Young m.a ooouuu
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Young M.A raps about drinking Hennessy and partying in the club. She boasts about ignoring haters and focusing on getting money. Throughout the song, she refers to having weapons and being willing to use violence against those who disrespect or threaten her. The lyrics celebrate a lifestyle of partying, pursuing women, and not tolerating disrespect from others.
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![[Intro]
Yo, bro, I think I had too much Hennessy, man
This Hennessy gettin' to me
I ain't gonna lie, I'm a little smizz
I'm a little drizz
But we in the club, man, OOOUUU](https://image.slidesharecdn.com/youngm-170404133312/85/Young-m-a-ooouuu-2-320.jpg)
![[Verse]
Yeah, they hate, but they broke though
And when it's time to pop they a no-show
Yeah, I'm pretty, but I'm loco
The loud got me movin' slow-mo
Ayo, Tweetie, where the hoes, bro?
Ayo, Keys, where the hoes though?
That other nigga, he a bozo
It's M.A, you don't know, ho?](https://image.slidesharecdn.com/youngm-170404133312/85/Young-m-a-ooouuu-3-320.jpg)
![[Outro]
OOOUUU, OOOUUU
These haters on my body, shake 'em off
OOOUUU, OOOUUU
Ah, these haters on my body, shake 'em off
OOOUUU, OOOUUU
These haters on my body, shake 'em off
I could never lose, what you thought?
What they thought?](https://image.slidesharecdn.com/youngm-170404133312/85/Young-m-a-ooouuu-8-320.jpg)
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Trabalho de artes - MGKTrabalhodeartes
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MGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKMGKTrabalho de artes - Samba
Trabalho de artes - SambaTrabalhodeartes
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1. The document appears to be the tracklist and credits for Machine Gun Kelly's album "Lace Up".
2. It contains 16 songs on the album, featuring collaborations with artists like M. Shadows, Synyster Gates, Bun B, Dub-O, Waka Flocka Flame, Lil Jon, and others.
3. The tracks are accompanied by production credits and executive production by Sean "Diddy" Combs and MGK.Random Lyrics!
Random Lyrics!maddie524
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This document contains lyrics from multiple songs that express themes of love, relationships, and partying. The songs describe running away together with a lover to escape those who would tear them apart, dealing with heartbreak by drinking and dancing the night away with friends, and preparing to confront an abusive ex with a shotgun after he arrives home.A superficial journey through the role of women in african-american music
A superficial journey through the role of women in african-american musicFeminismos15MBerlin
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This document discusses the role of women in African American music from the early 20th century to present day. It covers major genres and eras such as blues in the 1920s led by pioneering artists like Mamie Smith; jazz in the 1940s-50s defined by "divas"; soul and funk of the 1950s-60s and rise of Motown; political soul of the late 1960s and 1970s led by artists like Nina Simone; mainstream misogynistic hip hop in the 1980s-90s and artists like Tupac addressing these issues; and current non-commercial artists rejecting gender roles like Erykah Badu and Janelle Mon¨¢e.Mobile
MobileAmit Bhankar
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The song is about a man who is at a payphone trying to call home after spending all his money on his partner. He reflects on the plans they had made in the past for their future together and how things have now gone wrong between them, with all the bridges burned. He expresses regret over wasted nights and being stuck in the past when they called their relationship love.Music 2010
Music 2010palomabarrero1a
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This document provides an overview of a music presentation from the 2010s. It lists the top 10 hits from 2010 and provides the lyrics for some of the songs, including "Wavin' Flag" by Knaan, "Waka Waka" by Shakira, and "We No Speak Americano" by Yolanda Be Cool. The presentation aims to showcase popular music from that time period for enjoyment.Lerning outcomecontent
Lerning outcomecontentphele1994
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This album cover analysis summarizes key elements of Rihanna's album artwork over multiple albums:
1) Rihanna favors a dark color scheme for her album artwork, likely to emphasize her "bad girl (sexy yet gothic)" image, except for her "Loud" album.
2) Her album covers vary between close-up shots of her face on the front and fuller body shots on the back.
3) Recently, she has neglected to put her name on album covers, instead using her "R" symbol as a brand representation.
The summary captures the main points about Rihanna's consistent image messaging and variations in her album cover designs over multiple releases. ItAlbum Analysis and Content
Album Analysis and Contentphele1994
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This document provides a summary of 3 Rihanna album covers: Unapologetic, Rated R, and Loud. It notes that:
1) The Unapologetic cover expresses Rihanna's confident personality in a controversial way by showing her technically nude.
2) This cover aims to empower women by showing the female body in an artistic way, while also seducing audiences with Rihanna's attractiveness.
3) The unconventional and controversial nature of the cover enhances its effectiveness at connecting with audiences through a real and natural image of Rihanna.Letra de canci¨®n BEBE REXHA 
Letra de canci¨®n BEBE REXHA Stereo90 Letras
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More lyrics in <a href="http://www.stereo90.com/lyrics/bebe-rexha/-no-broken-hearts--ft-nicki-minaj/">http://www.stereo90.com/lyrics/bebe-rexha/-no-broken-hearts--ft-nicki-minaj/ </a>Song i
Song iIbeu | Ingl¨ºs com tudo que voc¨º gosta
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The song is about a woman who wants to go out, have fun, and express herself freely without inhibitions or being politically correct. The chorus states that the best thing about being a woman is having the freedom to have fun, let loose, and feel like a woman by wearing men's shirts, short skirts, coloring her hair, and doing what she dares without restrictions. The song encourages women to forget that they are ladies and to get wild and feel empowered.Sing a song
Sing a songViviane Bengezen
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The document appears to be lyrics from several pop songs, including "Royals" by Lorde, "Roar" by Katy Perry, "All About That Bass" by Meghan Trainor, "Waves" by Mr Probz, "Am I Wrong" by Nico & Vinz, and "Thinking Out Loud" by Ed Sheeran. The lyrics discuss themes of royalty, empowerment, body positivity, relationships, and falling in love.Machine Gun Kelly - Lace Up: Digital Booklet
Machine Gun Kelly - Lace Up: Digital BookletZorrge
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The document appears to be the tracklist and credits for Machine Gun Kelly's album "Lace Up". It lists 13 songs on the album, including featured artists on many of the tracks like M. Shadows, Synyster Gates, Bun B, Dub-O, Waka Flocka Flame, Lil Jon, and others. It also provides production and executive production credits for the album.lirik lagu barat.docx
lirik lagu barat.docxLazohraKholida1
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The document contains lyrics from three popular songs: "Havana" by Camila Cabello featuring Young Thug, "Shape of You" by Ed Sheeran, and "Girls Like You" by Maroon 5. The lyrics describe romantic relationships, partying, and longing for a lover.Dont phone me
Dont phone meAmanpreet Bahia
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The document is a song lyric by AB Stardem called "Don't Phone Me". The lyrics are about not wanting to be contacted just because someone has his phone number. He warns that only his wife can get backstage at his shows and that he may leave with other women instead of their husbands. He brags about his popularity with women and success in the music industry. The chorus repeats the refrain of the title, telling people not to phone him.Rockola_HSMA_DCAE_GHAR
Rockola_HSMA_DCAE_GHARMarco Salas
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This document contains summaries and lyrics for 5 songs:
1) "Maldito Duende" by an unspecified artist, describing feelings of loneliness and regret.
2) "X (Equis)" by Nicky Jam and J. Balvin, about an attraction between two people.
3) "Rockstar" by Post Malone, about living a rockstar lifestyle of partying, drugs, and women.
4) "Mine" by Bazzi, about missing a past relationship and wanting to reconnect.
5) "You Get Me So High" by The Neighbourhood, about the positive feelings someone brings and wanting to reconnect with them.Where We Are Tour- One Direction
Where We Are Tour- One DirectionIn¨ºs Costa
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The document contains lyrics from several songs by the boy band One Direction. The songs describe experiences of youth such as attending parties, falling in love, and wanting to make the most of time while young by living spontaneously and freely.²»Ö»¡¸ÕþÖβ»ÕýÈ·¡¹£ºÈçºÎ¸É·¸±ŠÅͬʱ×ߺ죿
²»Ö»¡¸ÕþÖβ»ÕýÈ·¡¹£ºÈçºÎ¸É·¸±ŠÅͬʱ×ߺ죿shihfang Ma
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The document discusses several songs from the 1960s to 1990s that contain controversial or potentially offensive lyrics about topics like domestic violence, racism, sexuality, and violence against police officers. It provides background on the artists and songs, including The Crystals' "He Hit Me (It Felt Like a Kiss)" from 1962, which depicts domestic violence in a romanticized way, and Ice-T's 1992 song "Cop Killer," which was criticized for its lyrics about killing police officers amid tensions over police brutality.Recently uploaded (20)
Blind spots in AI and Formulation Science, IFPAC 2025.pdf
Blind spots in AI and Formulation Science, IFPAC 2025.pdfAjaz Hussain
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The intersection of AI and pharmaceutical formulation science highlights significant blind spots¡ªsystemic gaps in pharmaceutical development, regulatory oversight, quality assurance, and the ethical use of AI¡ªthat could jeopardize patient safety and undermine public trust. To move forward effectively, we must address these normalized blind spots, which may arise from outdated assumptions, errors, gaps in previous knowledge, and biases in language or regulatory inertia. This is essential to ensure that AI and formulation science are developed as tools for patient-centered and ethical healthcare.How to Setup WhatsApp in Odoo 17 - Odoo ºÝºÝߣs
How to Setup WhatsApp in Odoo 17 - Odoo ºÝºÝߣsCeline George
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Integrate WhatsApp into Odoo using the WhatsApp Business API or third-party modules to enhance communication. This integration enables automated messaging and customer interaction management within Odoo 17.
Information Technology for class X CBSE skill Subject
Information Technology for class X CBSE skill SubjectVEENAKSHI PATHAK
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These questions are based on cbse booklet for 10th class information technology subject code 402. these questions are sufficient for exam for first lesion. This subject give benefit to students and good marks. if any student weak in one main subject it can replace with these marks.POWERPOINT-PRESENTATION_DM-NO.017-S.2025.pptx
POWERPOINT-PRESENTATION_DM-NO.017-S.2025.pptxMarilenQuintoSimbula
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Rubric level Summary for Teacher 1 to 3, Proficient Teacher. Guide in assessing MOV presented.
APM People Interest Network Conference - Oliver Randall & David Bovis - Own Y...
APM People Interest Network Conference - Oliver Randall & David Bovis - Own Y...Association for Project Management
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APM People Interest Network Conference 2025
- Autonomy, Teams and Tension
- Oliver Randall & David Bovis
- Own Your Autonomy
Oliver Randall
Consultant, Tribe365
Oliver is a career project professional since 2011 and started volunteering with APM in 2016 and has since chaired the People Interest Network and the North East Regional Network. Oliver has been consulting in culture, leadership and behaviours since 2019 and co-developed HPTM??an off the shelf high performance framework for teams and organisations and is currently working with SAS (Stellenbosch Academy for Sport) developing the culture, leadership and behaviours framework for future elite sportspeople whilst also holding down work as a project manager in the NHS at North Tees and Hartlepool Foundation Trust.
David Bovis
Consultant, Duxinaroe
A Leadership and Culture Change expert, David is the originator of BTFA? and The Dux Model.
With a Masters in Applied Neuroscience from the Institute of Organisational Neuroscience, he is widely regarded as the ¡®Go-To¡¯ expert in the field, recognised as an inspiring keynote speaker and change strategist.
He has an industrial engineering background, majoring in TPS / Lean. David worked his way up from his apprenticeship to earn his seat at the C-suite table. His career spans several industries, including Automotive, Aerospace, Defence, Space, Heavy Industries and Elec-Mech / polymer contract manufacture.
Published in London¡¯s Evening Standard quarterly business supplement, James Caan¡¯s ¡®Your business¡¯ Magazine, ¡®Quality World¡¯, the Lean Management Journal and Cambridge Universities ¡®PMA¡¯, he works as comfortably with leaders from FTSE and Fortune 100 companies as he does owner-managers in SME¡¯s. He is passionate about helping leaders understand the neurological root cause of a high-performance culture and sustainable change, in business.
Session | Own Your Autonomy ¨C The Importance of Autonomy in Project Management
#OwnYourAutonomy is aiming to be a global APM initiative to position everyone to take a more conscious role in their decision making process leading to increased outcomes for everyone and contribute to ¡°a world in which all projects succeed¡±.
We want everyone to join the journey.
#OwnYourAutonomy is the culmination of 3 years of collaborative exploration within the Leadership Focus Group which is part of the APM People Interest Network. The work has been pulled together using the 5 HPTM? Systems and the BTFA neuroscience leadership programme.
https://www.linkedin.com/showcase/apm-people-network/about/
EDL 290F Week 3 - Mountaintop Views (2025).pdf
EDL 290F Week 3 - Mountaintop Views (2025).pdfLiz Walsh-Trevino
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EDL 290F Week 3 - Mountaintop Views (2025).pdf
Eng7-Q4-Lesson 1 Part 1 Understanding Discipline-Specific Words, Voice, and T...
Eng7-Q4-Lesson 1 Part 1 Understanding Discipline-Specific Words, Voice, and T...sandynavergas1
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Understanding Discipline-Specific Words, Voice, and Technical TermsHow to Configure Flexible Working Schedule in Odoo 18 Employee
How to Configure Flexible Working Schedule in Odoo 18 EmployeeCeline George
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In this slide, we¡¯ll discuss on how to configure flexible working schedule in Odoo 18 Employee module. In Odoo 18, the Employee module offers powerful tools to configure and manage flexible working schedules tailored to your organization's needs.How to Modify Existing Web Pages in Odoo 18
How to Modify Existing Web Pages in Odoo 18Celine George
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In this slide, we¡¯ll discuss on how to modify existing web pages in Odoo 18. Web pages in Odoo 18 can also gather user data through user-friendly forms, encourage interaction through engaging features. SOCIAL CHANGE(a change in the institutional and normative structure of societ...
SOCIAL CHANGE(a change in the institutional and normative structure of societ...DrNidhiAgarwal
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This PPT is showing the effect of social changes in human life and it is very understandable to the students with easy language.in this contents are Itroduction, definition,Factors affecting social changes ,Main technological factors, Social change and stress , what is eustress and how social changes give impact of the human's life.
Chapter 3. Social Responsibility and Ethics in Strategic Management.pptx
Chapter 3. Social Responsibility and Ethics in Strategic Management.pptxRommel Regala
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This course provides students with a comprehensive understanding of strategic management principles, frameworks, and applications in business. It explores strategic planning, environmental analysis, corporate governance, business ethics, and sustainability. The course integrates Sustainable Development Goals (SDGs) to enhance global and ethical perspectives in decision-making.
How to attach file using upload button Odoo 18
How to attach file using upload button Odoo 18Celine George
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In this slide, we¡¯ll discuss on how to attach file using upload button Odoo 18. Odoo features a dedicated model, 'ir.attachments,' designed for storing attachments submitted by end users. We can see the process of utilizing the 'ir.attachments' model to enable file uploads through web forms in this slide.Computer Application in Business (commerce)
Computer Application in Business (commerce)Sudar Sudar
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The main objectives
1. To introduce the concept of computer and its various parts. 2. To explain the concept of data base management system and Management information system.
3. To provide insight about networking and basics of internet
Recall various terms of computer and its part
Understand the meaning of software, operating system, programming language and its features
Comparing Data Vs Information and its management system Understanding about various concepts of management information system
Explain about networking and elements based on internet
1. Recall the various concepts relating to computer and its various parts
2 Understand the meaning of software¡¯s, operating system etc
3 Understanding the meaning and utility of database management system
4 Evaluate the various aspects of management information system
5 Generating more ideas regarding the use of internet for business purpose Principle and Practices of Animal Breeding || Boby Basnet
Principle and Practices of Animal Breeding || Boby BasnetBoby Basnet
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Principle and Practices of Animal Breeding Full Note
|| Assistant Professor Boby Basnet ||IAAS || AFU || PU || FUAPM People Interest Network Conference - Oliver Randall & David Bovis - Own Y...
APM People Interest Network Conference - Oliver Randall & David Bovis - Own Y...Association for Project Management
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Young m.a ooouuu
- 2. [Intro] Yo, bro, I think I had too much Hennessy, man This Hennessy gettin' to me I ain't gonna lie, I'm a little smizz I'm a little drizz But we in the club, man, OOOUUU
- 3. [Verse] Yeah, they hate, but they broke though And when it's time to pop they a no-show Yeah, I'm pretty, but I'm loco The loud got me movin' slow-mo Ayo, Tweetie, where the hoes, bro? Ayo, Keys, where the hoes though? That other nigga, he a bozo It's M.A, you don't know, ho?
- 4. We got liquor by the boatload (that Henny) Disrespect the Lyfe, that's a no-no All my niggas dressed in that rojo (Redlyfe) I ride for my guys, that's the bro code Baby gave me head; that's a low blow Damn, she make me weak when she deep throat I need a rich bitch, not a cheap ho
- 5. They be on that hate shit, I peep though My brother told me: "Fuck 'em, get that money, sis!" You just keep on grindin' on your hungry shit Ignore the hate, ignore the fake, ignore the funny shit ¡®Cause if a nigga violate, we got a hunnit clips (grrrrrrrah!) And we go zero to a hundred quick (ooouuu) We just them niggas you ain't fuckin' with (oh no) Pockets on a chubby chick (ah) And still go bag a thottie in some bummy shit (ooouuu) Yerr, Eli, why they testin' me?
- 6. Like I don't always keep the hammer next to me Like I ain't got a hitter to the left of me Like we ain't in these streets more than Sesame If that's your chick, then why she textin' me? Why she keep calling my phone speaking sexually? Every time I'm out, why she stressin' me? You call her Stephanie? I call her Headphanie (OOOUUU) I don't open doors for a whore I just want the neck, nothin' more
- 7. Shawty, make it clap, make it applaud! When you tired of your man, give me a call Dyke bitches talking out they jaw Next minute, calling for the law This 9 will have 'em calling for the Lord They ain't getting shmoney, so they bored I could never lose, what you thought? M.A got it on lock, man, of course They say I got the juice, I got the sauce These haters on my body, shake 'em off Pussy, I'm a bully and a boss I'm killing 'em, sorry for your loss (R.I.P.) I just caught a body; Randy Moss Now this year I'm really going off
- 8. [Outro] OOOUUU, OOOUUU These haters on my body, shake 'em off OOOUUU, OOOUUU Ah, these haters on my body, shake 'em off OOOUUU, OOOUUU These haters on my body, shake 'em off I could never lose, what you thought? What they thought?
- 9. I could never lose, what you thought? This Henny got me, it got me sauced This Henny got me, oh, it got me sauced I could never lose, what you thought? M.A got it on lock, man, of course OOOUUU, OOOUUU