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This document discusses the emergence of the "race music" industry in the United States between 1945-1955. During this time, many independent record labels that specialized in "race music" or rhythm and blues were owned or co-owned by Jewish entrepreneurs. These labels exploited the market niche left by major labels in serving the black music audience. Some influential independent labels included King, Savoy, Apollo, Old Time, Atlantic, Chess, National, and others. These Jewish businessmen saw an opportunity to profit from black music, though they sometimes exploited black artists. The document examines how these Jewish entrepreneurs succeeded in this business catering to black audiences.
