![SHEET NO: 06
SRUTHI TUMMALAPALLI
SECTIONS [ VIEWS AND SOME
OBJECTS]
1190100886
B.ARCH 2ND
SEMESTER
SPA VIJAYAWADA
REMARK
S:
MY SPACE AND MY PROFESSION
LEVEL 2
4000
LEVEL 1
0
SECTION 1
SECTION 2
0
LEVEL 1
LEVEL 2
4000
ALL DIMENSIONS ARE IN MM
SCALE :1:50
SCALE :1:50
BED SECTION SOFA CHAIR
SECTION
SINK
SECTION
OFFICE CHAIR
SECTION
SCALE : 1:20
SCALE : 1:20
THESE SECTIONS OF VIEWS AND
SOME FURNITURE IS TO DEPICT
HOW THAT LOOKS FROM INSIDE.
SECTIONS ARE TO DESCRIBE
INTERIOR VIEW OF SOMETHING
AND IT ALSO HELPS TO KNOW
THE LEVELS OF THE BUILDING
MOST OF THE OBJECTS IN
THE SECTION VIEW ARE CUT ,
TO CLEARLY UNDERSTAND THE
OBJECTS IN A VIEW.](https://image.slidesharecdn.com/sruthitummalapalli11901008863-200721095148/85/my-space-ideas-6-320.jpg)
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- 1. INTRODUCTION - CONCEPT SHEET NO. 01 SRUTHI TUMMALAPALLI 1190100886 MY SPACE AND MY PROFESSION FORMATION OF ENVOLOPE: CONCEP T: PROFESSION : ARCHITECT AREA: 150 SQM CLIMATE: SEMI ARID REGION LOCATION : PERI URBAN SETTING TERRAIN: MOUNTAIN TERRAIN MATERIALS: BRICK, CEMENT,CONCRETE,WOOD,GLASS. REQUIREMENTS: WAITING LOBBY, OFFICE ROOM, PERSONAL SPACE, PANTRY, TOILET, GARDEN ,PARKING,AND PAINTING AND WORK DISPLAY AREA. A CUBE IS CONSIDERED AND EDGES ARE CUT IN THE WAY TO OBTAIN THIS 3D FORM WITH NO ACUTE ANGLES AND SPACE WASTAGE. ?UTILIZATION OF COMPLETE SPACE. ?PROVIDING CROSS VENTILATION FROM ALL THE SIDES. ?LIGHT IN THE SOUTH SIDE IS UTILIZED. ?REFRESHING ENVIRONMENT IS CREATED. CUBE AREA CUT AREA ADDED PART REMARKS: B.ARCH 2ND SEMESTER SPA VIJAYAWADA MY SPACE AND MY PROFESSION
- 2. EXISTING NEW LEVELED BUILDING PAD BUILDING PAD PLACED LANDSCAPING AROUNDTHE SITE CUT QUANTITY:480SQM FILL QUANTITY: 430SQM HERE MATERIAL IS USED IN A SUSTAINABLE WAY. IT IS CONSTRUCTED IN A PERI URBAN SETTING (ALSO CALLED RURBAN SPACE, OUTSKIRTS OR THE HINTERLAND)ARE DEFINED BY THE PERI CURBANIZATION. MONTAIN TERRAIN IS CHOSEN IN ORDER TO GET A CALM PLACE FOR REFRESHING. LANDSCAPE: THE MAIN PURPOSE IS TO CREATE A JOYFUL ENVIRONMENT ROUND THE BUILDING GIVE A HEALTH BREATH, GOOD APPERANCE AND NATURAL BEAUTY. PRESENT TOPOSPHERE TRANSFORMED TOPOSPHERE TOPOSPHERE AND LANDSCAPING SHEET NO. 02 SRUTHI TUMMALAPALLI 1190100886 REMARK S: B.ARCH 2ND SEMESTER SPA VIJAYAWADA SCALE : 1:500 MY SPACE AND MY PROFESSION
- 3. SRUTHI TUMMALAPALLI SSHEET NO: 03SITE PLAN AND ANALYSIS OF SUN ON SITE ROAD SITE PLANTATION SITE PLAN IMPACT OF SUN ON SITE THE MAIN PURPOSE OF THIS SITE PLAN IS TO SHOW THE EXACT WAY THAT THE INTENDED LAND USE AROUND THE SITE, RELATES TO THE FEATURES OF A PARCEL AND ITS SUROUNDING AREA. SCALE : 1:500 BASED ON THESE LIGHTS AND SHAPES , ONE CAN DESIGN THE MATERIAL APPICABLE [ EXAMPLE: A PLIAN GLASS CAN BE PLACED ON NORTH AS DIRECT SUN LIGHT DOES NOT ENTER. THIS ALSO HELPS IN PLACEMENT OF OPENINGS. 1190100886 B.ARCH 2ND SEMESTER SPA VIJAYAWADA REMARKS: MY SPACE AND MY PROFFESION
- 4. SRUTHI TUMMALAPALLISHEET NO: 04 CONCEPTUAL DRAWINGS 1190100886 REMARK S: B.ARCH 2ND SEMESTER SPA VIJAYAWADAMY SPACE AND MY PROFESSION CONCEPTUAL SKETCHES OFTEN DEPICTS THE IDEA BEFORE DESIGN . THESE ALSO DEFINE THE FLOW OF WIND AND SUN LIGHT. ALSO DESCRIBES THE SURROUNDING LANDSCAPE. BASIC BUILDING MODEL FENCE AROUND SPACE WIND DIRECTION ROOF LIGHT ENTERS THROUGH SKYLIGHT
- 5. SHEET NO: 05 SRUTHI TUMMALAPALLI 1190100886 PLAN AND MATERIAL FINISHES B.ARCH 2ND SEMESTER SPA VIJAYAWADA REMARK S: MY SPACE AND MY PROFESSION OFFICE BEDROOM TOILET PANTRY WORK DISPLAY AREA OR PAINTING ROOM WAITING LOBBY SCALE : 1:100 SECTION OF EXTERNAL WALL SECTION OF CEILING I N T E R N A L W A L L S E C T I O N FLOOR SECTION BRICK GYPSUM FINISH CONCRETE AIR CAVITY CEMENT CONCRETE GYPSUM FALSE CEILING GYPSUM TILING PLAIN CONCRETE GYPSUM LAYER CONCRETE BRICK ALL DIMENSIONS ARE IN MM SCALE: 1:20 SCALE: 1:20 LEGEND
- 6. SHEET NO: 06 SRUTHI TUMMALAPALLI SECTIONS [ VIEWS AND SOME OBJECTS] 1190100886 B.ARCH 2ND SEMESTER SPA VIJAYAWADA REMARK S: MY SPACE AND MY PROFESSION LEVEL 2 4000 LEVEL 1 0 SECTION 1 SECTION 2 0 LEVEL 1 LEVEL 2 4000 ALL DIMENSIONS ARE IN MM SCALE :1:50 SCALE :1:50 BED SECTION SOFA CHAIR SECTION SINK SECTION OFFICE CHAIR SECTION SCALE : 1:20 SCALE : 1:20 THESE SECTIONS OF VIEWS AND SOME FURNITURE IS TO DEPICT HOW THAT LOOKS FROM INSIDE. SECTIONS ARE TO DESCRIBE INTERIOR VIEW OF SOMETHING AND IT ALSO HELPS TO KNOW THE LEVELS OF THE BUILDING MOST OF THE OBJECTS IN THE SECTION VIEW ARE CUT , TO CLEARLY UNDERSTAND THE OBJECTS IN A VIEW.
- 7. SHEET NO: 07 SRUTHI TUMMALAPALLI ELEVATIO NS 1190100886 MYSPACE AND MY PROFESSION REMARKS: B.ARCH 2ND SEMESTER SPA VIJAYAWADA LEVEL 2 4000 LEVEL 1 0 LEVEL 2 4000 LEVEL 1 0 ELEVATION 1 ELEVATION 2 SCALE : 1:50 ALL DIMENSIONS ARE IN MM SOUTH EAST GEOMETRICALLY, AN ELEVATION IS A HORIZONTAL ON TO A VERTICAL PLANE, THE VERTICAL PLANE , THE VERTICAL PLANE NORMALLY BEING PARALLEL TO ONE SIDE OF THE BUILDING. IT IS ALSO KNOWN AS FACADE . NORTH ELEVATION IS THE NORTH ELEVATION IS THE NOTH SIDE WALL OF THE BUILDING IS AN EXAMPLE.
- 8. SHEET NO: 08 SRUTHI TUMMALAPALLI GLASS MATERIALS AND DETAILS 11901100886 B.ARCH 2ND SEMESTER SPA VIJAYAWADA REMARKS: MY SPACE AND MY PROFESSION CAR PARKING EXTENSION. ?ROOF EXTENTION EQQUIPED WITH SPOT LIGHTS. ?LIGHTS: SPOT LIGHTS, YELLOW COLOUR. ROOF: MATERIALS: CONCRETE, SAND THICKNESS:200MM EQUIPED WITH 4 SKYLIGHTS FOR VENTILATION OF LIGHT. GYPSUM CEMENT CONCRETE SECTION OF ROOF GLASS: MATERIAL: CLEAR GLASS COLOUR: LIGHT GREEN AND GREY DOOR: TYPE: SLIDING DOOR MATERIALS: WOOD AND GLASS PAINT: SIEANA. CONCRETE AND SAND DPC CONCRETE CAST PLINTH HEIGHT: MATERIAL: INSITU CONCRETE HEIGHT:225MM WOOD GATE STICKS GATE: MATERIAL: WOOD TYPE: SLIDING TYPE: CHAIN LINK COMPOUND: MATERIAL: FENCE,STEEL. APPEARENCE: GLASS WOOD WHITE CLADDING WINDOW: TYPE:CASMENT BAY WINDOW SIZE: 2200MM*1500MM FRAME CLADING: WHITE INTERIOR FRAME: WOOD VIEW AREA: GLASS. BRICK PAINT GYPSUM LAYER SECTION OF THE WALL INTERIOR WALL: COLOUR: LENIN WHITE MATERIAL: BRICK WALL HEIGHT: 4000 METERS. TREES: TYPE:CONIFER NAME: JUNIPER HEIGHT: 2 TO 2.5 M
- 9. SHEET NO: 09 SRUTHI TUMMALAPALLI EXTERIOR VIEWS 1190100886 B.ARCH 2ND SEMESSTER SPA VIJAYAWADA REMARK S: MYSPACE AND MY PROFESSION EXTERIOR VIEW 1 EXTERIOR VIEW 2 THIS IS THE VIEW FROM OUTSIDE THE GATE . THE ROOF IS EXTENDED OUTSIDE SO THAT IT PROVIDES THE SHADE TO PARK THE CAR AND THAT EXTENSION ALSO HELPS THAT WORK DISPLAY AREA BY PROTECTING IT FROM HEAT ENTERING. A BEAUTIFUL GLASS IS ALIGNED WITH A VIEW OF NATURE, BECAUSE IT MAKES US FEEL REFRESHED. THICK GLASS IS USED SO THAT HEAT WOULD NOT ENTER INSIDE. LIGHT YELLOWISH LIGHTS ARE USED SO THAT EYES DOES NOT GET STRAINED. EXTERIOR LIGHTS ARE PLACED ON INTERIOR AND EXTERIOR SIDES OF THE WALL. SO THAT THE PEOPLE CAN SEE THE FLOOR EASILY TO WALK AS THEY ARE FOCUSED ON TO THE FLOOR. SETBACKS ARE LEFT AROUND THE BUILDING FOR THE GOODAIR AND LIGHT VENTILATION. GATE IS ENTIRELY MADE OF ALUMINIUM AND WOOD. SKYLIGHTS ARE PROVIDED ON THE TOP OF THE ROOF BECAUSE IN ORDER TO USE THE NATURAL LIGHTING DURING DAY TIME.
- 10. SHEET NO: 10 SRUTHI TUMMALAPALLI AMBIENT LIGHTING IS USED BECAUSE IT CAN BRIGHTEN AND ENHANCE THE GLOW OF THE ROOMS. LANTHERENS AND WALL SCONCES GIVES THIS EFFECT. DIMMER SWITCHES ARE USED TO ALTER THE AMBIANCE OF THE ROOMS. NATURAL LIGHTING IS ALSO PROVIDED BY THE SKYLIGHTS SO THAT THE ROOMS GET BRIGHTER AND THIS TECHNIQUE IS REALLY ENERGY EFFICIENT. THERE BY REDUCING ARTIFICIAL LIGHTS REQUIRMENT AND SAVING ENERGY INTERIOR VIEW 1 INTERIOR VIEW 2 ROOMS ARE NATURALLY BRIGHTER BECAUSE MORE SHINY OBJECTS ARE ADDED WHICH REFLECTS MORE LIGHT AND LIGHT COLOUR PAINTS ARE USED TO PAINT THE WALLS TO REFLECT MORE LIGHT. LARGER DOORS AND WINDOWS ARE INSTALLED. ALL THESE INSTALLMENTS MAKE SPACE BRIGHTER. INTERIOR VIEWS 1190100886REMARKS: B.ARCH 2ND SEMESTER SPA VIJAYAWADAMY SPACE AND MY PROFESSION
- 11. INTERIOR VIEWS SHEET NO: 11 SRUTHI TUMMALAPALLI INTERIOR VIEW 3 INTERIOR VIEW 4 MY SPACE AND MY PROFESSION REMARKS: 1190100886 B.ARCH 2ND SEMESTER SPA VIJAYAWADA BEDROOM HAS A FULL GLASS ON THE SOUTH SIDE , AS IT IS SHADY THROUGHOUT THE YAER. IT ALSO GIVES A GOOD VIEW. COMPOUND WALL IS NOT MADE UP OF BRICK OR CONCRETEV, IT IS MADE OF A SIMPLE FENCE, BECAUSE IT GIVES A LONGER VIEW OF NATURE. IT IS THE ART ROOM AND ALSO USED AS WORK DISPLAY AREA. IT HAS A BAY WINDOW FOR EXTINT VIEW AND FOR THE FEEL OF RELAXATION . LIGHT COLOUR IS APPILED TO THE WALLS TO FEEL MORE RELAXED.
- 12. SHEET NO: 12 SUN PATH ANALYSIS SRUTHI TUMMALAPALLI 1190100886 B.ARCH 2ND SEMESTER SPA VIJAYAWADA REMARK S:MY SPACE AND MY PROFESSION N E S W SUMMER SUN MONSOON SUN SPRING SUN FALL SUN WINTER SUN THE SUN¨S PATH AFFECTS THE LENGTH OF DAYTIME EXPERIENCED AND AMOUNT OF DAYLIGHT RECEIVED ALONG A CERTAIN LATITUDE DURING A GIVEN SEASON . THE RELATIVE POSITION OF THE SUN IS A MAJOR FACTORE IN THE HEAT GAIN OF THE BUILDING AND IN THE PERFORMANCE OF SOLAR ENERGY SYSTEMS. SUN SHINING INTO A BUILDING PROVIDES FREE HEAT AND NATURAL LIGHT. IT ALSO CREATES GLARE AND WHEN THE HEAT ISNT NEEDED, ADDED DEMANDING OF COOLING . USING SUNLIGHT WHEN ITS NEEDED AND DEFLECTING ITS POWER WHEN ITS NOT ARE TWO OF THE MOST IMPORTANT IN A BUILDING DESIGN. EAST AND WEST FACES CONTINUE TO RECIEVE UNIFORM, STRONG SOLAR RADIATION AT A LOW ANGLE THROUGH OUT THE YEAR. SUMMER SUN: ?SUNPATH IS AT HIGH ANGLE ?NORTH TO EAST -WEST AXIS ?EASY SHADING OF SOUTH FACADES. ?GLARE FREE LIGHT IS AVAILABLE. WINTER SUN: ?SUNPATH IS AT LOW ANGLE ?SOUTH TO EAST-WEST AXIS ?SOLAR RADIATION ON SOUTH SIDE WITH LOW ANGLE.
- 13. SHEET NO: 13 ACTIVITY MAPPING SRUTHI TUMMALAPALLI 1190100886REMARKS: B.ARCH 2ND SEMESTER SPA VIJAYAWADAMY SPACE AND MY PROFESSION CLIENT/GUEST ARCHITECT VISITED BY ONLY ARCHITECT VISITED BY BOTH CLIENT AND ARCHITECT. ARCHITECT VISITS- ENTERS THROUGH THE WAITING AREA , CAN VISIT PAINTING /WORK DISPLAY AREA FROM WAITING AREA CAN ENTER OFFICE ROOM AND FROM THERE , CAN ENTER BEDROOM. FROM WAITING ROOM, CAN ENTER THE BEDROOM DIRECTLY AND THEN CAN ENTER BOTH PANTRY AND TOILET. CLIENT/GUEST VISITS- ENTERS THROUGH THE WAITING AREA, CAN VISIT PAINTING / WORK DISPLAY AREA. FROM WAITING ROOM , CAN ENTER OFFICE ROOM.
- 14. SHEET NO: 14 SUMMER WIND DIRECTION WINTER WIND DIRECTION WIND DIRECTION AND SCEDULES SRUTHI TUMMALAPALLI 1190100886 B.ARCH 2ND SEMESTER SPA VIJAYAWADA REMARKS: MY SPACE AND MY PROFESSION THE PREVAILING WIND DIRECTION IS CONSIDERED IN RELATION TO THE DESIGN OF A BUILDING . IN PARTICULAR,FOR LOCATIONS OF DOORS AND OPENING WINDOWS AND PROVISION OF SHELTER FOR OUTDOORS . OTHER ASPECTS OF WIND . THE DIRECTION OF THE STRONGEST WIND. THE DIRECTION OF THE COLDEST WIND.