Woman in black
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Woman In Back power point presentation. Mise-en-scene, Editing, Sound, Camera, Visual and textual analysis.
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This document provides a step outline for the opening scenes of the horror film 'The Woman In Black'. It describes each shot in sequence, including the visual elements, sounds, camerawork, and editing. The sequence shows a group of girls playing with dolls and having a tea party that gradually turns ominous as the music intensifies and the dolls and tea set begin smashing without any clear cause, culminating in the girls staring blankly out a window.2 Minute Deconstruction - The exorcism of Emily Rose
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The document outlines the structure and timing of a music video along with descriptions of the accompanying music, lyrics, and visuals. It is divided into sections including an intro, verse, pre-chorus, chorus, and outro. The intro consists of slow motion footage of a girl finding photos and flashbacks. The verse shows the boy looking at the girl from his car and her looking through photos upset. In the chorus, there are flashbacks of them arguing and a first meeting as the singer expresses not being able to trust himself but having good intentions. The outro repeats the lyrics while continuing to show flashbacks.The Inner Voice 
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The opening scene takes place in the labyrinth as the main character, a young girl, searches for a key under pressure of an egg timer. She explores long empty corridors lit with low red light, feeling isolated and in danger. She finds a dining table filled with tempting food, against the rules. At the end of the table sits a mysterious creature, the Pale Man. As she eats the food, the creature awakens and chases her as her time runs out, putting the audience on edge. She escapes back to her bedroom as the lighting changes from danger to isolation.Analysis of past work films
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The document analyzes the trailer for the horror film "Dolly" through its use of music, visuals, and sound effects to build tension and imply that something dangerous will happen involving the doll. Slow, high pitched music at the beginning establishes the horror genre. Zooming in on the doll's face implies something bad will happen with it. As the music speeds up and a girl picks up the doll, it becomes clear that the doll is dangerous. Whispering "There's something wrong with Lilly" suggests the pace will increase, matched by low pitched sounds and dark images that further build tension, culminating in faster, climactic music at the end.Trailer script
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The trailer script describes 7 scenes of a psychological thriller. In the first 3 scenes, Chloe is crying over a past trauma while strange things happen, like her house burning down. In scenes 4-6, weird occurrences continue to frighten Chloe on the anniversary of the event, while her friend Dave comforts her. The final scene shows two faces at her window, leaving Chloe breathing heavily in fear without any dialogue or explanation. The document outlines what will happen in each scene without dialogue to build mystery and emotion through music and visuals alone.Real Task Script Final 2
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1) Charlie gets ready for a night out at the club and calls his friends Eddie and Katie to meet up.
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The document analyzes the opening scenes of the film "The Conjuring" and provides suggestions for how to structure the opening of a student film about evil dolls. It recommends starting with a flashback showing the dolls before events turn dark, and mixing this with footage of happy children playing. It also suggests using an unidentified person running through the woods with an eerie soundtrack, and leaving some mystery unexplained to intrigue viewers. Camera techniques like zooming in on a doll's face and handheld footage are cited as effective ways to set an unsettling tone.Edit log 
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This edit log summarizes the shots and elements in a short film titled "Dolls Domain" produced by MKF on April 4, 2016. It includes 26 shots ranging from tea cups and doll close-ups to chalkboard title cards. Each shot is identified by number, time code for tape in and out, whether it includes video and audio, and any transitions, graphics or effects. The log provides a concise overview of the visual elements and structure of the short film.Dead silence analysis
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The opening of Dead Silence uses sound, mise-en-scene, editing, and camerawork to set up the horror themes and tension. The sound of an old film roll introduces the story as something from the past. A match lighting plays a creepy music box tune. Mise-en-scene shows a candle lighting to reveal the creation of an evil-looking doll, emphasized through close-ups and dark lighting. Distorted titles and a darkened color palette through editing immerse the audience in the horror. Camera angles like a bird's-eye view of doll-making heighten the tension, as does a closing zoom into the doll's eye.Focus group
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The document summarizes the results of a focus group for a horror film project about dolls. Participants felt dolls could be creepy in films and liked the storyline about taking the innocence of dolls and childhood and making it scary. They thought slow, dark music or music boxes and nursery rhymes would be unsettling. Participants preferred films that were psychologically thrilling over those with lots of blood. They expected horror films to have a lasting effect and make audiences jump. Focus group members thought filming the dolls in an old-fashioned way and including cracks in the dolls' faces over time could build tension, as could including nursery rhymes or children.Music videos
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This camera shot list contains 26 shots to be filmed for a production by MKF Films. The shots include various close-ups and angles of dolls and a doll house, as well as establishing shots, credits, and victim photos. Many of the doll shots involve tilting, blinking, or moving the dolls' heads and bodies. Handheld camera movements are planned throughout to film interactions with the dolls and inside the doll house.Evaluation
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This document summarizes Fern Disney's evaluation of their media product "Dolls Domain". Some key points:
1) The product develops conventions of real horror media by featuring scary female characters and child-like elements like dolls, playing into stereotypes.
2) G.E.A.R.S (Gender, ethnicity, Age, Religion, Socio-economic) were considered to create an inclusive product without focusing on one group.
3) The intended audience is teenagers and horror fans aged 15+, as younger viewers may find it distressing.
4) Lessons were learned about editing techniques like manipulating frames and adding filters to achieve the desired atmosphere.
Codal Analysis - The Woman In Black
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The document provides a summary of the visual, audio, and narrative codes used in the opening scene of the film The Woman in Black. It notes that the opening scene depicts three young girls initially playing happily but then suddenly looking afraid and emotionless. Their behavior and the soundtrack suggest they have witnessed or been influenced by something terrifying. Slow motion and camera angles are used to create tension and highlight the girls' vulnerability. The girls ultimately walk in unison to a window and jump out, implying they were possessed and forced into unnatural actions, leaving the audience questioning what occurred.The Conjuring - Trailer Analysis
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The trailer effectively builds tension and atmosphere for a horror film using sound, cinematography, and mise-en-scene. It follows a family that moves into a new home in the 1970s. Strange events begin to occur, with unexplained noises and things moving on their own, terrifying the mother. The trailer leaves the viewer wondering what supernatural force is haunting the family through the use of silence, ambient sounds, and mysterious visuals without revealing too much of the plot.Inside
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The film follows a girl who discovers an isolated building in the woods and investigates inside. She drinks water from a bottle she finds in the fridge and soon starts to feel dizzy and unwell. She collapses outside and wakes up back inside the building, finding a wound on her stomach. As she tries to escape, she encounters the man and a confrontation ensues.Codal analysis of horror film opening
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The opening scene of the film The Woman in Black uses various audio, visual, technical and narrative codes to effectively set the tone and create suspense. Musically it starts quiet and mysterious, getting louder and more intense. Visually it shows creepy dolls, an old building, and smiling girls which contrasts uneasily. Technically it uses close-ups, slow motion and dim lighting. Narratively, the girls' innocent tea party and their sudden jump out the window leaves the audience unsettled. Throughout, contrasts and strange behaviors create enigmas that engage the audience and make them want to know more.Codal analysis
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The intro to The Shining consists of helicopter shots showing a snowy mountain landscape. A small car is tracked driving along isolated roads as tense, eerie music plays. The narrative establishes that the car has come a long way and is traveling to an isolated area, building tension and suspense through the isolation and music. Only helicopter shots are used to track the car's journey and make the audience feel like they are part of the trip.Horror openings
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This document analyzes and summarizes horror film openings from two films - Women in Black and Se7en.
For Women in Black, it starts with three young girls having a creepy tea party. Shots are initially close-ups to build suspense before revealing the old, plain setting. The girls' pale faces and innocent bows make the scene even eerier. Their slow, emotionless movements to look at and walk to the window add to the creepiness. Lighting dims as they are controlled to jump out the window, representing death. Scary music with ghostly winds and screaming builds tension.
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The opening scene takes place in the labyrinth as the main character, a young girl, searches for a key under pressure of an egg timer. She explores long empty corridors lit with low red light, feeling isolated and in danger. She finds a dining table filled with tempting food, against the rules. At the end of the table sits a mysterious creature, the Pale Man. As she eats the food, the creature awakens and chases her as her time runs out, putting the audience on edge. She escapes back to her bedroom as the lighting changes from danger to isolation.Analysis of past work films
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The document analyzes the trailer for the horror film "Dolly" through its use of music, visuals, and sound effects to build tension and imply that something dangerous will happen involving the doll. Slow, high pitched music at the beginning establishes the horror genre. Zooming in on the doll's face implies something bad will happen with it. As the music speeds up and a girl picks up the doll, it becomes clear that the doll is dangerous. Whispering "There's something wrong with Lilly" suggests the pace will increase, matched by low pitched sounds and dark images that further build tension, culminating in faster, climactic music at the end.Trailer script
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The trailer script describes 7 scenes of a psychological thriller. In the first 3 scenes, Chloe is crying over a past trauma while strange things happen, like her house burning down. In scenes 4-6, weird occurrences continue to frighten Chloe on the anniversary of the event, while her friend Dave comforts her. The final scene shows two faces at her window, leaving Chloe breathing heavily in fear without any dialogue or explanation. The document outlines what will happen in each scene without dialogue to build mystery and emotion through music and visuals alone.Real Task Script Final 2
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1) Charlie gets ready for a night out at the club and calls his friends Eddie and Katie to meet up.
2) Both Charlie and Katie hear strange noises in their homes but initially shrug them off.
3) A killer enters their unlocked homes and picks up a bike lock, appearing ready to attack their victims.Strength From WithIn
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The poem describes a woman walking confidently down the street despite facing adversity. Though others cannot see what she endures, she has grown stronger through each moment of pain, hatred, and unfairness. The strength within her soul, given by God, allows her to resist pain and stay focused on her path as she walks away from the things that cause her suffering.Viewers also liked (9)
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The document analyzes the opening scenes of the film "The Conjuring" and provides suggestions for how to structure the opening of a student film about evil dolls. It recommends starting with a flashback showing the dolls before events turn dark, and mixing this with footage of happy children playing. It also suggests using an unidentified person running through the woods with an eerie soundtrack, and leaving some mystery unexplained to intrigue viewers. Camera techniques like zooming in on a doll's face and handheld footage are cited as effective ways to set an unsettling tone.Edit log
Edit log FernDisney
Ìý
This edit log summarizes the shots and elements in a short film titled "Dolls Domain" produced by MKF on April 4, 2016. It includes 26 shots ranging from tea cups and doll close-ups to chalkboard title cards. Each shot is identified by number, time code for tape in and out, whether it includes video and audio, and any transitions, graphics or effects. The log provides a concise overview of the visual elements and structure of the short film.Dead silence analysis
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Ìý
The opening of Dead Silence uses sound, mise-en-scene, editing, and camerawork to set up the horror themes and tension. The sound of an old film roll introduces the story as something from the past. A match lighting plays a creepy music box tune. Mise-en-scene shows a candle lighting to reveal the creation of an evil-looking doll, emphasized through close-ups and dark lighting. Distorted titles and a darkened color palette through editing immerse the audience in the horror. Camera angles like a bird's-eye view of doll-making heighten the tension, as does a closing zoom into the doll's eye.Focus group
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Ìý
The document summarizes the results of a focus group for a horror film project about dolls. Participants felt dolls could be creepy in films and liked the storyline about taking the innocence of dolls and childhood and making it scary. They thought slow, dark music or music boxes and nursery rhymes would be unsettling. Participants preferred films that were psychologically thrilling over those with lots of blood. They expected horror films to have a lasting effect and make audiences jump. Focus group members thought filming the dolls in an old-fashioned way and including cracks in the dolls' faces over time could build tension, as could including nursery rhymes or children.Music videos
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Ìý
This document discusses different types of music videos including performance, narrative, and spectacle videos. Performance videos primarily feature the artist singing and include concert footage. Narrative music videos tell a story that relates to the song's lyrics, with a beginning, middle, and end. Spectacle videos featuring male artists often show them directly addressing the viewer, while videos featuring female artists tend to emphasize the "male gaze" through sexualized poses or minimal clothing. The author provides examples for each type and concludes that a hybrid video combining performance and narrative elements would be the most entertaining approach.Horror timeline
Horror timelineFernDisney
Ìý
This document provides a timeline of major horror films from the 1930s to the 2010s organized by decade. It outlines several subgenres of horror such as body horror, gothic, gory, comedy, sci-fi, zombie, aliens, thriller, and psychological. Some of the notable early films mentioned include Dracula from 1931, Frankenstein from 1931, and The Wolf Man from 1941. More recent films highlighted in the 2000s include The Ring from 2002, The Grudge from 2004, and Zombieland from 2009. The document concludes that advances in technology have allowed for more horror films to be made over time with more believable special effects and makeup.Camera shot list
Camera shot listFernDisney
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This camera shot list contains 26 shots to be filmed for a production by MKF Films. The shots include various close-ups and angles of dolls and a doll house, as well as establishing shots, credits, and victim photos. Many of the doll shots involve tilting, blinking, or moving the dolls' heads and bodies. Handheld camera movements are planned throughout to film interactions with the dolls and inside the doll house.Evaluation
EvaluationFernDisney
Ìý
This document summarizes Fern Disney's evaluation of their media product "Dolls Domain". Some key points:
1) The product develops conventions of real horror media by featuring scary female characters and child-like elements like dolls, playing into stereotypes.
2) G.E.A.R.S (Gender, ethnicity, Age, Religion, Socio-economic) were considered to create an inclusive product without focusing on one group.
3) The intended audience is teenagers and horror fans aged 15+, as younger viewers may find it distressing.
4) Lessons were learned about editing techniques like manipulating frames and adding filters to achieve the desired atmosphere.Similar to Woman in black (20)
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The document provides a summary of the visual, audio, and narrative codes used in the opening scene of the film The Woman in Black. It notes that the opening scene depicts three young girls initially playing happily but then suddenly looking afraid and emotionless. Their behavior and the soundtrack suggest they have witnessed or been influenced by something terrifying. Slow motion and camera angles are used to create tension and highlight the girls' vulnerability. The girls ultimately walk in unison to a window and jump out, implying they were possessed and forced into unnatural actions, leaving the audience questioning what occurred.The Conjuring - Trailer Analysis
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The trailer effectively builds tension and atmosphere for a horror film using sound, cinematography, and mise-en-scene. It follows a family that moves into a new home in the 1970s. Strange events begin to occur, with unexplained noises and things moving on their own, terrifying the mother. The trailer leaves the viewer wondering what supernatural force is haunting the family through the use of silence, ambient sounds, and mysterious visuals without revealing too much of the plot.Inside
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The film follows a girl who discovers an isolated building in the woods and investigates inside. She drinks water from a bottle she finds in the fridge and soon starts to feel dizzy and unwell. She collapses outside and wakes up back inside the building, finding a wound on her stomach. As she tries to escape, she encounters the man and a confrontation ensues.Codal analysis of horror film opening
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The opening scene of the film The Woman in Black uses various audio, visual, technical and narrative codes to effectively set the tone and create suspense. Musically it starts quiet and mysterious, getting louder and more intense. Visually it shows creepy dolls, an old building, and smiling girls which contrasts uneasily. Technically it uses close-ups, slow motion and dim lighting. Narratively, the girls' innocent tea party and their sudden jump out the window leaves the audience unsettled. Throughout, contrasts and strange behaviors create enigmas that engage the audience and make them want to know more.Codal analysis
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The intro to The Shining consists of helicopter shots showing a snowy mountain landscape. A small car is tracked driving along isolated roads as tense, eerie music plays. The narrative establishes that the car has come a long way and is traveling to an isolated area, building tension and suspense through the isolation and music. Only helicopter shots are used to track the car's journey and make the audience feel like they are part of the trip.Horror openings
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This document analyzes and summarizes horror film openings from two films - Women in Black and Se7en.
For Women in Black, it starts with three young girls having a creepy tea party. Shots are initially close-ups to build suspense before revealing the old, plain setting. The girls' pale faces and innocent bows make the scene even eerier. Their slow, emotionless movements to look at and walk to the window add to the creepiness. Lighting dims as they are controlled to jump out the window, representing death. Scary music with ghostly winds and screaming builds tension.
For Se7en, the opening uses mainly close-ups and extreme close-ups ofThe Woman in Black analysis
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The opening scene of The Woman in Black sets a dark, gloomy mood through its use of mise-en-scene, editing, cinematography, and sound. Three young girls are seen playing with dolls in a dimly lit room decorated plainly. Strange editing choices, like slow motion and shot reverse shots between the girls and dolls, manipulate the viewer. Extreme close-ups of the unsettling dolls make them seem alive. As the scene progresses, the girls suddenly smash their teacups and throw the dolls before jumping out the window. Their scream leaves the viewer alone with the now darker and duller room, controlled by whatever made the girls act so strangely.Analysis of 'The Woman in Black' Opening title sequence
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2) It targets teenagers and young adults through its use of low key lighting and Halloween theme.
3) Non-diegetic music builds pressure and unease without accompanying visuals, preparing for a jump scare.
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The opening scene of the film uses sound to create suspense. As three girls play with dolls, spooky period music plays, making the audience feel like something bad will happen. The music gets louder as the girls look towards something unseen, building tension. When they jump out the window, the music intensifies and becomes traumatic drumming, showing it's too late to turn back from the tragedy. The fading music allows the mother's screams to deeply affect the audience, concluding the shocking scene and setting an ominous tone for the rest of the film.The messengers opening scene
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2) Inside the house, a woman is shown protecting her son from an unseen threat, while strange noises are heard. She is then thrown against a wall by an invisible force.
3) The children try to escape but the sister is dragged away screaming while the brother hides in a cabinet. A hand suddenly grabs the boy, ending the scene on a frightening note as he screams.The house at the end of the street 
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The opening scene of the film sets a foreboding and tense mood through the use of distorted camera work, flashing lights, and thunder sounds. A young girl slowly walks through the house as the parents lie in bed, hearing noises. A lamp suddenly drops as the girl walks by, startling the audience. The electricity then cuts out, darkening the scene. Through the girl's point of view, the camera zooms in on the bedroom door where the father lies, building suspense until the girl suddenly bursts through the door, providing another jump scare.The conjuring trailer analysis
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Analysis of each frame in the trailer, what I like about it and how useful it is to me to use in my own trailer. Horror
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The document outlines the opening sequence of a horror film. It will begin with two girls laughing while using a Ouija board in an old, candlelit library. As the lights dim and the board begins moving on its own, one girl returns to find it in the dark. When she lights a match, her candle briefly illuminates a sinister masked face before she screams. The sequence aims to build tension through dim lighting, eerie music and the girls' heavy breathing without dialogue. It will establish the haunted and psychologically terrifying themes of possession and masks that set this horror film apart from those focused on gore.Trailer analysis of specific genre (horror) Haunting In Connecticut
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The trailer for the horror film Haunting in Connecticut uses various film techniques to build suspense and engage the audience. It begins with cheerful music before revealing the film's true genre. Through the use of point-of-view shots, music, and a "based on a true story" message, the audience learns of strange events at the family's new home linked to its history. Flashbacks show the past violence and ghosts that remain. Throughout, quick cuts, musical cues, and glimpses of supernatural occurrences keep viewers unsettled without revealing the entire plot. The trailer's goal is to terrify and intrigue the audience into wanting to see the full film.Forbidden script 
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The document is a script describing two sisters, Dahlia and Cynthia, playing a terrifying game of hide and seek with their deranged mother in a dark attic cupboard. As their mother's menacing footsteps approach and she taunts them by tapping on the cupboard door, the terrified girls try to remain silent and still. Their mother's cruel laughter and the sound of the cupboard locking traps the screaming sisters in darkness.Forbidden script 
Forbidden script mw12676
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The document is a script describing two sisters, Dahlia and Cynthia, playing a terrifying game of hide and seek with their deranged mother in an attic. As the mother draws nearer to finding them hiding in a cupboard, the girls grow increasingly frightened, knowing their father can no longer protect them from her. Their mother taunts and terrifies them, peering into the cupboard with a wicked smile before locking them inside. The girls are heard screaming and banging on the cupboard as the camera zooms out, with their mother seen only as a dark shadow, leaving the sisters in a state of terror.Forbidden script 
Forbidden script AnthonyPGrey
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The document is a script describing two sisters, Dahlia and Cynthia, playing a terrifying game of hide and seek with their deranged mother in a dark attic cupboard. As their mother's menacing footsteps approach and she taunts them by tapping on the cupboard door, the terrified girls try to remain silent and still. Their mother's cruel laughter and the sound of the cupboard locking traps the screaming sisters in darkness.More from kaya dalton (13)
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This document summarizes Kaya Dalton's evaluation of their media project "Dolls Domain". It discusses how the project uses conventions of real horror media through tense music and editing effects. It represents females through its focus on dolls. The intended audience is ages 16 and up. An independent film company like BBC Films or Film4 may distribute it. Focus groups were used to learn what audiences prefer, and a Twitter and Instagram presence was created to promote it. Technological skills like sound recording were developed. Overall, learning audience preferences was a key lesson from the preliminary task.Electronic Portfolio
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The document provides a timeline and overview of the history and evolution of horror films. It notes that the earliest known horror film was 1896's "The Devil's Castle," a French silent film directed by Georges Méliès. Between 1896 and 1927, some other notable early horror films included 1910's "Frankenstein," 1920's "Dr. Jekyll and Mr. Hyde," and 1925's "The Phantom of the Opera." The 1950s, 1960s, 1970s, 1980s, 1990s, 2000s, and 2010s are also listed as decades that saw the rise of distinct subgenres and popular horror films.Exam proposal a_sphoto-2
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This risk assessment form evaluates potential hazards for a film shoot at Dolls Domain. Several low risk hazards are identified, including animals/insects, derelict buildings, night operations, public crowds, tall scenery, and slippery floors. Actions to mitigate these risks include keeping pets locked away, scanning structures for stability, using lights after dark, maintaining a safe distance from equipment, and wearing appropriate footwear. Makeup allergies are also noted as a low risk for crew, to be addressed through skin testing and allergen-free products. The form documents 32 total hazards were considered, with most deemed very unlikely and negligible. Responsibility for actions falls to the location manager, Mernaya Dalton.Recently uploaded (10)
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- 2. Camera  Zooming out after children have died showing what’s left in the room and showing a woman standing there.  Close up of the girls happy faces  Extreme close up of china dolls smashing  Camera follows the cup dropping from hand down to it smashing
- 3. Mise-En-Scene ï‚™ Innocent children playing ï‚™ Creepy looking china dolls ï‚™ Girls all in sync; turning heads, walking towards windows ï‚™ Jumping out of windows, ï‚™ Slow walking creates drama and anticipation ï‚™ Old fashioned clothing and toys
- 4. Editing ï‚™ Colours are very dull ï‚™ Old fashioned lighting ï‚™ As camera pulls away, the screen goes white signaling the end of the opening
- 5. Sound ï‚™ Dramatic piano music (non-diegetic) ï‚™ Mother screaming ï‚™ Crashing of cups/china dolls head ï‚™ Distant diegetic sounds of the china cups being played with ï‚™ Music gets quicker when the girls look in a direction in sync ï‚™ Louder music when the girls are about to jump ï‚™ Music stops once the girls have jumped ï‚™ Can only head eerie wind
- 6. Visual Girls all in sync; turning heads, walking towards windows Jumping out of windows, Crashing of cups/china dolls head As camera pulls away, the screen goes white signaling the end of the opening
- 7. Textual Analysis The theme of innocent children playing with seemingly harmless toys shows the equilibrium starting out. However, when the music (non-diegetic sound) starts playing the innocence of dolls and china cups is ripped away. This is the second step in Todrovs theory; a disruption of the past tranquility. The film is very slowly paced yet everything happens so fast. The children jumping out of the window is set to put us on edge and recognize the severity of the horrors about to come. It all sounds serious and dramatic; it is both psychologically thrilling and physically fretful. The old fashioned lighting filter evokes the feeling of wonder and apprehension. This is because of the way we think about past years; dark, mysterious, cruel. Anything, and most things that we weren’t present in, nor get the opportunity to be present in; create strong opinions, we feed off of each other. One person making elder times dark, makes it dark to everyone else.