Lesson on Editing
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The document discusses editing techniques used in film to achieve different effects. It defines various editing terms like continuity editing, shot-reverse-shot, jump cuts, and cross-cutting. It explains how editing can be used to construct reality, show the passage of time, depict simultaneous events, disrupt expectations, and control pace and rhythm. The goal is to familiarize the reader with media terminology related to editing and how it impacts the mood, tone, and overall effects of a film.
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Lesson on Editing
- 1. EDITING To familiarise myself with the media terminology for editing. To analyse the different effects on a film through the editing. Demonstrate knowledge and understanding of media concepts, using terminology appropriately and with accurate and coherent written expression. STARTER • What is editing?
- 2. Editing for mood & tone • What do we find out about a film through the way it is edited?
- 3. Editing for realism • To construct the illusion of reality through 'invisible’ processes such as: • continuity editing; • the 180-degree rule; • shot-reverse-shot; • match on action; • eyeline match.
- 4. Editing to show a passage of time • to show the passage of time through visual effects or transitions: • dissolve, • fade in, fade out or to black; • wipe, slow motion or fast-forward; • short or long takes; • flashback
- 5. Editing to show simultaneous • • • • • to represent simultaneous activity: insert; cutaway, cross-cutting, parallel editing
- 6. Editing to disrupt • to disrupt or challenge the viewer’s expectations: • jump-cut, • montage editing, • post-production special effects.
- 7. Editing for pace • What’s the pace and rhythm of editing in these sequences? Try: • - counting the shots to gauge the variety of shot lengths and variations in pace. • - mapping the edit points in a diagram to get the ‘shape’ of the sequence.
- 8. Compare the pace of edits…
- 9. The terminology: • dissolve, fade in, fade out or to black; wipe, slow motion or fast-forward; short or long takes; flashback. • jump-cut, montage editing, postproduction special effects. • insert; cutaway, cross-cutting, parallel editing. • continuity editing; the 180-degree rule; shot-reverse-shot; match on action; eyeline match.
Editor's Notes
- #10: Editing for: realism? passage of time? simultaneous activity? to disrupt?