to emphasize a split personality by making one eye red and the other perfect [3]. The title was manually positioned on the left shoulder [4]. A signature was added in the bottom corner following Little White Lies conventions [5].
The document discusses how the media product uses and develops conventions from real marketing campaigns, specifically analyzing the campaigns for the films Maleficent and Submarine. Some key points:
- The teaser trailer for Maleficent informed conventions used in the ident, title design, and final character shot.
- Elements from Submarine's trailer like textual hints at the storyline and reviews were also incorporated.
- Some conventions were challenged, like displaying multiple reviews on one frame in a non-traditional layout.
- Shots and elements were developed to better fit the genre and target audience of the media product.
This document contains a risk assessment for a practical film production project conducted by students named Amy Ryckaert, Hannah McAlpine, Mackinlay Ingham, and Alice Merry at Reigate College and Castlefield House on October 13, 2014. It identifies potential hazards such as tripping over wires, being cut by scissors, tripping while filming, and slipping on wet floors. Control measures are proposed to reduce the risks, such as tidying wires, safe scissors use, guidance while filming, and limiting outdoor filming in bad weather. The goal of the risk assessment is to reduce the chances of injury from low to medium risks to low risks.
The document discusses poster design conventions for a movie. It includes reviews, a tagline, and billing blocks based on posters for similar movies liked by the group. Reviews were included and in color like the Submarine poster. A tagline was used to convey both sides of the main character's life, in white to stand out. Billing blocks were placed horizontally at the bottom, matching the layout of comparable films in genre and audience.
Magazine conventions typically advertise films of a similar genre inside the magazine that differs from the film featured on the cover. They also provide detailed listings of other films at the bottom and include a strip of pictures from recently released or upcoming films. The magazine announces the genre focus of each issue at the top.
Three boys are kidnapped and placed in a forest where they must escape and find treasure. They learn they are participants in a TV show where people bet on who will escape first. One boy tries to turn the others against each other so he can find the treasure alone.
The filmmakers will emphasize the three main character across marketing materials like the poster, teaser trailer, and magazine cover to build a consistent brand. The materials will feature the same iconic logo and colors associated with action and adventure genres to identify the project.
The filmmakers gathered feedback on their rough cut teaser trailer from their target audience. Based on this feedback, they made improvements to the music, pacing, and clarity of the plot in the teaser trailer. Later feedback on the nearly completed teaser trailer, poster, and magazine cover highlighted strengths like branding and areas to shorten the teaser trailer. The filmmakers used this feedback to further refine their projects.
The document discusses conventions used in real media products such as teaser trailers, and how the student's media products challenged and developed these conventions. Specifically:
- Their teaser trailer used montage editing and a voiceover for the titles to effectively convey the narrative in a short time, as is common in teaser trailers. However, they challenged conventions by placing titles on a white background for clarity.
- Their production company ident was simplified to a bold, recognizable silhouette shown for 3 seconds, adhering to the brief ident duration in teaser trailers. But they included more color than typical black idents.
- Shots, props, settings and other elements were incorporated from real teaser
This document provides a pitch presentation for a film called "Same Differences". The film will follow four characters dealing with different social issues - racism, mental health, family issues, and disability. It will show how the characters pursue ways to deal with these issues and fight discrimination. The presentation outlines ideas for the campaign, character representations, a teaser trailer narrative, film poster designs, target audiences, and comparisons to real media products dealing with similar issues. The film aims to raise awareness of these important social topics through a teen drama genre.
Magazine Cover and Film Poster Shoot - Same Differencesht11928
油
The document summarizes efforts to reshoot promotional materials for a film project. The original shoot during filming only captured basic pictures with poor lighting. To improve quality, the crew set up three-point lighting and used a DSLR camera on a tripod. They took a variety of shots, such as full body, laughing, and low angles. The reshoot was successful in providing higher quality, more professional-looking photos with better variety to distinguish the magazine cover from film poster. The new photos will enhance the persuasiveness of the marketing campaign.
Zoe Grace is a quirky 16-year-old girl who keeps a video blog about her plans to pursue Calvin Johnson, a boy at her school. However, her best friend Charlotte intervenes and tries to sabotage Zoe's plans by winning Calvin over herself out of jealousy. In the third act, Zoe watches from the sidelines as Charlotte and Calvin become close, while continuing to document her angry feelings in her videos but hiding them from the outside world. The film is targeted at teens aged 12-20 and marketing ideas include using distinct colors in the characters' costumes and posters as well as thought bubbles to hint at the story.
The document discusses three British film magazines: Empire, Total Film, and Sight and Sound. Empire reviews both mainstream and art films and tends to feature male "hero" characters more prominently than females. Total Film includes news, reviews, interviews and has sections for readers, news, previews, and reviews. It aims for a young audience with pictures and casual text. Sight and Sound reviews all films, including limited releases, and targets intellectual audiences over 30 interested in filmmaking details with more text and duller colors. The document recommends featuring an independent British film called "Zoe-Grace" in Total Film because it covers both mainstream and independent films, and targets the same UK young adult audience as the film.
The document discusses how a media product followed conventions of real trailers, posters, and magazines while also challenging some conventions. It summarizes the key conventions used in a teaser trailer like scenes inspiring interest, transitions, voiceover, and music. It also discusses conventions used in the magazine cover and poster like large photos, fonts, reviews. Some conventions were challenged, like the timing of the production company ident in the trailer and elements on the poster and magazine cover. Overall the document analyzes how the media product balanced following real conventions with some original challenges to those conventions.
The document analyzes the style of the teaser trailer for the 1927 film The Lodger. It discusses the trailer's use of camerawork including canted angles, movement, shot types, and composition. It also examines the trailer's non-diegetic soundtrack, editing techniques including order of shots and transitions, and aspects of mise-en-scene such as setting, props, costumes, and lighting. The analysis shows how the trailer builds mystery, tension, and excitement through its visual and audio techniques to engage audiences with the film's plot.
The teaser trailer for Fatal Attraction uses various cinematic techniques to build tension and unease. Low camera angles are used to make the audience feel vulnerable during violent scenes and when Alex is behaving unpredictably. Close-ups and shot-reverse-shot create intimacy during early scenes between Alex and Dan but also show Beth's tense body language when confronting Alex. Dark lighting and ominous music portray Alex as increasingly unhinged as she disrupts the family through obsessive phone calls and kidnapping Dan's daughter. The teaser cuts between scenes of the family's initial happiness and the growing chaos caused by Alex's unstable behavior, teasing the film's transformation from romance to psychological thriller.
The document describes the 7 steps taken to create a movie poster. It involved:
1) Cropping an image of a character and combining it with a full image to create a reflection that didn't match reality.
2) Using editing tools like eraser and blur to align the images seamlessly.
3) Adding a title at the bottom after considering different title positions inspired by other posters.
4) Polishing the title by fixing white marks around a silhouette used in the letter I.
5) Finally conventional features like actor names and credits were added following the poster layout plan.
This document describes the steps taken to design a magazine cover in the style of Little White Lies magazine. It involved scanning in an image and editing it for better contrast [1]. A Little White Lies badge was added by scanning and layering it [2]. The cover image was further edited to emphasize a split personality by making one eye red and the other perfect [3]. The title was manually positioned on the left shoulder [4]. A signature was added in the bottom corner following Little White Lies conventions [5].
The document discusses how the media product uses and develops conventions from real marketing campaigns, specifically analyzing the campaigns for the films Maleficent and Submarine. Some key points:
- The teaser trailer for Maleficent informed conventions used in the ident, title design, and final character shot.
- Elements from Submarine's trailer like textual hints at the storyline and reviews were also incorporated.
- Some conventions were challenged, like displaying multiple reviews on one frame in a non-traditional layout.
- Shots and elements were developed to better fit the genre and target audience of the media product.
A film distribution company promotes, acquires rights for, and releases films to audiences using strategies like timing and promotional techniques. Films often get distribution deals at film festivals. There are major and independent distributors, with examples like 20th Century Fox and Icon Film Distribution. 20th Century Fox has distributed blockbusters like Star Wars, Ice Age, and Titanic. Icon has distributed films like Paranormal Activity and The Prince and Me.
This pitch presentation proposes a psychological thriller film about a man whose daughter is killed in a traffic accident. He becomes paranoid and believes her death is his fault, and begins having nightmares where he sees his daughter. His mental state deteriorates further as he takes drugs, until he is eventually committed to a mental institution. However, his daughter's spirit continues haunting him even there, leaving the story on a cliffhanger. The presentation outlines the film's synopsis, proposed opening scene utilizing various camera shots, and plans to use continuity editing with some montage elements while targeting an audience of 15-30 year olds.
Thriller Presentation - Alice Enya Luke Jason AM8674
油
A thriller is a genre of film that uses suspense and tension to elicit a high level of anticipation and uncertainty in the viewer. Thrillers are meant to provide an adrenaline-rushing experience and move at a fast pace. There are many subgenres of thrillers, including comedy thrillers, conspiracy thrillers, disaster thrillers, and psychological thrillers. Common subgenres involve crimes, mysteries, erotic themes, or espionage. The horror and action genres also often overlap with thrillers. Thrillers typically involve psychological, threatening, or mysterious plots that sometimes include larger scale villainy through espionage, terrorism, or conspiracy.
This document defines what a thriller genre is, noting that it uses suspense and tension as its main elements to stimulate viewers' emotions and keep them on the edge of their seats. It also lists some common subgenres of thrillers, such as psychological, crime, mystery, and supernatural thrillers.
Finals of Kaun TALHA : a Travel, Architecture, Lifestyle, Heritage and Activism quiz, organized by Conquiztadors, the Quiz society of Sri Venkateswara College under their annual quizzing fest El Dorado 2025.
Database population in Odoo 18 - Odoo slidesCeline George
油
In this slide, well discuss the database population in Odoo 18. In Odoo, performance analysis of the source code is more important. Database population is one of the methods used to analyze the performance of our code.
APM People Interest Network Conference 2025
-Autonomy, Teams and Tension: Projects under stress
-Tim Lyons
-The neurological levels of
team-working: Harmony and tensions
With a background in projects spanning more than 40 years, Tim Lyons specialised in the delivery of large, complex, multi-disciplinary programmes for clients including Crossrail, Network Rail, ExxonMobil, Siemens and in patent development. His first career was in broadcasting, where he designed and built commercial radio station studios in Manchester, Cardiff and Bristol, also working as a presenter and programme producer. Tim now writes and presents extensively on matters relating to the human and neurological aspects of projects, including communication, ethics and coaching. He holds a Masters degree in NLP, is an NLP Master Practitioner and International Coach. He is the Deputy Lead for APMs People Interest Network.
Session | The Neurological Levels of Team-working: Harmony and Tensions
Understanding how teams really work at conscious and unconscious levels is critical to a harmonious workplace. This session uncovers what those levels are, how to use them to detect and avoid tensions and how to smooth the management of change by checking you have considered all of them.
APM People Interest Network Conference 2025
- Autonomy, Teams and Tension
- Oliver Randall & David Bovis
- Own Your Autonomy
Oliver Randall
Consultant, Tribe365
Oliver is a career project professional since 2011 and started volunteering with APM in 2016 and has since chaired the People Interest Network and the North East Regional Network. Oliver has been consulting in culture, leadership and behaviours since 2019 and co-developed HPTM速an off the shelf high performance framework for teams and organisations and is currently working with SAS (Stellenbosch Academy for Sport) developing the culture, leadership and behaviours framework for future elite sportspeople whilst also holding down work as a project manager in the NHS at North Tees and Hartlepool Foundation Trust.
David Bovis
Consultant, Duxinaroe
A Leadership and Culture Change expert, David is the originator of BTFA and The Dux Model.
With a Masters in Applied Neuroscience from the Institute of Organisational Neuroscience, he is widely regarded as the Go-To expert in the field, recognised as an inspiring keynote speaker and change strategist.
He has an industrial engineering background, majoring in TPS / Lean. David worked his way up from his apprenticeship to earn his seat at the C-suite table. His career spans several industries, including Automotive, Aerospace, Defence, Space, Heavy Industries and Elec-Mech / polymer contract manufacture.
Published in Londons Evening Standard quarterly business supplement, James Caans Your business Magazine, Quality World, the Lean Management Journal and Cambridge Universities PMA, he works as comfortably with leaders from FTSE and Fortune 100 companies as he does owner-managers in SMEs. He is passionate about helping leaders understand the neurological root cause of a high-performance culture and sustainable change, in business.
Session | Own Your Autonomy The Importance of Autonomy in Project Management
#OwnYourAutonomy is aiming to be a global APM initiative to position everyone to take a more conscious role in their decision making process leading to increased outcomes for everyone and contribute to a world in which all projects succeed.
We want everyone to join the journey.
#OwnYourAutonomy is the culmination of 3 years of collaborative exploration within the Leadership Focus Group which is part of the APM People Interest Network. The work has been pulled together using the 5 HPTM速 Systems and the BTFA neuroscience leadership programme.
https://www.linkedin.com/showcase/apm-people-network/about/
QuickBooks Desktop to QuickBooks Online How to Make the MoveTechSoup
油
If you use QuickBooks Desktop and are stressing about moving to QuickBooks Online, in this webinar, get your questions answered and learn tips and tricks to make the process easier for you.
Key Questions:
* When is the best time to make the shift to QuickBooks Online?
* Will my current version of QuickBooks Desktop stop working?
* I have a really old version of QuickBooks. What should I do?
* I run my payroll in QuickBooks Desktop now. How is that affected?
*Does it bring over all my historical data? Are there things that don't come over?
* What are the main differences between QuickBooks Desktop and QuickBooks Online?
* And more
How to attach file using upload button Odoo 18Celine George
油
In this slide, well discuss on how to attach file using upload button Odoo 18. Odoo features a dedicated model, 'ir.attachments,' designed for storing attachments submitted by end users. We can see the process of utilizing the 'ir.attachments' model to enable file uploads through web forms in this slide.
Information Technology for class X CBSE skill SubjectVEENAKSHI PATHAK
油
These questions are based on cbse booklet for 10th class information technology subject code 402. these questions are sufficient for exam for first lesion. This subject give benefit to students and good marks. if any student weak in one main subject it can replace with these marks.
How to Configure Restaurants in Odoo 17 Point of SaleCeline George
油
Odoo, a versatile and integrated business management software, excels with its robust Point of Sale (POS) module. This guide delves into the intricacies of configuring restaurants in Odoo 17 POS, unlocking numerous possibilities for streamlined operations and enhanced customer experiences.
SOCIAL CHANGE(a change in the institutional and normative structure of societ...DrNidhiAgarwal
油
This PPT is showing the effect of social changes in human life and it is very understandable to the students with easy language.in this contents are Itroduction, definition,Factors affecting social changes ,Main technological factors, Social change and stress , what is eustress and how social changes give impact of the human's life.
APM event hosted by the South Wales and West of England Network (SWWE Network)
Speaker: Aalok Sonawala
The SWWE Regional Network were very pleased to welcome Aalok Sonawala, Head of PMO, National Programmes, Rider Levett Bucknall on 26 February, to BAWA for our first face to face event of 2025. Aalok is a member of APMs Thames Valley Regional Network and also speaks to members of APMs PMO Interest Network, which aims to facilitate collaboration and learning, offer unbiased advice and guidance.
Tonight, Aalok planned to discuss the importance of a PMO within project-based organisations, the different types of PMO and their key elements, PMO governance and centres of excellence.
PMOs within an organisation can be centralised, hub and spoke with a central PMO with satellite PMOs globally, or embedded within projects. The appropriate structure will be determined by the specific business needs of the organisation. The PMO sits above PM delivery and the supply chain delivery teams.
For further information about the event please click here.
How to Configure Flexible Working Schedule in Odoo 18 EmployeeCeline George
油
In this slide, well discuss on how to configure flexible working schedule in Odoo 18 Employee module. In Odoo 18, the Employee module offers powerful tools to configure and manage flexible working schedules tailored to your organization's needs.