This document outlines an online music conference that focuses on composition. It provides objectives, outcomes, and assignments for students to develop their musical skills in composing, performing, and listening. Students will learn about musical concepts through composing original works, experimenting with sounds and notation, and analyzing a variety of musical pieces. Their knowledge and skills will be assessed through tests, performances, and group activities.
This document provides performance competencies and outcomes for percussion instruction in Anne Arundel County Public Schools. It was developed by a committee of music teachers using existing documents as a foundation. The document is organized into nine levels, with each level outlining what students should know and be able to do in four areas: perceiving, performing and responding to music; understanding music's historical and cultural context; creative expression and production; and aesthetic criticism. The competencies focus on developing students' technical skills on percussion instruments as well as their musical understanding through performance.
The document provides a daily lesson plan for teaching contemporary Philippine arts from different regions to 11th grade students. It includes objectives to describe various contemporary art forms and their practices from various regions. The lesson plan outlines content on composition of art including elements like line, shape, and principles like balance. It also discusses contemporary art forms like choreography, musical instruments, literary compositions, and theatrical performances. The procedures section describes activities where students will draw their favorite place and present different regional art forms.
1) The document outlines a 45-minute music lesson plan for a 5th/6th grade class focusing on how music can communicate meaning and tell stories.
2) Students will watch an Aboriginal Dreamtime story called "The Rainbow Serpent" and work in groups to create soundscapes using instruments and sounds to accompany different parts of the story.
3) The lesson will conclude with student groups performing their soundscapes and providing feedback on how different sounds created different moods in the story.
1. The document discusses dynamics and timbre in music education for third grade students. It covers 7 lessons that teach students about sound sources and their timbres, dynamics through body movements and songs, and applying dynamics to enhance musical expressions.
2. Dynamics refers to the loudness and softness of sounds. The lessons show students how to use their body and voice to demonstrate dynamics in interpreting various sounds, songs, and poems.
3. Applying different dynamics helps make music more beautiful and meaningful. The lessons aim to develop students' understanding and skills in expressing dynamics in their performances.
The curriculum map outlines the musical elements, themes, and assessments for the grade 3 music class over the academic year. From September to May, students will learn about time signatures, rhythms, instruments, blues music, classical music, African American music, bluegrass, and music from other countries. Assessments include composing rhythms, performing songs, tests on instrument families, describing pieces of music, composing poems, and informal performances. The goal is to teach students about a variety of musical styles and elements through hands-on projects, tests, and performances.
This document provides a teaching guide for a Grade 1 music class focusing on dynamics and tempo. It includes lesson plans, activities, and assessments for two 40-minute classes on dynamics and two 30-minute classes on tempo. The lessons introduce key concepts like loudness vs softness and fast vs slow through songs, games, movement, and discussion. Students demonstrate their understanding by performing songs at different volumes and speeds, creating poems using loud and soft words, and identifying dynamics and tempos in various sounds and activities. The goal is for students to understand how to apply these musical elements appropriately based on the mood or style of different pieces.
1. The document discusses musical concepts like melody, pitch, and form. It provides lesson plans and activities to teach these concepts to grade 3 students.
2. The lessons include singing songs, identifying high and low pitches, exploring melodic contour through body movements, and analyzing musical form through same/similar/different phrases.
3. Repetition in music is discussed, with an activity having students sing songs following repeat signs. Overall the document aims to develop students' understanding of fundamental musical elements through engaging hands-on activities.
With a notoriety of delivering various effective playback artists for Bollywood, we are unquestionably the best playback singing classes in Pune. We give instructional courses according to your decision of singing class and your phase of learning, for example learner, moderate or expert. With incessant instructional meetings directed by visitor big name artists, we guarantee to keep the understudies spurred just as refreshed with the ongoing patterns in playback singing.
More details: https://www.letsleads.com/singing-classes-in-pune
The document provides a lesson plan to teach preschool students about the phoneme /t/. It includes the following:
1) An introduction where the teacher greets the students and a song is sung to engage them.
2) Several steps are outlined to teach the students about the /t/ sound through actions, picture cards, letter recognition, and games.
3) Consolidation activities are suggested like singing the song again and students leading it.
4) Assessments include worksheets for students to practice writing the letter 't' and drawing pictures. The goal is for students to correctly produce and recognize the /t/ phoneme.
2 g ms1 level pre-sequence - now we have englishMr Bounab Samir
油
Salam
2G MS1 level " Pre-Sequence"
Now we have English
The MS1 level "pre-sequence" planned conform to the 2 Generation curriculum with " teaching values & cross curricular competences"
The teaching frame work is PPU one " presentation - practice & use " conform to the " Planning Learning " and training on the 2G curriculum
The lesson plan model is also conform to the one syggested by the ministry with slight modifications to make it conform to CBA and learner centered teaching and of course to the 2G principles
Thank You
By : Mr Samir Bounab ( teacher trainer at MONE)
The document provides information about music terminology including form, musical phrases, timbre, classification of singing voices, ways to interpret songs, harmony, dynamics, and how these relate to life. It defines key terms like form, phrase, timbre, soprano, alto, tenor, bass, solo, duet, trio, ensemble, harmony, dynamics, and dynamic symbols. It also discusses how organizing daily tasks into groups can help accomplish them systematically and how appreciating others can promote peace and harmony in relationships.
Ms1 level file 3 sports with atf and aef competenciesMr Bounab Samir
油
This document contains information about an English lesson for MS1 level students. It includes:
1. The learning objectives for the lesson, which are for students to be able to name sports using simple present tense verbs and pronouns.
2. A description of the activities in the lesson, which include a warm up, pre-listening, during listening and post-listening activities focused on a script about sports. Grammar points like pronouns and verb tenses are practiced.
3. Details of exercises for students to complete individually and in pairs, involving ordering words to form sentences, matching sentences to ideas, and practicing pronunciation of sounds like "sh" and "ch".
The document provides an outline
1. The document discusses musical texture and tempo in a learner's material for MAPEH (Music, Arts, Physical Education, and Health) grade 3.
2. It provides lessons on identifying slow, moderate, and fast tempos and variations in tempo through songs and activities.
3. The lessons also cover concepts like unison singing, two-part rounds, partner songs, and how they contribute to thin and thick textures in music.
This document outlines a music lesson plan with the following key points:
- The objective is to relate images with sound and silence within a rhythmic pattern.
- Students will study rhythmic patterns using songs, charts, and improvised instruments. They will identify symbols that represent sounds and silence.
- The lesson procedures include practicing rhythmic patterns through clapping, chanting, and moving to the beat. Students will discuss how movements are used to demonstrate sounds and silence.
- Students will be evaluated on their ability to differentiate sounds from silence, identify unheard beats, perform rhythmic patterns correctly, and participate actively in group activities.
This document provides an overview of a music lesson on pulse and rhythm. It includes 4 activities:
1) Singing a song and moving to the pulse, discussing pulse and beat.
2) Performing and notating rhythmic patterns using body movements.
3) Dividing into groups to perform rhythmic patterns while singing.
4) Evaluating skills like differentiating sounds, performing patterns, and participating in groups.
The lesson teaches that pulse is the regular underlying beat in music and can be expressed through movement. Rhythmic patterns involve long and short sounds and silence.
This document provides a draft music curriculum consisting of 6 lessons taught over 8 weeks. The lessons cover topics like pulse, rhythm, beat, and ostinato. Some key activities described include singing songs while moving to the beat, performing rhythmic patterns with body percussion and instruments, analyzing songs, and creating simple ostinato patterns to accompany songs. The lessons emphasize developing skills like differentiating sounds and silence, performing rhythms accurately, identifying the beat, playing correct rhythms on instruments, and participating actively in group work.
K to 12 MAPEH (music) III complete objectives and subject matterAlcaide Gombio
油
This document outlines the curriculum guide for a first grade music class over 4 grading periods. It includes 8 lessons per grading period covering various musical concepts like rhythm, pitch, dynamics, and texture. Each lesson lists the objectives, topic, and 2-3 songs used to teach the material. The lessons progress from introductory concepts like pulse and beat in the first period to more advanced ideas like melodic contour, musical form, and variations in dynamics in later periods. The overarching goal is to teach students foundational musical elements and skills through movement, singing, and playing instruments.
The study aimed to examine students' perceptions of and comfort levels with avatars of different ages used for instruction. The researchers hypothesized that students would be more comfortable learning from and perceive as more intelligent an older male avatar. Participants were 36 university students who viewed video demonstrations of either a younger or older male avatar professor and completed surveys about their experience. The researchers sought to determine if perception of avatar age impacts perceived intelligence and teaching ability.
Leadership, management and communicationscenriquegf30
油
Traditional leadership focuses on top-down direction, while innovative leadership does not. Innovative leadership encourages leadership from all employees. It involves discovering new directions through trial and error, with leaders pursuing new paths for the organization to follow. Organizations that promote leadership from all levels are more successful. Both management and leadership are important, but leadership involves doing the right thing and inspiring followers, while management focuses more on formal processes and authority.
The document discusses key factors for improving motivation in a call center environment such as mentoring, networking, and trust. It identifies issues like tedium of work, lack of career progression and training, and work stress. Suggested solutions include open access for employees, management meetings, and training. Metrics to measure impact include increases in customer satisfaction, employee satisfaction, and decreases in operating costs and staff stress. Possible additional solutions proposed are a scheduling system, flexible work patterns, coaching, supportive environment, improved compensation and feedback systems.
Planning is important for project management and time management. It involves preparing action steps to achieve goals and reduces necessary time and effort. A plan provides visibility into progress towards goals. Planning helps avoid inefficient efforts and potential problems. When writing an action plan, one should clarify goals, generate action ideas, prioritize key steps, organize the plan, and regularly monitor and review progress. While forms can help with initial goal setting, over time a flexible digital system better supports adjusting goals and objectives in response to new information.
Time management refers to using a range of skills, tools, and techniques to control how time is spent accomplishing tasks, projects, and goals. This involves planning, setting goals and priorities, monitoring time spent, and organizing and scheduling activities. The key aspects of time management are controlling events, taking responsibility for time usage, and setting smart goals that can realistically be achieved. Effective time management systems evolve through generations, from basic reminders and calendars to more advanced planning, prioritization, and focusing on importance over urgency.
Handle conflict by using "I" statements, speaking calmly and avoiding blame while focusing on feelings. Create an atmosphere of healing through respect, honesty, willingness to forgive, forget and compromise as needed. Apologize for mistakes to find resolution.
Risk management involves four key steps: 1) recognizing risks, 2) assessing risks, 3) developing strategies to manage risks, and 4) mitigating risks using resources. There are various risk management strategies like transferring risk, avoiding risk, reducing the negative impacts of risk, or accepting the consequences. The objective of risk management is to reduce risks in a selected domain to a level acceptable to society. This may include threats from the environment, technology, humans, organizations, or politics.
The lesson plan aims to teach students about the instruments of the symphony orchestra. Students will begin by sharing what they already know about orchestra instruments and their groups. They will then learn that instruments are divided into the groups of woodwinds, brass, percussion, and strings. Through a technology presentation and listening game, students will identify instruments and their groups. Finally, students will work in groups to research and present on an assigned orchestra instrument using videos and technology.
The unit plan outlines an 8 lesson unit for a 3rd grade music class focusing on the piece "Viennese Musical Clock". Students will learn about the history of clocks, identify instruments in the piece, analyze its rondo form, compose their own pieces in rondo form, and create movements to represent different sections of the musical clock. Assessment includes having students identify instrument families in the piece, indicate form changes with coloring, and present their composed pieces. The unit aims to expose students to classical music and teach musical concepts.
1. The document discusses musical concepts like melody, pitch, and form. It provides lesson plans and activities to teach these concepts to grade 3 students.
2. The lessons include singing songs, identifying high and low pitches, exploring melodic contour through body movements, and analyzing musical form through same/similar/different phrases.
3. Repetition in music is discussed, with an activity having students sing songs following repeat signs. Overall the document aims to develop students' understanding of fundamental musical elements through engaging hands-on activities.
With a notoriety of delivering various effective playback artists for Bollywood, we are unquestionably the best playback singing classes in Pune. We give instructional courses according to your decision of singing class and your phase of learning, for example learner, moderate or expert. With incessant instructional meetings directed by visitor big name artists, we guarantee to keep the understudies spurred just as refreshed with the ongoing patterns in playback singing.
More details: https://www.letsleads.com/singing-classes-in-pune
The document provides a lesson plan to teach preschool students about the phoneme /t/. It includes the following:
1) An introduction where the teacher greets the students and a song is sung to engage them.
2) Several steps are outlined to teach the students about the /t/ sound through actions, picture cards, letter recognition, and games.
3) Consolidation activities are suggested like singing the song again and students leading it.
4) Assessments include worksheets for students to practice writing the letter 't' and drawing pictures. The goal is for students to correctly produce and recognize the /t/ phoneme.
2 g ms1 level pre-sequence - now we have englishMr Bounab Samir
油
Salam
2G MS1 level " Pre-Sequence"
Now we have English
The MS1 level "pre-sequence" planned conform to the 2 Generation curriculum with " teaching values & cross curricular competences"
The teaching frame work is PPU one " presentation - practice & use " conform to the " Planning Learning " and training on the 2G curriculum
The lesson plan model is also conform to the one syggested by the ministry with slight modifications to make it conform to CBA and learner centered teaching and of course to the 2G principles
Thank You
By : Mr Samir Bounab ( teacher trainer at MONE)
The document provides information about music terminology including form, musical phrases, timbre, classification of singing voices, ways to interpret songs, harmony, dynamics, and how these relate to life. It defines key terms like form, phrase, timbre, soprano, alto, tenor, bass, solo, duet, trio, ensemble, harmony, dynamics, and dynamic symbols. It also discusses how organizing daily tasks into groups can help accomplish them systematically and how appreciating others can promote peace and harmony in relationships.
Ms1 level file 3 sports with atf and aef competenciesMr Bounab Samir
油
This document contains information about an English lesson for MS1 level students. It includes:
1. The learning objectives for the lesson, which are for students to be able to name sports using simple present tense verbs and pronouns.
2. A description of the activities in the lesson, which include a warm up, pre-listening, during listening and post-listening activities focused on a script about sports. Grammar points like pronouns and verb tenses are practiced.
3. Details of exercises for students to complete individually and in pairs, involving ordering words to form sentences, matching sentences to ideas, and practicing pronunciation of sounds like "sh" and "ch".
The document provides an outline
1. The document discusses musical texture and tempo in a learner's material for MAPEH (Music, Arts, Physical Education, and Health) grade 3.
2. It provides lessons on identifying slow, moderate, and fast tempos and variations in tempo through songs and activities.
3. The lessons also cover concepts like unison singing, two-part rounds, partner songs, and how they contribute to thin and thick textures in music.
This document outlines a music lesson plan with the following key points:
- The objective is to relate images with sound and silence within a rhythmic pattern.
- Students will study rhythmic patterns using songs, charts, and improvised instruments. They will identify symbols that represent sounds and silence.
- The lesson procedures include practicing rhythmic patterns through clapping, chanting, and moving to the beat. Students will discuss how movements are used to demonstrate sounds and silence.
- Students will be evaluated on their ability to differentiate sounds from silence, identify unheard beats, perform rhythmic patterns correctly, and participate actively in group activities.
This document provides an overview of a music lesson on pulse and rhythm. It includes 4 activities:
1) Singing a song and moving to the pulse, discussing pulse and beat.
2) Performing and notating rhythmic patterns using body movements.
3) Dividing into groups to perform rhythmic patterns while singing.
4) Evaluating skills like differentiating sounds, performing patterns, and participating in groups.
The lesson teaches that pulse is the regular underlying beat in music and can be expressed through movement. Rhythmic patterns involve long and short sounds and silence.
This document provides a draft music curriculum consisting of 6 lessons taught over 8 weeks. The lessons cover topics like pulse, rhythm, beat, and ostinato. Some key activities described include singing songs while moving to the beat, performing rhythmic patterns with body percussion and instruments, analyzing songs, and creating simple ostinato patterns to accompany songs. The lessons emphasize developing skills like differentiating sounds and silence, performing rhythms accurately, identifying the beat, playing correct rhythms on instruments, and participating actively in group work.
K to 12 MAPEH (music) III complete objectives and subject matterAlcaide Gombio
油
This document outlines the curriculum guide for a first grade music class over 4 grading periods. It includes 8 lessons per grading period covering various musical concepts like rhythm, pitch, dynamics, and texture. Each lesson lists the objectives, topic, and 2-3 songs used to teach the material. The lessons progress from introductory concepts like pulse and beat in the first period to more advanced ideas like melodic contour, musical form, and variations in dynamics in later periods. The overarching goal is to teach students foundational musical elements and skills through movement, singing, and playing instruments.
The study aimed to examine students' perceptions of and comfort levels with avatars of different ages used for instruction. The researchers hypothesized that students would be more comfortable learning from and perceive as more intelligent an older male avatar. Participants were 36 university students who viewed video demonstrations of either a younger or older male avatar professor and completed surveys about their experience. The researchers sought to determine if perception of avatar age impacts perceived intelligence and teaching ability.
Leadership, management and communicationscenriquegf30
油
Traditional leadership focuses on top-down direction, while innovative leadership does not. Innovative leadership encourages leadership from all employees. It involves discovering new directions through trial and error, with leaders pursuing new paths for the organization to follow. Organizations that promote leadership from all levels are more successful. Both management and leadership are important, but leadership involves doing the right thing and inspiring followers, while management focuses more on formal processes and authority.
The document discusses key factors for improving motivation in a call center environment such as mentoring, networking, and trust. It identifies issues like tedium of work, lack of career progression and training, and work stress. Suggested solutions include open access for employees, management meetings, and training. Metrics to measure impact include increases in customer satisfaction, employee satisfaction, and decreases in operating costs and staff stress. Possible additional solutions proposed are a scheduling system, flexible work patterns, coaching, supportive environment, improved compensation and feedback systems.
Planning is important for project management and time management. It involves preparing action steps to achieve goals and reduces necessary time and effort. A plan provides visibility into progress towards goals. Planning helps avoid inefficient efforts and potential problems. When writing an action plan, one should clarify goals, generate action ideas, prioritize key steps, organize the plan, and regularly monitor and review progress. While forms can help with initial goal setting, over time a flexible digital system better supports adjusting goals and objectives in response to new information.
Time management refers to using a range of skills, tools, and techniques to control how time is spent accomplishing tasks, projects, and goals. This involves planning, setting goals and priorities, monitoring time spent, and organizing and scheduling activities. The key aspects of time management are controlling events, taking responsibility for time usage, and setting smart goals that can realistically be achieved. Effective time management systems evolve through generations, from basic reminders and calendars to more advanced planning, prioritization, and focusing on importance over urgency.
Handle conflict by using "I" statements, speaking calmly and avoiding blame while focusing on feelings. Create an atmosphere of healing through respect, honesty, willingness to forgive, forget and compromise as needed. Apologize for mistakes to find resolution.
Risk management involves four key steps: 1) recognizing risks, 2) assessing risks, 3) developing strategies to manage risks, and 4) mitigating risks using resources. There are various risk management strategies like transferring risk, avoiding risk, reducing the negative impacts of risk, or accepting the consequences. The objective of risk management is to reduce risks in a selected domain to a level acceptable to society. This may include threats from the environment, technology, humans, organizations, or politics.
The lesson plan aims to teach students about the instruments of the symphony orchestra. Students will begin by sharing what they already know about orchestra instruments and their groups. They will then learn that instruments are divided into the groups of woodwinds, brass, percussion, and strings. Through a technology presentation and listening game, students will identify instruments and their groups. Finally, students will work in groups to research and present on an assigned orchestra instrument using videos and technology.
The unit plan outlines an 8 lesson unit for a 3rd grade music class focusing on the piece "Viennese Musical Clock". Students will learn about the history of clocks, identify instruments in the piece, analyze its rondo form, compose their own pieces in rondo form, and create movements to represent different sections of the musical clock. Assessment includes having students identify instrument families in the piece, indicate form changes with coloring, and present their composed pieces. The unit aims to expose students to classical music and teach musical concepts.
This lesson plan aims to teach 7th grade students about the musical characteristics of Mindoro. The objectives are for students to describe Mindoro's musical characteristics, explain its distinguishing features, and perform its music with accompaniment. The content will cover the music of Mindoro. Students will learn about Mindoro's musical instruments and styles of singing through a video presentation and discussion. They will improvise instruments and compose short melodies. Finally, students will assess their understanding by describing Mindoro's music and identifying its instruments.
The lesson plan focuses on warming up the choir, sight reading to improve musical skills, and self-evaluating a recorded performance to identify areas for improvement before an upcoming performance assessment. Various exercises and activities are outlined to engage students through visual, auditory, and kinesthetic methods. The goal is for the choir to refine their performance of selected pieces in order to meet criteria on the choral festival rubric.
This document provides an overview of the K-12 music curriculum for Yorkville CUSD #115. It includes:
- Mission statements and overviews of learning outcomes for general music, choir, band, orchestra, and guitar/piano classes at various grade levels.
- Explanations of coding, numbering, standards, and resources included in the appendix.
- Detailed course descriptions and learning objectives for each music course from kindergarten through high school.
This lesson plan aims to teach 9th grade students about quarter notes and quarter rests through kinesthetic activities like clapping and foot tapping. Students will listen to and tap along with a song, then learn that the beats they tapped represent quarter notes. The teacher demonstrates writing and counting quarter notes and a quarter rest, having students practice clapping and counting rhythms. Students will then compose their own rhythms using quarter notes and rests, sharing and analyzing each other's work. The lesson differentiates instruction through verbal, visual, and kinesthetic methods to meet various learning styles.
The document outlines 5 key facets of effective music teaching: 1) musical knowledge and theory, 2) performance and technique, 3) aural skills, 4) creativity and composition, and 5) historical and cultural context. It discusses the importance of each facet and provides examples of how teachers can develop them in their students. The conclusion states that a well-rounded music education approach incorporates all five facets to foster musical competence and appreciation.
Listening Room - Listening and Appreciation Reimagined- Lauren FairbairnBushfire Press
油
Suitable for ALL Primary Music teachers
Making the Classics cool again - a whole world of music through listening (and moving, dancing, drama, body percussion, instrument playing, role-play, drawing, discussion & reflection)
Sensory overload and attention-span deficit are realities of our students但 world. We need to help them slow down, focus and process. And Listening & Appreciation (L & A) are two of the most powerful tools available. They always were 但側 but it seems they got lost or fell out of fashion.
So how do we make L & A relevant to today但s students? By making it a dynamic experience. In this session, you will move, dance, act, play classroom instruments & body percussion, draw and discuss. L & A also introduces/extends musical elements, concepts and contexts (while introducing students to timeless classics) and can be incorporated throughout the primary years, K-6, and beyond.
Come along and discover a world of music as Lauren Fairbairn leads you through: Listening for creative movement, listening for playing classroom instruments and body percussion, listening for drama, listening for relaxation and listening for visual arts. All the music used is accessible via iTunes, Apple Music, Spotify, Youtube (and possibly your own CD collection).
The document contains Katie VanDenBerghe's elementary music portfolio, which includes her music philosophy, descriptions of four microteachings, summaries of national and New York state music standards, lists of children's choral literature and reading literature, and a textbook review. The portfolio demonstrates Katie's approach to teaching elementary general music through activities focused on singing, playing instruments, composition, listening, and understanding music in its cultural contexts.
This document outlines a lesson plan for teaching students how to write and analyze chord progressions. The objectives are for students to write musically effective chord progressions using Roman numerals and to analyze harmony in other artists' music. The lesson plan includes reviewing prior knowledge, introducing a new concept, teaching notation and usage, classwork, homework, and analyzing each lesson's effectiveness. Assessment includes student projects analyzing their own progressions and in-class analysis of lead sheets.
This document outlines a daily learning plan for a MAPEH (Music, Arts, Physical Education, and Health) class. Over the course of five days, students will learn about different musical time signatures including 2/4 and 3/4 time. On day one, students will recognize how time signatures are written and recall the value of different notes and rests. They will also sing a song in a different time signature. Subsequent days focus on singing and conducting patterns in 2/4 and 3/4 time, identifying different notes and rests, and explaining the meaning of time signatures. Assessment includes self-evaluations and a short quiz on the final day.
The 3-sentence summary is:
The lesson plan teaches kindergarten students about high and low pitch through various activities including moving their bodies to music, singing pitch pathways, using a SmartBoard game and music carpet to analyze pitch direction, and playing xylophones. The objectives are for students to name and demonstrate recognition of high and low pitch, create pitch pathways moving from high to low and low to high, and analyze pitch direction when seen on a music staff. The lesson contributes to a summative performance assessment and post-test to evaluate students' understanding of pitch and pitch direction.
Lesson Plan Cpiii Answer In The Form Of A Questionsheehand
油
The document outlines a music lesson plan where students will suggest ways to add to and modify a song called "This Pretty Planet" by asking questions. The teacher will have the students brainstorm questions to prompt ideas, such as "Can we change how loud we sing?" and will have the class vote on suggestions to apply to performing the song. The lesson aims to address national standards around singing, composing, listening, and evaluating music.
Lesson Plan Cpiii Answer In The Form Of A Questionsheehand
油
The document outlines a music lesson plan where students will build on an existing song called "This Pretty Planet" by suggesting ways to add or change the music through asking questions. The teacher will have the students brainstorm questions to prompt different musical additions, like changing dynamics or adding movements. Students will then try applying their peer's suggested additions to the song and give feedback on the results. The goal is for students to encounter composing music in a new way through question-based suggestions.
This document contains a daily lesson log for a Grade 3 Music, Arts, Physical Education, and Health (MAPEH) class taught by Archie M. Woo from February 13-17, 2023. The lessons focus on the concepts of timbre in music and printmaking using natural objects. On each day, students will listen to different sounds and identify their sources, practice vocal techniques, and create nature prints using leaves, twigs, and other found objects. The teacher will evaluate students' understanding through group activities and art projects related to the lessons.
This document provides an overview of a lesson plan for a recorder unit for 5th grade students called Recorder Taekwondo. The unit uses a belt ranking system where students progress through different belt levels as they learn increasingly difficult songs. Previously, the unit was taught using direct whole-class instruction, but changes are being made to incorporate additional resources and learning theories. The revised unit will include instructional videos to allow for more independent practice, as well as peer teaching between higher and lower belt students. This is intended to maximize instructional time while still achieving curricular goals.
This document provides a template for a music unit on pulse, accent, and rhythm for 1st year secondary students. The unit has the following objectives: identifying and describing pulse, accent, and rhythm; following and clapping rhythms; expressing what is listened to; participating in group performances; and creating a rap song. Content includes elements of musical composition, identifying rhythmic concepts, and performing pieces. Related vocabulary, structures for description, and cultural elements are also covered. A variety of individual, paired, and group activities are outlined to develop linguistic and musical skills over multiple class sessions. Student understanding and participation are evaluated based on objectives.
The document provides steps for organizing a rhythm band in an elementary school:
1) Talk to the school head about plans for a rhythm band which could include members from one or multiple classes.
2) Secure instruments which could be purchased or homemade by students.
3) Introduce the instruments and how they are played.
4) Create an instrumentation by assigning rhythmic patterns to groups of instruments for pieces of music.
2. There are 3 areas of music which we focus on.
Performing, listening and composing.
This unit of work focuses on composition.
3. Objectives
油Students will:
develop knowledge, understanding and skills in the musical concepts through performing as a means of self-expression, interpreting
musical symbols and developing solo and/or ensemble techniques
Outcomes
A student:
4.3 performs music demonstrating solo and/or ensemble awareness
4.3.1 Student can clap in time to the music.
4.3.2 Student can sing in tune.
4.3.3 Student can sing in tune and in time to music.
Students learn to:
perform music through singing, playing and moving to a range of repertoire
油
perform musical compositions and arrangements individually and/or in groups
油
perform music that uses different forms of musical notation and technologies
Students learn about musical concepts through:
recognising the use of musical concepts in various repertoire characteristic of the topics studied
油
understanding how the concepts of music are used and manipulated in compositions and arrangement
油
understanding various forms of musical notation used in the repertoire studied
油
油
4. Objective
Students will develop knowledge, understanding and skills in the musical concepts through composing as a means of self-expression, musical creation and
problem-solving.
油
Outcomes
A student:
油
4.4 demonstrates an understanding of musical concepts through exploring, experimenting, improvising, organising, arranging and composing
- 4.4.1 Student can improvise with sounds on instruments available.
- 4.4.2Student can experiment and organise sounds on available instruments.
- 4.4.3 Student can distinguish and discriminate different sounds and effectively organise a composition.
油
4.5 notates compositions using traditional and/or non-traditional notation
- 4.5.1Student can notate using graphic notation (Pictures).
- 4.5.2Student can notate using simple traditional notation.
- 4.5.3 Student can notate composition using traditional western notation.
油
Students learn to:
experiment and improvise both individually and in groups using stimulus characteristic of the repertoire studied
explore forms of musical notation, including computer-based applications, as a method of recording their own musical ideas
organise musical ideas into simple compositions both individually and in groups
油Students learn about musical concepts through:
experimenting and improvising music representative of various styles, periods and genres
creating simple compositions both individually and in groups
油
油
notating compositions using various forms of traditional and non-traditional notation
油
油
5. Objectives
Students will:
develop knowledge, understanding and skills in the musical concepts through listening as a means of extending aural awareness and
communicating ideas about music in social, cultural and historical contexts
4.9 demonstrates musical literacy through the use of notation, terminology, and the reading and interpreting of scores used in the music
selected for study
油
4.11 demonstrates an appreciation, tolerance and respect for the aesthetic value of music as an artform
Students learn to:
listen to and analyse a range of repertoire
油
identify how concepts of music have been used and manipulated in a range of repertoire
油
respond to the range of repertoire used for listening
油
Students learn about musical concepts through:
aurally exploring music of various styles, periods and genres
油
identifying, understanding and describing how the concepts of music have been used and manipulated
油
responding to and discussing the varying repertoire used in class and in the world of music
油
6. 4.4.1 Student can improvise with sounds on instruments available.
Compose a riff (one bar).
It must be rhythmic.
Compose a riff that uses both rhythm and pitch.
4.4.2 Student can experiment and organise sounds on available instruments.
Compose a 2 bar rhythm on a percussion instrument.
4.4.3 Student can distinguish and discriminate different sounds and effectively organise a composition.
Choose 2 instruments that work well together and compose a 4 bar melody.
4.5.1Student can notate using graphic notation (Pictures).
Draw 4 examples of graphic notation.
4.5.2 Student can notate using simple traditional notation
Test: do a 2 bar rhythmic dictation.
4.5.3 Student can notate composition using traditional western notation.
Compose a 4 bar melody.
7. 4.4.1 Student can improvise with sounds on instruments available.
Compose a 4 bar rhythm on a percussion instrument.
4.4.2 Student can experiment and organise sounds on available instruments.
Choose 3 instruments that work well together and compose a 4 bar melody.
4.4.3 Student can distinguish and discriminate different sounds and effectively organise a
composition.
Draw 4 examples of graphic notation and perform them to the class.
Test: do an 4 bar rhythmic dictation using crotchets and minims only.
4.5.1Student can notate using graphic notation (Pictures)
Compose an 8 bar Melody.
8. 4.4.1 Student can improvise with sounds on instruments available.
Compose an 8 bar rhythm on a percussion instrument.
4.4.2 Student can experiment and organise sounds on available instruments.
3 percussive instruments and one Orff instrument and compose a 4 bar melody.
4.4.3 Student can distinguish and discriminate different sounds and effectively organise a
composition.
Draw 4 examples of graphic notation, perform them, and then notate it using traditional
western notation.
Test: do an 8 bar rhythmic dictation using crotchets, minims and quavers.
4.5.1Student can notate using graphic notation (Pictures).
Compose an 8 bar melody with an accompaniment.,
9. Students will learn by:
Assessments will be set to test what they have
learnt and not simply a regurgitation test.
Asking students to recognise different notation.
Discussing with peers during group work.
Feedback from peers.
Feedback from teacher.
Practical approaches to assessments, eg asking
students to talk about what they have learnt.
10. Informal ways of testing students knowledge:
Answering questions in class
Brainstorming
Group work
Performing-both listening to performances and
critiquing them.
Peer evalutions
11. Layer C
Basic
knowledge
Objectives
Student can improvise with sounds
on instruments available.
Student can experiment and
organise sounds on available
instruments.
Student can distinguish and
discriminate different sounds and
effectively organise a composition.
Student can notate using graphic
notation.
Student can notate using simple
traditional notation
Student can notate composition
using traditional western notation.
Assignment choices: 5 points each (40 points
maximum)
Compose a riff (one bar)
Compose a 2 bar rhythm on a percussion
instrument.
Choose 2 instruments that work well together
and compose a 4 bar melody
Draw 4 examples of graphic notation.
Test: do a 4 bar rhythmic dictation using
crotchets and minims only.
Compose a 4 bar melody
Create a riff in 2/4
Create a riff in 3/4
Create a riff in 4/4
Create a riff in an unusual metre (eg 5/4, 7/8,
9/8)
Create graphic notation.
Perform your own interpretation of a
classmates graphic notation
12. Layer B
Apply this
knowledge
Objectives
Student can improvise with sounds on
instruments available.
Student can experiment and organise
sounds on available instruments.
Student can distinguish and discriminate
different sounds and effectively organise
a composition.
Student can notate using graphic
notation.
Student can notate using simple
traditional notation
Student can notate composition using
traditional western notation.
Assignment choices: 10 points each
(40 points maximum)
Perform your own interpretation of a
classmates graphic notation
Draw 4 examples of graphic notation
and perform them to the class.
Compose an 8 bar melody.
Create your own 12 bar blues
progression. (If you perform this you get
an extra 10 points).
Write out your own (2 bar) chord
progression using traditional western
notation.
Compose a 4 bar riff with a simple
melody.
13. Layer A
Evaluating
information
Objectives
Student can improvise with sounds
on instruments available.
Student can experiment and organise
sounds on available instruments.
Student can distinguish and
discriminate different sounds and
effectively organise a composition.
Student can notate using graphic
notation.
Student can notate using simple
traditional notation
Student can notate composition using
traditional western notation.
Assignment choices: 15 points each.
(60 Points maximum)
Compose an 8 bar melody over a riff.
Compose an 8 bar rhythm on a percussion
instrument.
Choose 3 percussive instruments and one Orff
instrument and compose a 4 bar melody.
Draw 4 examples of graphic notation, perform
them, and then notate it using traditional
western notation.
Test: do an 8 bar rhythmic dictation using
crotchets, minims and quavers.
Compose an 8 bar melody with an
accompaniment
14. Accountability Discussions, in-class
tests, oral questioning.
Students who informally
show their knowledge will
be able to achieve bonus
points-to help those who
are better at speaking
answers, rather than
writing them.
15. Grade
HD Student follows all criteria above and demonstrates their musical knowledge by:
Confidence
Regularity with rhythm
Musical
Rhythmically perfect
D Student follows all criteria above and demonstrates their musical knowledge by:
Not as confident
Regularity with rhythm
Musical
Rhythmic with one slight error
CR Student follows all criteria above and demonstrates their musical knowledge by:
Reasonably confident
rhythmic with one or two errors
Rhythm usually regular
P Student follows all criteria above and demonstrates their musical knowledge by:
Confidence
Rhythm not as regular
Above 50% correct
F Student follows all criteria above and demonstrates their musical knowledge by:
Not Confident
Rhythm is irregular
Below 50% correct
musical